Marcel Moore (born Suzanne Alberte Malherbe, 19 July 1892 – 19 February 1972) was a French illustrator, designer, and photographer. She, along with her romantic and creative partner Claude Cahun, was a surrealist writer and photographer.

Early life

Moore was born Suzanne Alberte Malherbe in Nantes, France on 19 July 1892, and studied at the Fine Arts Academy in Nantes. In 1909, at age seventeen, Malherbe met fifteen-year-old Lucy Schwob and began a lifelong artistic collaboration. Malherbe's widowed mother married Schwob's divorced father in 1917. Curator Tirza True Latimer has theorized that this step-sister relationship not only encouraged the young women's creative collaborations but also facilitated their romantic relationship. They took male pseudonyms: Malherbe became Marcel Moore, and Schwob became Claude Cahun. They remained together until Cahun's death in 1954.

Moore is best known as Claude Cahun's collaborator. Cahun's photographic oeuvre, all but forgotten for a few decades, was rediscovered in the 1980s and interpreted as a predecessor of Cindy Sherman's theatrical self-portraits. However, recent scholarship suggests that Moore was not only a muse but also had an active hand in the creation of some of Cahun's best-known works. In an essay for the 2005–2006 exhibition Acting Out: Claude Cahun and Marcel Moore at the Frye Art Museum in Seattle, curator Tirza True Latimer argues that Cahun's photographs are not so much "self-portraits" as collaborations with Moore. Moore was the subject of Cahun's dedication, "I dedicate this puerile prose to you, so that the entire book will belong to you and in this way your designs may redeem my text in our eyes." Moore's illustrations for this work consist of collaged images assembled from her many photographs of Cahun, dealing with many of the same themes of identity that can be read in Cahun's own photography and poetry. Moore was fluent in German, and was able to translate the secret notes and messages that she and Cahun composed into German, in hopes of fooling the occupation troops into believing that there was a conspiracy on the island.  She was often the one to take the most significant risks, slipping her notes into pockets of German soldiers or leaving them in German staff cars. As historian Jeffrey H. Jackson writes in his definitive study of their wartime resistance Paper Bullets, for Cahun and Moore, "fighting the German occupation of Jersey was the culmination of lifelong patterns of resistance, which had always borne a political edge in the cause of freedom as they carved out their own rebellious way of living in the world together.  For them, the political was always deeply personal." Despite having reverted to their original names and introducing themselves as sisters in Jersey, their resistance activities were discovered in 1944, and they were sentenced to death and imprisoned. They were saved by the Liberation of Jersey in 1945, but their home and property had been confiscated and much of their art destroyed by the Germans.

Later life

Claude Cahun's health suffered during her wartime imprisonment; Cahun died in 1954, after which Moore relocated to a smaller home. in the 6th district of the French capital.

Rupert Thomson's 2018 novel, Never Anyone But You, was based on the lives of Moore and Cahun in Paris and Jersey.

thumb|Street sign '[[Allée Claude Cahun–Marcel Moore|allée Claude Cahun-Marcel Moore' 6th arrondissement of Paris]]

Bibliography (English)

  • Jeffrey H. Jackson, Paper Bullets:  Two Artists Who Risked Their Lives to Defy the Nazis.  New York:  Algonquin Books, 2020.

References

  • Illustration by Marcel Moore for Oya-Insula ou l'Enfant à la Conque by Marc-Adolphe Guégan