thumb | right | alt=Ulysses cover | Ulysses cover

This schema, or explanatory outline, for the novel Ulysses was produced by its author, James Joyce, in 1920 in order to help a friend (Carlo Linati) understand the fundamental structure of the book. The schema has been split into two tables for better ease of reading.

{| class="wikitable"

|-

! Title

! Time

! Colour

! People

! Science / Art

! Meaning

|-

| Telemachus

| 8 — 9 a.m.

| Gold / white

|

  • Telemachus
  • Mentor
  • Antinous
  • Suitors
  • Penelope

| Theology

| Dispossessed son in contest

|-

| Nestor

| 9 — 10 a.m.

| Brown

|

  • Telemachus
  • Nestor
  • Pisistratus
  • Helen

| History

| The wisdom of the ancients

|-

| Proteus

| 10 — 11 a.m.

| Green

|

  • Telemachus
  • Proteus
  • Menelaus
  • Helen
  • Megapenthes

| Philology

| Primal matter

|-

| Calypso

| 8 — 9 a.m.

| Orange

|

  • Calypso
  • Penelope
  • Ulysses
  • Callidice

| Mythology

| The departing wayfarer

|-

| Lotus Eaters

| 9 — 10 a.m.

| Dark brown

|

  • Eurylochus
  • Polites
  • Ulysses
  • Nausicaa

| Chemistry

| The temptation of faith

|-

| Hades

| 11 a.m. — 12 noon

| Black-white

|

  • Ulysses
  • Elpenor
  • Ajax
  • Agamemnon
  • Hercules
  • Eriphyle
  • Sisyphus
  • Orion
  • Laertes etc.
  • Prometheus
  • Cerberus
  • Tiresias
  • Hades
  • Proserpina
  • Telemachus
  • Antinous

| -

| The descent into nothingness

|-

| Aeolus

| 12 noon — 1 p.m.

| Red

|

  • Aeolus
  • Sons
  • Telemachus
  • Mentor
  • Ulysses

| Rhetoric

| The derision of victory

|-

| Lestrygonians

| 1 — 2 p.m.

| Blood red

|

  • Antiphates
  • The seductive daughter
  • Ulysses

| Architecture

| Despondency

|-

| Scylla and Charybdis

| 2 — 3 p.m.

| -

|

  • Scylla
  • Charybdis
  • Telemachus
  • Ulysses
  • Antinous

| Literature

| The double-edge sword

|-

| Wandering Rocks

| 3 — 4 p.m.

| Rainbow

|

  • Objects
  • Places
  • Forces
  • Ulysses

| Mechanics

| The hostile milieu

|-

| Sirens

| 4 — 5 p.m.

| Coral

|

  • Leucothea
  • Parthenope
  • Ulysses
  • Orpheus
  • Menelaus
  • Argonauts

| Music

| The sweet deceit

|-

| Cyclops

| 5 — 6 p.m.

| Green

|

  • Prometheus
  • Noman
  • Galatea
  • Ulysses

| Surgery

| Egocidal terror

|-

| Nausicaa

| 8 — 9 p.m.

| Grey

|

  • Nausicaa
  • Handmaidens
  • Alcinous
  • Arete
  • Ulysses

| Painting

| The projected mirage

|-

| Oxen of the Sun

| 10pm - 11pm

| White

|

  • Lampetie
  • Phaethusa
  • Helios Hyperion
  • Jove
  • Ulysses

| Physics

| The eternal herds

|-

| Circe

| 11 p.m. — 12 midnight

| Violet

|

  • Circe
  • The Swine
  • Telemachus
  • Ulysses
  • Hermes

| Dance

| The man-hating ogress

|-

| Eumaeus

| 12 midnight — 1 a.m.

| -

|

  • Eumaeus
  • Ulysses
  • Telemachus
  • The Bad Goatherd
  • Pseudangelos

| -

| The ambush on home ground

|-

| Ithaca

| 1 — 2 a.m.

| -

|

  • Ulysses
  • Telemachus
  • Eurycleia
  • The suitors

| -

| Armed hope

|-

| Penelope

| <math>\infty</math>

| -

|

  • Ulysses
  • Laertes
  • Penelope

| -

| The past sleeps

|}

{| class="wikitable"

|-

! Title

! Technic

! Organ

! Symbols

|-

| Telemachus

| Dialogue for three and four,

narration,

soliloquy

| -

| Hamlet, Ireland, Stephen

|-

| Nestor

| Dialogue for 2,

narration,

soliloquy

| -

| Ulster, woman, practical sense

|-

| Proteus

| Soliloquy

| -

| World, tide, Moon, evolution, metamorphosis

|-

| Calypso

| Dialogue for 2,

soliloquy

| Kidneys

| Vagina, exile, nymph, Israel in captivity

|-

| Lotus Eaters

| Dialogue, prayer, soliloquy

| Skin

| Host, penis in the bath, froth, flower, drugs, castration, oats

|-

| Hades

| Dialogue, narration

| Heart

| Cemetery, sacred heart, the past, the unknown man, the unconscious, heart defect, relics, heartbreak

|-

| Aeolus

| Simbouleutike, dikanike, epideictic, tropes

| Lungs

| Machines, wind, fame, kite, failed destinies, the press, mutability

|-

| Lestrygonians

| Peristaltic prose

| Oesophagus

| Bloody sacrifice,

food,

shame

|-

| Scylla and Charybdis

| Whirlpools

| Brain

| Hamlet,

Shakespeare,

Christ,

Socrates,

London,

Stratford,

scholasticism,

mysticism,

Plato,

Aristotle,

youth,

maturity

|-

| Wandering Rocks

| Shifting labyrinth between two shores

| Blood

| Caesar,

Christ,

errors,

homonyms,

synchronisms,

resemblances

|-

| Sirens

| Fuga per canonem

| Ear

| Promises,

female,

sounds,

embellishments

|-

| Cyclops

| Alternating asymmetry

| Muscles, bones

| Nation,

state,

religion,

dynasty,

idealism,

exaggeration,

fanaticism,

collectivity

|-

| Nausicaa

| Retrogressive progression

| Eye, nose

| Onanism,

feminine,

hypocrisy

|-

| Oxen of the Sun

| Prose, embryo, foetus, birth

| Matrix, uterus

| Fertilisation,

frauds,

parthenogenesis

|-

| Circe

| Exploding vision

| Locomotor apparatus, skeleton

| Zoology,

personification,

pantheism,

magic,

poison,

antidote,

reel

|-

| Eumaeus

| Relaxed prose

| Nerves

| -

|-

| Ithaca

| Dialogue, pacified style, fusion

| Juices

| -

|-

| Penelope

| Monologue, resigned style

| Fat

| -

|}

See also

  • Gilbert schema for Ulysses

Notes

References

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