thumb| Hanshi 9. Dan does Kyūdō

Kyūdō () is the Japanese martial art of archery. Kyūdō is based on kyūjutsu ("art of archery"), which originated with the samurai class of feudal Japan. In 1919, the name of kyūjutsu was officially changed to kyūdō, and following the example of other martial arts that have been systematizing for educational purposes, kyūdō also reorganized and integrated various forms of shooting that had been used up until then.

Emergence

The changing of society and the samurai class taking power at the end of the Heian period (794－1185) created a requirement for education in archery. This led to the birth of the first kyūjutsu ryū-ha (流派, style), the Henmi-ryū (逸見流), founded by Henmi Kiyomitsu (:ja:源清光) in the 12th century. The Takeda-ryū (:ja:武田流) and the mounted archery school Ogasawara-ryū (:ja:小笠原流) were later founded by his descendants. The need for archers grew dramatically during the Genpei War (1180–1185) and as a result the founder of the Ogasawara-ryū, Ogasawara Nagakiyo,

During the Kamakura period (1185–1333), when Minamoto no Yoritomo established the Kamakura shogunate, archery became more and more popular, especially the three types of mounted archery: yabusame, inuoumono, and kasagake.

16th century

The yumi (Japanese bow) as a weapon of war began its gradual decline after the Portuguese arrived in Japan in 1543 bringing firearms with them in the form of the matchlock. The Japanese soon started to manufacture their own version of the matchlock called tanegashima and eventually it and the yari (spear) became the weapons of choice. However, because took a long time to load, were inconvenient in rainy weather when damp gunpowder would not fire, and were not exactly subtle in terms of noise, the did not go out of fashion and continued to be used as an important military force on the battlefield.

The tanegashima however did not require the same amount of training as a yumi, allowing Oda Nobunaga's army consisting mainly of farmers armed with tanegashima to annihilate a traditional samurai archer cavalry in a single battle in 1575.

Edo period

thumb|First [[Archery of the New Year by Torii Kiyonaga (1787)]]

During the Edo period (1603–1868) Japan was turned inward as a hierarchical caste society in which the samurai were at the top. There was an extended era of peace during which the samurai moved to administrative duty, although the traditional fighting skills were still esteemed. During this period archery became a "voluntary" skill, practised partly in the court in ceremonial form, partly as different kinds of competition. During this period, an archery contest called Tōshiya was popularly held at the Buddhist temple Sanjusangen-do. Many samurai competed to hit an arrow at a target 133 meters away, nearly the width of the Buddhist temple.

In the early Edo period, Morikawa Kōzan founded the Yamato-ryū (:ja:大和流), which was based on Ogasawara-ryū etiquette and Heki-ryū shooting methods, and also incorporated Shinto ideas. In 1896, a group of kyūjutsu masters gathered to save traditional archery. Honda Toshizane, the kyūjutsu teacher for the Imperial University of Tokyo, merged the war and ceremonial shooting styles, creating a hybrid called Honda-ryū (:ja:本多流生弓会). From 1919, the name of "kyūjutsu" was gradually replaced within clubs and events with the term "kyūdō", with "kyūjutsu" disappearing completely by 1933. A mixed-style form was created by blending Ogasawara-ryū, Honda-ryū, and Heki-ryū, which was called kyūdō yosoku. A ranking system for kyūdō was established in 1923. Kyūdō also reorganized and integrated various other forms of shooting. Due to the abolishing of the original Dai Nippon Butoku Kai after WWII (re-established in 1953), several martial arts disciplines created their own organizations. In this respect, many kyūdō practitioners believe that competition, examination, and any opportunity that places the archer in this uncompromising situation is important, while other practitioners will avoid competitions or examinations of any kind.

Kyūdō itself is not a religion, but instead has influences from both Shinto and Zen. Post Meiji when bows were no longer used for war, kyūdō in Japan was practiced for physical education, without any connection to zen or religion.

Dōjō

Kyūdō dōjō (training halls, aka "kyūdōjō") vary in style and design from school to school, and from country to country. In Japan, most dōjō have roughly the same layout; an entrance, a large dōjō area, typically with a wooden floor and a high ceiling, a position for practice targets (called makiwara; 巻藁), and a large open wall with sliding doors, which, when opened, overlooks an open grassy area and a separate building, the matoba (的場), which houses a sand hillock and the targets, placed 28 metres from the dōjō floor.

Practice

Kyūdō is practiced in different schools and styles, and even between dōjō of the same style, the form of practice can vary. To harmonize practice and ceremonial shooting (sharei; 的礼) in 1953 the All Nippon Kyudo Federation (ANKF) formed an establishing committee from the main schools to take the best elements of each school and form the general style that is used today throughout Japan and in most kyūdō federations in the west. This standard form was documented in a manual, Kyudo Manual, Principles of Shooting, published in 1953. and oversees the majority of kyūdō clubs and events in kyūdō.

In kyūdō there are three kinds of practice (keiko; 稽古): mitori geiko (見取り稽古) – receiving with the eyes the style and technique of an advanced archer, kufū geiko (工夫稽古) – learning and keeping in mind the details of the technique and spiritual effort to realize it and kazu geiko (数稽古) – repetition through which the technique is personified in one's own shooting.

Kyūdō is different to other martial arts, in that it is largely static. It can be enjoyed competitively, or as a simple recreation. It can also be enjoyed by those seeking to gain the beauty of form.

Beginners start with a rubber practice bow and by practising the movements of hassetsu (八節). The second step for a beginner is to do karabiki (空引) training with a bow without an arrow to learn handling of the bow and performing hassetsu until full draw. Handling and maintenance of the equipment is also part of the training. After given permission by the teacher beginners start practicing with the glove and arrow. Next steps may vary from teacher to teacher, but include practising first yugamae (弓構え), then the draw and last release and shooting at makiwara. A beginner starting to shoot at the mato (的) may be asked to shoot from half or three-quarters of the usual distance.

Advanced beginners and advanced shooters practice shooting at makiwara, mato and some with omato.

thumb|A kyūdō practitioner shooting at a makiwara

Makiwara is a specially designed straw target (not to be confused with makiwara used in karate). The makiwara is shot at from a very close range (about seven feet, or the length of the archer's strung yumi when held horizontally from the centerline of the archer's body). Because the target is so close and the shot most certainly will hit, the archer can concentrate on refining technique rather than on the arrow's arc.

Mato is the normal target for most kyūdō practitioners. Mato sizes and shooting distances vary, but most common is hoshi mato (星的) thirty-six centimeters (or 12 cun, a traditional Japanese measurement equivalent to approximately 30.3 cm) in diameter shot at from a distance of twenty-eight metres. For competitions and examinations, kasumi mato (霞的) is used. For ceremonies it is most common to use hoshi mato which is the same as kasumi mato but with different markings.

Omato is the mato used for long distance enteki (遠的) shooting at 60 m distance. The diameter of omato is 158 cm. There are separate competitions also for enteki shooting.

Equipment

The is exceptionally tall (standing over two metres), surpassing the height of the archer. Yumi shafts are traditionally made of bamboo, wood and leather using techniques which have not changed for centuries, although some archers (particularly, those new to the art) may use synthetic (i.e. laminated wood coated with glassfibre or carbon fiber) yumi. Even advanced practitioners may own non-bamboo bows and arrows because of the vulnerability of bamboo equipment to extreme climates. The suitable height for the bow depends on the archer's draw (yazuka; 矢束) which is about half the archer's height.

shafts ( are traditionally made of bamboo, with either eagle or hawk feathers (. Most ya shafts today are still made of bamboo (although some archers will use shafts made of aluminium or carbon fibres), and ya feathers are now obtained from non-endangered birds such as turkeys or swans. The length of an arrow is the archer's yatsuka plus . Every ya has a spinning direction being made from feathers from alternate sides of the bird, the haya spins clockwise upon release while the otoya spins counter-clockwise. Kyūdō archers usually shoot two ya per round, with the haya being shot first (haya (甲矢) means first arrow; otoya (乙矢) means second arrow). It is often said that the alternate spinning direction of the arrows would prevent two consecutive identically shot arrows from flying identically and thus colliding. The arrowhead is called a . Ya are normally kept in a cylindrical quiver, called a , with ceremonial and traditional archers using the .

thumb|left|A three-fingered glove, or mitsugake

The kyūdō archer wears a glove on the right hand, called a . There are many varieties of yugake; they are typically made of deerskin. Practitioners can choose between a hard glove (with a hardened thumb) or a soft glove (without a hardened thumb); each has its advantages.

With a hard glove, the thumb area is not very flexible and has a pre-made groove used to pull the string (. With a soft glove, the thumb area is very flexible and is without a pre-made groove, allowing the practitioners to create their own, based on their own shooting habits.

Typically a yugake will be of the three- or four-finger variety. The three-fingered version is called a mitsugake (三つ弽), and the four-fingered version is called a yotsugake (四つ弽). Typically the primary reason an archer may choose a stronger glove like the yotsugake is to assist in pulling heavier bows (<!-- Note: technically these units are kgf and lbf respectively, but they're conventionally written kg / lb and conversion ends up with the same numbers. --> and above). The three-fingered glove is generally used with bows with a pull below of draw weight, while the four fingered yotsugake are used with bows with a pull above . This is only a generalization and many schools differ on which glove to use for their bows and glove use often varies from archer to archer and school to school.

thumb|A kyūdō archer preparing his yotsugake, or four-fingered glove

The practical reasoning for the extra finger on the glove stems from having more surface area available to the archer for the heavier draws. During the draw, the thumb of the archer is typically placed on the last gloved finger of the drawing hand, with the first (or, in the case of a yotsugake, the first and index fingers) being placed gently on either the thumb or the arrow shaft itself. Sometimes a type of resin powder, called giriko (ぎり粉), is applied to the thumb and holding finger to assist in the grip during the pull. The extra finger allows for a stronger hold on the thumb, as it is then placed on the third finger of the hand instead of the second. Some schools, such as Heki-ryū Insai-ha only use the three-fingered glove, even with bows above 40 kilograms.

The one-finger glove, called an ippongake (一本粉), is generally used for beginners and covers only the thumb. Some versions have a full wrist covering and others simply cover the thumb with a small strap and snap around the wrist. Because it has no glove over the fingers, it is typically uncomfortable for the archer to use giriko powder. Ippongake are generally not used by advanced archers, and are not allowed in ANKF competitions.

The five-finger glove, called a morogake (諸粉), is used almost exclusively by Ogasawara-ryū practitioners, and is not typically used in competition or by any other school.

A practitioner's nock and grip of the arrow can be dictated by the glove and bow being used. It is not uncommon for practitioners who have upgraded or downgraded bow weight to continue to use the same glove and not change.

With the exception of the ippongake, the yugake is worn with an underglove called a shitagake (下粉) made of cotton or synthetic cloth, mainly to protect the yugake from sweat which would degrade the deerskin of the glove over time. The shitagake comes in two varieties, three-fingered and four-fingered, depending on whether it is used under the mitsugake or the yotsugake.

thumb|An oshidegake on the bow arm of a kyūdō practitioner

Because of the unique shooting technique of kyūdō, protection on the left (bow) arm is not generally required. The bow string, when properly released, will travel around the bow hand, coming to rest on the outside of the arm. However, on rare occasions a bow hand glove, called an oshidegake (押手弽), is used, which serves to protect the left thumb from injury from the arrow and fletching. A forearm protector can also be worn, primarily by beginners, to protect the left arm from being hit by the string.

Powder made of burnt rice husks called fudeko (筆粉) is applied to the hand that holds the bow to absorb sweat, allowing the bow to turn in the hand.

Female archers also wear a chest protector called a (yumi plastron/chestguard), which is generally a piece of leather or plastic which is designed to protect the breasts from being struck by the bowstring during shooting.

Because repeated usage tends to weaken the bowstring, it is not uncommon for a bowstring to break during shooting. Hence, many archers carry spare strings in what is called a tsurumaki (弦巻; "bow string roll"). Traditional tsurumaki are flat yoyo-shaped carriers made of woven bamboo, typically with a leather strap. Recently, however, plastic tsurumaki are also coming into use.

Many archers also have small containers of fudeko and giriko attached to the end of the tsurumaki strap; these containers are called fudeko-ire (筆粉入れ) and giriko-ire (ぎり粉入れ) and are traditionally made of horn or antler (though many modern archers have fudeko-ire and giriko-ire made of plastic).

Technique

All kyūdō archers hold the bow in their left hand and draw the string with their right, so that all archers face the higher position (kamiza; 上座) while shooting.

Kyūdō archers draw the bow so that the drawing hand is held behind the ear. If done improperly, upon release the string may strike the archer's ear or side of the face.

Resulting from the technique to release the shot, the bow will (for a practised archer) spin in the hand so that the string stops in front of the archer's outer forearm. This action of yugaeri (弓返り) is a combination of technique and the natural working of the bow. It is unique to kyūdō.

Kyūdō technique is meticulously prescribed. Different styles have their own variations from the steps, the most notable difference being between the vertical bow rising shomen (正面) and aslant bow rising shamen (斜面). The hassetsu (or "eight stages of shooting") of the shomen style is described in the Kyudo Kyohon ("Kyudo Manual"):

Throughout the process, the kyūdō practitioner maintains ritual breathing between each action, which creates ma-ai between intervals. it has appeared in other western countries only in recent times. Many countries have no kyūdōjō, or only very small groups.

Kyūdō is often brought back by westerners returning from Japan, who have studied it there. In some cases, it is supported by Japanese people temporarily living outside Japan. Often practitioners of other martial arts develop an interest in kyūdō.

Kyūdō arrived in America in the early 1900s as members of the Dai Nippon Butoku Kai, first in Hawaii with the Hawaii Kyūdō Kai, and then on the mainland of the U.S. Washington State saw the first group on the mainland, then in San Francisco and San Jose. Next was Los Angeles with a group called the Rafu Kyūdō Kai or Los Angeles Kyūdō Kai ("Rafu" (羅府) was the term the local Japanese used for "Los Angeles"). After Los Angeles, the next group to form was in New York.

When many of the Japanese were interned in camps during World War II, all of the groups (except the Hawaii Kyūdō Kai) disbanded; the Hawaii Kyūdō Kai simply quietly practiced almost in secret.

So, other than the Hawaii Kyūdō Kai, there were no kyūdō groups in America after the war until around 1968, when a small group formed in the basement of a Buddhist church in Los Angeles. The next revival in America was with Koen and Kiomaru Mishima, who practiced with a small group in the basement of a Buddhist church in Los Angeles; they were later joined by Rev. Hirokazu Kosaka. By 1976 (at the request of an original member of the Los Angeles Kyūdō Kai, who belonged to the group in the 1920s), they had renamed their fledgling group 'The Los Angeles Kai'.

Daihonzan Chozen-ji, a Rinzai Zen temple founded in Honolulu in 1972, began kyūdō training in 1979–80, with master Suhara Osho visiting from Japan.

In the 1980s, Kanjuro Shibata XX was invited by Chögyam Trungpa Rinpoche to the Karmê Chöling Tibetan Buddhist monastery in Vermont, where he demonstrated kyūdō for the first time in the United States. This visit and demonstration led to an interest in kyūdō in the Connecticut River Valley, and an active community that has continued until the present.

The official American Kyudo Renmei was founded in 1998, and is the official body recognised by Japan in association with the IKYF for Kyudo in the United States. It is a 501(c)3 non-profit organization dedicated to promoting Japanese archery, kyūdō, in the Americas, and has clubs in nine states, and some connected groups.

There is a growing interest in kyūdō outside Japan, with a number of well-established kyūdōjō practising regularly. The international governing organisation for kyūdō is the International Kyudo Federation (IKYF), based in Japan and founded in 2006. It was formed by the ANKF, gathering practitioners together to form an international body, with the goal to promote the sport internationally, running international seminars and gradings. Initially, it had 17 member countries, and as of 2024 maintains standards for official member national bodies or affiliates in 48 countries.

Many countries in Europe have long established clubs and organisations maintaining Kyudo in those nations, with the European Kyudo Federation as an umbrella organisation overseeing Kyudo in all of Europe.

Several other kyūdō organizations also exist to facilitate the practice of kyūdō, including the Honda-ryū Seikyūkai, Takeda-ryū　Yabusame Hozonkai, Kyūbajutsu-Reiho Ogasawara-Kyōjō, Heki-ryū (various ryū-ha), Zen (various ryū-ha), sports yabusame, the (new) Dai Nippon Butoku Kai (hankyū only), the (new) Dai Nippon Kyudo Kai, the Japan Budo International Federation (Serbia), and other independent/non-affiliated kyudo aficionado groups. Many of these organizations are registered in Japan as general incorporated associations (ippan shadan hōjin) or general incorporated foundations (ippan zaidan hōjin), and some also have their own menkyo (rank) systems.

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File:Moto hazu (bottom nock).jpg|Moto hazu (bottom nock)

File:Nigiri (grip).jpg|Nigiri (grip)

File:Ura hazu (top nock).jpg|Ura hazu (top nock)

File:Tsurumaki string holder 1.JPG|Tsurumaki (string holder) and tsuru (string)

File:Antique Japanese (samurai) hankyū(small yumi).jpg|Antique hankyū (small yumi)

File:Antique Japanese (samurai) daikyū and hankyū yumi 3.jpg|Antique daikyū (large yumi) and hankyū (small yumi)

File:Antique Japanese (samurai) yumi bukuro.jpg|Yumi bukuro (cloth cover)

</gallery>

See also

  • Kyūjutsu – Japanese archery technique.
  • Yumi – Traditional Japanese bow.
  • Ya (arrow) – Traditional Japanese arrow.
  • Yabusame – Japanese archery involving riding a horse.
  • Inuoumono – A Japanese sport that involved mounted archers shooting at dogs. The dogs were released into a circular enclosure approximately 15m across, and mounted archers would fire upon them whilst riding around the perimeter.
  • Kasagake – A type of Japanese mounted archery; in contrast to yabusame, the types of targets are various and the archer shoots without stopping the horse. While yabusame has been played as a part of formal ceremonies, kasagake has developed as a game or practice of martial arts, focusing on technical elements of horse archery.
  • Tōshiya – The Tōshiya, "passing arrow", or "the arrows which hit the target", was an archery exhibition contest held on the west veranda of Sanjūsangen-dō temple in Kyoto, Japan.
  • Shihan Mato – A traditional style of Japanese archery using a short bow from a seated position.
  • The Japanese culture and lifestyle television show Begin Japanology aired on NHK World featured a full episode on kyūdō in 2008.
  • A European's take on kyūdō in Zen in the Art of Archery.
  • Tsurune – A Japanese light novel series about a school kyūdō club, later adapted into an anime in 2018 by Kyoto Animation.
  • All Nippon Kyudo Federation - The Main Governing Body for Kyudo in Japan.

References

Literature

  • Haubner, Johannes (2020). The Power of the Bow - The History of Japanese Archery as Mirrored in Ancient Woodblock Prints. Verlag Angelika Hörnig. .
  • All Nippon Kyudo Federation
  • Kyudo Interest group Facebook
  • Dai Nippon Butoku Kai
  • Dai Nippon Kyudo Kai
  • Takeda-ryū
  • Honda-ryū