This is a list of notable musical works which use the whole tone scale.
- Béla Bartók
- Cantata Profana, b. 186–187
- Concerto for Orchestra, fifth movement, b. 484
- String Quartet No. 1, end of movement 3
- String Quartet No. 4, first movement, b. 157–160
- String Quartet No. 5 "The sequence of tonalities of the single sections [of the sonata form] produce the whole-tone scale". "In the first movement of the Fifth String Quartet...the tonalities of the individual sections form a complete whole-tone scale (B–C–D–E–F–G–B)."
- Mikrokosmos, Volume V, No.136 "Whole-Tone Scales"
- Alban Berg
- Violin Concerto
- "Nacht" from Seven Early Songs
- Hector Berlioz
- Francs-Juges Overture
- Ferruccio Busoni
- An die Jugend for piano, the right hand part of the "Preludietto, Fughetta ed Esercizio" is based on the whole tone scale.
- Frédéric Chopin
- Prelude No. 19, mm. 43–44, in the bass, "while the melody moves down chromatically"
- Alexander Dargomyzhsky
- The Stone Guest, passage from act 3
- Peter Maxwell Davies
- Symphony No. 3, first movement, horns, between rehearsals P and Q
- Claude Debussy
- Chansons de Bilitis
- Children's Corner
- Images for piano, No. 1
- Jeux
- La mer
- Pelléas et Mélisande, act 4 scene 2
- Prélude à l'après-midi d'un faune, b. 32–33, 35–36
- Voiles from Préludes, Book 1
- Edward Elgar
- The Dream of Gerontius
- Blair Fairchild
- A Baghdad Lover, nine songs for bass and piano, Op. 25 (1911)
- Mikhail Glinka
- Ruslan and Lyudmila, near the end of the overture, in the finale to act 1, and in the act 4 chorus "Pogibnet! Pogibnet!"
- The Human Abstract
- "Holographic Sight"
- Leoš Janáček
- Sinfonietta (1926)
- Sigfrid Karg-Elert
- "Allegro burlesco" from the Sonatina exotique for piano
- King Crimson
- "Fracture"
- One More Red Nightmare
- Kraftwerk
- "Spacelab" (from The Man-Machine)
- Franz Liszt
- Fantasy and Fugue on the chorale "Ad nos, ad salutarem undam", for organ
- Réminiscences de Don Juan
- Gustav Mahler
- Symphony No. 5, end of fifth movement, b. 784-787
- Das Lied von der Erde, sixth movement, b. 454-459
- Olivier Messiaen
- Quartet for the End of Time (movement 6, "Danse of Fury, for the seven trumpets", cello part)
- Lee Morgan
- "Our Man Higgins"
- Wolfgang Amadeus Mozart
- A Musical Joke
- Giacomo Puccini
- Madama Butterfly
- Maurice Ravel
- Jeux d'Eau, page 1
- Vladimir Rebikov
- Une fête, No. 6
- Les rêves
- Nikolai Rimsky-Korsakov
- Piano Concerto, 1882, Allegro
- Arnold Schoenberg
- "Am Wegrand", Op. 6, no. 6
- Chamber Symphony No. 1
- "Jesus bettelt", Op. 2, no. 2
- Pelleas und Melisande
- String Quartet No. 1
- Franz Schubert
- "Sanctus" from the Mass No. 6 in E major, D. 950
- Sparks
- "In the Future" from the album Indiscreet
- Karlheinz Stockhausen
- Montag aus Licht, act 1, scene 6, "Das große Geweine", b. 879–881
- Igor Stravinsky
- L'Histoire du soldat
- Heitor Villa-Lobos
- Chôros No. 2
- String Quartet No. 3, second movement (Molto Vivo)
- Stevie Wonder
- "You Are the Sunshine of My Life" (introduction)
- Joe Hisaishi
- "Les Aventuriers" from Piano Stories II – The Wind of Life, 1996
See also
- Impressionist music
References
Sources
