Malays (Malay: Orang Melayu, Jawi script: ) are an Austronesian ethnoreligious group native to the Malay Peninsula, eastern Sumatra, coastal Borneo, and the smaller islands that lie between these locations known as Riau Archipelago. These locations are today part of the countries of Malaysia, Indonesia (eastern and southern Sumatra, Bangka Belitung Islands, West Kalimantan, Riau Islands, and the coast of East Kalimantan), the southern part of Thailand (Pattani, Satun, Songkhla, Trang, Krabi, Yala, and Narathiwat), Singapore, Brunei Darussalam, and the southern tip of Myanmar (Tanintharyi).

There is considerable linguistic, cultural, artistic and social diversity among the many Malay subgroups, mainly due to hundreds of years of immigration and assimilation of various regional ethnicity and tribes within Maritime Southeast Asia. Historically, the Malay population is descended primarily from the earlier Malayic-speaking Austronesians and Austroasiatic tribes who founded several ancient maritime trading states and kingdoms, notably Brunei, Kedah, Langkasuka, Gangga Negara, Chi Tu, Nakhon Si Thammarat, Pahang, Melayu, and Srivijaya.

The advent of the Malacca Sultanate in the 15th century triggered a major revolution in Malay history, the significance of which lies in its far-reaching political and cultural legacy. Common definitive markers of Malayness—the religion of Islam, the Malay language and traditions—are thought to have been promulgated during this era, resulting in the ethnogenesis of the Malay as a major ethnoreligious group in the region. In literature, architecture, culinary traditions, traditional dress, performing arts, martial arts and royal court traditions, Malacca set a standard that later Malay sultanates emulated. The golden age of the Malay sultanates in the Malay Peninsula, Sumatra and Borneo saw many of their inhabitants, particularly from various tribal communities like the Batak, Dayak, Orang Asli, and the Orang Laut become subject to Islamisation and Malayisation. In the course of history, the term "Malay" has been extended to other ethnic groups within the "Malay world"; this usage is nowadays largely confined to Malaysia and Singapore, where descendants of immigrants from these ethnic groups are termed as anak dagang ("traders") and who are predominantly from the Indonesian archipelago, such as the Acehnese, Banjarese, Bawean, Bugis, Mandailing, Minangkabau, and Javanese.

Throughout their history, the Malays have been known as a coastal-trading community with fluid cultural characteristics. They absorbed, shared and transmitted numerous cultural features of other local ethnic groups, such as those of Minangkabau and Acehnese.

Etymology

thumb|[[Muaro Jambi Temple Compounds in Jambi, historically linked to the pre-Islamic Melayu Kingdom. The Melayu-Srivijayans were known to construct complex building system in its capital, major cities and important urban centres.]]

thumb|[[Bukit Seguntang in Palembang. According to Sejarah Melayu, the hill recorded the advent of Sang Sapurba, a legendary progenitor for various Malay royal houses in Sumatra, Malay Peninsula and Borneo.]]

The epic literature the Malay Annals associates the etymological origin of "Melayu" to a small river named () in Sumatra, Indonesia. The epic incorrectly stated that the river flowed to the Musi River in Palembang, while in reality it flowed to the Batang Hari River in Jambi. The term is thought to be derived from the Malay word melaju, a combination of the verbal prefix 'me' and the root word 'laju', meaning "to accelerate", used to describe the accelerating strong current of the river.

As a place name (toponym)

Prior to the 15th century, the term "Melayu" and its similar-sounding variants appear to apply as an old toponym to the Strait of Malacca region in general.

  • Malaya Dwipa, "Malaya Dvipa", is described in chapter 48, Vayu Purana as one of the provinces in the eastern sea that was full of gold and silver. Some scholars equate the term with Sumatra, but several Indian scholars believe the term should refer to the mountainous Malay Peninsula, while Sumatra is more correctly associated with Suvarnadvipa.
  • Maleu-kolon – a location in the Golden Chersonese, from Ptolemy's work, Geographia.
  • Mo-lo-yu – mentioned by Yijing, a Tang dynasty Chinese Buddhist monk who visited the Southeast Asia in 688–695. According to Yijing, the Mo-Lo-Yu kingdom was located at a distance of 15 days sailing from Bogha (Palembang), the capital of Sribhoga (Srivijaya). It took a 15-day sail as well to reach Ka-Cha (Kedah) from Mo-lo-yu; therefore, it can be reasoned that Mo-Lo-Yu would lie halfway between the two places. A popular theory relates Mo-Lo-Yu with the Jambi in Sumatra, however the geographical location of Jambi contradicts with Yi Jing's description of a "half way sail between Ka-Cha (Kedah) and Bogha (Palembang)". In the later Yuan dynasty (1271–1368) and Ming dynasty (1368–1644), the word Ma-La-Yu was mentioned often in Chinese historical texts – with changes in spelling due to the time span between the dynasties – to refer to a nation near the southern sea. Among the terms used was "Bôk-lá-yù", "Mók-là-yū" (木剌由), Má-lì-yù-er (麻里予兒), Oō-laì-yu (巫来由) — traced from the written source of monk Xuanzang) and Wú-laī-yû (無来由).
  • Malaiyur – mentioned in the Tanjore inscription. It was described as a kingdom that had "a strong mountain for its rampart" that fell to the Chola invaders during Rajendra Chola I's campaign in the 11th century. It may have been situated in Sumatra, between Pannai and Srivijaya (Palembang), possibly in the Muaro Jambi archaeological site.
  • Malai – mentioned by the 12th century Arab geographer Muhammad al-Idrisi in Tabula Rogeriana, it described the Malay peninsula as a long island and called it Malai, bordering the Qmer (Khmer) and lying 12 days sail from Sanf (Champa).
  • Bhūmi Mālayu – (literally "Land of Malayu"), a transcription from Padang Roco Inscription dated 1286 CE by Slamet Muljana. The term is associated with Dharmasraya kingdom.
  • Ma-li-yu-er – mentioned in the chronicle of Yuan dynasty, referring to a nation of the Malay Peninsula that faced the southward expansion of Sukhothai Kingdom, during the reign of Ram Khamhaeng. The chronicle stated: "..Animosity occurred between Siam and Ma-li-yu-er with both killing each other ...". In response to the Sukhothai's action, a Chinese envoy went to the Ram Khamhaeng's court in 1295 bearing an imperial decree: "Keep your promise and do no evil to Ma-li-yu-er".
  • Malauir – mentioned in Marco Polo's account as a kingdom located in the Malay Peninsula, possibly similar to the one mentioned in Yuan chronicle.
  • Malayapura – (literally "city of Malaya" or "fortress of Malaya"), inscribed on the Amoghapasa inscription dated 1347 CE. The term was used by Adityawarman to refer to Dharmasraya.

Other suggestions include the Javanese word mlayu (as a verb: to run, participle: fugitive), or the Malay term melaju (to steadily accelerate), referring to the high mobility and migratory nature of its people. De Barros (1552) mentioned that Iskandar Shah named the Malaios (Malays) so because of the banishment of his father from his country. Albuquerque explained that Parameswara fled (malayo) from the kingdom of Palembang to Malacca.

As an ethnic name (ethnonym)

The word "Melayu" as an ethnonym, to allude to a clearly different ethnological cluster, is assumed to have been made fashionable throughout the integration of the Malacca Sultanate as a regional power in the 15th century. It was applied to report the social partialities of the Malaccans as opposed to foreigners as of the similar area, especially the Javanese and Thais. This is evidenced from the early 16th century Malay word-list by Antonio Pigafetta who joined the Magellan's circumnavigation, that made a reference to how the phrase chiara Malaiu ('Malay ways') was used in the maritime Southeast Asia, to refer to the al parlare de Malaea (Italian for "to speak of Malacca").

Classical Malay literature described the Malays in a narrower sense than the modern interpretation. Hikayat Hang Tuah (ca. 1700, manuscript ca. 1849) only identifies the Malay people as the subject of Malacca Sultanate; Brunei, at that time, is not considered Malay. Hikayat Patani (manuscript: 1876) for example, does not call Patani and Brunei as Malay, that term is only used for Johor. Kedah is not included as Malay in the Kedah chronicle/Hikayat Merong Mahawangsa (ca. 1821). Hikayat Aceh (ca. 1625, manuscript ca. 1675) linked Malay ethnicity with Johor, but certainly not Aceh or Deli.

Origins

thumb|A group of men from [[Brunei Darussalam in the Cekak Musang type, worn together with the songket (far left) and kain sarong]]

Proto-Malay models

Also known as Melayu asli (aboriginal Malays) or Melayu purba (ancient Malays), the Proto-Malays are of Austronesian origin and thought to have migrated to the Malay Archipelago in a long series of migrations between 2500 and 1500 BCE. Notable Proto-Malays of today are Moken, Jakun, Orang Kuala, Temuan and Orang Kanaq. The Encyclopedia of Malaysia: Early History, has pointed out a total of three theories of the origin of Malays:

  • The Yunnan theory (published in 1889) – The theory of Proto-Malays originating from Yunnan approximately 4,000 to 6,000 years ago. The theory is supported by R.H Geldern and his team who theorised that their migration occurred from the Mekong River to the Malay Peninsula. Other evidence that supports this theory includes stone tools found in the Malay Archipelago being analogous to Central Asian tools, which shows the similarity of Malay and Assamese customs.
  • The New Guinea/Seafarers theory (published in 1965) – The migration of seafarers with strong oceanographic skills who travelled from island to island between New Zealand and Madagascar. The theory claims the Malay's morphology at the time were similar to that of Negroids.

A study in 2021 concluded that a distinctive Basal-East Asian lineage (sometimes termed as East- and Southeast Asian lineage<nowiki/>' (ESEA), which is ancestral to modern East and Southeast Asians, Polynesians, and Siberians, originated in Mainland Southeast Asia at ~50,000 BCE, and expanded through multiple migration waves southwards and northwards respectively. Basal-East Asian ancestry, as well as later Austroasiatic-associated ancestry, spread into Maritime Southeast Asia prior to the Austronesian expansion. Austronesian-speakers themselves are suggested to have arrived on Taiwan and the northern Philippines between 10,000 and 7,000 BCE from coastal southern China, and spread from there throughout Insular Southeast Asia. The authors concluded that the Austronesian expansion into Insular Southeast Asia and Polynesia was outgoing from the Philippines rather than Taiwan, and that modern Austronesian-speaking peoples, such as the Malays, have largely ancestry from the earliest Basal-East Asians, Austroasiatic migrants from Mainland Southeast Asia, and Austronesian-speaking seafarers from the Philippines, without much admixture from previous groups.

A 2026 study stated that Malays were genetically closer to East Asians than to the indigenous inhabitants of the Malay Peninsula. They have a 'consistent' genetic profile consisting of East Asian (58%), North Bornean-related Austronesian (24%) and indigenous Semang-related (11%) ancestries. Gene flow between Malays and South Asians was also detected.

History

Indian influence

thumb|left|Chedi Phra Borommathat, a [[stupa located in Nakhon Si Thammarat, Thailand. The temple witnessed the rise and fall of Tambralinga, a powerful Buddhist kingdom that managed to conquer Jaffna kingdom in Sri Lanka.]]

There is no definite evidence which dates the first Indian voyages across the Bay of Bengal but conservative estimates place the earliest arrivals on Malay shores at least 2,000 years ago. The discovery of jetty remains, iron smelting sites, and a clay brick monument dating back to 110&nbsp;CE in the Bujang Valley, shows that a maritime trading route with South Indian Tamil kingdoms was already established since the second century.

The growth of trade with India brought coastal people in much of maritime Southeast Asia into contact with the major religions of Hinduism and Buddhism. Throughout this area a most profound in influence has been exerted by India which seems to have introduced into it architecture, sculpture, writing, monarchy, religion, iron, cotton and a host of elements of higher culture. Indian religions, cultural traditions and Sanskrit began to spread across the land. Hindu temples were built in the Indian style, local kings began referring to themselves as "raja" and more desirable aspects of Indian government were adopted.

The beginning of the Common Era saw the rise of Malay states in the coastal areas of the Sumatra and Malay Peninsula; Srivijaya, Nakhon Si Thammarat Kingdom, Gangga Negara, Langkasuka, Kedah, Pahang, the Melayu Kingdom and Chi Tu. Between the 7th and 13th centuries, many of these small, often prosperous peninsula and Sumatran maritime trading states, became part of the mandala of Srivijaya, a great confederation of city-states centred in Sumatra. Early during this period, the earliest known mention of the word "Malayu" was used in Chinese sources in 644 CE. Later in the mid-14th century, the word Malay was already recognised as a collective people sharing similar lineage, culture and lingua.

Srivijaya's influence spread over all the coastal areas of Sumatra and the Malay Peninsula, western Java and western Borneo, as well as the rest of the Malay Archipelago. Enjoying both Indian and Chinese patronage, its wealth was gained mostly through trade. At its height, the Old Malay language was used as its official language and became the lingua franca of the region, replacing Sanskrit, the language of Hinduism. — two major developments that altered the course of Malay history.

The Islamic faith arrived on the shores of what are now the states of Kedah, Perak, Kelantan and Terengganu, from the beginning of 12th century. The earliest archaeological evidence of Islam from the Malay Peninsula is the Terengganu Inscription Stone dating from the 14th century found in Terengganu state, Malaysia.

By the 15th century, the Malacca Sultanate, whose hegemony reached over much of the western Malay Archipelago, had become the centre of Islamisation in the east. As a Malaccan state religion, Islam brought many great transformation into the Malaccan society and culture, and It became the primary instrument in the evolution of a classical Malay identity. The Malaccan era witnessed the close association of Islam with Malay society and how it developed into a definitive marker of Malay identity. Over time, this common Malay cultural idiom came to characterise much of the Malay Archipelago through the Malayisation process. The expansion of Malaccan influence through trade and Dawah brought with it together the Classical Malay language, the Islamic faith, and the Malay Muslim culture; the three core values of Kemelayuan ("Malayness").

In 1511, the Malaccan capital fell into the hands of Portuguese conquistadors. However, Malacca remained an institutional prototype: a paradigm of statecraft and a point of cultural reference for successor states such as Johor Sultanate (1528–present), Perak Sultanate (1528–present), Pahang Sultanate (1470–present), Siak Sri Indrapura Sultanate (1725–1946), Pelalawan Sultanate (1725–1946) and Riau-Lingga Sultanate (1824–1911).

thumb|right|The extent of the Malaccan Sultanate in the 15th century, the legacy of the Malaccan court can be strongly witnessed in the construction of the Malay [[Sociocultural evolution|sociocultural framework until today.]]

Across the South China Sea in the 14th century, another Malay realm, the Bruneian Empire was on the rise to become the most powerful polity in Borneo. By the middle of the 15th century, Brunei entered into a close relationship with the Malacca Sultanate. The sultan married a Malaccan princess, adopted Islam as the court religion, and introduced an efficient administration modelled on Malacca. Brunei profited from trade with Malacca but gained even greater prosperity after the great Malay port was conquered by the Portuguese in 1511. It reached its golden age in the mid-16th century when it controlled land as far south as present day Kuching in Sarawak, north towards the Philippine Archipelago. The empire broadened its influence in Luzon by defeating Datu Gambang of the Kingdom of Tondo and by founding a satellite state, Kota Seludong in present-day Manila, setting up the Muslim Rajah, Rajah Sulaiman I as a vassal to the Sultanate of Brunei. Brunei also expanded its influence in Mindanao, Philippines when Sultan Bolkiah married Leila Macanai, the daughter of the Sultan of Sulu. However, states like the kingdom of Pangasinan, Rajahnate of Cebu and Kedatuan of Madja-as tried to resist Brunei's and Islam's spread into the Philippines. Brunei's fairly loose river based governmental presence in Borneo projected the process of Malayisation.

Other significant Malay sultanates were the Kedah Sultanate (1136–present), Kelantan Sultanate (1411–present), Patani Sultanate (1516–1771), Reman Kingdom (1785–1909) and Legeh Kingdom (1755–1902) that dominated the northern part of the Malay Peninsula. Jambi Sultanate (1460–1907), Palembang Sultanate (1550–1823) and Indragiri Sultanate (1298–1945) controlled much of the southeastern shores of Sumatra. Deli Sultanate (1632–1946), Serdang Sultanate (1728–1948), Langkat Sultanate (1568–1948) and Asahan Sultanate (1630–1948) governed eastern Sumatra. While West Borneo observed the rise of Pontianak Sultanate (1771–1950), Mempawah Sultanate (1740–1950) and Matan Sultanate (1590–1948), Sanggau Sultanate, Sintang Sultanate, and Sekadau Sultanate.

Colonisation by foreign powers

thumb|left|The reigning elite of the [[Riau-Lingga Sultanate in 1867, predominantly of Bugis-Malay descent. The sultanate would be abolished almost half a century later in 1911 by the Dutch powers, following its strong independence movement against the colonial government.]]

Between 1511 and 1984, numerous Malay kingdoms and sultanates fell under direct colonisation or became the protectorates of different foreign powers, from European colonial powers like Portuguese, Dutch and British, to regional powers like Aceh, Siam and Japan. In 1511, the Portuguese Empire captured the capital city of the Malacca Sultanate. The victorious Portuguese however, were unable to extend their political influence beyond the fort of Malacca. The Sultan maintained his overlordship on the lands outside Malacca and established the Johor Sultanate in 1528 to succeed Malacca. Portuguese Malacca faced several unsuccessful retaliation attacks by Johor until 1614, when the combined forces of Johor and the Dutch Empire, ousted the Portuguese from the peninsula. As per agreement with Johor in 1606, the Dutch later took control of Malacca.

thumb|right|Tuan Lebeh (seated, in the middle), the Long Raya or Raja Muda ([[crown prince) of the Kingdom of Reman in 1899. The State of Reman was abolished by the Rattanakosin Kingdom alongside various other Patani Malay kingdoms that revolted for independence in the early 1902 including Pattani, Saiburi, Nongchik, Yaring, Yala, Legeh and Teluban.]]

Historically, Malay states of the peninsula had hostile relations with the Siamese. The Malacca Sultanate Itself fought two wars with the Siamese while the northern Malay states came intermittently under Siamese dominance for centuries. In 1771, the Kingdom of Siam under the new Chakri dynasty abolished the Patani Sultanate and later annexed a large part of Kedah Sultanate. Earlier, the Siamese under Ayutthaya Kingdom have had already absorbed Tambralinga and overrun the Singgora Sultanate in the 17th century. Between 1808 and 1813, the Siamese imposed a new administrative structure and created the semi-independent Malay kingdoms of Patani, Saiburi, Nongchik, Yaring, Yala, Reman and Rangae from Greater Patani and similarly obtained Rundung, Kupa, Tongkah, Terang while carving Setul, Langu, Perlis, Kubang Pasu from the Kedah Kingdom in 1839. In 1902, the Siamese stripped the political powers of all the 7 kingdoms of Patani following a planned revolt for independence against the central government. The coup de grâce was cultivated by 1906, when the Siamese redraw the border of the Patani territories and installed a new governance and administrative system.

In 1786, the island of Penang was leased to East India Company by Kedah Sultanate in exchange of military assistance against the Siamese. In 1819, the company also acquired Singapore from Johor Empire, later in 1824, Dutch Malacca from the Dutch, followed by Dindings from Perak by 1874 and finally Labuan from Brunei in 1886. All these trading posts officially known as Straits Settlements in 1826 and became the crown colony of British Empire in 1867. Additionally, the Straits Settlements would also encompass the Indian Ocean islands of Christmas Island and the Cocos Islands in 1886. British intervention in the affairs of Malay states was formalised in 1895, when Malay rulers accepted British Residents in administration, and the Federated Malay States was formed. In 1909, Kedah, Kelantan, Terengganu and Perlis were handed over by Siam to the British. These states along with Johor, later became known as Unfederated Malay States. During the World War II, all these British possessions and protectorates that collectively known as British Malaya were occupied by the Empire of Japan.

thumb|left|Scene from the [[Castilian War (1578–1580) as Brunei defended its sovereignty against European expansion]]

The twilight of the vast Bruneian Empire began during the Castille War against the Spanish conquistadors who arrived in the Philippines from Mexico. The war resulted in the end of the empire's dominance in the present-day Philippine Archipelago. The decline further culminated in the 19th century, when the Sultanate lost most of its remaining territories in Borneo to the White Rajahs of Sarawak, North Borneo Chartered Company and its lower Borneo vassals to Dutch East India Company. Brunei was a British protectorate from 1888 to 1984.

Following the Anglo-Dutch Treaty of 1824 which divided the Malay Archipelago into a British zone in the north and a Dutch zone in the south, all Malay sultanates in Sumatra and Southern Borneo became part of the Dutch East Indies. Though some of Malay sultans maintain their power under Dutch control, some were abolished by the Dutch government under the accusation of retaliation against the colonial rule, like the case of Palembang Sultanate in 1823, Jambi Sultanate in 1906 and Riau Sultanate in 1911.

In the late 19th century, Germany sought to establish a naval base in Langkawi, requesting its lease from Siam, influenced by Grand Admiral Alfred von Tirpitz's vision of using the island as a hub for a global submarine cable network. With its deep natural harbour, Langkawi was strategically positioned between German territories in China and the Pacific, facilitating warship restocking and enhancing commercial interests for German investors. In October 1899, Behn, Meyer & Co approached Kedah's Crown Prince to lease the island for 50 years, but the plan faltered due to Siam's refusal, as dictated by the Secret Siamese Treaty of 1897, which required British consent for territorial concessions. A subsequent attempt in 1900 to acquire Pulau Lontar was similarly dismissed, prompting British concerns over potential German expansion in the region and its implications for their economic and political dominance.

The prospect of a German annexation of the northern peninsula and the potential of its involvement for a commercial canal or railway network across the Isthmus of Kra, posed a serious threat to the British economic interest and political dominance in the region. Severely alarmed, the British and the Siamese entered the Anglo-Siamese Treaty of 1909, partitioning the peninsula between the British and the Siamese jurisdiction.

thumb|The [[Malay Rulers and nobilities of Negeri Sembilan, Pahang, Perak and Selangor with British colonial officers during the first Durbar in Istana Negara, Kuala Kangsar, Perak, Federated Malay States, 1897]]

The Anglo-Siamese Treaty attested that the Siamese to control the upper portion of the peninsular while the lower region was to be held under the British dominance. The British originally planned for the inclusion of Reman, Legeh and Setul under their dominion together with a cluster of northern Malay states. Nonetheless, they only managed to secure Kedah, Kelantan, Terengganu and Perlis under the agreement. The treaty also witnessed the state of Kedah being reduced the most, with Tarutao, Butang islands groups, Sendawa, Langgu and the principality of Setul were all being divorced into the Siamese hands, a similar fate was also followed in northeastern coast of Kelantan that was demanded to renounced their right on the Tabal district, including Sungai Golok and Sungai Padi; while Perlis lost its Pujoh district. Then-British controlled Federated Malay State of Perak however, saw an enlargement of their land area, with southern territories of Reman being transferred into the state and additionally Kelantan received Jeli from Legeh (which had been under Siamese jurisdiction since 1902). The Siamese then abdicated Tunku Baharuddin, the King of Setul, the sole Malay kingdom remained under Siamese territory in 1916. The treaty nonetheless, manage to seal the fate of the Malay states of Kedah, Kelantan, Terengganu and Perlis to retain a degree of their sovereign powers under the British colonial government, a legacy that can be witnessed today in the Malaysian administrative system.

Later during the Japanese occupation of the Dutch East Indies, British Malaya and Borneo, the Japanese maintained a favourable relationship with the Sultans and other Malay leaders, this is partially composed to foster the trust of the Malay public that was generally loyal towards the sultan. Nonetheless, in a series of massacres known as Pontianak incidents, the Japanese assassinated virtually all of the West Kalimantan Malay sultans, including a large numbers of Malay intelligentsias after they have been falsely accused of planning an uprising and coup d'etat against the Japanese. It was believed that West Kalimantan took two generations to recover from the near-total collapse of the Malay ruling class in the territory.

Malay nationalism

thumb|The bronze mural of the legendary Malay warrior, [[Hang Tuah with his renowned quote Ta' Melayu Hilang Di-Dunia (Malay for "Never shall the Malays vanish from the face of the earth") written on the top. The quote is a famous rallying cry for Malay nationalism.]]

Despite the widespread distribution of the Malay population throughout the Malay Archipelago, modern Malay nationalism was only significantly mobilised in the early twentieth century British Malaya i. e. the Malay Peninsula. In the Netherlands Indies, the struggle against colonisation was characterised by the trans-ethnic nationalism: the so-called "Indonesian National Awakening" united people from the various parts of the Dutch colony in the development of a national consciousness as "Indonesians". In Brunei, despite some attempt made to arouse Malay political consciousness between 1942 and 1945, there was no significant history of ethnic-based nationalism. In Thailand however, Pattani separatism against Thai rule is regarded by some historians as a part of the wider sphere of peninsular Malay nationalism. A similar secession movement can be witnessed in modern-day Indonesia, where both autochthonously-Malay provinces of Riau and Riau Islands sought to gain independence under the name of Republic of Riau. Nevertheless, what follows is specific to the peninsula Malay nationalism that resulted in the formation of the Federation of Malaya, later reconstituted as Malaysia.

The earliest and most influential instruments of Malay national awakening were the periodicals which politicised the position of the Malays in the face of colonialism and alien immigration of non-Malays. In spite of repressions imposed by the British colonial government, there were no less than 147 journals and newspapers published in Malaya between 1876 and 1941. Among notable periodicals were Al-Imam (1906), Pengasuh (1920), Majlis (1935) and Utusan Melayu (1939). The rise of Malay nationalism was largely mobilised by three nationalist factions – the radicals distinguishable into the Malay left and the Islamic group which were both opposed to the conservative elites.

thumb|upright=0.8|left|Federation of Malaya's commemorative stamp issued in 1957. The semi-independent federation was formed in 1948 from nine [[Malay states and two British Straits Settlements. It achieved independence in 1957.]]

The Malay leftists were represented by Kesatuan Melayu Muda, formed in 1938 by a group of Malay intelligentsia primarily educated in Sultan Idris Training College, with an ideal of Greater Indonesia. In 1945, they reorganised themselves into a political party known as Partai Kebangsaan Melayu Malaya (PKMM). The Islamists were originally represented by Kaum Muda consisted of Middle east – educated scholars with Pan-Islamic sentiment. The first Islamic political party was Partai Orang Muslimin Malaya (Hizbul Muslimin) formed in March 1948, later succeeded by Pan-Malayan Islamic Party in 1951. The third group was the conservatives consisted of the westernised elites who were bureaucrats and members of royal families that shared a common English education mostly at the exclusive Malay College Kuala Kangsar. They formed voluntary organisations known as Persatuan Melayu ('Malay Associations') in various parts of the country with the primary goals of advancing and protecting the interests of Malays. In March 1946, 41 of these Malay associations formed United Malays National Organisation (UMNO), to assert Malay dominance over Malaya. and resulted in a lingua franca that was called Bahasa Melayu pasar ("Bazaar Malay") or Bahasa Melayu rendah ("Low Malay") as opposed to the Bahasa Melayu tinggi ("High Malay") of Malacca. It is generally believed that Bazaar Malay was a pidgin and the most important development, however, has been that pidgin creolised, creating several new languages such as the Ambonese Malay, Manado Malay and Betawi language.

European writers of the 17th and 18th centuries, such as Tavernier, Thomassin and Werndly describe Malay as "language of the learned in all the Indies, like Latin in Europe". It is also the most widely used during British and Dutch colonial era in the Malay Archipelago. The reversed was seen in the Spanish East Indies, where mass latinisation of the archipelago during the colonial years resulted the historical coup de grâce of the Malay language in the Philippines.

The dialect of Johor Sultanate, the direct successor of Malacca, became the standard speech among Malays in Singapore and Malaysia, and it formed the original basis for the standardised Indonesian language. Beginning from the 17th century, as a result of British and Dutch colonisation, Jawi was gradually replaced by the Latin-based Rumi script which eventually became the official modern script for Malay language in Malaysia, Singapore, and Indonesia, and co-official script in Brunei.

Literature

thumb|[[Hikayat Merong Mahawangsa in Jawi text. Also known as the Kedah Annals, it is an ancient Malay literature that chronicles the bloodline of Merong Mahawangsa and the foundation of Kedah.]]

The rich oral literature and classical literature of the Malays contain a great number of portraits of the people, from the servant to the minister, from the judge to the Rajas, from the ancient to the very contemporary periods, which together form the amorphous identity of the Malays.

Considering the softness and mellifluence of the Malay language, which lends itself easily to the requirements of rhyme and rhythm, the originality and beauty in Malay literature can be assessed in its poetical elements. Among the forms of poetry in Malay literature are – the Pantun, Syair and Gurindam.

The earliest form of Malay literature was the oral literature and its central subjects are traditional folklore relating to nature, animals and people. The classical Malay folklore is composed of traditional songs and music, heroic poems, animal fables, ghost stories, past events, fairy tales, symbolic lore, myths and bardic tales. Each of the stories possessed its own energy in terms of character, spirit, backdrop and storytelling and was largely crafted with the intend of happiness, guidance, educating, reminiscing, explaining, among few. The folklore were memorised and passed from one generation of storytellers to the next. Many of these tales were also written down by penglipur lara (storytellers) for example: Hikayat Malim Dewa, Hikayat Malim Deman, Hikayat Raja Donan, Hikayat Anggun Cik Tunggal, and Hikayat Awang Sulung Merah Muda.

When Indian influences made their way to the Malay Archipelago around 2000 years ago, Malay literature began incorporating Indian elements. Literature of this time is mostly translations of Sanskrit literature and romances, or at least some productions inspired by such, and is full of allusions to Hindu mythology. Probably to this early time may be traced such works as Hikayat Seri Rama (a free translation of the Ramayana), Hikayat Bayan Budiman (an adaptation of Śukasaptati) and Hikayat Panca Tanderan (an adaptation of Hitopadesha).

The era of classical Malay literature started after the arrival of Islam and the invention of Jawi script (Arabic based Malay script). Since then, Islamic beliefs and concepts began to make its mark on Malay literature. The Terengganu Inscription Stone, which is dated to 1303, is the earliest known narrative Malay writing. The stone is inscribed with an account of history, law, and romance in Jawi script. At its height, the Malacca Sultanate was not only the center of Islamisation, but also the center of Malay cultural expressions including literature. During this era, notable Middle Eastern literary works were translated and religious books were written in Malay language. Among famous translated works are Hikayat Muhammad Hanafiah and Hikayat Amir Hamzah.

The rise of Malay literature during the period was also penned by other homegrown literary composition coloured by mystical Sufism of the middle-east, the notable works of Hamzah Fansuri such as Asrar al-Arifin (Rahsia Orang yang Bijaksana; The Secret of the Wise), Sharab al-Asyikin (Minuman Segala Orang yang Berahi; The Drink of All the Passionate) and Zinat al-Muwahidin (Perhiasan Sekalian Orang yang Mengesakan; The Ornament of All the Devoted) can be seen as the magna opera of the era.

thumb|upright=1.5|A Kelantan-Patani styled [[Wayang Kulit (Shadow play) that narrated the heroic tale of Hikayat Seri Rama]]

The most important piece of Malay literary works is perhaps the famed Malay Annals or Sulalatus Salatin. It was called "the most famous, distinctive and best of all Malay literary works" by one of the most prominent scholars in Malay studies, Sir Richard O. Winstedt. The exact date of its composition and the identity of its original author are uncertain, but under the order of Sultan Alauddin Riaayat Shah III of Johor in 1612, Tun Sri Lanang oversaw the editorial and compilation process of the Malay Annals.

In the 19th century, the Malay literature received some notable additions, including Kitab Ilmu Bedil (Book of Traditional Weaponry) that provides valuable details of traditional Malay ammunition and weaponry. The era also witnessed the wider usage of Malay medical journals, known as Kitab Tib. These works are indeed important as it serve as references to the Malay knowledge and technology during the classical era. Other 19th century Malay texts were written in Sumatra, these include the Kitab Pengetahuan Bahasa (Book of Linguistic Knowledge) by Raja Ali Haji and Perhimpunan Gunawan bagi Laki-Laki dan Perempuan (A Compendium of Charms for Men and Women) by Khatijah Terung, a wife of Raja Haji Abdullah bin Raja Hassan.

The same century also witnessed a monumental shift in the Malay literature through writings of Abdullah bin Abdul Kadir, a famous Malacca-born munshi of Singapore. Since this era, the Malays are considered as ethnoreligious group and traditionally had a close identification with Islam and they have not changed their religion since. and the most important Malay festivals are those of Islamic origin — Hari Raya Aidilfitri, Hari Raya Aidiladha, Awal Muharram, and Maulidur Rasul. It is considered apostasy for Malays to convert out of Islam in Malaysia and Brunei. However, there are a number of ethnic Malays living outside of these countries have also embraced other religions legally under the law.

Architecture

thumb|Replica of the [[Malacca Sultanate's Palace, which was built from information and data obtained from the Malay Annals. This historical document had references to the construction and the architecture of palaces during the era of Sultan Mansur Shah, who ruled from 1458 to 1477.]]

Various cultural influences, notably Chinese, Indian and Europeans, played a major role in forming Malay architecture. Until recent time, wood was the principal material used for all Malay traditional buildings. However, numerous stone structures were also discovered particularly the religious complexes from the time of Srivijaya and ancient isthmian Malay kingdoms.

Candi Muara Takus and Candi Muaro Jambi in Sumatra are among the examples that associated with the architectural elements of Srivijaya Empire. However, Srivijayan architecture was mostly represented at Chaiya (now a province in Thailand) in the Malay Peninsula, which was an important centre during the Srivijaya period. The type of structure consists of a cell-chamber to house the Buddha image and the summit of structure was erected in the form of stupa with successive, superimposed terraces which is the best example at Wat Pra Borom That of Chaiya.

There is also evidence of Hindu shrines or Candi around south Kedah between the mount Jerai and the Muda River valley, an area known as Bujang Valley. Within an area of about 350 square kilometres, 87 early historic religious sites have been reported and there are 12 candis located on mountain tops, a feature which suggests may derive from pre-historic Malay beliefs regarding sanctity of high places.

thumb|A wall panel adorned with various floral motives from the [[Kingdom of Setul Mambang Segara|Setul Mambang Segara palatial residence as seen in the Muzium Negara. Setul was a historical Malay kingdom that existed between 1808 and 1915 in the northern Malay Peninsula.]]

Early reference on Malay architecture in the Malay Peninsula can be found in several Chinese records. A 7th-century Chinese account tells of Buddhist pilgrims calling at Langkasuka and mentioned the city as being surrounded by a wall on which towers had been built and was approached through double gates. Another 7th-century account of a special Chinese envoy to Red Earth Kingdom in the Malay Peninsula, recorded that the capital city had three gates more than a hundred paces apart, which were decorated with paintings of Buddhist themes and female spirits.

The first detailed description of Malay architecture was on the great wooden Istana of Mansur Shah of Malacca (reigned 1458–1477). and are often embellished with elaborate wood carvings. The beauty and quality of Malay wood carvings were meant to serve as visual indicators of the social rank and status of the owners themselves. The Salinger House, which won the 1998 Aga Khan Architectural Award, is a modern example of this traditional design.

Throughout many decades, the traditional Malay architecture has been influenced by Bugis and Java from the south, Siamese, British, Arab and Indian from the north, Portuguese, Dutch, Aceh and Minangkabau from the west and Southern Chinese from the east.

<!--Several design elements of traditional Malay architecture are adapted to modern structures to reflect the Malaysian identity. The stilt elevated undulating roof structure of the KLIA is supposed to imitate the traditional Malay-styled raised kampung houses. Wood, an important element in traditional Malay buildings, is also reinterpreted and readapted in modern landscape in the KLIA and Putrajaya. In Putrajaya, the Prime Minister's office is lined with wood panels to achieve the design goal. The underside of the KLIA's domed roof structure is similarly "clad in narrow strips of wood" which the architect suggests, "alludes to vernacular Malaysian timber structures, reinterpreting traditional building methods and strengthening sense of local identity". Non-architectural elements of the Malay heritage are also employed. The entrance to the Petronas Twin Towers is adorned with contemporary Malay motifs adapted from traditional handicrafts, including Songket and timber carvings inspired by images of the tropical rainforests.-->

Visual art

thumb|[[Burung Petala Indra, a giant mythical bird constructed for the grand circumcision parade of the Kelantanese prince]]

Wood carving is a part of classical Malay visual arts. The Malays had traditionally adorned their monuments, boats, weapons, tombs, musical instrument, and utensils by motives of flora, calligraphy, geometry and cosmic features. The art is done by partially removing the wood using sharp tools and following specific patterns, composition and orders. The art form, known as ukir, is hailed as an act of devotion of the craftsmen to the creator and a gift to his fellowmen.

The art form is mainly attributed to the abundance of timber on the Malay Archipelago and also by the skilfulness of the woodcarvers that have allowed the Malays to practice woodcarving as a craft. The natural tropical settings where flora and fauna are abundant has inspired the motives to be depicted in abstract or stylised form into the timber board. With the coming of Islam, geometric and Islamic calligraphy form were introduced in the wood carving. The woods used are typically from tropical hardwood species which is known to be durable and can resist the attacks of fungi, power-boots beetles and termites.

A typical Malay traditional houses or mosque would have been adorned with more than 20 carved components. The carving on the walls and the panels allow the air breeze to circulate effectively in and out of the building and can let the sunlight illuminate the interior of the structure. At the same time, the shadow cast by the panels would also create a shadow based on the motives adding the beauty on the floor. Thus, the carved components perform both functional and aesthetic purposes.

Pottery

thumb|An ebony-coloured [[Labu Sayong, a classic Malay jar from Kuala Kangsar, Perak, Malaysia]]

Under the Malay culture, pottery is not solely witnessed as a mere household utensil. It is perceived as a work of art, a paradigm of talent, embroidered with aesthetic, legacy, perseverance and religious devotion. The Malay earthen is usually unglazed, with the ornamental designs were carved when the pottery is semi-dried during its construction process.

According to several studies, the native Malay pottery industry has developed indigenously from the period of great antiquity and has since encapsulates a high-level of culture sophistication. It also has been noted that the design features of the Malay pottery suggested the absence of the foreign influence prior to the 19th century, a paradox considering the vast cultural contact between the Malays and the outside world. While Nasi Minyak and Nasi Hujan Panas, rice broiled with ghee and spices is hailed as a ceremonial dish for special occasions, especially during the traditional Malay weddings.

Performing arts

thumb|A troupe of [[Thai Malays|Siamese Malay dancers performing the Mak Yong (c. 19th century). In 2005, it received recognition as being among the masterpieces of the oral and intangible heritage of humanity by UNESCO.]]

The Malays have diverse kinds of music and dance which are fusions of different cultural influences. Typical genres range from traditional Malay folk dances dramas like Mak Yong to the Arab-influenced Zapin dances. Choreographed movements also vary from simple steps and tunes in Dikir barat to the complicated moves in Joget Gamelan.

Traditional Malay music is basically percussive. Various kinds of gongs provide the beat for many dances. There are also drums of various sizes, ranging from the large rebana ubi used to punctuate important events to the small jingled-rebana (frame drum) used as an accompaniment to vocal recitations in religious ceremonies.

Nobat music became part of the Royal Regalia of Malay courts since the arrival of Islam in the 12th century and only performed in important court ceremonies. Its orchestra includes the sacred and highly revered instruments of nehara (kettledrums), gendang (double-headed drums), nafiri (trumpet), serunai (oboe), and sometimes a knobbed gong and a pair of cymbals.

Indian influences are strong in a traditional shadow play known as Wayang Kulit where stories from Hindu epics; Ramayana & Mahabharata form the main repertoire. There are four distinctive types of shadow puppet theatre that can be found in Malay Peninsula; Wayang Gedek, Wayang Purwa, Wayang Melayu and Wayang Siam. Nonetheless, the art and the storytelling of Wayang Purwa and Wayang Siam denote a regional influence in fused with the Javanese and Siamese respectively, while Wayang Melayu and Wayang Gedek narrated a more autochthonously Malay form and fashion.

Other well-known Malay performing arts are; Bangsawan theatre, Dondang Sayang love ballad and Mak Inang dance from Malacca Sultanate, Jikey and Mek Mulung theatre from Kedah, Asyik dance and Menora dance drama from Patani and Kelantan, Ulek mayang and Rodat dance from Terengganu, Boria theatre from Penang, Canggung dance from Perlis, Mukun narrative songs from Brunei and Sarawak, Gending Sriwijaya from Palembang, Serampang Dua Belas dance from Serdang.

For the Malay silverware, the works of silver are fairly known for its sophisticated and fine designs. It is usually crafted by repousse, filigree and niello techniques. The common traditional Malay items usually made of silver include pillow ends, belt buckles, matt corners, stoppers for water vessels, Keris sheaths and tobacco boxes. The Awan Larat (cloud patterns) and Kerawang (Vegetal motives) are among the popular designs for Malay decorative silver pillow ends and tobacco boxes. By the time of Malacca in the 15th century, the evolution of the Malay Keris was perfected and possession of a Keris came to be regarded as in integral part of Malay culture, becoming a philosophical symbol, juxtapositioned in prestige, craftsmanship, masculinity and honour.

During the classical era, a Malay man was not seen without a Keris outside of his house. The absence of a Keris on a man was frowned upon, perceived as if he were parading naked to the public. Traditionally, a man of Malay extraction would own three types of Keris: Keris Pusaka (the Dynasty Keris, inherited from one generation to another), Keris Pangkat (the Status Keris, awarded in right of his position in Malay society) and Keris Perjuangan Dirinya (the Struggle Keris, literally defined as his personal Keris). There are many strict rules, regulations and taboos to be adhered to in owning a Keris. The blade of a Kris is usually coated with poisonous arsenic, thus crafting an excruciatingly lethal blade for its prey. Traditionally, each Keris is also regarded as possessing a spirit, known as semangat. Special rituals were to be conducted to nurture, preserve and guard the "soul" of the weapon. The spiritual approach is usually held every Malam Jumaat (Thursday night), with the blade is being purified with lime and smoked with incense, dedicated prayers and devoted mantras would be also recited upon to complement the mystic ritual.

thumb|The [[Trigger (firearms)|trigger mechanism of an Istinggar, a classical Malay matchlock gun as displayed in Muzium Warisan Melayu (Malay Heritage Museum), Serdang, Selangor]]

The Malays and Javanese are abided by contrasting philosophical values pertaining to Keris-wearing. Traditionally, a Malay would embedded his Keris from the front, an honour that the weapon is more paramount compared to the wearer and a constant reminder that one is always equipped to combat the nemesis. The Javanese however, adhered to the principle that he should be more cautious and the Keris may solely be exercised during the time of need, thus cladding their Keris from behind. The Javanese also believed that by carrying their weapon that position, it would confuse the enemy.

Paradoxically, both groups shared a similar ideology addressing the hilt of the Keris. If the hilt faced up front, it serves as a testament that the man is prepared for a fight. Nevertheless, if the hilt is turned behind, it is an oath that the person is embracing for a reconciliation.

There are also a plethora of other forms of weaponry in the Malay arsenal, all were nevertheless equally revered in a correlating manner as the Keris. The Malays would classified the traditional weapons under 7 different structures: Tuju ("Direct", the large and heavy artillery, including the Malay cannons of Meriam, Ekor Lotong, Lela and Rentaka), Bidik ("Gun", a weapon with metal tube propelled by an ammunition, with the Malay forms of Terakor and Istingar), Setubuh ("A body", weapon in the similar dimension of a human body, referred to the Malay spears of Tongkat Panjang and Lembing), Selengan ("An arm", a large sabre from the length of the shoulders to the tips of the fingers, constituting the Malay sabre of Pedang and Sundang), Setangan ("A hand", a sword with the diameter measured from the elbow to the 3 fingers, including Badik Panjang and Tekpi), Sepegang ("A hold", smaller than the Setangan, a dagger with Keris and Badik in the category) and Segenggam ("A grab", the smallest in the category, the hand-sized blade, including Lawi Ayam, Kerambit, Kuku Macan and Kapak Binjai). Other items in the traditional Malay weaponry includes sumpit (Blowpipe) and Busur dan Panah (Bow and Arrow), which are distinct from the seven class of armaments. Additionally, the Malays also would deploy Zirah, a type of Baju Besi (armour) and Perisai (shield) as defence mechanisms during the armed conflict.

Traditional games

thumb|right|A [[Wau bulan|Wau-maker's workshop in Kelantan, Malaysia. This peculiar type of kite can be found in the northeast coast of the Malay Peninsula.]]

Traditional Malay games usually require craft skills and manual dexterity and can be traced their origins since the days of Malacca Sultanate. Sepak Raga and kite flying are among traditional games that were mentioned in the Malay Annals being played by nobilities and royalties of the Malay sultanate.

Sepak Raga is one of the most popular Malay games and has been played for centuries. Traditionally, Sepak raga was played in circle by kicking and keeps aloft the rattan ball using any part of the body except the arms and hands. It is now recognised as Malaysia's national sport and played in the international sporting events such as Asian Games and Southeast Asian Games.

Other popular game is Gasing spinning which usually played after the harvest season. A great skill of craftsmanship is required to produce the most competitive Gasing (top), some of which spin for two hours at a time.

Possibly the most popular Malay games is the Wau (a unique kind of kite from the east coast of the Malay Peninsula) or kite flying. Wau-flying competitions take place with judges awarding points for craftsmanship (Wau are beautiful, colourful objects set on bamboo frames), sound (all Malay kites are designed to create a specific sound as they are buffeted about in the wind) and altitude.

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  • Jambi Kingdom (7th century)
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  • Srivijaya (7th–13th century)
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  • Nong Chik Kingdom (1809–1902)