thumb|right|Mao Dun Memorial at his home town [[Wuzhen]]

thumb|The primary school Lizhi College where Mao Dun studied in Wuzhen

Shen Dehong (Shen Yanbing; 4 July 1896 – 27 March 1981), best known by the pen name of Mao Dun, was a Chinese novelist, essayist, journalist, playwright, literary and cultural critic. He was highly celebrated for his realist novels, including Midnight, which depicts life in cosmopolitan Shanghai. Mao was one of the founders of the Chinese Communist Party and participated in a number of left-wing cultural movements during the 1920s and 1930s. He was the editor-in-chief of Fiction Monthly and helped lead the League of Left-Wing Writers. He formed a strong friendship with fellow left-wing Chinese author Lu Xun.

At 24 years of age, Mao Dun was already renowned as a novelist by the community in general, and in 1920, he and a group of young writers took over the magazine Fiction Monthly, to publish literature by western authors, such as Tolstoy, Chekhov, Balzac, Flaubert, Zola, Byron, Keats, and Shaw, and make new theories of literature better known. Despite the fact that he was a naturalistic novelist, he admired writers like Leo Tolstoy for their great artistic style.

In 1920, he was invited to edit a new column: The Fiction-New-Waves () in Fiction Monthly. He even took up the post of Chief Editor of the Monthly in the same year and was obliged to reform it thoroughly, in response to the May Fourth Movement. His young writer friends in Beijing supported him by submitting their creative writings, translating Western literature and their views on new literature theories and techniques to the magazines. The Literary Study Group () was formed partly because of this. Later, China went to war with Japan and he actively engaged in resisting the Japanese attack in 1937. In 1949, the communist government took over and he was responsible for working as Mao Zedong's secretary and Culture Minister until 1965.

The experience of political conflict broadened his horizon in literature, therefore the theme of his later writing was mostly based on this. He helped to found the League of Left-Wing Writers in 1930. After that, he worked together with Lu Xun to fight for the right of the society and the revolutionary movement in literature. The harvest period of Mao Dun's writing is considered to have been from 1927 to 1937.

Shi (蚀), also translated in English as The Eclipse, was Mao's first novel. It was published in three volumes: Disillusions (幻灭, 1927), Wavering (动摇, 1928), and Pursuits (追求, 1928). In Yan'an, he wrote essays praising the Communist Party's transformation of the region through both cultivation of culture and of labor.

List of works

right|thumb|A bust of Mao Dun in his former residence in [[Wuzhen, Zhejiang.]]

right|thumb|A bust of Mao Dun in his former residence in [[Beijing.]]

Mao Dun has over 100 publications throughout his life, which includes short stories, novels, theories etc. Some of his most famous works include:

Short stories

  • Wild Rose ( Ye Qiangwei (1929)
  • The Smoke and Cloud Collection Yanyunji (1937)

Novellas

  • Disillusions Huanmie (1927)
  • Wavering Dongyao (1927)
  • Pursuits Zhuiqiu (1928)
  • Three people walking, Sanrenxing (1931)
  • The Shop Of the Lin Family Linjia Puzi (1932)
  • Spring Silkworms, Chuncan (1932)
  • Autumn Harvest QiuShou

Novels

  • Rainbow Hong (1930)
  • Midnight: A Romance of China, 1930 Ziye (1933)
  • Giving to the poet festival'Xian Gei Shi Ren Jie (1946)

Theories

  • The recent works of Mao Dun'Mao Dun Jin Zuo (1980)
  • Mao Dun's comment on creativity'Mao Dun Lun Chuang Zuo (1980)

Essays

  • "Travelling Diary of USSR"Su Lian Jian Wen Lu (1948)
  • "Talks on USSR"Ji Tan Su Lian (1949)

Drama script

  • Front and rear Pure Brightness, QianMingQianHou (1945)

Translation

  • Modern drama Russian Question (1946)
  • Novelette Group's Son (1946)

Others

  • Works of Mao Dun'Mao Dun Quanji (vol. 1–15, 1984–1987)
  • Introduction to the books of Mao Dun'Mao Dun Shujian (1st edition, collection of letters, 1984) later changed the name into Mao Dun Shuxinji (1988)

Transition of female characters

The 1930s is a turning point of the female characters' identity in Mao Dun's works. Between the 1920s and the 1930s, which was also the early period of Mao Dun's writing career, the female characters occurring in his works mostly were in identity of "New Woman", for instance, Mrs. Gui (桂阿姨) and Qionghua (琼华) in Wild Rose (野蔷薇, 1929), Ms. Mei (梅小姐) in Rainbow (虹, 1930). in the novel.

References

Sources

  • Bartleby.com article on Mao-Tun
  • Encyclopedia.com article on Mao-Tun
  • Yahoo Encyclopedia article on Mao-Tun
  • Feng, Liping (April 1996). "Democracy and Elitism: The May Fourth Ideal of Literature". Modern China (Sage Publications, Inc.) 22 (2): 170–196. . .

Further reading

  • Chen, Yu-shih. Realism and Allegory in the Early Fiction of Mao Dun. (1986)
  • Gálik, Marián. Mao Tun and Modern Chinese Literary Criticism. (1969)
  • Gálik, Marián. The Genesis of Modern Chinese Literature Criticism. (1980)
  • Hsia, C.T. A History of Modern Chinese Fiction. (1961)
  • Li Pin. () Bianji jia Mao Dun pingzhuan () Kaifeng (): Henan University press (河南大學出版社), 1995. Available in HKU FPS library.
  • Shao Bozhou, et al. ed. Mao Dun de wenxue daolu. (1959)
  • Wang, David Der-wei. Fictional Realism in the Twentieth-Century China. (1992)
  • Chinese Writers on Writing featuring Mao Dun. Ed. Arthur Sze. (Trinity University Press, 2010).
  • Williams, Philip F. Village Echoes: The Fiction of Wu Zuxiang. (1993)
  • Mao Dun, Master Craftsman of Modern Chinese Literature by Fan Jun
  • The Sad End of Mao Dun
  • Mao Dun. A Portrait by Kong Kai Ming at Portrait Gallery of Chinese Writers (Hong Kong Baptist University Library).