The following is the complete List of compositions by Moritz Moszkowski.
MoszWV means Moszkowski Werkverzeichnis (=Moszkowski work directory).
Genre
Works with opus number
{| class="wikitable sortable" style="font-size: 96%; width:100%; text-align: center"
|-
! width= 19.1% |Title
! width= 4% class="unsortable" |Opus
! width= 15% class="unsortable" |Name
! width= 6.1% |Key
! width= 16.9% |Tempo
! width= 1% class="unsortable" |Ge
! width= 1% |Year
! width= 1% class="unsortable" |Note
|-
| Scherzo
| 1
| style="background-color:#E5E4E2;" | —
| B major
| Quasi andantino
| style="background: #F0E68C;" |
| 1874
|
|-
| Albumblatt
| 2
| style="background-color:#E5E4E2;" | —
| A major
| Moderato e grazioso
| style="background: #F0E68C;" |
| 1875
|
|-
| rowspan="4" | Piano Concerto No. 1
| rowspan="4" | 3
| First movement
| B minor
| Allegro con spirito
| rowspan="4" style="background: #DEB887;" |
| rowspan="4" | 1874
| rowspan="4" |
|-
| Second movement
| G major
| Adagio
|-
| Third movement
|E major
| Scherzo molto vivace
|-
| Fourth movement
|B minor
| Allegro con spirito l'istesso tempo
|-
| Caprice
| 4
| style="background-color:#E5E4E2;" | —
| A minor
| Vivo
| style="background: #F0E68C;" |
| 1875
|
|-
| Hommage à Schumann
| 5
| style="background-color:#E5E4E2;" | —
| E major
| Allegro con brio
| style="background: #F0E68C;" |
| 1875
|
|-
| rowspan="3" | Fantasie-Impromptu
| rowspan="3" | 6
| rowspan="3" style="background-color:#E5E4E2;" | —
| F major
| Allegretto grazioso
| rowspan="3" style="background: #F0E68C;" |
| rowspan="3" | 1875
| rowspan="3" |
|-
| G minor
| L’istesso tempo
|-
| D minor
| Tempo I (Allegretto grazioso)
|-
| rowspan="3" | Trois Moments Musicaux
| rowspan="3" | 7
| No. 1
| B major
| Allegramente
| rowspan="3" style="background: #F0E68C;" |
| rowspan="3" | 1875
| rowspan="3" |
|-
| No. 2
| C minor
| Con moto
|-
| No. 3
| F major
| Tranquillo e semplice
|-
| rowspan="6" | Fünf Walzer
| rowspan="5" | 8
| No. 1
| A major
| Allegro moderato
| rowspan="5" style="background: #8CBED6" |
| rowspan="6" | 1875
| rowspan="5" |
|-
| No. 2
| A minor
| Pesante e lugubre
|-
| No. 3
| E major
| Allegro grazioso
|-
| No. 4
| G major
| Vivace assai
|-
| No. 5
| D major
| Pomposo ed energico, ma non troppo allegro
|-
| style="background: #B2BEB5;" | 8a
| style="background-color:#E5E4E2;" | Idem
| style="background-color:#E5E4E2;" | Idem
| style="background-color:#E5E4E2;" | Idem
| style="background: #F0E68C;" |
|
|-
| rowspan="2" | Zwei Lieder
| rowspan="2" | 9
| Die Verlassene
| C
| Allegretto
| rowspan="2" style="background: #FF5800;" |
| rowspan="2" | 1876
| rowspan="2" |
|-
| Schlaflied (Berceuse)
| D major
| Andante
|-
| rowspan="4" | Skizzen, Vier Kleine Stücke
| rowspan="4" | 10
| Melodie
| G major
| Con moto
| rowspan="4" style="background: #F0E68C;" |
| rowspan="4" | 1876
| rowspan="4" |
|-
| Thema
| E major
| Tranquillo ed espressivo
|-
| Mazurka
| G major
| Allegro
|-
| Impromptu über Sachs
| G minor
| Allegro assai
|-
| rowspan="3" | Drei Stücke
| rowspan="3" | 11
| Polonaise
| E major
| Brioso ed energico
| rowspan="3" style="background: #8CBED6;" |
| rowspan="3" | 1876
| rowspan="3" |
|-
| Walzer
| G major
| Allegretto grazioso
|-
| Ungarischer Tanz
| B Minor
| Allegro con fuoco
|-
| rowspan="6" | Spanische Tänze
| rowspan="5" | 12
| Flamenco (Gypsy Dance)
| C major
| Allegro brioso
| rowspan="5" style="background: #8CBED6;" |
| rowspan="6" | 1876
| rowspan="5" |
|-
| Romance in Córdoba
| G minor
| Moderato
|-
| Juana (Andalusian Vito)
| A major
| Con moto
|-
| Malagueña
| B major
| Allegro comodo
|-
| Bolero
| D major
| Con spirito
|-
| style="background: #B2BEB5;" | 12a
| style="background-color:#E5E4E2;" | Idem
| style="background-color:#E5E4E2;" | Idem
| style="background-color:#E5E4E2;" | Idem
| style="background: #980036;" |
|
|-
| rowspan="3" | Drei Lieder
| rowspan="3" | 13
| Bitte: Weil auf mir, du dunkles Auge
| D major
| Molto moderato
| rowspan="3" style="background: #FF5800;" |
| rowspan="3" | 1877
| rowspan="3" |
|-
| Und wüssten's die Blumen
| E minor
| Andante melancolico
|-
| Mädchenaug'! Mädchenaug'!
| D major
| Con vivacita
|-
| Humoreske
| 14
| style="background-color:#E5E4E2;" | —
| D major
| Allegro fastoso
| style="background: #F0E68C;" |
| 1877
|
|-
| rowspan="8" | Sechs Stücke
| rowspan="6" | 15
| Serenata
| D major
| Andante grazioso
| rowspan="6" style="background: #F0E68C;" |
| rowspan="6" | 1877
| rowspan="6" |
|-
| Arabeske
| G major
| Allegro molto
|-
| Mazurka
| G minor
| Allegro
|-
| Canon
| D major
| Con moto
|-
| Walzer
| D major
| Molto moderato
|-
| Barcarole
| A minor
| Andante semplice
|-
| style="background: #B2BEB5;" | 15a
| Serenata
| rowspan="2" style="background-color:#E5E4E2;" | Idem
| rowspan="2" style="background-color:#E5E4E2;" | Idem
| style="background: #8CBED6;" |
| 1911
|
|-
| style="background: #B2BEB5;" | 15b
| Waltzer
| style="background: #980036;" |
| 1902
|
|-
| rowspan="3" | Zwei Konzertstücke
| rowspan="2" | 16
| Ballade
| G minor
| Andante con moto
| rowspan="2" style="background: #980036;" |
| rowspan="3" | 1878
| rowspan="2" |
|-
| Bolero
| D major
| Allegro spiritoso
|-
| style="background: #B2BEB5;" | 16a
| Ballade
| style="background-color:#E5E4E2;" | Idem
| style="background-color:#E5E4E2;" | Idem
| style="background: #DEB887;" |
|
|-
| rowspan="4" | Drei Klavierstücke in Tanzform
| rowspan="3" | 17
| Polonaise
| D major
| Allegro con fuoco
| rowspan="3" style="background: #F0E68C;" |
| rowspan="4" | 1878
| rowspan="3" |
|-
| Menuett
| G major
| Allegro moderato
|-
| Waltzer
| A major
| Molto allegro
|-
| style="background: #B2BEB5;" | 17a
| Menuett
| style="background-color:#E5E4E2;" | Idem
| style="background-color:#E5E4E2;" | Idem
| style="background: #8CBED6;" |
|
|-
| rowspan="6" | Fünf Klavierstücke
| rowspan="5" | 18
| Melodie
| F major
| Moderato
| rowspan="5" style="background: #F0E68C;" |
| rowspan="6" | 1878
| rowspan="5" |
|-
| Scherzino
| F major
| Allegro
|-
| Étude
| G major
| Con agilita
|-
| Marcia
| G major
| Allegro moderato
|-
| Polonaise
| B major
| Con grazia
|-
| style="background: #B2BEB5;" | 18a
| Melodie
| style="background-color:#E5E4E2;" | Idem
| style="background-color:#E5E4E2;" | Idem
| style="background: #980036;" |
|
|-
| rowspan="5" | Johanna d'Arc
| rowspan="4" | 19
| First movement
| rowspan="4" | E major
| Allegro comodo
| rowspan="4" style="background: #1CAC78;" |
| rowspan="4" | 1875–76
| rowspan="4" |
|-
| Second movement
| Andante malinconico
|-
| Third movement
| Molto moderato
|-
| Fourth movement
| Allegro molto
|-
| style="background: #B2BEB5;" | 19a
| Prozessionsmarsch aus Johanna d‘Arc
| style="background-color:#E5E4E2;" | Idem
| style="background-color:#E5E4E2;" | Idem
| style="background: #C9A0DC;" |
| 1879
|
|-
| Allegro Scherzando
| 20
| style="background-color:#E5E4E2;" | —
| E major
| Allegro
| style="background: #F0E68C;" |
| 1879
|
|-
| rowspan="4" | Album Espagnol
| rowspan="4" | 21
| rowspan="4" style="background-color:#E5E4E2;" | —
| G major
| Allegro moderato
| rowspan="4" style="background: #8CBED6;" |
| rowspan="4" | 1879
| rowspan="4" |
|-
| D major
| Vivace assai
|-
| F minor
| Con moto
|-
| D major
| Moderato e grazioso
|-
| rowspan="5" | Tränen. Fünf Gedichte von Adelbert von Chamisso
| rowspan="5" | 22
| Was ist's, o Vater, was ich verbrach?
| rowspan="3" | D major
| Allegro molto
| rowspan="5" style="background: #FF5800;" |
| rowspan="5" | 1879
| rowspan="5" |
|-
| Ich habe, bevor der Morgen
| Molto moderato
|-
| Nicht der Tau und nicht der Regen
| Allegro appassionato
|-
| Denke, denke, mein Geliebter
| B major
| Andante con moto
|-
| Wie so bleich ich geworden bin?
| G major
| Allegretto
|-
| rowspan="8" | Aus aller Herren Länder
| rowspan="6" | 23
| Russland
| A minor
| Allegretto
| rowspan="6" style="background: #8CBED6;" |
| rowspan="6" | 1879
| rowspan="6" |
|-
| Deutschland
| F major
| Andante
|-
| Spanien
| A minor
| Molto vivace
|-
| Polen
| C minor
| Allegro con fuoco
|-
| Italien
| A major
| Presto
|-
| Ungarn
| D major
| Molto allegro
|-
| style="background: #B2BEB5;" | 23a
| style="background-color:#E5E4E2;" | Idem
| style="background-color:#E5E4E2;" | Idem
| style="background-color:#E5E4E2;" | Idem
| style="background: #1CAC78;" |
| 1884
|
|-
| style="background: #B2BEB5;" | 23b
| Russisch
| style="background-color:#E5E4E2;" | Idem
| style="background-color:#E5E4E2;" | Idem
| style="background: #980036;" |
| 1879
|
|-
| rowspan="3" | Drei Konzertetüden
| rowspan="3" | 24
| No. 1 Les Vague
| G major
| Allegro patetico
| rowspan="3" style="background: #F0E68C;" |
| rowspan="3" | 1880
| rowspan="3" |
|-
| No. 2 Il Lamento
| C minor
| Moderato assai
|-
| No. 3
| C major
| Vivace
|-
| rowspan="5" | Deutsche Reigen
| rowspan="5" | 25
| rowspan="5" style="background-color:#E5E4E2;" | —
| D major
| Moderato
| rowspan="5" style="background: #8CBED6;" |
| rowspan="5" | 1880
| rowspan="5" |
|-
| A major
| Allegretto con moto
|-
| F major
| Moderato e grazioso
|-
| A major
| Allegro animato
|-
| E major
| Allegro con brio, un poco meno allegro
|-
| rowspan="3" | Drei Gedichte im Volkston
| rowspan="3" | 26
| Ich frage nicht, hast Du mich lieb
| G major
| Andante
| rowspan="3" style="background: #FF5800;" |
| rowspan="3" | 1881
| rowspan="3" |
|-
| O süsseste Noth, o selige Pein
| C minor
| —
|-
| Auf, hinaus aus dem Haus
| C major
| —
|-
| rowspan="2" | Barcarole und Tarantelle
| rowspan="2" | 27
| Barcarole
| G major
| Allegro con moto
| rowspan="2" style="background: #F0E68C;" |
| rowspan="2" | 1881
| rowspan="2" |
|-
| Tarantelle
| G major
| Presto
|-
| rowspan="5" | Miniaturen
| rowspan="5" | 28
| rowspan="5" style="background-color:#E5E4E2;" | —
| G major
| Allegro moderato
| rowspan="5" style="background: #F0E68C;" |
| rowspan="5" | 1882
| rowspan="5" |
|-
| C major
| Allegro giocoso
|-
| E minor
| Vivace con spirito
|-
| E major
| Allegretto grazioso
|-
| G major
| Molto allegro
|-
| rowspan="3" | Drei Stücke
| rowspan="3" | 29
| Air
| G major
| Tranquillo e cantabile
| rowspan="3" style="background: #980036;" |
| rowspan="3" | 1882
| rowspan="3" |
|-
| Tarentelle
| B major
| Molto vivace
|-
| Berceuse
| F major
| Andante
|-
| rowspan="4" | Violin Concerto
| rowspan="3" | 30
| First movement
| C major
| Allegro commodo
| rowspan="3" style="background: #DEB887;" |
| rowspan="4" | 1883
| rowspan="3" |
|-
| Second movement
| E minor
| Andante
|-
| Third movement
| C major
| Vivace
|-
| style="background: #B2BEB5;" | 30a
| style="background-color:#E5E4E2;" | Idem
| style="background-color:#E5E4E2;" | Idem
| style="background-color:#E5E4E2;" | Idem
| style="background: #980036;" |
|
|-
| rowspan="8" | Six Morceaux
| rowspan="6" | 31
| Monologue
| E minor
| Andante sostenuto
| rowspan="6" style="background: #F0E68C;" |
| rowspan="8" | 1883
| rowspan="6" |
|-
| Mélodie
| G major
| Molto vivace
|-
| Valse mélancolique
| B major
| Moderato
|-
| Scherzetto
| A major
| Allegro con spirito
|-
| Impromptu
| D major
| Tranquillo, ma non troppo lento
|-
| Caprice
| G major
| Allegretto
|-
| style="background: #B2BEB5;" | 31a
| Scherzetto
| style="background-color:#E5E4E2;" | Idem
| style="background-color:#E5E4E2;" | Idem
| style="background: #C9A0DC;" |
|
|-
| style="background: #B2BEB5;" | 31b
| Caprice
| style="background-color:#E5E4E2;" | Idem
| style="background-color:#E5E4E2;" | Idem
| style="background: #C9A0DC;" |
|
|-
| rowspan="3" | Drei Klavierstücke
| rowspan="3" | 32
| In tempo di minuetto
| E major
| Moderato
| rowspan="3" style="background: #F0E68C;" |
| rowspan="3" | 1883
| rowspan="3" |
|-
| Étude
| D major
| Allegro
|-
| Walzer
| E major
| Grazioso
|-
| rowspan="4" | Vier Klavierstücke
| rowspan="4" | 33
| Kindermarsch
| F major
| Allegro
| rowspan="4" style="background: #8CBED6;" |
| rowspan="4" | 1883
| rowspan="4" |
|-
| Humoreske
| D major
| Allegretto
|-
| Tarantelle
| G minor
| Allegro molto
|-
| Spinnerlied
| A major
| Vivo
|-
| rowspan="4" | Trois Morceaux
| rowspan="3" | 34
| Valse
| E major
| Allegro moderato
| rowspan="4" style="background: #F0E68C;" |
| rowspan="4" | 1884
| rowspan="3" |
|-
| Étude
| C major
| Molto allegro
|-
| Mazurka
| E major
| Lento
|-
| style="background: #B2BEB5;" | 34a
| Valse
| style="background-color:#E5E4E2;" | Idem
| style="background-color:#E5E4E2;" | Idem
|
|-
| rowspan="4" | Quatre Morceaux
| rowspan="4" | 35
| Caprice mélancolique
| A minor
| Allegretto con moto
| rowspan="4" style="background: #F0E68C;" |
| rowspan="4" | 1885
| rowspan="4" |
|-
| Moment musical
| C major
| Con moto
|-
| Pièce drôlatique
| G major
| Moderato con leggerezza
|-
| Impromptu
| G major
| Allegro grazioso
|-
| rowspan="8" | Huit Morceaux Caractéristiques
| rowspan="8" | 36
| Pièce rococo
| D major
| Moderato
| rowspan="8" style="background: #F0E68C;" |
| rowspan="8" | 1886
| rowspan="8" |
|-
| Rêverie
| A major
| Molto tranquillo
|-
| Expansion
| D major
| Allegro anomato
|-
| En automne
| B minor
| Veloce
|-
| Air de ballet
| G minor
| Allegretto
|-
| Étincelles
| B major
| Allegro scherzando
|-
| Valse sentimentale
| C major
| Commodo
|-
| Pièce rustique
| E major
| Moderato
|-
| Caprice Espagnol
| 37
| style="background-color:#E5E4E2;" | —
| A minor
| Vivace
| style="background: #F0E68C;" |
| 1885
|
|-
| rowspan="4" | Quatre Morceaux
| rowspan="4" | 38
| Bourrée
| A major
| Allegro molto
| rowspan="4" style="background: #F0E68C;" |
| rowspan="4" | 1886
| rowspan="4" |
|-
| Berceuse
| G major
| Andante
|-
| Mazurka
| G major
|Allegro moderato
|-
| Mélodie italienne
| A major
| Allegro con spirito
|-
| rowspan="7" | Première Suite d'Orchestre
| rowspan="5" | 39
| No. 1
| rowspan="2" | F major
| Allegro molto e brioso
| rowspan="5" style="background: #1CAC78;" |
| rowspan="7" | 1885
| rowspan="5" |
|-
| No. 2
| Allegro giojoso
|-
| No. 3 Tema con variazioni
| rowspan="2" | A major
| Andante
|-
| No. 4 Intermezzo
| Allegretto con moto
|-
| No. 5 Perpetuum mobile
| F major
| Vivace
|-
| style="background: #B2BEB5;" | 39a
| style="background-color:#E5E4E2;" | Idem
| style="background-color:#E5E4E2;" | Idem
| style="background-color:#E5E4E2;" | Idem
| rowspan="2" style="background: #F0E68C;" |
|
|-
| style="background: #B2BEB5;" | 39b
| Intermezzo
| style="background-color:#E5E4E2;" | Idem
| style="background-color:#E5E4E2;" | Idem
|
|-
| Scherzo-Valse
| 40
| style="background-color:#E5E4E2;" | —
| G major
| Allegro
| style="background: #F0E68C;" |
| 1886
|
|-
| Gondoliera
| 41
| style="background-color:#E5E4E2;" | —
| G minor
| Andante con moto
| style="background: #F0E68C;" |
| 1886
|
|-
| rowspan="3" | Trois Morceaux Poétiques
| rowspan="3" | 42
| Romance
| D minor
| Allegretto
| rowspan="3" style="background: #F0E68C;" |
| rowspan="3" | 1887
| rowspan="3" |
|-
| Siciliano
| F minor
| Con malinconia
|-
| Momento giojoso
| E major
| Molto vivace
|-
| rowspan="3" | Deux Morceaux
| rowspan="2" | 43
| Cortège
| A minor
| Allegro ma non troppo
| rowspan="2" style="background: #8CBED6;" |
| rowspan="2" | 1887
| rowspan="2" |
|-
| Gavotte
| —
| Moderato
|-
| style="background: #B2BEB5;" | 43a
| Cortège
| style="background-color:#E5E4E2;" | Idem
| style="background-color:#E5E4E2;" | Idem
| style="background: #1CAC78;" |
| 1888
|
|-
| rowspan="2" | Der Schäfer putzte sich zum Tanz
| 44
| style="background-color:#E5E4E2;" | —
| D major
| Allegretto
| style="background: #FFC1CC;" |
| rowspan="2" | 1887
|
|-
| style="background: #B2BEB5;" | 44a
| style="background-color:#E5E4E2;" | —
| style="background-color:#E5E4E2;" | Idem
| style="background-color:#E5E4E2;" | Idem
| style="background: #F0E68C;" |
|
|-
| rowspan="4" | Zwei Klavierstücke
| rowspan="2" | 45
| Polonaise
| D major
| Moderato
| rowspan="2" style="background: #F0E68C;" |
| rowspan="4" | 1888
| rowspan="2" |
|-
| Guitarre
| G major
| Allegro comodo
|-
| style="background: #B2BEB5;" | 45a
| Guitarre
| style="background-color:#E5E4E2;" | Idem
| style="background-color:#E5E4E2;" | Idem
| rowspan="2" style="background: #980036;" |
|
|-
| style="background: #B2BEB5;" | 45b
| Guitarre
| style="background-color:#E5E4E2;" | Idem
| style="background-color:#E5E4E2;" | Idem
|
|-
| rowspan="2" | Valse et Mazurka
| rowspan="2" | 46
| Valse
| F major
| —
| rowspan="2" style="background: #F0E68C;" |
| rowspan="2" | 1890
| rowspan="2" |
|-
| Mazurka
| G major
| —
|-
| rowspan="7" | Deuxième Suite d'Orchestre
| rowspan="6" | 47
| Preludio
| G minor
| Lento
| rowspan="6" style="background: #1CAC78;" |
| rowspan="7" | 1890
| rowspan="6" |
|-
| Fuga
| —
| Un pochino più animato
|-
| Scherzo
| —
| Molto vivace
|-
| Larghetto
| —
| Larghetto
|-
| Intermezzo
| D major
| Allegretto con moto
|-
| Marcia
| G major
| Allegro con brio
|-
| style="background: #B2BEB5;" | 47a
| Preludio et Intermezzo
| style="background-color:#E5E4E2;" | Idem
| style="background-color:#E5E4E2;" | Idem
| style="background: #F0E68C;" |
|
|-
| rowspan="2" | Deux Études de Concert
| rowspan="2" | 48
| rowspan="2" style="background-color:#E5E4E2;" | —
| D major
| Presto
| rowspan="2" style="background: #F0E68C;" |
| rowspan="2" | 1890
| rowspan="2" |
|-
| C major
| Allegro brillante
|-
| Boabdil, der letzte Maurenkönig
| 49
| style="background-color:#E5E4E2;" | —
| —
| —
| style="background: #FFC1CC;" |
| 1888–92
|
|-
| rowspan="3" | Balletmusik aus der Oper Boabdil
| rowspan="3" style="background: #B2BEB5;" | 49a
| Malagueña
| —
| Allegro pomposo
| rowspan="5" style="background: #F0E68C;" |
| rowspan="4" | 1892
| rowspan="3" |
|-
| Scherzo-Valse
| E minor
| —
|-
| Maurische Fantasia
| A major
| —
|-
| Maurischer Marsch aus der Oper Boadbil
| style="background: #B2BEB5;" | 49b
| style="background-color:#E5E4E2;" | —
| B major
| Allegro moderato
|
|-
| Einzugsmarsch aus der Oper Boabdil
| style="background: #B2BEB5;" | 49c
| style="background-color:#E5E4E2;" | —
| D major
| Allegro
| 1893
|
|-
| rowspan="4" | Suite
| rowspan="4" | 50
| First movement
| G major
| Allegro moderato
| rowspan="4" style="background: #F0E68C;" |
| rowspan="4" | 1892
| rowspan="4" |
|-
| Second movement. Air
| G major
| Andante malinconico
|-
| Third movement. Capriccio
| G major
| Molto vivace
|-
| Presto alla Giga
| G major
| Con bravura
|-
| rowspan="2" | Fackeltanz
| 51
| rowspan="2" style="background-color:#E5E4E2;" | —
| E major
| Allegro molto moderato
| style="background: #FFC1CC;" |
| rowspan="2" | 1893
|
|-
| style="background: #B2BEB5;" | 51a
| style="background-color:#E5E4E2;" | Idem
| style="background-color:#E5E4E2;" | Idem
| style="background: #F0E68C;" |
|
|-
| rowspan="6" | Sechs Fantasiestücke
| rowspan="6" | 52
| Landschaftsbildchen
| D major
| Allegro moderato
| rowspan="6" style="background: #F0E68C;" |
| rowspan="6" | 1894
| rowspan="6" |
|-
| Nachtstück
| A major
| Agitato
|-
| Zwiegesang
| B major
| Andante espressivo
|-
| Die Jongleurin
| E major
| Allegro con spirito
|-
| Maskenscherz und Demaskirung
| C minor
| Allegro appassionato
|-
| Beim Feste
| C major
| Allegro molto
|-
| Laurin. Ballet in Six Tableaux
| 53
| —
| —
| —
| style="background: #FFC1CC;" |
| 1892–95
|
|-
| rowspan="5" | Vier Stücke aus dem Ballett Laurin
| rowspan="5" style="background: #B2BEB5;" | 53a
| Tanz der Rosenelfen
| E major
| Allegretto grazioso
| rowspan="5" style="background: #F0E68C;" |
| rowspan="5" | 1895
| rowspan="5" |
|-
| Marsch der Zwerge
| E major
| Allegro moderato
|-
| rowspan="2" | Sarabande und Double
| F major
| Andante
|-
| D minor
| Un poco animato
|-
| Valse Coquette
| G major
| Allegro scherzando
|-
| rowspan="3" | Drei Stücke
| rowspan="3" | 54
| Danse fantastique
| G major
| Allegretto con moto
| rowspan="3" style="background: #F0E68C;" |
| rowspan="3" | 1895
| rowspan="3" |
|-
| Mélodie
| E minor
| Andante con moto
|-
| Capriccietto
| E major
| Allegro giojoso
|-
| rowspan="7" | Polnische Volkstänze
| rowspan="4" | 55
| Mazurka
| E major
| Allegro
| rowspan="4" style="background: #8CBED6;" |
| rowspan="4" | 1896
| rowspan="4" |
|-
| Mazurka
| G major
| Allegro un poco moderato
|-
| Polonaise
| B minor
| Allegretto con moto
|-
| Krakowiak
| G major
| Allegro con spirito
|-
| rowspan="2" style="background: #B2BEB5;" | 55a
| Mazurka
| rowspan="2" style="background-color:#E5E4E2;" | Idem
| rowspan="2" style="background-color:#E5E4E2;" | Idem
| rowspan="2" style="background: #1CAC78;" |
| rowspan="2" | 1898
| rowspan="2" |
|-
| Krakowiak
|-
| style="background: #B2BEB5;" | 55b
| style="background-color:#E5E4E2;" | Idem
| style="background-color:#E5E4E2;" | Idem
| style="background-color:#E5E4E2;" | Idem
| style="background: #F0E68C;" |
| 1896
|
|-
| rowspan="7" | Don Juan und Faust
| rowspan="7" | 56
| Overture
| —
| Allegro appassionato
| rowspan="7" style="background: #FFC1CC;" |
| rowspan="7" | 1896
| rowspan="7" |
|-
| Entr'acte
| G major
| Andante
|-
| Sarabande
| D major
| Grave
|-
| Passepied
| A major
| Allegro molto
|-
| Intermezzo
| A major
| Moderato
|-
| Fantasmagorie
| E major
| Andante quasi allegretto
|-
| Minuetto
| B major
| Allegro
|-
| rowspan="4" | Six Airs de Ballet
| style="background: #B2BEB5;" | 56a
| style="background-color:#E5E4E2;" | Idem
| style="background-color:#E5E4E2;" | Idem
| style="background-color:#E5E4E2;" | Idem
| style="background: #C9A0DC;" |
| rowspan="4" | 1897
|
|-
| style="background: #B2BEB5;" | 56b
| style="background-color:#E5E4E2;" | Idem
| style="background-color:#E5E4E2;" | Idem
| style="background-color:#E5E4E2;" | Idem
| style="background: #8CBED6;" |
|
|-
| rowspan="2" style="background: #B2BEB5;" | 56c
| Sarabande
| style="background-color:#E5E4E2;" | Idem
| style="background-color:#E5E4E2;" | Idem
| rowspan="2" style="background: #980036;" |
| rowspan="2" |
|-
| Passepied
| style="background-color:#E5E4E2;" | Idem
| style="background-color:#E5E4E2;" | Idem
|-
| rowspan="5" | Frühling. Fünf Stücke
| rowspan="5" | 57
| Ungeduld
| E major
| Allegro affettuoso
| rowspan="5" style="background: #F0E68C;" |
| rowspan="5" | 1896
| rowspan="5" |
|-
| Frühlingsläuten
| B major
| Allegretto con moto
|-
| Blumenstück
| F major
| Moderato
|-
| Zephyr
| D major
| Allegretto animato
|-
| Liebeswalzer
| A major
| Tempo giusto
|-
| rowspan="10"| Tristesses et Sourires
| rowspan="8" | 58
| Effusion
| E major
| Con moto agitato
| rowspan="8" style="background: #F0E68C;" |
| rowspan="10"| 1896
| rowspan="8" |
|-
| Consolation
| A major
| Allegro moderato
|-
| Près du berceau
| A major
| Allegretto grazioso
|-
| Vieux souvenir
| C minor
| Allegro comodo
|-
| Historiette d'enfants
| D major
| Vivace
|-
| Mélancolie
| A minor
| Andante semplice
|-
| Rêve étrange
| G major
| Allegro con spirito
|-
| Résignation
| B minor
| Andante con moto
|-
| style="background: #B2BEB5;" | 58a
| rowspan="2" | Près du berceau
| rowspan="2" style="background-color:#E5E4E2;" | Idem
| rowspan="2" style="background-color:#E5E4E2;" | Idem
| style="background: #980036;" |
|
|-
| style="background: #B2BEB5;" | 58b
| style="background: #1CAC78;" |
|
|-
| rowspan="5" | Piano Concerto No. 2
| rowspan="4" | 59
| First movement
| E major
| Moderato
| rowspan="4" style="background: #DEB887;" |
| rowspan="5" | 1897
| rowspan="4" |
|-
| Second movement
| C minor
| Andante
|-
| Third movement
| C minor
| Scherzo vivace
|-
| Fourth movement
| E major
| Allegro deciso
|-
| style="background: #B2BEB5;" | 59a
| style="background-color:#E5E4E2;" | Idem
| style="background-color:#E5E4E2;" | Idem
| style="background-color:#E5E4E2;" | Idem
| style="background: #C9A0DC;" |
|
|-
| rowspan="5" | Trois Mazurkas
| rowspan="3" | 60
| rowspan="3" | Mazurka
| G minor
| Allegro moderato
| rowspan="3" style="background: #F0E68C;" |
| rowspan="5" | 1898
| rowspan="3" |
|-
| F major
| Allegretto graziotto
|-
| D major
| Con fuoco
|-
| style="background: #B2BEB5;" | 60a
| style="background-color:#E5E4E2;" | Idem
| F major
| style="background-color:#E5E4E2;" | Idem
| style="background: #C9A0DC;" |
|
|-
| style="background: #B2BEB5;" | 60b
| style="background-color:#E5E4E2;" | Idem
| D major
| style="background-color:#E5E4E2;" | Idem
| style="background: #C9A0DC;" |
|
|-
| rowspan="3" | Trois Arabesques
| rowspan="3" | 61
| No. 1
| A major
| Allegretto anomato
| rowspan="3" style="background: #F0E68C;" |
| rowspan="3" | 1899
| rowspan="3" |
|-
| No. 2
| D major
| Allegro piacevoe
|-
| No. 3
| G major
| Allegro
|-
| rowspan="2" | Romance et Scherzo
| rowspan="2" | 62
| Romance
| A major
| Andante espressivo
| rowspan="2" style="background: #F0E68C;" |
| rowspan="2" | 1899
| rowspan="2" |
|-
| Scherzo
| G minor
| Presto con leggierezza
|-
| rowspan="3" | Trois Bagatelles
| rowspan="3" | 63
| No. 1
| D major
| Allegro comodo
| rowspan="3" style="background: #F0E68C;" |
| rowspan="3" | 1899
| rowspan="3" |
|-
| No. 2
| C minor
| Allegro non troppo
|-
| No. 3
| F major
| Allegretto scherzando
|-
| rowspan="3" | École des Doubles-Notes
| rowspan="3" | 64
|
Les gammes en tierces<br/>Les gammes en sixtes<br/>Les gammes majeures en quartes<br/>Gammes chromatiques
|
—<br/>—<br/>—<br/>—
|
—<br/>—<br/>—<br/>—
| rowspan="3" style="background: #F0E68C;" |
| rowspan="3" | 1900
| rowspan="3" |
|-
| Collection d'exercices en doubles notes
| —
| —
|-
| Quatre grandes études
|
A major<br/>B major<br/>B major<br/>E major
|
Allgro molto<br/>Allegro<br/>Vivace<br/>Appassionato
|-
| rowspan="6" | Neue Spanische Tänze
| rowspan="3" | 65
| No. 1
| E major
| Allegro ma non troppo
| rowspan="3" style="background: #8CBED6;" |
| rowspan="3" | 1900
| rowspan="3" |
|-
| No. 2
| A minor
| Andante con moto
|-
| Habanera
| F major
| Allegretto
|-
| style="background: #B2BEB5;" | 65a
| rowspan="2" | Habanera
| rowspan="2" style="background-color:#E5E4E2;" | Idem
| rowspan="2" style="background-color:#E5E4E2;" | Idem
| style="background: #F0E68C;" |
| 1901
|
|-
| style="background: #B2BEB5;" | 65b
| rowspan="2" style="background: #1CAC78;" |
| 1904
|
|-
| style="background: #B2BEB5;" | 65c
| Spanischer Tanz
| style="background-color:#E5E4E2;" | Idem
| style="background-color:#E5E4E2;" | Idem
| 1911
|
|-
| rowspan="3" | Trois Pensées Fugitives
| rowspan="3" | 66
| No. 1
| F minor
| Agitato
| rowspan="3" style="background: #F0E68C;" |
| rowspan="3" | 1900
| rowspan="3" |
|-
| No. 2
| E major
| Allegretto con moto
|-
| No. 3
| F major
| Vivo
|-
| rowspan="4" | Deux Morceaux
| rowspan="2" | 67
| Poème de mai
| B major
| Con moto
| rowspan="2" style="background: #F0E68C;" |
| rowspan="2" | 1901
| rowspan="2" |
|-
| Étude
| G minor
| Vivace
|-
| style="background: #B2BEB5;" | 67a
| rowspan="2" style="background-color:#E5E4E2;" | Idem
| rowspan="2" style="background-color:#E5E4E2;" | Idem
| rowspan="2" style="background-color:#E5E4E2;" | Idem
| style="background: #C9A0DC;" |
| 1906
|
|-
| style="background: #B2BEB5;" | 67b
| style="background: #C9A0DC;" |
| 1904
|
|-
| rowspan="4" | Quatre Morceaux
| rowspan="4" | 68
| Nocturne
| F minor
| Andante con moto
| rowspan="4" style="background: #F0E68C;" |
| rowspan="4" | 1902
| rowspan="4" |
|-
| Minuetto
| F major
| Allegro moderato
|-
| Au crépuscule
| A major
| Lento
|-
| Danse russe
| B minor
| Allegro con spirito
|-
| Valse de Concert
| 69
| style="background-color:#E5E4E2;" | —
| F major
| Allegro
| style="background: #F0E68C;" |
| 1902
|
|-
| rowspan="2" | Deux Morceaux
| rowspan="2" | 70
| Caprice-Étude
| D minor
| Veloce
| rowspan="2" style="background: #F0E68C;" |
| rowspan="2" | 1902
| rowspan="2" |
|-
| Improvisation
| G major
| Andante con moto
|-
| rowspan="4" | Suite für Zwei Violinen und Klavier
| rowspan="4" | 71
| No. 1
| G minor
| Allegro energico
| rowspan="4" style="background: #FF6961;" |
| rowspan="4" | 1903
| rowspan="4" |
|-
| No. 2
| G major
| Allegro moderato
|-
| No. 3
| E minor
| Lento assai
|-
| No. 4
| G major
| Molto vivace
|-
| rowspan="15"| Quinze Études de Virtuosité
| rowspan="15"| 72
| No. 1
| E major
| Vivace
| rowspan="15" style="background: #F0E68C;" |
| rowspan="15"| 1903
| rowspan="15"|
|-
| No. 2
| G minor
| Allegro brillante
|-
| No. 3
| G major
| Vivo e con fuoco
|-
| No. 4
| C major
| Allegro moderato
|-
| No. 5
| C major
| Veloce e leggiero
|-
| No. 6
| F major
| Presto
|-
| No. 7
| E major
| Allegro energico
|-
| No. 8
| C major
| Allegro energico
|-
| No. 9
| D minor
| Allegro
|-
| No. 10
| C major
| Allegro
|-
| No. 11
| A major
| Presto e con leggierezza
|-
| No. 12
| D major
| Presto
|-
| No. 13
| A minor
| Molto animato
|-
| No. 14
| C minor
| Moderato
|-
| No. 15
| B major
| Allegro
|-
| rowspan="3" | Trois Morceaux
| rowspan="3" | 73
| Esquisse vénitienne
| A minor
| Allegreto
| rowspan="3" style="background: #F0E68C;" |
| rowspan="3" | 1904
| rowspan="3" |
|-
| Impromptu
| A major
| Allegro con spirito
|-
| Course folle
| G major
| Allegro molto
|-
| rowspan="7" | Kaleidoskop
| rowspan="7" | 74
| rowspan="7" style="background-color:#E5E4E2;" | —
| E major
| Molto allegro con fuoco
| rowspan="7" style="background: #8CBED6;" |
| rowspan="7" | 1904
| rowspan="7" |
|-
| G minor
| Presto
|-
| D major
| Andante
|-
| F minor
| Allegro moderato e grazioso
|-
| B major
| Allegro con spirito
|-
| E minor
| Mesto
|-
| A major
| Tempo di valse
|-
| rowspan="2" | Deux Morceaux
| rowspan="2" | 75
| Caprice
| A major
| Allegro con leggiereza
| rowspan="2" style="background: #F0E68C;" |
| rowspan="2" | 1906
| rowspan="2" |
|-
| L'agilità
| G minor
| Molto allegro
|-
| rowspan="3" | Trois Morceaux
| rowspan="3" | 76
| Souvenir du Pausilippe
| A minor
| Allegretto con moto
| rowspan="3" style="background: #F0E68C;" |
| rowspan="3" | 1906
| rowspan="3" |
|-
| Valse-Caprice
| A major
| Molto vivace
|-
| Fabliau
| G major
| Allegro moderato
|-
| rowspan="10"| Dix Pièces Mignonnes
| rowspan="10"| 77
| Tristesse
| A minor
| Andante
| rowspan="10" style="background: #F0E68C;" |
| rowspan="10"| 1907
| rowspan="10"|
|-
| Scherzino
| C major
| Allegro vivace
|-
| Romance sans paroles
| E major
| Andante espressivo
|-
| Inquiétude
| A minor
| Allegro molto
|-
| Intimité
| F major
| Allegro comodo
|-
| Tarentelle
| D minor
| Presto
|-
| Impromptu
| E major
| Allegro moderato
|-
| Pantomime
| E minor
| Allegro con spirito
|-
| Mélodie
| D major
| Allegretto
|-
| Menuet
| G major
| Molto moderato
|-
| rowspan="3" | Drei Etüden
| rowspan="3" | 78
| No. 1
| F major
| Vivace
| rowspan="3" style="background: #F0E68C;" |
| rowspan="3" | 1907 (?)
| rowspan="3" |
|-
| No. 2
| A major
| Allegro grazioso
|-
| No. 3
| A major
| Moderato e cantabile
|-
| rowspan="4" | Troisième Suite d'Orchestre
| rowspan="4" | 79
| No. 1
| A major
| Allegro
| rowspan="5" style="background: #1CAC78;" |
| rowspan="5" | 1908
| rowspan="4" |
|-
| No. 2
| F major
| Molto moderato (La note obstinée)
|-
| No. 3
| D major
| Tempo di valse, non troppo allegro
|-
| No. 4
| A major
| Allegro deciso
|-
| Valse pour Piano
| style="background: #B2BEB5;" | 79a
| No. 3
| style="background-color:#E5E4E2;" | Idem
| style="background-color:#E5E4E2;" | Idem
|
|-
| rowspan="2" | Deux Morceaux
| rowspan="2" | 80
| Pièce romantique
| A major
| Allegretto moderato
| rowspan="2" style="background: #F0E68C;" |
| rowspan="2" | 1908
| rowspan="2" |
|-
| Mit Fächer und Mantilla (Con Mantilla y Abanico)
| F major
| Allegro leggiero
|-
| rowspan="6" | Six Morceaux
| rowspan="6" | 81
| Canon
| A major
| Allegro grazioso
| rowspan="6" style="background: #F0E68C;" |
| rowspan="6" | 1909
| rowspan="6" |
|-
| Allegro agitato
| F minor
| Allegro agitato
|-
| Étude de legato
| D major
| Moderato
|-
| Humoresque
| D minor
| Allegro scherzando
|-
| Romance
| F minor
| Moderato e dolente
|-
| Melodia appassionata
| E minor
| Allegro leggiero
|-
| rowspan="4" | Quatre Morceaux
| rowspan="4" | 82
| Les nymphes
| A minor
| Allegro leggiero
| rowspan="4" style="background: #980036;" |
| rowspan="4" | 1909
| rowspan="4" |
|-
| Caprice
| A minor
| Allegretto
|-
| Mélodie
| G major
| Moderato
|-
| Humoresque
| D major
| Allegro con spirito
|-
| rowspan="6" | Six Morceaux
| rowspan="6" | 83
| Élégie
| F minor
| Molto moderato ed espressivo
| rowspan="6" style="background: #F0E68C;" |
| rowspan="6" | 1909
| rowspan="6" |
|-
| Sur l'eau
| F major
| Allegretto animato
|-
| Vieux pastel
| G major
| Comodo
|-
| Canon
| B major
| Andante cantabile
|-
| Chanson populaire
| G major
| Allegretto semplice
|-
| Chanson napolitaine
| G major
| Vivacissimo
|-
| rowspan="4" | Quatre Moments Musicaux
| rowspan="4" | 84
| No. 1
| B major
| Con moto
| rowspan="4" style="background: #F0E68C;" |
| rowspan="4" | 1910
| rowspan="4" |
|-
| No. 2
| F major
| Moderato e grazioso
|-
| No. 3
| C minor
| Maestoso
|-
| No. 4
| G major
| Animato ma non troppo
|-
| rowspan="2" | Präludium und Fuge
| rowspan="2" | 85
| Präludium
| D minor
| Moderato
| rowspan="2" style="background: #1CAC78;" |
| rowspan="2" | 1910
| rowspan="2" |
|-
| Fuge
| F major
| Allegro energico
|-
| rowspan="3" | Trois Morceaux
| rowspan="3" | 86
| Feuillet d'album
| E major
| Animato e con leggierezza
| rowspan="3" style="background: #F0E68C;" |
| rowspan="3" | 1911
| rowspan="3" |
|-
| Gavotte
| G minor
| Allegro deciso
|-
| Scherzo-Étude
| E minor
| Presto
|-
| rowspan="3" | Trois Morceaux
| rowspan="3" | 87
| Complainte
| C minor
| Andante
| rowspan="3" style="background: #F0E68C;" |
| rowspan="3" | 1911
| rowspan="3" |
|-
| Offrande
| D major
| Animato ma non tropo
|-
| Impromptu
| F major
| Allegro grazioso
|-
| Grande Valse de Concert
| 88
| style="background-color:#E5E4E2;" | —
| G major
| Moderato
| style="background: #F0E68C;" |
| 1912
|
|-
| rowspan="5" | Tanz-momente
| rowspan="5" | 89
| Valse-prélude
| B major
| Allegro con fuoco
| rowspan="5" style="background: #F0E68C;" |
| rowspan="5" | 1912
| rowspan="5" |
|-
| Valse mignonne
| G major
| Animato e grazioso
|-
| Valse triste
| B major
| Moderato ed espressivo
|-
| Valse tendre
| F major
| Tempo commodo
|-
| Valse-Tourbillon
| A major
| Vivace
|-
| Introduction et Allegro pour l‘Orgue Aeolien
| 90
| style="background-color:#E5E4E2;" | —
| —
| —
| style="background: #777696;" |
| 1913?
|
|-
| rowspan="20"| Vingt Petites Études
| rowspan="20"| 91
| No. 1
| G major
| Con moto
| rowspan="20" style="background: #F0E68C;" |
| rowspan="20" | 1913
| rowspan="20" |
|-
| No. 2
| C major
| Vivace
|-
| No. 3
| C major
| Vivace
|-
| No. 4
| F major
| Allegro
|-
| No. 5
| B major
| Tempo animato
|-
| No. 6
| E major
| Allegro ma troppo
|-
| No. 7
| G major
| Allegro brillante
|-
| No. 8
| B minor
| Moderato
|-
| No. 9
| G major
| Comodo
|-
| No. 10
| G minor
| Andante con moto
|-
| No. 11
| C major
| Allegro ma non troppo
|-
| No. 12
| C major
| Veloce
|-
| No. 13
| F minor
| Con moto ma non troppo
|-
| No. 14
| C major
| Animato e leggiero
|-
| No. 15
| E major
| Allegro non troppo, ma molto energico
|-
| No. 16
| G minor
| Allegro energico
|-
| No. 17
| E major
| Moderato e cantabile
|-
| No. 18
| A minor
| Vivo
|-
| No. 19
| E major
| Presto
|-
| No. 20
| G major
| Allegro moderato
|-
| rowspan="12"| 12 Études de Piano pour la Main Gauche Seule
| rowspan="12"| 92
| No. 1
| C major
| Allegro energico
| rowspan="12" style="background: #FF0000;" |
| rowspan="12"| 1915
| rowspan="12"|
|-
| No. 2
| A minor
| Allegro ma un poco moderato
|-
| No. 3
| A minor
| Allegro ma non troppo
|-
| No. 4
| E minor
| Allegro moderato
|-
| No. 5
| G major
| Andante espressivo
|-
| No. 6
| G minor
| Presto
|-
| No. 7
| G major
| Allegretto scherzando
|-
| No. 8
| G minor
| Veloce
|-
| No. 9
| E major
| Tempo animato
|-
| No. 10
| A major
| Veloce et con leggierezza
|-
| No. 11
| D major
| Moderato e cantabile
|-
| No. 12
| B minor
| Allegro impetuoso
|-
| rowspan="6" | Six Morceaux
| rowspan="6" | 93
| Miniature (Memories)
| E major
| Moderato e grazioso
| rowspan="6" style="background: #F0E68C;" |
| rowspan="6" | 1916
| rowspan="6" |
|-
| Mélodie Élégiaque (Plaintive Thoughts)
| F minor
| Andante
|-
| Au fil de l'eau (By the Stream)
| G major
| Con moto moderato
|-
| Étude (Exultation)
| A minor
| Tempo animato
|-
| Impromptu (Mockery)
| B major
| Allegretto animato
|-
| Mousse de champagne<br/> (Glittering Dewdrops)
| D major
| Presto
|-
| rowspan="10"| Dix Petits Morceaux
| rowspan="10"| 94
| Prélude (On Restless Seas)
| G minor
| Allegro energico
| rowspan="10" style="background: #F0E68C;" |
| rowspan="10"| 1916 ca.
| rowspan="10"|
|-
| Calme du soir (Evening in the Vale)
| D major
| Molto moderato
|-
| Idylle (Waterlilies)
| G major
| Andante quasi allegretto
|-
| Étude (April weather)
| G major
| Vivo
|-
| Aux vieux temps (From long ago)
| D major
| Allegro con spiriro
|-
| Danse de la magicienne (Enchantress)
| D minor
| Moderato
|-
| Bagatelle (Southern Breezes)
| F major
| Allegretto anomato
|-
| Cantilena (Dawn in the Forest)
| A major
| Andante
|-
| Pensée fugitive (Moonbeams)
| F minor
| Andante con moto
|-
| Rondo joyeuse (Midsummer)
| D major
| Vivacissimo
|-
| rowspan="5" | Cinq Pièces Brèves
| rowspan="5" | 95
| Mélodie plaintive
| C minor
| Andante con moto
| rowspan="5" style="background: #F0E68C;" |
| rowspan="5" | 1920
| rowspan="5" |
|-
| Scherzino
| C major
| Allegro animato
|-
| Minuetto
| B major
| Moderato
|-
| Arabesque
| F major
| Allegretto grazioso
|-
| Câlinerie
| B major
| Tempo comodo
|-
| rowspan="8" | Le maître et l'élève
| rowspan="8" | 96
| Prologue
| C major
| Allegro brioso
| rowspan="8" style="background: #8CBED6;" |
| rowspan="8" | 1920
| rowspan="8" |
|-
| Moment musical
| C minor
| Molto moderato
|-
| Mélodie
| E major
| Allegro moderato
|-
| Air de ballet
| G minor
| Andante con moto
|-
| Arabesque
| B major
| Allegretto animato
|-
| Berceuse
| D major
| Andante
|-
| Valse
| A major
| Tempo moderato
|-
| Tarentelle
| C major
| Molto vivace
|-
| rowspan="16" | Esquisses techniques
| rowspan="16" | 97
| No. 1
| C major
| Tempo comodo
| rowspan="16" style="background: #F0E68C;" |
| rowspan="16" | 1920
| rowspan="16" |
|-
| No. 2
| A minor
| Molto allegro energico
|-
| No. 3
| C major
| Allegro molto
|-
| No. 4
| F minor
| Allegro ma non troppo
|-
| No. 5
| C major
| Allegrissimo
|-
| No. 6
| A major
| Allegro assai
|-
| No. 7
| C major
| Puittosto allegro
|-
| No. 8
| C major
| Allegro ma non troppo
|-
| No. 9
| C minor
| Tempo animato
|-
| No. 10
| G minor
| Molto animato e leggero
|-
| No. 11
| B major
| Molto vivace
|-
| No. 12
| G minor
| Allegretto
|-
| No. 13
| D major
| Allegro grazioso
|-
| No. 14
| F minor
| Con moto ma non troppo
|-
| No. 15
| D major
| Presto
|-
| No. 16
| A major
| Vivo
|}
Works without opus number
{| class="wikitable sortable" style="font-size: 96%; width:100%; text-align: center"
|-
! width= 19.1% |Title
! width= 4% class="unsortable" |WV
! width= 15% class="unsortable" |Name
! width= 6.1% |Key
! width= 16.9% |Tempo
! width= 1% class="unsortable" |Ge
! width= 1% |Year
! width= 1% class="unsortable" |Note
|-
| Mazurka
| 63
| style="background-color:#E5E4E2;" | —
| G major
| —
| style="background: #F0E68C;" |
| 1873
|
|-
| Conservatoristen-Polka
| 64
| style="background-color:#E5E4E2;" | —
| G major
| —
| style="background: #F0E68C;" |
| 1875
|
|-
| Valse brillante
| 65
| style="background-color:#E5E4E2;" | —
| A major
| Allegro con brio
| style="background: #F0E68C;" |
| 1877
|
|-
| La Danse
| 66
| style="background-color:#E5E4E2;" | —
| —
| —
| style="background: #F0E68C;" |
| 1888
|
|-
| Pensée fugitive
| 67
| style="background-color:#E5E4E2;" | —
| E minor
| Andante malinconico
| style="background: #F0E68C;" |
| 1898
|
|-
| Valse de Concert
| 68
| style="background-color:#E5E4E2;" | —
| E major
| Allegro
| style="background: #F0E68C;" |
| 1901
|
|-
| Valse-Impromptu
| 69
| style="background-color:#E5E4E2;" | —
| A major
| Allegro moderato
| style="background: #F0E68C;" |
| 1901
|
|-
| Lumières du matin
| 70
| style="background-color:#E5E4E2;" | —
| A major
| Allegro moderato
| style="background: #F0E68C;" |
| 1906
|
|-
| Valse mignonne
| 71
| style="background-color:#E5E4E2;" | —
| G major
| Moderato
| style="background: #F0E68C;" |
| 1912
|
|-
| Momento-Scherzo
| 72
| style="background-color:#E5E4E2;" | —
| —
| —
| style="background: #F0E68C;" |
| 1913
|
|-
| Étude mélodique
| 73
| style="background-color:#E5E4E2;" | —
| A major
| Molto animato e leggiero
| style="background: #F0E68C;" |
| 1913
|
|-
| Mélodie [et Morceau]
| 120
| style="background-color:#E5E4E2;" | —
| style="background-color:#E5E4E2;" | —
| style="background-color:#E5E4E2;" | —
| style="background: #C9A0DC;" |
| 1906
|
|-
| Stücke für Violine und Klavier
| 133
| style="background-color:#E5E4E2;" | —
| style="background-color:#E5E4E2;" | —
| style="background-color:#E5E4E2;" | —
| style="background: #980036;" |
| 1865-69
|
|-
| rowspan="3" | Quintett für Klavier und Streichquartett
| rowspan="3" | 136
| No. 1 Introduction
| D minor
| Grave
| rowspan="3" style="background: #BEBEBE;" |
| rowspan="3" | 1872 ca.
| rowspan="3" |
|-
| No. 2 Allegro con brio
| F major
| Alla breve
|-
| No. 3 Minuetto
| F major
| Allegro assai
|-
| Overture
| 145
| style="background-color:#E5E4E2;" | —
| D major
| —
| style="background: #00B7EB;" |
| 1871–72
|
|-
| rowspan="4" | Symphony
| rowspan="4" | 146
| No. 1
| D minor
| Maestoso, Allegro appassionato, piu mosso
| rowspan="4" style="background: #00B7EB;" |
| rowspan="4" | 1873
| rowspan="4" |
|-
| No. 2 Scherzo
| F major
| Vivo
|-
| No. 3
| B major
| Larghetto
|-
| No. 4 Finale
| D minor - D major
| Presto non tanto, piu mosso
|-
| rowspan="2" | Zwei Lieder
| rowspan="2" | 174
| Lied der Pixies
| —
| —
| rowspan="2" style="background: #FF5800;" |
| rowspan="2" | 1907
| rowspan="2" |
|-
| Der Regenbogen
| —
| —
|-
| Mein Engel, Du! (La Jota)
| 175
| style="background-color:#E5E4E2;" | —
| D minor
| Allegretto
| style="background: #FF5800;" |
| 1884
|
|-
| rowspan="9" | Anton Notenquetscher
| rowspan="9" | 205
| Theme (Im Grunewald ist Holzauktion)
| E minor
| —
| rowspan="9" style="background: #FFC1CC;" |
| rowspan="9" | 1896
| rowspan="9" |
|-
| Var. 1 Czerny
| —
| Con velocita
|-
| Var. 2 Clementi
| —
| Allegro moderato
|-
| Var. 3 Bach
| —
| Moderato
|-
| Var. 4 Brahms
| —
| Allegretto tranquillo
|-
| Var. 5 Weber
| —
| Allegro ma non troppo
|-
| Var. 6 Chopin
| —
| Maestoso
|-
| Var. 7 Rubinstein
| —
| Con bravura
|-
| Var. 8 Liszt
| —
| Allegretto
|-
| Sechs Menuette für Orchester
| 210
| No. 2 (Menuett)
| G major
| —
| style="background: #F0E68C;" |
| 1918
|
|-
| Violinsonate
| 211
| No. 2
| C minor
| Adagio cantabile
| style="background: #F0E68C;" |
| 1919
|
|-
| Klavierkonzert No. 5
| 212
| style="background-color:#E5E4E2;" |
| E major
| Adagio un poco moto
| style="background: #F0E68C;" |
| 1921
|
|-
| Don Giovanni
| 213
| Menuett
| G major
| Moderato
| style="background: #F0E68C;" |
| 1919
|
|-
| Klavierkonzert No. 20
| 214
| 2nd movement (Romanze)
| D minor
| Romance
| style="background: #F0E68C;" |
| 1919
|
|-
| Rinaldo
| 215
| Lascia ch’io pianga
| F major
| Largo
| style="background: #F0E68C;" |
| 1919
|
|-
| Judas Maccabäus
| 216
| Chor: Seht den Sieger ruhmgekrönt!
| G major
| —
| style="background: #F0E68C;" |
| 1919
|
|-
| Ein Sommernachtstraum
| 217
| Nocturno
| C minor
| Con moto tranquillo
| style="background: #F0E68C;" |
| 1919
|
|-
| Chor aus Judas Maccabäus
| 230
| Chor
| —
| —
| style="background: #8CBED6" |
| —
|
|-
| Minuett aus Don Giovanni
| 231
| Menuett
| G major
| —
| style="background: #8CBED6" |
| —
|
|-
| Carmen
| 250
| Chanson bohème
| E minor
| Allegretto
| style="background: #F0E68C;" |
| 1906
|
|-
| Hoffmann's Erzählungen
| 251
| Barcarole
| B minor
| Moderato
| style="background: #F0E68C;" |
| 1910
|
|-
| Isoldens Tod
| 252
| style="background-color:#E5E4E2;" | —
| —
| Lento e languido
| style="background: #F0E68C;" |
| 1910 ca.
|
|-
| Der Venusberg
| 253
| Venusberg-Bacchanale
| E major
| Allegro
| style="background: #F0E68C;" |
| 1910–11
|
|-
| rowspan="10" | Ungarische Tänze
| rowspan="10" | 260
| No. 1
| G minor
| Allegro
| rowspan="10" style="background: #F0E68C;" |
| rowspan="10" | 1904
| rowspan="10" |
|-
| No. 2
| D minor
| Allegro non asai - Vivo
|-
| No. 3
| F major
| Allegretto
|-
| No. 4
| F minor
| Poco sostenuto - Vivace
|-
| No. 5
| F minor
| Allegro - Viivace
|-
| No. 6
| D major
| Vivace - Molto sostenuto
|-
| No. 7
| A major
| Allegretto
|-
| No. 8
| A minor
| Presto
|-
| No. 9
| E minor
| Allegro - Poco sostenuto
|-
| No. 10
| E major
| Presto
|-
| Valse
| 261
| No. 1 (Minute Waltz)
| D major
| Vivace
| style="background: #F0E68C;" |
| 1919
|
|-
| Toccata
| 262
| style="background-color:#E5E4E2;" | —
| C major
| Allegro commodo
| style="background: #F0E68C;" |
| 1919
|
|-
| Étude
| 263
| style="background-color:#E5E4E2;" | —
| —
| —
| style="background: #F0E68C;" |
| 1906
|
|-
| Jupiter Symphonie
| 264
| style="background-color:#E5E4E2;" | —
| —
| —
| style="background: #C9A0DC;" |
| 1891
|
|-
| Havanaise
| 265
| style="background-color:#E5E4E2;" | —
| —
| —
| style="background: #F0E68C;" |
| —
|
|-
| rowspan="2" | Zwei Etüden
| rowspan="2" | ?
| No. 1
| E major
| Allegro con brio
| rowspan="2" style="background: #F0E68C;" |
| rowspan="2" | ?
| rowspan="2" |
|-
| No. 2
| A major
| Allegro ma non troppo
|}
Additional information
{| width=100% cellspacing=10px cellpadding=10px style="background: transparent;"
|- valign="top"
| width="50%" style="border:1px solid #A9A9A9;" | <big>Notes</big>