Lillian Roth (December 13, 1910 – May 12, 1980) was an American singer and actress.

Her life story was told in the 1955 film I'll Cry Tomorrow, in which she was portrayed by Susan Hayward, who was nominated for the Academy Award for Best Actress for her performance.

Early life

Roth was born on December 13, 1910, in Boston, Massachusetts, to Katie (née Silverman) and Arthur Rutstein, who were both Jewish. At the age of six, Roth was taken by her mother to Educational Pictures, where she became the company's trademark, symbolized by a living statue holding a lamp of knowledge. In her 1954 autobiography I'll Cry Tomorrow, Roth alleged that she had been molested by the man who had painted her as a statue. She attended the Professional Children's School in New York City with classmates Ruby Keeler and Milton Berle.

In 1917, Roth made her Broadway debut as the character Flossie in The Inner Man. Her film debut occurred the following year, when she performed as an extra in the government documentary Pershing's Crusaders. She and her sister Ann also toured together during this period as Lillian Roth and Co., although at times they were billed as the Roth Kids. According to Roth's autobiography, one of the highlights of the tour was meeting U.S. president Woodrow Wilson, who attended the girls' vaudeville act and later allowed them to ride with him briefly in his chauffeur-driven car.

Roth entered the Clark School of Concentration in the early 1920s. She appeared in Artists and Models in 1923 and Revels with Frank Fay. The 13-year-old Roth lied to the show's producers, telling them that she was 19 years old.

Career

In 1927, at the age of 17, Roth returned to Broadway to perform in the first of three Earl Carroll Vanities, which was followed by Midnight Frolics, a Florenz Ziegfeld production.

left|thumb|thumbtime=305|start=305|end=442|upright=1.5|Roth performing in Down Among the Sugar Cane (1932), a seven-minute Paramount short with a follow-along "bouncing ball" singing sequence and animated cartoon work produced by [[Fleischer Studios.]]

Roth signed a seven-year contract with Paramount Pictures, where she appeared in The Love Parade (1929) with Maurice Chevalier and Jeanette MacDonald, The Vagabond King (1930), Paramount on Parade (1930), Honey (1930) (in which she introduced "Sing You Sinners"), Cecil B. DeMille's Madam Satan (1930) with Reginald Denny and Kay Johnson, Sea Legs with Jack Oakie and the Marx Brothers' second film, Animal Crackers (1930). She took Ethel Merman's stage role in the film version of Take a Chance, singing "Eadie Was a Lady". After leaving Paramount, Roth was cast by Warner Bros. in a supporting role in the 1933 women's prison film Ladies They Talk About starring Barbara Stanwyck.

Roth headlined the Palace Theatre in New York and performed in the Earl Carroll Vanities in 1928, 1931 and 1932.

thumb|thumbtime=264|start=264|end=393|upright=1.5|[[Ain't She Sweet (1933) with a short film of Roth singing during the latter half of the cartoon.]] During this time, Roth's personal life increasingly was overshadowed by her alcoholism. Although her parents were not stereotypical stage parents, as a response to their influence, Roth came to rely too much on other people. In her books and interviews, she said she was too trusting of husbands who made key decisions concerning her money and contracts.

Roth was out of the limelight by the late 1930s. Her personal and spiritual feelings led her to convert to Catholicism in 1948.

She divorced her first husband, William C. Scott, in 1932 after 13 months of marriage.

She married her second husband, Judge Benjamin Shalleck, in 1933. They met when he heard a case she had brought disputing a garage bill, in which he ruled against her. Claiming that he objected to her career, she obtained a divorce in California in 1939.

In 1947, she met McGuire, scion of Funk and Wagnalls Publishing Company at an Alcoholics Anonymous meeting. McGuire managed Roth until September 1963, when he sent her a note stating that their marriage was finished.

Later life

In 1970, Roth lived in Palm Springs, California. She returned to Broadway in 1971 in the Kander and Ebb musical 70, Girls, 70 and played a pathologist in the 1976 cult horror film Alice, Sweet Alice. Her last film was Boardwalk (1979) with Lee Strasberg, Ruth Gordon and Janet Leigh. Roth's successful concert at The Town Hall was released as an album by AEI Records after her death. One of her final appearances came in a club act at the New York nightclub Reno Sweeney.

Death

After suffering a stroke at her New York apartment in February 1980, Roth died at age 69 on May 12 at De Witt Nursing Home in Manhattan.

Filmography

Short Subjects:

  • Pershing's Crusaders (1918) (uncredited extra)
  • Lillian Roth and Band (1929)
  • Lillian Roth and Her Piano Boys (1929)
  • Lillian Roth and the Foster Girls (1929)
  • Raising the Roof (1929)
  • Meet the Boyfriend (1930)
  • Down Among the Sugar Cane (1932)
  • Naughty-Cal (1932)
  • Ain't She Sweet (1933)
  • Million Dollar Melody (1933)
  • Story Conference (1934)
  • Masks and Memories (1934)
  • Arcade Varieties (1939)
  • Snow Follies (1939)

Features:

  • Illusion (1929)
  • The Love Parade (1929)
  • The Vagabond King (1930)
  • Honey (1930)
  • Paramount on Parade (1930)
  • Madame Satan (1930)
  • Animal Crackers (1930)
  • Sea Legs (1930)
  • Ladies They Talk About (1933)
  • Take a Chance (1933)
  • Alice, Sweet Alice (1976)
  • Night-Flowers (1979)
  • Boardwalk (1979)

References

Further reading

  • Whatever Became of...?, Vol. III, 1970, The World Almanac 1966; published by New York World Telegram and The Sun.
  • Lillian Roth's appearance on The Mike Wallace Interview, April 5, 1958(Univ. of Texas/Austin: Harry Ranson Center)