List of compositions by Camille Saint-Saëns

Below is a sortable list of compositions by Camille Saint-Saëns. The works are categorised by genre, opus number, Ratner catalogue number, date of composition and titles. R numbers are from Camille Saint-Saëns 1835–1921: A Thematic Catalogue of His Complete Works by Sabina Teller Ratner (Oxford University Press).

{| class="sortable wikitable" style="margins:auto; width=95%;"

!width="95"|Genre

!scope="col"|Opus

!scope="col"|R

!scope="col"|Date

!width=|French title (original title)

!width=|English title

!width="200"|Scoring

!width="340"|Notes

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| Opera || align=center|— || align=center|289 || align=center|1864–1865 || Le timbre d'argent || The Silver Bell || || Drame lyrique in 4 acts; libretto by Jules Barbier and Michel Carré; first performance in 1877

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| Opera || align=center|30 || align=center|287 || align=center|1872 || La princesse jaune || The Yellow Princess || || Opéra comique in 1 act; libretto by Louis Gallet

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| Opera || align=center|47 || align=center|288 || align=center|1877 || Samson et Dalila || Samson and Dalila || || Opera in 3 acts; libretto by Ferdinand Lemaire

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| Opera || align=center|— || align=center|290 || align=center|1879 || Étienne Marcel || Étienne Marcel || || Opera in 4 acts; libretto by Louis Gallet

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| Opera || align=center|— || align=center|291 || align=center|1881–1882 || Henry VIII || Henry VIII || || Opera in 4 acts; libretto by Léonce Détroyat and Armand Silvestre

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| Opera || align=center|— || align=center|292 || align=center|1887 || Proserpine || Proserpine || || Drame lyrique in 4 acts; libretto by Louis Gallet after Auguste Vacquerie

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| Opera || align=center|— || align=center|293 || align=center|1887–1888 || Ascanio || Ascanio || || Opera in 5 acts; libretto by Louis Gallet after the play Benvenuto Cellini by Paul Meurice

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| Opera || align=center|— || align=center|294 || align=center|1893 || Phryné || Phryné || || Opéra comique in 2 acts; libretto by Lucien Augé de Lassus

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| Opera || align=center|— || align=center| || align=center|1895 || Frédégonde || Frédégonde || || Drame lyrique in 5 acts; libretto by Louis Gallet

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| Opera || align=center|— || align=center|295 || align=center|1900–1901 || Les barbares ||   || || Tragédie lyrique in 3 acts; libretto by Victorien Sardou and Pierre-Barthélemy Gheusi

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| Opera || align=center|— || align=center|296 || align=center|1902–1903 || Hélène || Hélène || || Poème lyrique in 1 act; libretto by the composer

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| Opera || align=center|— || align=center|297 || align=center|1905 || L'ancêtre || L'ancêtre || || Drame lyrique in 3 acts; libretto by Lucien Augé de Lassus

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| Opera || align=center|— || align=center|298 || align=center|1909–1910 || Déjanire || Déjanire || || Drame lyrique in 4 acts; libretto by the composer after the play by Louis Gallet; original version: 1892 incidental music for the play by Gallet

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| Ballet || align=center|— || align=center|306 || align=center|1896 || Javotte || Javotte || || Ballet in 1 act; libretto by Jean-Louis Croze

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| Film || align=center|128 || align=center|331 || align=center|1908 || L'assassinat du duc de Guise || The Assassination of the Duke of Guise || || produced Paris, Salle Charras, 16 November 1908

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| Incidental || align=center|— || align=center| || align=center|1892 || Déjanire || Déjanire || || Incidental music for the play by Louis Gallet; revised as an opera in 1911

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| Incidental || align=center|— || align=center|317 || align=center|1893 || Antigone || Antigone || || Incidental music for the play by Sophocles in French adaptation by Paul Meurice and Auguste Vacquerie

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| Incidental || align=center|— || align=center|312 || align=center|1902 || Parysatis || Parysatis || || Incidental music for the play by Jane Dieulafoy

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| Incidental || align=center|— || align=center|320 || align=center|1902 || Andromaque || Andromaque || || Incidental music for the play by Jean Racine

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| Incidental || align=center|130 || align=center|321 || align=center|1908 || La foi || La foi || || Incidental music for the play by Eugène Brieux; also adapted for the concert stage as 3 Symphonic Pictures after "La Foi"

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| Incidental || align=center|— || align=center| || align=center|1917 || On ne badine pas avec l'amour ||   || || Incidental music for the play by Alfred de Musset

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| Orchestral || align=center|— || align=center| || align=center|'1850 || Ouverture d'un opéra comique || Comic Opera Overture in e minor || for orchestra ||  

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| Orchestral || align=center|— || align=center| || align=center|'1850 || Scherzo en la majeur || Scherzo in A major || for chamber orchestra ||

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| Orchestral || align=center|— || align=center|159 || align=center|'1850 || Symphonie en la majeur || Symphony in A major || for orchestra ||  

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| Orchestral || align=center|2 || align=center| || align=center|1853 || Symphonie nº 1 en mi bémol majeur || Symphony No. 1 in E major || for orchestra ||  

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| Orchestral || align=center|— || align=center|162 || align=center|1854 || Ouverture d'un opéra comique inachevé en sol majeur || Overture to an Unfinished Comic Opera in G major || for orchestra ||  

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| Orchestral || align=center|— || align=center|163 || align=center|1856 || Symphonie en fa majeur "Urbs Roma" || Symphony in F major "Urbs Roma" || for orchestra ||  

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| Orchestral || align=center|55 || align=center| || align=center|1859 || Symphonie nº 2 en la mineur || Symphony No. 2 in A minor || for orchestra ||  

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| Orchestral || align=center|49 || align=center|165 || align=center|1863 || Suite en ré majeur || Suite in D major || for orchestra ||  

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| Orchestral || align=center|— || align=center|166 || align=center|1863 || Spartacus, Ouverture en mi bémol majeur || Spartacus, Overture in E major || for orchestra || after the tragedy by Alphonse Pagès

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| Orchestral || align=center|7b || align=center|177 || align=center|1866, 1891 || Rhapsodie bretonne || Rhapsodie bretonne || for orchestra || 1891 orchestration of 3 Rhapsodies sur des cantiques bretons for organ

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| Orchestral || align=center|25 || align=center| || align=center|1869 || Orient et occident ||   || for orchestra || original for military band

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| Orchestral || align=center|34 || align=center|168 || align=center|1871 || Marche héroïque en mi bémol majeur || Heroic March in E major || for orchestra || also exists in versions for piano 4-hands (1870), and 2-piano 8-hands

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| Orchestral || align=center|— || align=center| || align=center|1872 || Chant du soir (Abendlied) || Evening Song || for orchestra || transcription of Abendlied (for piano 4-hands), Op. 85 No. 12 from 12 Klavierstücke für kleine und große Kinder by Robert Schumann; also a version for piano 2-hands

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| Orchestral || align=center|31 || align=center|169 || align=center|1872 || Le rouet d'Omphale en la majeur || The Spinning Wheel of Omphale in A major || for orchestra ||  

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| Orchestral || align=center|39 || align=center|170 || align=center|1873 || Phaéton en ut majeur || Phaéton in C major || for orchestra ||  

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| Orchestral || align=center|40 || align=center|171 || align=center|1874 || Danse macabre, Poème symphonique en sol mineur || Danse macabre, Symphonic Poem in G minor || for orchestra ||  

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| Orchestral || align=center|50 || align=center|172 || align=center|1877 || La jeunesse d'Hercule en mi bémol majeur ||   || for orchestra ||  

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| Orchestral || align=center|60 || align=center|173 || align=center|1880 || Suite algérienne en ut majeur ||   || for orchestra || recorded by the composer in piano reduction in 1919

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| Orchestral || align=center|63 || align=center|175 || align=center|1880 || Une nuit à Lisbonne en mi bémol majeur ||   || for orchestra ||  

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| Orchestral || align=center|64 || align=center|174 || align=center|1880 || La jota aragonese en la majeur ||   || for orchestra ||  

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| Orchestral || align=center|69 || align=center| || align=center|1881 || Hymne à Victor Hugo || Hymn to Victor Hugo || for orchestra (with chorus ad libitum) ||

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| Orchestral || align=center|78 || align=center|176 || align=center|1886 || Symphonie nº 3 ("avec orgue") en ut mineur || Symphony No. 3 "Organ Symphony" in C minor || for orchestra ||  

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| Orchestral || align=center|93 || align=center| || align=center|1892 || Sarabande et rigaudon en mi majeur || Sarabande and Rigaudon in E major || for orchestra ||  

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| Orchestral || align=center|117 || align=center|180 || align=center|1902 || Marche du couronnement || Coronation March in E major || for orchestra || written for the Coronation of Edward VII of the United Kingdom

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| Orchestral || align=center|130 || align=center| || align=center|1908 || Trois tableaux symphoniques d'après La foi || 3 Symphonic Pictures after "La Foi" || for orchestra || adapted from the incidental music for the play by Eugène Brieux

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| Orchestral || align=center|133 || align=center|181 || align=center|1910 || Ouverture de fête en fa majeur ||   || for orchestra ||  

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| Orchestral || align=center|— || align=center| || align=center|1915 || Hail! California || Hail! California || for orchestra, band and organ || composed for the 1915 Panama–Pacific International Exposition

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| Band || align=center|25 || align=center| || align=center|1869 || Orient et occident ||   || for military band || also arranged for orchestra by the composer

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| Band || align=center|— || align=center| || align=center|1900 || Hymne franco-espagnol ||   || ||  

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| Band || align=center|125 || align=center| || align=center|1908 || Sur les bords du Nil, Marche militaire ||   || for military band || also for piano 4-hands

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| Band || align=center|152 || align=center| || align=center|1918 || Vers la victoire, Pas redoublé pour musique militaire ||   || for military band || Two-step; also for piano 4-hands

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| Band || align=center|155 || align=center|153 || align=center|1918 || Marche interalliée ||   || for military band || also for piano 4-hands

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| Concertante || align=center|6 || align=center|183 || align=center|1857 || Tarantelle || Tarantelle in A minor || for flute, clarinet and orchestra ||

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| Concertante || align=center|17 || align=center|185 || align=center|1858 || Concerto pour piano nº 1 en ré majeur || Piano Concerto No. 1 in D major || for piano and orchestra ||

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| Concertante || align=center|58 || align=center|184 || align=center|1858 || Concerto pour violon nº 2 en ut majeur || Violin Concerto No. 2 in C major || for violin and orchestra ||

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| Concertante || align=center|20 || align=center|186 || align=center|1859 || Concerto pour violon nº 1 en la majeur || Violin Concerto No. 1 in A major || for violin and orchestra ||

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| Concertante || align=center|16b || align=center|211 || align=center|1862, 1919 || Suite || Suite || for cello and orchestra || original version for cello and piano

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| Concertante || align=center|28 || align=center|188 || align=center|1863 || Introduction et rondo capriccioso en la mineur || Introduction and Rondo Capriccioso in A minor || for violin and orchestra ||

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| Concertante || align=center|22 || align=center|190 || align=center|1868 || Concerto pour piano nº 2 en sol mineur || Piano Concerto No. 2 in G minor || for piano and orchestra ||

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| Concertante || align=center|29 || align=center|191 || align=center|1869 || Concerto pour piano nº 3 en mi bémol majeur || Piano Concerto No. 3 in E major || for piano and orchestra ||

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| Concertante || align=center|37 || align=center|192 || align=center|1871 || Romance en ré bémol majeur || Romance in D major || for flute and piano or orchestra ||

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| Concertante || align=center|33 || align=center|193 || align=center|1872 || Concerto pour violoncelle nº 1 en la mineur || Cello Concerto No. 1 in A minor || for cello and orchestra ||

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| Concertante || align=center|36 || align=center|195 || align=center|1874 || Romance en fa majeur || Romance in F major || for horn (or cello) and orchestra ||

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| Concertante || align=center|48 || align=center|196 || align=center|1874 || Romance en ut majeur || Romance in C major || for violin and orchestra ||

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| Concertante || align=center|44 || align=center|197 || align=center|1875 || Concerto pour piano nº 4 en ut mineur || Piano Concerto No. 4 in C minor || for piano and orchestra ||

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| Concertante || align=center|— || align=center| || align=center|'1878 || Cadences pour le concerto en sol de Beethoven || Cadenzas for Beethoven's Piano Concerto No. 4 || for piano ||  

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| Concertante || align=center|61 || align=center|198 || align=center|1880 || Concerto pour violon nº 3 en si mineur || Violin Concerto No. 3 in B minor || for violin and orchestra ||

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| Concertante || align=center|62 || align=center| || align=center|1880 || Morceau de concert en mi mineur || Concert Piece in E minor || for violin and orchestra ||

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| Concertante || align=center|67 || align=center|189 || align=center|1885 || Romance en mi majeur || Romance in E major || for horn (or cello) and orchestra || also for horn (or cello) and piano

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| Concertante || align=center|70 || align=center|37 || align=center|1884 || Allegro appassionato en ut dièse mineur || Allegro appassionato in C minor || for piano and orchestra || also for piano solo

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| Concertante || align=center|73 || align=center| || align=center|1884 || Rhapsodie d'Auvergne en ut majeur || Rhapsody of the Auvergne in C Major || for piano and orchestra || also for piano solo

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| Concertante || align=center|76 || align=center|124 || align=center|1885 || Wedding Cake, Caprice-valse en la bémol majeur || Wedding Cake, Caprice-valse in A major || for piano and orchestra ||

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| Concertante || align=center|83 || align=center|202 || align=center|1887 || Havanaise en mi majeur || Havanaise in E major || for violin and orchestra ||

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| Concertante || align=center|94 || align=center| || align=center|1887 || Morceau de concert en fa mineur || Concert Piece in F minor || for horn and orchestra ||

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| Concertante || align=center|89 || align=center|204 || align=center|1891 || Africa en sol mineur || Africa in G minor || for piano and orchestra || Also for piano solo

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| Concertante || align=center|103 || align=center|205 || align=center|1896 || Concerto pour piano nº 5 "L'Égyptien" en fa majeur || Piano Concerto No. 5 "Egyptian" in F major || for piano and orchestra ||

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| Concertante || align=center|— || align=center| || align=center|1900 || Cadences pour le concerto de violon de Beethoven || Cadenzas for Beethoven's Violin Concerto || for violin ||  

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| Concertante || align=center|119 || align=center| || align=center|1902 || Concerto pour violoncelle nº 2 en ré mineur || Cello Concerto No. 2 in D minor || for cello and orchestra ||

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| Concertante || align=center|122 || align=center|207 || align=center|1904 || Caprice andalou en sol majeur || Caprice andalou in G major || for violin and orchestra ||

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| Concertante || align=center|— || align=center| || align=center|1906 || Andante extrait d'un concerto pour piano ||   || for violin and orchestra (or piano) || transcription of movement II from Piano Concerto No. 21, K.467 by Wolfgang Amadeus Mozart

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| Concertante || align=center|132 || align=center|208 || align=center|1910 || La muse et le poète en mi mineur || La muse et le poète in E minor || for violin, cello and orchestra (or piano) ||

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| Concertante || align=center|— || align=center|281 || align=center|1911 || Cadences pour le concerto en mi bémol de Mozart || Cadenzas for Mozart's Piano Concerto No. 22, K.482 || for piano ||  

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| Concertante || align=center|— || align=center|279 || align=center|1911 || Cadences pour le concerto en ut mineur de Mozart || Cadenzas for Mozart's Piano Concerto No. 24, K.491 || for piano ||  

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| Concertante || align=center|154 || align=center| || align=center|1918 || Morceau de concert en sol majeur || Concert Piece in G major || for harp and orchestra ||

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| Concertante || align=center|156 || align=center|210 || align=center|1919 || Cyprès et lauriers en ré mineur ||   || for organ and orchestra ||

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| Concertante || align=center|162 || align=center|212 || align=center|1920 || Odelette en ré majeur || Odelette in D major || for flute and orchestra ||

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| Chamber music || align=center|— || align=center|107 || align=center|1851–1853 || Quatuor en mi majeur pour piano et cordes || Piano Quartet in E major || for violin, viola, cello and piano ||

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| Chamber music || align=center|14 || align=center| || align=center|1855 || Quintette en la mineur pour piano et cordes || Piano Quintet in A minor || for 2 violins, viola, cello and piano ||

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| Chamber music || align=center|— || align=center| || align=center|1859 || Caprice brillant en si mineur || Caprice brillant in B minor || for violin and piano ||

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| Chamber music || align=center|16 || align=center|112 || align=center|1862 || Suite || Suite || for cello and piano || also a version for cello and orchestra

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| Chamber music || align=center|18 || align=center| || align=center|1863 || Trio nº 1 en fa majeur pour piano, violon et violoncelle || Piano Trio No. 1 in F major || for violin, cello and piano ||

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| Chamber music || align=center|15 || align=center|114 || align=center|1865 || Sérénade en mi bémol majeur || Sérénade in E major || for piano, organ, violin, and viola or cello ||

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| Chamber music || align=center|27 || align=center| || align=center|1868 || Romance || Romance in B major || for violin, piano and organ ||

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| Chamber music || align=center|— || align=center| || align=center|1869 || Marche religieuse de Lohengrin ||   || for violin, harmonium and piano || transcription from the opera Lohengrin by Richard Wagner

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| Chamber music || align=center|— || align=center| || align=center|'1870 || Les odeurs de Paris ||   || for chamber ensemble ||

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| Chamber music || align=center|38 || align=center| || align=center|1871 || Berceuse en si bémol majeur || Berceuse in B major || for violin and piano ||

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| Chamber music || align=center|32 || align=center| || align=center|1872 || Sonate pour violoncelle nº 1 en ut mineur || Cello Sonata No. 1 in C minor || for cello and piano ||

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| Chamber music || align=center|41 || align=center| || align=center|1875 || Quatuor en si bémol majeur pour piano et cordes || Piano Quartet in B major || for violin, viola, cello and piano ||

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| Chamber music || align=center|43 || align=center|194 || align=center|1875 || Allegro appassionato en si mineur || Allegro appassionato in B minor || for cello and piano (or orchestra) || version with orchestra, R 119

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| Chamber music || align=center|— || align=center| || align=center|1875 || Orphée, Poème symphonique ||   || for violin, cello and piano || transcription of the symphonic poem Orpheus, S.98 (1853–1854) by Franz Liszt

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| Chamber music || align=center|51 || align=center| || align=center|1877 || Romance en ré majeur || Romance in D major || for cello and piano ||

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| Chamber music || align=center|65 || align=center|122 || align=center|1881 || Septuor en mi bémol majeur || Septet in E major || for trumpet, 2 violins, viola, cello, double bass and piano ||

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| Chamber music || align=center|67 || align=center| || align=center|1885 || Romance en mi majeur || Romance in E major || for horn (or cello) and piano || also for horn (or cello) and orchestra

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| Chamber music || align=center|75 || align=center|123 || align=center|1885 || Sonate pour violon nº 1 en ré mineur || Violin Sonata No. 1 in D minor || for violin and piano ||

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| Chamber music || align=center|— || align=center|125 || align=center|1886 || Le carnaval des animaux, grande fantaisie zoologique || The Carnival of the Animals (Le cygne) || for 2 pianos, 2 violins, viola, cello, double bass, flute (also piccolo), clarinet, glass harmonica and xylophone ||

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| Chamber music || align=center|79 || align=center|126 || align=center|1887 || Caprice sur des airs danois et russes ||   || for flute, oboe, clarinet and piano ||

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| Chamber music || align=center|91 || align=center|127 || align=center|1892 || Chant saphique ||   || for cello and piano ||

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| Chamber music || align=center|92 || align=center|129 || align=center|1892 || Trio nº 2 en mi mineur pour piano, violon et violoncelle || Piano Trio No. 2 in E minor || for violin, cello and piano ||

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| Chamber music || align=center|95 || align=center| || align=center|1893 || Fantaisie || Fantaisie || for harp || in A minor

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| Chamber music || align=center|102 || align=center|130 || align=center|1896 || Sonate pour violon nº 2 en mi bémol majeur || Violin Sonata No. 2 in E major || for violin and piano ||

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| Chamber music || align=center|108 || align=center| || align=center|1897 || Barcarolle en fa majeur || Barcarolle in F major || for violin, cello, harmonium and piano ||

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| Chamber music || align=center|— || align=center| || align=center|1897 || Nocturne sur des motifs d'Hellé, opéra<br/> d'Alphonse Duvernoy || &nbsp; || for violin and piano || transcription after the 1896 opera Hellé by Victor Alphonse Duvernoy; also a version for piano solo

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| Chamber music || align=center|112 || align=center| || align=center|1899 || Quatuor à cordes nº 1 en mi mineur || String Quartet No. 1 in E minor || for 2 violins, viola and cello ||

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| Chamber music || align=center|123 || align=center|135 || align=center|1905 || Sonate pour violoncelle nº 2 en fa majeur || Cello Sonata No. 2 in F major || for cello and piano ||

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| Chamber music || align=center|124 || align=center| || align=center|1907 || Fantaisie || Fantaisie || for violin and harp ||

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| Chamber music || align=center|136 || align=center| || align=center|1912 || Triptyque || Triptyque || for violin and piano ||

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| Chamber music || align=center|143 || align=center| || align=center|1915 || Élégie || Élégie [No. 1] || for violin and piano ||

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| Chamber music || align=center|144 || align=center|140 || align=center|1915 || Cavatine en ré bémol majeur || Cavatine in D major || for trombone and piano ||

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| Chamber music || align=center|— || align=center| || align=center|'1918 || L'air de la pendule || &nbsp; || for violin and piano ||

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| Chamber music || align=center|153 || align=center| || align=center|1918 || Quatuor à cordes nº 2 en sol majeur || String Quartet No. 2 in G major || for 2 violins, viola and cello ||

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| Chamber music || align=center|158 || align=center|143 || align=center|1919 || Prière || &nbsp; || for cello (or violin) and organ || version for violin, R 144

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| Chamber music || align=center|160 || align=center|145 || align=center|1920 || Élégie || Élégie [No. 2] || for violin and piano ||

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| Chamber music || align=center|166 || align=center|146 || align=center|1921 || Sonate pour hautbois en ré majeur || Oboe Sonata in D major || for oboe and piano ||

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| Chamber music || align=center|167 || align=center|147 || align=center|1921 || Sonate pour clarinette en mi bémol majeur || Clarinet Sonata in E major || for clarinet and piano ||

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| Chamber music || align=center|168 || align=center|148 || align=center|1921 || Sonate pour basson en sol majeur || Bassoon Sonata in G major || for bassoon and piano ||

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| Chamber music || align=center|— || align=center|108 || align=center|1853 || Adagio en mi bémol majeur || Adagio in E major || for horn and organ ||

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| Chamber music || align=center|— || align=center| || align=center| || Gavotte || Gavotte || for cello and piano or orchestra ||

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| Keyboard || align=center|1 || align=center| || align=center|1852 || Trois morceaux || 3 Pieces || for harmonium ||

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| Keyboard || align=center|8 || align=center|110 || align=center|1858 || Six Duos || 6 Duets || for harmonium and piano ||

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| Keyboard: organ || align=center|— || align=center| || align=center|'1853 || Deux pièces || 2 Pieces || for organ || &nbsp;

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| Keyboard: organ || align=center|— || align=center|78 || align=center|1857 || Fantaisie en mi bémol majeur || Fantaisie in E major || for organ || &nbsp;

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| Keyboard: organ || align=center|9 || align=center|80 || align=center|1859 || Bénédiction nuptiale || Bénédiction nuptiale in F major || for organ || &nbsp;

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| Keyboard: organ || align=center|— || align=center| || align=center|1863 || La prédication aux oiseaux, St François d'Assise,<br/> Légende || &nbsp; || for organ || transcription of the first St. Francis Legend, S. 175 No. 1 by Franz Liszt

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| Keyboard: organ || align=center|13 || align=center|80 || align=center|1865 || Élévation, ou communion || Élévation, or Communion in E major || for organ or harmonium ||

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| Keyboard: organ || align=center|7 || align=center|87 || align=center|1866 || 3 Rhapsodies sur des cantiques bretons,<br/> Pélérinage au pardon de Sainte Anne-la-Palud || &nbsp; || for organ || orchestrated in 1891 as Rhapsodie bretonne, Op. 7b

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| Keyboard: organ || align=center|99 || align=center| || align=center|1894 || Trois préludes et fugues || 3 Préludes and Fugues || for organ || &nbsp;

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| Keyboard: organ || align=center|101 || align=center| || align=center|1895 || Fantaisie nº 2 en ré bémol majeur || Fantaisie No. 2 in D major || for organ || &nbsp;

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| Keyboard: organ || align=center|107 || align=center|96 || align=center|1897 || Marche religieuse en fa majeur || &nbsp; || for organ || &nbsp;

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| Keyboard: organ || align=center|109 || align=center| || align=center|1898 || Trois préludes et fugues || 3 Préludes and Fugues || for organ || &nbsp;

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| Keyboard: organ || align=center|150 || align=center|100 || align=center|1916–1917 || Sept improvisations || 7 Improvisations || for organ || &nbsp;

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| Keyboard: organ || align=center|157 || align=center| || align=center|1919 || Fantaisie nº 3 en ut majeur || Fantaisie No. 3 in C major || for organ || &nbsp;

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| Keyboard: organ || align=center|— || align=center| || align=center| &nbsp; || Cinq morceaux || 5 Pieces || for organ or harmonium ||

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| Keyboard: organ || align=center|— || align=center| || align=center| &nbsp; || Morceau || &nbsp; || for organ || &nbsp;

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| Keyboard: organ || align=center|— || align=center| || align=center| &nbsp; || Prélude en fa majeur || Prélude in F major || for organ || &nbsp;

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| Keyboard: piano || align=center|135 || align=center|54 || align=center|1912 || Six Études pour la main gauche seule || 6 Études for the Left Hand || for piano left hand ||

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| Keyboard: piano || align=center|— || align=center| || align=center|'1850 || Variations sur le chœur de Judas Macchabée || Variations on the Chorus from Judas Maccabaeus || for piano 4-hands || theme: "See, the Conqu'ring Hero Comes!", Act III chorus from the oratorio Judas Maccabaeus, HWV 63 by George Frideric Handel

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| Keyboard: piano || align=center|11 || align=center| || align=center|1855 || Duettino || Duettino in G major || for piano 4-hands ||

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| Keyboard: piano || align=center|59 || align=center| || align=center|1880 || König Harald Harfagar || König Harald Harfagar || for piano 4-hands ||

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| Keyboard: piano || align=center|81 || align=center|61 || align=center|1887 || Feuillet d'album || &nbsp; || for piano 4-hands ||

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| Keyboard: piano || align=center|86 || align=center|150 || align=center|1887 || Pas redoublé en si bémol majeur || &nbsp; || for piano 4-hands ||

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| Keyboard: piano || align=center|105 || align=center|63 || align=center|1896 || Berceuse en mi majeur || Berceuse in E major || for piano 4-hands ||

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| Keyboard: piano || align=center|125 || align=center| || align=center|1908 || Sur les bords du Nil, Marche militaire || &nbsp; || for piano 4-hands || original for military band

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| Keyboard: piano || align=center|152 || align=center| || align=center|1918 || Vers la victoire, Pas redoublé pour musique militaire || &nbsp; || for piano 4-hands || original: two-step for military band; arrangement by the composer

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| Keyboard: piano || align=center|155 || align=center|64 || align=center|1918 || Marche interalliée || &nbsp; || for piano 4-hands || original for military band; arrangement by the composer

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| Keyboard: piano || align=center|163 || align=center|65 || align=center|1921 || Marche dédiée aux étudiants d'Alger || &nbsp; || for piano 4-hands with chorus ad libitum ||

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| Keyboard: piano || align=center|8b || align=center|70 || align=center|1858, 1897 || Duo || Duo || for 2 pianos || after the 6 Duets for harmonium and piano

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| Keyboard: piano || align=center|35 || align=center|66 || align=center|1874 || Variations sur un thème de Beethoven || Variations on a Theme of Beethoven in E major || for 2 pianos || theme: Trio from movement III, Menuetto, of Ludwig van Beethoven's Piano Sonata No. 18, Op. 31 No. 3 (1802)

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| Keyboard: piano || align=center|96 || align=center|69 || align=center|1884 || Caprice arabe || &nbsp; || for 2 pianos ||

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| Keyboard: piano || align=center|— || align=center| || align=center|1884 || Lenore, poème symphonique pour orchestre<br/> d'après la Ballade de Bürger || Lenore, Symphonic Poem after the Ballade de Bürger || for 2 pianos || transcription of the symphonic poem by Henri Duparc

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| Keyboard: piano || align=center|77 || align=center|67 || align=center|1885 || Polonaise en fa mineur || Polonaise in F minor || for 2 pianos ||

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| Keyboard: piano || align=center|87 || align=center|68 || align=center|1889 || Scherzo || &nbsp; || for 2 pianos ||

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| Keyboard: piano || align=center|106 || align=center|71 || align=center|1898 || Caprice héroïque || &nbsp; || for 2 pianos ||

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| Keyboard: piano || align=center|— || align=center| || align=center|1907 || Sonate en si bémol mineur de Frédéric Chopin, Op. 35 || Sonata in B Minor by Frédéric Chopin, Op. 35 || for 2 pianos || transcription

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| Keyboard: piano || align=center|— || align=center| || align=center|1914 || Sonate en si mineur de Franz Liszt || Sonata in B Minor by Franz Liszt || for 2 pianos || transcription

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| Keyboard: piano || align=center|— || align=center|7 || align=center|1841 || Andante en sol majeur || Andante in G major || for piano || &nbsp;

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| Keyboard: piano || align=center|— || align=center|15 || align=center|1842 || Allegretto en mi bémol majeur || Allegretto in E major || for piano || &nbsp;

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| Keyboard: piano || align=center|— || align=center| || align=center|'1843 || Valse || Waltz || for piano || &nbsp;

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| Keyboard: piano || align=center|3 || align=center|25 || align=center|1855 || Six bagatelles || 6 Bagatelles || for piano || &nbsp;

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| Keyboard: piano || align=center|— || align=center| || align=center|1858 || Scherzo du Songe d'une nuit d'été de Mendelssohn || Scherzo from "A Midsummer Night's Dream" by Mendelssohn || for piano || transcription from A Midsummer Night's Dream by Felix Mendelssohn

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| Keyboard: piano || align=center|— || align=center| || align=center|1858–1859 || Trois transcriptions de quatuors de Beethoven || 3 Transcriptions from String Quartets by Beethoven || for piano || transcription of string quartet movements by Ludwig van Beethoven

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| Keyboard: piano || align=center|— || align=center| || align=center|'1861 || Adagio de la 3^e cantate d'église || &nbsp; || for piano || transcription after Johann Sebastian Bach

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| Keyboard: piano || align=center|— || align=center| || align=center|'1861 || Air de la 36^e cantate d'église || &nbsp; || for piano || transcription after Johann Sebastian Bach

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| Keyboard: piano || align=center|— || align=center| || align=center|'1861 || Andante de la 3^e Sonate de Violon || &nbsp; || for piano || transcription from Sonata for Violin No. 2, BWV 1003 by Johann Sebastian Bach

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| Keyboard: piano || align=center|— || align=center| || align=center|'1861 || Andantino de la 8^e cantate d'église || &nbsp; || for piano || transcription after Johann Sebastian Bach

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| Keyboard: piano || align=center|— || align=center| || align=center|'1861 || Bourrée de la 2^e Sonate de Violon || &nbsp; || for piano || transcription of Tempo di Borea from Partita for Violin No. 1, BWV 1002 by Johann Sebastian Bach

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| Keyboard: piano || align=center|— || align=center| || align=center|'1861 || Chœur de la 30^e cantate d'église || &nbsp; || for piano || transcription after Johann Sebastian Bach

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| Keyboard: piano || align=center|— || align=center| || align=center|'1861 || Fugue de la 5^e Sonate de Violon || &nbsp; || for piano || transcription from Sonata for Violin No. 3, BWV 1005 by Johann Sebastian Bach

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| Keyboard: piano || align=center|— || align=center| || align=center|'1861 || Gavotte de la 6^e Sonate de Violon || &nbsp; || for piano || transcription of Gavotte en rondeau from Partita for Violin No. 3, BWV 1006 by Johann Sebastian Bach

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| Keyboard: piano || align=center|— || align=center| || align=center|'1861 || Introduction et air de al 15^e cantate d'église || &nbsp; || for piano || transcription after Johann Sebastian Bach

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| Keyboard: piano || align=center|— || align=center| || align=center|'1861 || Largo de la 5^e Sonate de Violon || &nbsp; || for piano || transcription from Sonata for Violin No. 3, BWV 1005 by Johann Sebastian Bach

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| Keyboard: piano || align=center|— || align=center| || align=center|'1861 || Ouverture de la 28^e cantate d'église [sic] || &nbsp; || for piano || transcription from Cantata No. 29, BWV 29 after Johann Sebastian Bach

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| Keyboard: piano || align=center|— || align=center| || align=center|'1861 || Presto de la 35^e cantate d'église || &nbsp; || for piano || transcription after Johann Sebastian Bach

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| Keyboard: piano || align=center|— || align=center| || align=center|'1861 || Récitativ et air de la 30^e cantate d'église || &nbsp; || for piano || transcription after Johann Sebastian Bach

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| Keyboard: piano || align=center|— || align=center| || align=center|1862 || Kermesse et valse de Faust, opéra de C. Gounod || &nbsp; || for piano || transcription from the opera Faust by Charles Gounod

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| Keyboard: piano || align=center|21 || align=center| || align=center|1862 || Mazurka nº 1 en sol mineur || Mazurka No. 1 in G minor || for piano || &nbsp;

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| Keyboard: piano || align=center|— || align=center| || align=center|1867 || Caprice sur les airs de ballet d'Alceste de Gluck || &nbsp; ||for piano || transcription after the opera Alceste by Christoph Willibald Gluck

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| Keyboard: piano || align=center|— || align=center| || align=center|1867 || Menuet d'Orphée || &nbsp; || for piano || transcription from the opera Orphée et Eurydice by Christoph Willibald Gluck

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| Keyboard: piano || align=center|— || align=center| || align=center|1869 || Andante de la 36^me symphonie d'Haydn || &nbsp; || for piano || transcription from Symphony No. 36 by Joseph Haydn

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| Keyboard: piano || align=center|— || align=center| || align=center|1869 || Chœur des Derviches Tourneurs tiré des<br/> Ruines d'Athèns de Beethoven || Dervish Chorus from The Ruins of Athens || for piano || transcription of the chorus from The Ruins of Athens, Op. 113 by Ludwig van Beethoven

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| Keyboard: piano || align=center|— || align=center| || align=center|1869 || Paraphrase sur Mandolinata de E. Paladilhe || Mandolinata || for piano || transcription of the song by Émile Paladilhe

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| Keyboard: piano || align=center|— || align=center| || align=center|1870 || Improvisation sur la Beethoven-Cantate de F. Liszt || Improvisation on the Beethoven Cantata by Franz Liszt || for piano || transcription after Franz Liszt

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| Keyboard: piano || align=center|23 || align=center| 31

| align="center" |1871 || Gavotte en ut mineur || Gavotte in C minor || for piano || &nbsp;

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| Keyboard: piano || align=center|24 || align=center| || align=center|1871 || Mazurka nº 2 en sol mineur || Mazurka No. 2 in G minor || for piano || &nbsp;

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| Keyboard: piano || align=center|— || align=center| || align=center|1871 || Paraphrase sur la Isleña (Havanaise), mélodie<br/> de Paladilhe || La Isleña (Havanaise) || for piano || transcription of the song by Émile Paladilhe

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| Keyboard: piano || align=center|— || align=center| || align=center|1871 || Romance sans paroles en si mineur || Romance sans paroles in B minor || for piano || &nbsp;

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| Keyboard: piano || align=center|— || align=center| || align=center|1872 || Chant du soir (Abendlied) || Evening Song || for piano || transcription for piano, 2-hands, of the original Abendlied for piano 4-hands, Op. 85 No. 12 from 12 Klavierstücke für kleine und große Kinder by Robert Schumann; also a version for orchestra

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| Keyboard: piano || align=center|70 || align=center|200 || align=center|1884 || Allegro appassionato en ut dièse mineur || Allegro appassionato in C minor || for piano || also for piano with orchestra ad libitum

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| Keyboard: piano || align=center|— || align=center| || align=center|1875 || Paraphrase sur Gallia, Cantate de C. Gounod || &nbsp; || for piano || transcription of the 1871 oratorio by Charles Gounod

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| Keyboard: piano || align=center|52 || align=center|35 || align=center|1877 || Six Études || 6 Études || for piano || &nbsp;

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| Keyboard: piano || align=center|56 || align=center|34 || align=center|1872 || Menuet et valse || Menuet and Waltz || for piano || &nbsp;

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| Keyboard: piano || align=center|— || align=center| || align=center|1880 || Andante de la 94^me symphonie "La surprise" d'Haydn || &nbsp; || for piano || transcription of movement II from Symphony No. 94 by Joseph Haydn

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| Keyboard: piano || align=center|66 || align=center| || align=center|1882 || Mazurka nº 3 en si mineur || Mazurka No. 3 in B minor || for piano || &nbsp;

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| Keyboard: piano || align=center|72 || align=center| || align=center|1884 || Album || Album || for piano || &nbsp;

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| Keyboard: piano || align=center|— || align=center| || align=center|1884 || Andantino || Andantino || for piano || &nbsp;

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| Keyboard: piano || align=center|— || align=center| || align=center|1884 || Chanson des Maucroix de J. Durand || &nbsp; || for piano || transcription of the song by Jacques Durand

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| Keyboard: piano || align=center|73 || align=center|201 || align=center|1884 || Rhapsodie d'Auvergne en ut majeur || &nbsp; || for piano || also for piano and orchestra; recorded by the composer for Welte-Mignon, 13 December 1905

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| Keyboard: piano || align=center|— || align=center| || align=center|1885 || Improvisation || Improvisation || for piano || &nbsp;

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| Keyboard: piano || align=center|80 || align=center|40 || align=center|1887 || Souvenir d'Italie en sol majeur || &nbsp; || for piano || &nbsp;

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| Keyboard: piano || align=center|85 || align=center|42 || align=center|1889 || Les cloches du soir en la bémol majeur || &nbsp; || for piano || &nbsp;

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| Keyboard: piano || align=center|88 || align=center|43 || align=center|1890 || Valse canariote en la mineur || Valse canariote in A minor || for piano || &nbsp;

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| Keyboard: piano || align=center|90 || align=center| || align=center|1891 || Suite en fa majeur || Suite in F major || for piano || &nbsp;

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| Keyboard: piano || align=center|97 || align=center|45 || align=center|1894 || Thème varié || Theme and Variations || for piano || &nbsp;

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| Keyboard: piano || align=center|— || align=center| || align=center|1895 || La mort de Thaïs, Paraphrase de concert<br/> sur l'opéra de J. Massenet || The Death of Thaïs, Concert paraphrase || for piano || transcription after the opera Thaïs by Jules Massenet

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| Keyboard: piano || align=center|100 || align=center| || align=center|1895 || Souvenir d'Ismaïlia || &nbsp; || for piano || &nbsp;

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| Keyboard: piano || align=center|104 || align=center|47 || align=center|1896 || Valse mignonne en mi bémol majeur || &nbsp; || for piano || &nbsp;

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| Keyboard: piano || align=center|— || align=center| || align=center|1897 || Nocturne sur des motifs d'Hellé, opéra<br/> d'Alphonse Duvernoy || &nbsp; || for piano || transcription after the 1896 opera Hellé by Victor Alphonse Duvernoy; also a version for violin and piano

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| Keyboard: piano || align=center|— || align=center| || align=center|'1898 || Quatre morceaux || 4 Pieces || for piano || &nbsp;

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| Keyboard: piano || align=center|110 || align=center|48 || align=center|1898 || Valse nonchalante en ré bémol majeur || &nbsp; || for piano || &nbsp;

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| Keyboard: piano || align=center|— || align=center| || align=center|1899 || Deux fantaisies écrites pour le luth par D. Luis<br/> Milan de Valence (Compositeur espagnol du<br/> XVI^e siècle) || &nbsp; || for piano || transcription after Luis de Milán

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| Keyboard: piano || align=center|111 || align=center|49 || align=center|1899 || Six Études || 6 Études || for piano || &nbsp;

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| Keyboard: piano || align=center|120 || align=center|51 || align=center|1903 || Valse langoureuse || &nbsp; || for piano || &nbsp;

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| Keyboard: piano || align=center|— || align=center| || align=center|1909 || Feuillet d'album || Album Leaf || for piano || &nbsp;

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| Keyboard: piano || align=center|139 || align=center|55 || align=center|1912 || Valse gaie || &nbsp; || for piano || &nbsp;

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| Keyboard: piano || align=center|161 || align=center|57 || align=center|1920 || Six Fugues || 6 Fugues || for piano || &nbsp;

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| Keyboard: piano || align=center|169 || align=center|58 || align=center|1921 || Feuillet d'album || Album Leaf || for piano || &nbsp;

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| Choral: sacred || align=center|— || align=center| || align=center|'1851 || Moïse sauvé des eaux || &nbsp; || || Oratorio; words by Victor Hugo

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| Choral: sacred || align=center|4 || align=center| || align=center|1855 || Messe || Mass || for 4 solo voices, chorus, orchestra and organ ||

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| Choral: sacred || align=center|5 || align=center| || align=center|1856 || Tantum ergo || Tantum ergo || for chorus and organ ||

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| Choral: sacred || align=center|12 || align=center| || align=center|1858 || Oratorio de Noël || &nbsp; || for solo voices, chorus, string quartet, harp and organ || Oratorio

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| Choral: sacred || align=center|— || align=center| || align=center|1858 || Veni creator en ut majeur || Veni creator in C major || for chorus with organ ad libitum ||

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| Choral: sacred || align=center|— || align=center| || align=center|'1860 || Ô Saint Autel, Cantique en ré majeur || &nbsp; || for 3 altos, chorus and piano || Canticle

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| Choral: sacred || align=center|— || align=center| || align=center|'1860 || Pour vous bénir, Signeur, Cantique en mi majeur || &nbsp; || for 3 altos, chorus and piano || Canticle; words by A. Cuinet

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| Choral: sacred || align=center|42 || align=center| || align=center|1865 || Cœli enarrant (Psaume XVIII) || Cœli enarrant (Psalm 18) || for solo voices, chorus and orchestra ||

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| Choral: sacred || align=center|45 || align=center| || align=center|1875 || Le déluge || The Flood || for solo voices, chorus and orchestra || Oratorio; words by Louis Gallet

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| Choral: sacred || align=center|54 || align=center| || align=center|1878 || Requiem || Requiem || for solo voices, chorus and orchestra ||

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| Choral: sacred || align=center|— || align=center| || align=center|1904 || Offertoire pour la Toussaint en fa majeur || &nbsp; || for chorus, organ with cello and double bass ad libitum || first version

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| Choral: sacred || align=center|— || align=center| || align=center|1904, 1913 || Offertoire pour la Toussaint en fa majeur || &nbsp; || for chorus and orchestra || second version 1913

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| Choral: sacred || align=center|127 || align=center| || align=center|'1908 || Psaume CL "Laudate Dominum" || Psalm 150 "Praise Ye the Lord" || for double mixed chorus, orchestra and organ ||

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| Choral: sacred || align=center|140 || align=center| || align=center|1913 || La terre promise || The Promised Land || for vocal soloists, chorus and orchestra || Oratorio in 3 parts; words by Hermann Klein

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| Choral: sacred || align=center|145 || align=center| || align=center|1914 || Ave Maria || Ave Maria || for mixed chorus a cappella ||

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| Choral: sacred || align=center|147 || align=center| || align=center|1914 || Tu es Petrus || Tu es Petrus || for male chorus and organ ||

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| Choral: sacred || align=center|148 || align=center| || align=center|1915 || Quam Dilecta || Quam Dilecta, Motet || for mixed chorus and organ with harp ad libitum ||

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| Choral: sacred || align=center|149 || align=center| || align=center|1916 || Laudate Dominum || Laudate Dominum || for mixed chorus a cappella ||

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| Choral: sacred || align=center|— || align=center| || align=center| &nbsp; || Ave verum en ré majeur || Ave verum in D major || for female chorus, organ and horn obbligato ||

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| Choral: sacred || align=center|— || align=center| || align=center| &nbsp; || Neuf chants religieux latins || 9 Sacred Latin Chants || ||

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| Choral: sacred || align=center|— || align=center| || align=center| &nbsp; || Psaume CXXXVI "Super flumina Babylonis" || Psalm 136 "Super flumina Babylonis" || for chorus ||

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| Choral: sacred || align=center|— || align=center| || align=center| &nbsp; || Six chœurs religieux || 6 Sacred Choruses || ||

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| Choral || align=center|— || align=center| || align=center|'1848 || Imogine || &nbsp; || || Cantata

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| Choral || align=center|— || align=center| || align=center|'1848 || Les Israëlites sur la montagne d'Oreb || &nbsp; || || Oratorio; fragment

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| Choral || align=center|— || align=center| || align=center|'1848 || Télésille || &nbsp; || || Cantata; words by Amable Tastu

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| Choral || align=center|— || align=center| || align=center|'1849 || Cantate || Cantata || || words by Amable Tastu

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| Choral || align=center|— || align=center| || align=center|'1850 || La rose || &nbsp; || ||

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| Choral || align=center|— || align=center| || align=center|1852 || Le Retour de Virginie, Cantate || &nbsp; || for 3 voices and orchestra ||

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| Choral || align=center|— || align=center| || align=center|1852 || Les cloches || &nbsp; || || Symphonic ode

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| Choral || align=center|— || align=center| || align=center|1852 || Fugue et chœur || Fugue and Chorus || ||

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| Choral || align=center|— || align=center| || align=center|1852 || Ode à Sainte-Cécile || &nbsp; || for vocal soloists, chorus and orchestra ||

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| Choral || align=center|— || align=center| || align=center|1857 || La toilette de la marquise de Présalé || &nbsp; || ||

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| Choral || align=center|— || align=center| || align=center|1858 || Macbeth || Macbeth || for chorus and orchestra ||

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| Choral || align=center|19 || align=center| || align=center|1867 || Les noces de Prométhée || &nbsp; || for narrator, soprano, baritone, double mixed chorus and orchestra || libretto by Romain Cornut

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| Choral || align=center|— || align=center| || align=center|1867 || Sérénade d'hiver || &nbsp; || for male chorus || words by Henri Cazalis

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| Choral || align=center|— || align=center| || align=center|1875 || La nuage || &nbsp; || ||

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| Choral || align=center|46 || align=center| || align=center|1876 || Les soldats de Gédéon || &nbsp; || for male chorus || words by Louis Gallet

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| Choral || align=center|53 || align=center| || align=center|1878 || L'art d'être grand-père, Deux chœurs || &nbsp; || <br/> 1. for female chorus and orchestra <br/> 2. for baritone, male chorus and orchestra || words by Victor Hugo

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| Choral || align=center|57 || align=center| || align=center|1879 || La lyre et la harpe || &nbsp; || for solo voices, chorus and orchestra || words by Victor Hugo

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| Choral || align=center|69 || align=center| || align=center|1881 || Hymne à Victor Hugo || Hymn to Victor Hugo || for orchestra with chorus ad libitum ||

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| Choral || align=center|68 || align=center| || align=center|1882 || Deux chœurs || 2 Choruses || for mixed chorus with piano ad libitum ||

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| Choral || align=center|71 || align=center| || align=center|1884 || Deux chœurs || 2 Choruses || for chorus a cappella || words by Théobald Saint-Félix

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| Choral || align=center|74 || align=center| || align=center|1885 || Saltarelle || Saltarelle || for male chorus || words by Émile Deschamps

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| Choral || align=center|84 || align=center| || align=center|1888 || Les guerriers || &nbsp; || for male chorus || words by Georges Audigier

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| Choral || align=center|26b || align=center| || align=center|1891 || Nuit persane || &nbsp; || for tenor, alto, narrator, mixed chorus and orchestra || words by Armand Renaud (1836–1895)

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| Choral || align=center|113 || align=center| || align=center|1899 || Chants d'automne || &nbsp; || for male chorus a cappella || words by S. Sicard

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| Choral || align=center|114 || align=center| || align=center|1900 || La nuit || &nbsp; || for soprano, female chorus and orchestra || words by Georges Audigier

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| Choral || align=center|115 || align=center| || align=center|1900 || Le feu céleste || &nbsp; || for narrator, soprano, chorus, orchestra and organ || words by Armand Silvestre

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| Choral || align=center|121 || align=center| || align=center|1903 || À la France || &nbsp; || for male chorus with mixed chorus ad libitum || words by Jules Combarieu (1859–1916)

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| Choral || align=center|— || align=center| || align=center|1905 || Ode d'Horace || &nbsp; || for male chorus a cappella ||

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| Choral || align=center|126 || align=center| || align=center|1906 || La gloire de Corneille || &nbsp; || for soloists, chorus and orchestra || Cantata; words by Sébastien-Charles Leconte (1860–1934) and Pierre Corneille

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| Choral || align=center|129 || align=center| || align=center|1909 || Le matin || &nbsp; || for male chorus a cappella || words by Alphonse de Lamartine

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| Choral || align=center|131 || align=center| || align=center|1911 || La gloire || &nbsp; || for tenor, baritone, mixed chorus and piano || words by Lucien Augé de Lassus

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| Choral || align=center|134 || align=center| || align=center|1912 || Aux aviateurs || &nbsp; || for male chorus || words by Jean Bonnerot

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| Choral || align=center|137 || align=center| || align=center|1912 || Aux mineurs || &nbsp; || for male chorus || words by Jean Bonnerot

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| Choral || align=center|138 || align=center| || align=center|1912 || Hymne au printemps || &nbsp; || for male chorus || words by Jean Bonnerot

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| Choral || align=center|141 || align=center| || align=center|1913 || Deux chœurs || 2 Choruses || for mixed chorus a cappella || <br/> 1. words by Maurice Boukay <br/> 2. words by Pierre-Jean de Béranger

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| Choral || align=center|142 || align=center| || align=center|1914 || Hymne au travail || &nbsp; || for male chorus || words by Jean Bonnerot

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| Choral || align=center|151 || align=center| || align=center|1917 || Trois chœurs || 3 Choruses || for female chorus and piano || <br/> 1. words by Jean Bonnerot <br/> 2. words by Paul Fournier <br/> 3. words by Jean Mirval

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| Choral || align=center|— || align=center| || align=center|1920 || Hymne à Jeanne d'Arc || &nbsp; || for chorus and organ ||

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| Choral || align=center|164 || align=center| || align=center|— || Aux conquérants de l'air || &nbsp; || for chorus of 2 equal voices and piano ||

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| Choral || align=center|165 || align=center| || align=center|— || Le printemps || &nbsp; || for chorus of 2 equal voices and piano || words by Jean de La Fontaine

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| Choral || align=center|— || align=center| || align=center|— || Canon || &nbsp; || for female chorus a cappella ||

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| Vocal: sacred || align=center|— || align=center| || align=center|'1844 || À Saint Joseph, Cantique || &nbsp; || || Canticle

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| Vocal: sacred || align=center|— || align=center| || align=center|'1844 || Dans ce beau moi, Cantique || &nbsp; || || Canticle

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| Vocal: sacred || align=center|— || align=center| || align=center|'1844 || Nous qu'en ces lieux, Cantique || &nbsp; || || Canticle

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| Vocal: sacred || align=center|— || align=center| || align=center|'1844 || Reçois mes hommages, Cantique || &nbsp; || || Canticle

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| Vocal: sacred || align=center|— || align=center| || align=center|'1855 || La madonna col bambino, Cantique en fa majeur || &nbsp; || for alto and piano || Canticle; words by St. Alfonso di Liguori

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| Vocal: sacred || align=center|— || align=center| || align=center|1858 || O salutaris en si bémol majeur || O salutaris in B major || for soprano, alto, baritone and organ ||

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| Vocal: sacred || align=center|— || align=center| || align=center|'1859 || Ave Maria en si bémol majeur || Ave Maria in B major || for soprano and organ ||

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| Vocal: sacred || align=center|— || align=center| || align=center|'1859 || Ave Maria en mi majeur || Ave Maria in E major || for baritone and organ ||

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| Vocal: sacred || align=center|— || align=center| || align=center|'1860 || Ave Maria en la majeur || Ave Maria in A major || for 2 altos and organ ||

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| Vocal: sacred || align=center|— || align=center| || align=center|'1860 || Ave verum en si bémol majeur || Ave verum in B major || for soprano, alto, tenor, bass and organ ||

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| Vocal: sacred || align=center|— || align=center| || align=center|'1860 || Heureux qui du cœur de Marie, Cantique en la majeur || &nbsp; || for alto (or chorus) and piano || Canticle

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| Vocal: sacred || align=center|— || align=center| || align=center|'1860 || O salutaris en la majeur || O salutaris in A major || for alto and organ ||

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| Vocal: sacred || align=center|— || align=center| || align=center|'1860 || Reine des cieux, Cantique en la bémol majeur || &nbsp; || for alto (or chorus) and piano || Canticle

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| Vocal: sacred || align=center|— || align=center| || align=center|'1860 || Sub tuum en fa mineur || Sub tuum in F minor || for soprano, alto and organ ||

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| Vocal: sacred || align=center|— || align=center| || align=center|'1860 || Tantum ergo en mi bémol majeur || Tantum ergo in E major || for 2 sopranos, alto and organ with chorus ad libitum ||

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| Vocal: sacred || align=center|— || align=center| || align=center|'1863 || Ave verum en si mineur || Ave verum in B minor || for soprano, alto and organ ||

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| Vocal: sacred || align=center|— || align=center| || align=center|1865 || Ave Maria en la majeur || Ave Maria in A major || for soprano or tenor and organ ||

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| Vocal: sacred || align=center|— || align=center| || align=center|1865 || Inviolata en ré majeur || Inviolata in D major || for alto and organ ||

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| Vocal: sacred || align=center|— || align=center| || align=center|1869 || O salutaris en la bémol majeur || O salutaris in A major || for soprano, alto, baritone and organ ||

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| Vocal: sacred || align=center|— || align=center| || align=center|1875 || O salutaris en mi bémol majeur || O salutaris in E major || for soprano and organ ||

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| Vocal: sacred || align=center|— || align=center| || align=center|1884 || O salutaris en mi majeur || O salutaris in E major || for tenor, baritone and organ ||

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| Vocal: sacred || align=center|— || align=center| || align=center|1884 || O salutaris en mi bémol majeur || O salutaris in E major || for alto and organ ||

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| Vocal: sacred || align=center|— || align=center| || align=center|1885 || Deus Abraham en fa majeur || Deus Abraham in F major || for alto and organ ||

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| Vocal: sacred || align=center|— || align=center| || align=center|1885 || Pie Jesu en ut mineur || Pie Jesu in C minor || for bass and organ ||

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| Vocal: sacred || align=center|— || align=center| || align=center|1898 || Panis angelicus en fa majeur || Panis angelicus in F major || for tenor or soprano, string quartet or organ ||

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| Vocal: sacred || align=center|— || align=center| || align=center|1917 || Litanies à la Sainte Vierge || &nbsp; || for voice and organ ||

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| Vocal || align=center|— || align=center| || align=center| &nbsp; || Les heures || &nbsp; || for narrator and piano ||

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| Vocal || align=center|— || align=center| || align=center|1841 || Ariel || &nbsp; || for voice and piano ||

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| Vocal || align=center|— || align=center| || align=center|1841 || Le soir || &nbsp; || for voice and piano || words by Marceline Desbordes-Valmore

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| Vocal || align=center|— || align=center| || align=center|'1841 || La maman || &nbsp; || for voice and piano || words by Amable Tastu

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| Vocal || align=center|— || align=center| || align=center|1844 || Tandis que sur vos ans || &nbsp; || for voice and piano ||

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| Vocal || align=center|— || align=center| || align=center|'1847 || La Golfe de Baya || &nbsp; || for voice and piano || words by Alphonse de Lamartine

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| Vocal || align=center|— || align=center| || align=center|1849 || Télésille || &nbsp; || for voice and piano || words by Amable Tastu

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| Vocal || align=center|— || align=center| || align=center|1850 || Bergeronnette || &nbsp; || for voice and piano || words by J. Lombard

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| Vocal || align=center|— || align=center| || align=center|1850 || Lamento || &nbsp; || for voice and piano || words by Théophile Gautier

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| Vocal || align=center|— || align=center| || align=center|1850 || Le lac || &nbsp; || for voice and piano || words by Alphonse de Lamartine

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| Vocal || align=center|— || align=center| || align=center|1851 || Guitare || &nbsp; || for voice and piano || words by Victor Hugo

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| Vocal || align=center|— || align=center| || align=center|1851 || Le poète mourant || &nbsp; || for voice and piano || words by Alphonse de Lamartine

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| Vocal || align=center|— || align=center| || align=center|1851 || Le rendezvous || &nbsp; || for voice and piano || words by Eugène Fiéffé

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| Vocal || align=center|— || align=center| || align=center|1851 || Rêverie || &nbsp; || for voice and orchestra || words by Victor Hugo

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| Vocal || align=center|— || align=center| || align=center|1852 || Idylle || &nbsp; || for voice and piano || words by Deschoulières

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| Vocal || align=center|— || align=center| || align=center|'1852 || L'automne || &nbsp; || for voice and piano || words by Alphonse de Lamartine

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| Vocal || align=center|— || align=center| || align=center|1852 || Le pas d'armes du Roi Jean || &nbsp; || for voice and orchestra || words by Victor Hugo

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| Vocal || align=center|— || align=center| || align=center|1852 || Mélodie || &nbsp; || for voice and orchestra || words by Alphonse de Lamartine

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| Vocal || align=center|— || align=center| || align=center|1853 || Le feuille de peuplier || &nbsp; || for voice and orchestra || words by Amable Tastu

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| Vocal || align=center|— || align=center| || align=center|1854 || Ruhethal || &nbsp; || for voice and piano || words by Ludwig Uhland

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| Vocal || align=center|— || align=center| || align=center|'1854 || La chasse du burgrave || &nbsp; || for voice and piano ||

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| Vocal || align=center|— || align=center| || align=center|'1854 || La porta dell'inferno || &nbsp; || for voice and piano || words by Dante

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| Vocal || align=center|— || align=center| || align=center|'1855 || La cloche || &nbsp; || for voice and piano || words by Victor Hugo

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| Vocal || align=center|— || align=center| || align=center|'1855 || L'attente || &nbsp; || for voice and orchestra || words by Victor Hugo

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| Vocal || align=center|— || align=center| || align=center|1855 || Le lever de la lune || &nbsp; || for voice and piano || words by Ossian

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| Vocal || align=center|— || align=center| || align=center|1855 || Le sommeil des fleurs || &nbsp; || for voice and piano || words by G. de Penmarch

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| Vocal || align=center|— || align=center| || align=center|1855 || Pastorale, Duettino || &nbsp; || for 2 voices and piano || words by Destouches

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| Vocal || align=center|— || align=center| || align=center|'1855 || Plainte || &nbsp; || for voice and orchestra || words by Amable Tastu

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| Vocal || align=center|— || align=center| || align=center|'1855 || Viens! || &nbsp; || for soprano, baritone and piano || words by Victor Hugo

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| Vocal || align=center|— || align=center| || align=center|1856 || À la lune || &nbsp; || for voice and piano ||

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| Vocal || align=center|— || align=center| || align=center|'1857 || La mort d'Ophélie, Ballade || &nbsp; || for voice and piano || words by Ernest Legouvé after William Shakespeare

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| Vocal || align=center|— || align=center| || align=center|1857 || Le soir descend sur la colline, Barcarolle || &nbsp; || for alto, tenor and piano ||

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| Vocal || align=center|— || align=center| || align=center|'1858 || Pourquoi t'exiler || &nbsp; || for voice and piano ||

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| Vocal || align=center|— || align=center| || align=center|'1858 || Souvenances || &nbsp; || for voice and piano || words by Ferdinand Lemaire

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| Vocal || align=center|— || align=center| || align=center|'1860 || Alla riva del Tebro || &nbsp; || for voice and piano ||

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| Vocal || align=center|— || align=center| || align=center|'1860 || Étoile du matin || &nbsp; || for soprano or tenor and piano || words by Camille Distel

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| Vocal || align=center|— || align=center| || align=center|'1860 || Extase || &nbsp; || for voice and piano || words by Victor Hugo

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| Vocal || align=center|10 || align=center| || align=center|1860 || Scène d'Horace || &nbsp; || for soprano, baritone and orchestra || words by Pierre Corneille

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| Vocal || align=center|— || align=center| || align=center|1862 || Soirée en mer || &nbsp; || for voice and piano || words by Victor Hugo

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| Vocal || align=center|— || align=center| || align=center|'1863 || Canzonetta toscana || &nbsp; || for voice and piano ||

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| Vocal || align=center|— || align=center| || align=center|'1864 || Le matin || &nbsp; || for voice and piano || words by Victor Hugo

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| Vocal || align=center|— || align=center| || align=center|'1865 || Claire de lune || &nbsp; || for voice and piano || words by Catulle Mendès

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| Vocal || align=center|— || align=center| || align=center|1865 || Heures passées || &nbsp; || for voice and piano || words by A. Lenfaut

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| Vocal || align=center|— || align=center| || align=center|1865 || L'enlèvement || &nbsp; || for voice and orchestra || words by Victor Hugo

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| Vocal || align=center|— || align=center| || align=center|1868 || Le chant de ceux qui s'en vont sur la mer || &nbsp; || for voice and piano || words by Victor Hugo

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| Vocal || align=center|— || align=center| || align=center|1868 || La coccinelle || &nbsp; || for voice and piano || words by Victor Hugo

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| Vocal || align=center|— || align=center| || align=center|1868 || Maria-Lucrezia || &nbsp; || for voice and piano || words by Ernest Legouvé

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| Vocal || align=center|— || align=center| || align=center|'1868 || Tristesse || &nbsp; || for voice and piano || words by Ferdinand Lemaire

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| Vocal || align=center|— || align=center| || align=center|'1869 || À quoi bon attendre || &nbsp; || for voice and piano || words by Victor Hugo

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| Vocal || align=center|— || align=center| || align=center|'1869 || Marquise, vous souvenez-vous?, Menuet || &nbsp; || for mezzo-soprano or baritone and piano || words by François Coppée

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| Vocal || align=center|26 || align=center| || align=center|1870 || Mélodies persanes || &nbsp; || for voice and piano || words by Armand Renaud (1836–1895)

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| Vocal || align=center|— || align=center| || align=center|1870 || Si vous n'avez rien à me dire || &nbsp; || for voice and piano || words by Victor Hugo

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| Vocal || align=center|— || align=center| || align=center|1871 || A Voice by the Cedar Tree || A Voice by the Cedar Tree || for voice and piano || words by Alfred, Lord Tennyson

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| Vocal || align=center|— || align=center| || align=center|1871 || Désir de l'Orient || &nbsp; || for voice and piano || words by the composer

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| Vocal || align=center|— || align=center| || align=center|1871 || El desdichado, Bolero || &nbsp; || for 2 voices and orchestra || words by Jules Barbier

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| Vocal || align=center|— || align=center| || align=center|1871 || My Land || My Land || for voice and piano || words by T. Davis

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| Vocal || align=center|— || align=center| || align=center|1872 || Dans ton cœur || &nbsp; || for voice and piano || words by Henri Cazalis

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| Vocal || align=center|— || align=center| || align=center|1872 || Danse macabre || &nbsp; || for voice and piano || words by Henri Cazalis

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| Vocal || align=center|— || align=center| || align=center|'1877 || Vogue, vogue la galère, Barcarolle || &nbsp; || for voice and harmonium ad libitum || words by Jean Aicard

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| Vocal || align=center|— || align=center| || align=center|1879 || Night Song of Preciosa || Night Song of Preciosa || for voice and piano || words by Isaac Ginner

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| Vocal || align=center|— || align=center| || align=center|1880 || Dans les coins bleus || &nbsp; || for voice and piano || words by Charles Augustin Sainte-Beuve

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| Vocal || align=center|— || align=center| || align=center|1885 || Chanson à boire du vieux temps || &nbsp; || for voice and piano || words by Nicolas Boileau-Despréaux

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| Vocal || align=center|— || align=center| || align=center|1885 || Ronde || &nbsp; || for voice and piano || words by François Coppée

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| Vocal || align=center|— || align=center| || align=center|1885 || Une flûte invisible || &nbsp; || for voice and flute || words by Victor Hugo

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| Vocal || align=center|82 || align=center| || align=center|1887 || La fiancée du timbalier || &nbsp; || for mezzo-soprano and orchestra || words by Victor Hugo

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| Vocal || align=center|— || align=center| || align=center|1888 || Suzette et Suzon || &nbsp; || for voice and piano || words by Victor Hugo

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| Vocal || align=center|— || align=center| || align=center|1890 || Guitares et mandolines || &nbsp; || for voice and piano || words by the composer

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| Vocal || align=center|— || align=center| || align=center|1890 || Présage de la croix || &nbsp; || for voice and piano || words by Stéphan Bordèse

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| Vocal || align=center|— || align=center| || align=center|1891 || Aimons-nous || &nbsp; || for voice and orchestra || words by Théodore de Banville

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| Vocal || align=center|— || align=center| || align=center|1891 || Amour viril || &nbsp; || for voice and piano || words by Georges Boyer

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| Vocal || align=center|— || align=center| || align=center|1892 || Là-bas || &nbsp; || for voice and piano || words by Jean-Louis Croze

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| Vocal || align=center|— || align=center| || align=center|1892 || Les fées || &nbsp; || for voice and orchestra || words by Théodore de Banville

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| Vocal || align=center|— || align=center| || align=center|1892 || Les fleurs || &nbsp; || for voice and piano || words by V. de Collerville

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| Vocal || align=center|— || align=center| || align=center|1892 || Le rossignol || &nbsp; || for voice and piano || words by Théodore de Banville

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| Vocal || align=center|— || align=center| || align=center|1892 || Madeleine || &nbsp; || for voice and piano || words by Alfred Tranchant

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| Vocal || align=center|— || align=center| || align=center|1892 || Romance || &nbsp; || for voice and harp || words by Émile Bergerat

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| Vocal || align=center|— || align=center| || align=center|1893 || Fière beauté || &nbsp; || for voice and orchestra || words by Augustin Mahot

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| Vocal || align=center|— || align=center| || align=center|1893 || La sérénité || &nbsp; || for mezzo-soprano or baritone and piano || words by Marie-Anne Barbier

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| Vocal || align=center|— || align=center| || align=center|1893 || Peut-être? || &nbsp; || for voice and piano || words by Jean-Louis Croze

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| Vocal || align=center|— || align=center| || align=center|1893 || Primavera || &nbsp; || for mezzo-soprano or baritone and piano || words by Paul Stuart

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| Vocal || align=center|— || align=center| || align=center|1893 || Vive Paris, vive la France || &nbsp; || for voice and piano || words by Alfred Tranchant

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| Vocal || align=center|— || align=center| || align=center|1894 || La libellule || &nbsp; || for voice and orchestra || words by the composer

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| Vocal || align=center|98 || align=center| || align=center|1894 || Pallas Athéné || &nbsp; || for soprano and orchestra || words by Jean-Louis Croze

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| Vocal || align=center|— || align=center| || align=center|1894 || Pourquoi rester seulette? || &nbsp; || for voice and piano || words by Jean-Louis Croze

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| Vocal || align=center|— || align=center| || align=center|1896 || Vénus || &nbsp; || for 2 voices and piano || words by the composer

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| Vocal || align=center|— || align=center| || align=center|1897 || Madrigal || &nbsp; || for voice and piano || words by Molière

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| Vocal || align=center|— || align=center| || align=center|1898 || Alla riva del Tebro || &nbsp; || for voice and piano || arrangement of a madrigal by Giovanni Pierluigi da Palestrina

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| Vocal || align=center|— || align=center| || align=center|1898 || Les vendanges || &nbsp; || for voice and orchestra || words by S. Sicard

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| Vocal || align=center|— || align=center| || align=center|1898 || Lever de soleil sur le Nil || &nbsp; || for voice and orchestra || words by the composer

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| Vocal || align=center|— || align=center| || align=center|1898 || Si je l'osais || &nbsp; || for voice and piano || words by Alfred Tranchant

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| Vocal || align=center|— || align=center| || align=center|1898 || Sonnet || &nbsp; || for voice and piano || words by the composer

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| Vocal || align=center|— || align=center| || align=center|1900 || Les cloches de la mer || &nbsp; || for voice and piano || words by the composer

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| Vocal || align=center|116 || align=center|329 || align=center|1900 || Lola || Lola || for soprano and orchestra || words by Stéphan Bordèse

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| Vocal || align=center|— || align=center| || align=center|1901 || Désir d'amour || &nbsp; || for baritone and piano || words from the Spanish, Deseo de amor, by Francisco Perpiñá

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| Vocal || align=center|— || align=center| || align=center|1901 || Elle || &nbsp; || for voice and piano || words by Charles Lecocq

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| Vocal || align=center|118 || align=center| || align=center|1902 || Romance du soir || &nbsp; || for soprano, alto, tenor and bass || words by Jean-Louis Croze

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| Vocal || align=center|— || align=center| || align=center|1903 || L'arbre || &nbsp; || for voice and piano || words by Jean Moréas

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| Vocal || align=center|— || align=center| || align=center|1903 || Sœur Anne || &nbsp; || for voice and piano || words by André Pressat

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| Vocal || align=center|— || align=center| || align=center|1906 || Le fleuve || &nbsp; || for voice and piano || words by Georges Audigier

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| Vocal || align=center|— || align=center| || align=center|1907 || L'étoile || &nbsp; || for voice and piano || words by Prince Haïdar-Pacha

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| Vocal || align=center|— || align=center| || align=center|1907–1921 <br/> 1907 <br/> 1921 <br/> 1921 <br/> 1920 <br/> 1921 || Cinq poèmes de Ronsard || 5 Poems of Ronsard || for voice and piano || words by Pierre de Ronsard

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| Vocal || align=center|— || align=center| || align=center|1907 || Soir romantique || &nbsp; || for voice and piano || words by Comtesse de Noailles

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| Vocal || align=center|— || align=center| || align=center|1907 || Violons dans le soir || &nbsp; || for voice, violin and piano || words by Comtesse de Noailles

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| Vocal || align=center|— || align=center| || align=center|1908 || Fomicacicadéide || &nbsp; || for voice and piano ||

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| Vocal || align=center|— || align=center| || align=center|1910? || La cigale et la fourmi || &nbsp; || for voice and piano || words by Jean de La Fontaine

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| Vocal || align=center|— || align=center| || align=center|1912 || Le vent dans la plaine || &nbsp; || for voice and piano || words by Paul Verlaine

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| Vocal || align=center|146 || align=center| || align=center|1914 || La cendre rouge, Dix poèmes lyriques || &nbsp; || for voice and piano || words by Georges Docquois (1863–1927)

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| Vocal || align=center|— || align=center| || align=center|1914 || Les sapins || &nbsp; || for voice and piano || words by Paul Martin

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| Vocal || align=center|— || align=center| || align=center|1914 || Vive la France || &nbsp; || for voice and piano || words by Paul Fournier

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| Vocal || align=center|— || align=center| || align=center|1915 || La Française || &nbsp; || for voice and piano || words by Miguel Zamacoïs

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| Vocal || align=center|— || align=center| || align=center|'1915 || Ne l'oubliez pas || &nbsp; || for voice and piano || words by Mme. Félix Regnault

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| Vocal || align=center|— || align=center| || align=center|1915 || S'il est un charmant gazon || &nbsp; || for voice and piano || words by Victor Hugo

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| Vocal || align=center|— || align=center| || align=center|1917 || Honneur à l'Amérique || &nbsp; || for voice and piano || words by Paul Fournier

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| Vocal || align=center|— || align=center| || align=center|1918 || Angélus || &nbsp; || for voice and piano or orchestra || words by Pierre Aguétant

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| Vocal || align=center|— || align=center| || align=center|1918 || Où nous avons aimé || &nbsp; || for voice and piano or orchestra || words by Pierre Aguétant

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| Vocal || align=center|— || align=center| || align=center|1918 || Papillons || &nbsp; || for voice and piano or orchestra || words by Renée de Léché

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| Vocal || align=center|— || align=center| || align=center|1918 || Victoire! || &nbsp; || for voice and piano || words by Paul Fournier

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| Vocal || align=center|159 || align=center| || align=center|1919 || Hymne à la paix || &nbsp; || for high voice and piano || words by J. L. Faure

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| Vocal || align=center|— || align=center| || align=center|1921 || Vieilles chansons || &nbsp; || for voice and piano || <br/> 1. words by Charles d'Orléans <br/> 2. words by Rémy Belleau <br/> 3. words by Jean Vauquelin de la Fresnaye

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| Vocal || align=center|— || align=center| || align=center|— || Antwort || &nbsp; || for voice and piano || words by Ludwig Uhland

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| Vocal || align=center|— || align=center| || align=center|— || Chanson de Fortunio || &nbsp; || for voice and piano || words by Alfred de Musset

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| Vocal || align=center|— || align=center| || align=center|— || L'echo de la harpe || &nbsp; || for voice and piano ||

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| Vocal || align=center|— || align=center| || align=center|— || God Save the King || God Save the King || for voice and piano || words in French translation

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| Vocal || align=center|— || align=center| || align=center|— || Primavera || &nbsp; || for voice and piano || words by Charles d'Orléans

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| Vocal || align=center|— || align=center| || align=center|— || Sérénade || &nbsp; || for voice and orchestra || words by L. Mangeot

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| Vocal || align=center|— || align=center| || align=center|— || Toi || &nbsp; || for voice and piano || words by Édouard St. Chaffray

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References