Marlos Nobre (February 18, 1939 – December 2, 2024) was a Brazilian composer. He received commissions from numerous institutions, including the Ministry of Culture in Spain, the Free University of Music of São Paulo, the Neuchâtel Chamber Orchestra in Switzerland, The Apollon Foundation in Bremen, Germany and the Maracaibo Music Festival in Venezuela. He also sat on the juries of numerous international music competitions, including the Città di Alessandria Prize, the Arthur Rubinstein Piano Master Competition and the Paloma O'Shea Santander International Piano Competition.

His eclectic compositional style featured a mixture of classical compositional techniques such as polytonality, atonality and serialism combined with stylistic and conceptual influences from Brazilian traditional and popular music. His diverse approach to composition was enhanced through his studies of prominent composers, including Koellreutter, Guarnieri, Ginastera, Messiaen, Dallapiccola, and Bernstein.

Early life and education

Nobre was born on February 18, 1939. He studied piano and music theory at the Conservatory of Music of Pernambuco from 1948 to 1959, and composition with H. J. Koellreutter and Camargo Guarnieri. When he received a scholarship from the Rockefeller Foundation, he pursued advanced studies at the Latin American Center in Buenos Aires, alongside Ginastera, Messiaen, Malipiero, Copland and Dallapiccola. He worked also with Alexander Goehr and Gunther Schuller at the Berkshire Music Center in Tanglewood in 1969, where he met Leonard Bernstein. The same year he studied electronic music at the Columbia-Princeton Electronic Music Center in New York.

Career highlights

Nobre was composer-in-residence at the Brahms-Haus in Baden-Baden invited by the Brahms Society, Germany from 1980 to 1981. He held the Guggenheim Fellowship in 1985–86.

Nobre was a visiting professor at Yale, the Universities of Indiana, Arizona and Oklahoma and the Juilliard School.

Awards

Nobre won a number of composers' competitions, including:

  • Music and Musicians of Brazil, Rio de Janeiro (1960)
  • Broadcasting Music Inc. Award, New York, US (1961)
  • The Brazilian Song Contest, Rio de Janeiro (1962)
  • Ernesto Nazareth National Competition, Brazilian Academy of Music, Rio de Janeiro (1963)
  • National Composers Contest, Federal University of Rio de Janeiro (1963)
  • Torcuato Di Tella Award, Buenos Aires (1963)
  • City of Santos Contest, São Paulo (1966)
  • The UNESCO Prize, Paris (1974)
  • The I TRIMALCA/UNESCO Prize, Colombia (1979)
  • VI Premio Iberoamerican de la Música "Tomás Luís de Victoria", (2005)

He received the following decorations:

  • Cultural Merit Gold Medal of Pernambuco (1978)
  • Great Official of the Order of Merit of Brasília (1988)
  • Official of the Order of Rio Branco of the Itamaraty, Brazil (1989)
  • Official of the Order of Arts and Letters of France (1994)
  • Gold Medal of Merit of the Joaquim Nabuco Foundation of Pernambuco (1999)

References

Further reading

  • A bibliography of interviews and articles about Nobre
  • Brown, Royal S. "An Interview with Marlos Nobre." Fanfare — The Magazine for Serious Record Collectors 18:1 (September–October 1994) p. 60–65.
  • Llorente, Juan Antonio. "Con nombre propio: Marlos Nobre." Scherzo — Revista de Música. 21:209 (June 2006). p. 8–10. Biographical article in Spanish.
  • POESIA&MÚSICA – SONORIDADES BRASILEIRAS