Kiss (band) - WikiHQ

Kiss (commonly styled in all caps as KISS) was an American rock band formed in New York City in 1973 by Paul Stanley (vocals, rhythm guitar), Gene Simmons (vocals, bass guitar), Ace Frehley (lead guitar, vocals) and Peter Criss (drums, vocals). Known for their face paint and stage outfits, the group rose to prominence in the mid-1970s with shock rock–style live performances that featured fire-breathing, blood-spitting, smoking guitars, shooting rockets, levitating drum kits and pyrotechnics. The band went through several lineup changes, starting with drummer Eric Carr replacing original drummer Peter Criss in 1980, with Stanley and Simmons remaining the only consistent members. The final lineup consisted of Stanley, Simmons, Tommy Thayer (lead guitar, vocals) and Eric Singer (drums, vocals).

With their makeup and costumes, the band members took on the personas of comic book-style characters: the Starchild (Stanley), the Demon (Simmons), the Spaceman or Space Ace (Frehley), and the Catman (Criss). During the second half of the 1970s, Kiss became one of America's most successful rock bands and a pop culture phenomenon. The band's commercial success declined during the early 1980s; however, it experienced a resurgence in 1983 when the band members began performing without makeup and costumes, marking the beginning of the band's "unmasked" era that would last until 1996. The first album of this era, 1983's platinum-certified Lick It Up, successfully introduced the band to a new generation of fans, and its music videos received regular airplay on MTV. In response to a wave of Kiss nostalgia in the mid-1990s, the original lineup reunited in 1996; at this time, the band resumed using makeup and stage costumes. The resulting 1996–1997 reunion tour was the band's most successful, grossing $143.7 million. In January 2019, Kiss began its final worldwide tour, and the band retired after performing its final show in New York City in December 2023. They have since reunited occasionally to attend Kiss-related events and record new music.

Kiss is regarded as one of the most influential rock bands of all time, as well as one of the best selling bands of all time. Kiss has also earned 30 Gold albums, the most of any band from the United States. Kiss has earned 14 Platinum albums, three of which earned multi-Platinum status. placed tenth on VH1's "100 Greatest Artists of Hard Rock" list, was ranked as the third "Best Metal and Hard Rock Live Band of All Time" by Loudwire magazine, and was placed sixteenth by the British magazine Classic Rock on their "The 50 Best Rock Bands of All Time" list.

History

1971–1975: early years

thumb|left|Kiss's original lineup in 1974. L–R: Paul Stanley, Peter Criss, Gene Simmons, Ace Frehley

Kiss traces its roots to Wicked Lester, a New York City–based rock band led by Gene Simmons and Paul Stanley. That band recorded one album, which was shelved by Epic Records, and played a handful of live shows. Simmons and Stanley, feeling a new musical direction was needed, abandoned Wicked Lester in 1972 and began forming a new group.

Kiss was formed in 1973. After breaking up Wicked Lester late in 1972, Simmons and Stanley came across an ad in the East Coast version of Rolling Stone placed by Peter Criss, a drummer from the New York City scene who had previously played in the bands Lips and Chelsea. Simmons and Stanley met Criss in a nightclub where he was playing drums. After hearing Criss sing, they thought Criss should be in the new band they were forming. Criss then auditioned for, and later joined their new band. The three focused on a much harder style of rock than that played by Wicked Lester. In November 1972, the band played a showcase for Epic Records A&R director Don Ellis, in an effort to secure a record deal. In early January 1973, the group added lead guitarist Ace Frehley. Frehley impressed the group with his first audition, and was asked back for a second audition. A few weeks after Frehley joined, the classic lineup was solidified as the band to be named Kiss. They also began experimenting with their image, by wearing makeup and various outfits.

thumb|upright|The Kiss logo

Stanley came up with the name while he, Simmons, and Criss were driving around New York City. Criss mentioned that he had been in a band called Lips, so Stanley said something to the effect of "What about Kiss?". Frehley created the now-iconic logo, making the "SS" look like lightning bolts, when he went to write the new band name over "Wicked Lester" on a poster outside the club where they were going to play. (Some of Wicked Lester's artwork included one lightning bolt for the "S" in Lester.) Later, Stanley designed the logo with a Sharpie and a ruler and accidentally drew the two S's nonparallel because he did it "by eye". The art department asked him if he wanted it to be redrafted to be perfect and he said, "It got us this far, let's leave well enough alone. Our number one rule has always been no rules."

thumb|upright|Modified Kiss logo used in Germany, Austria, and other countries that outlaw Nazi symbols

The letters happened to look similar to the insignia of the Nazi SS, a symbol that is outlawed in Germany by Section 86a of the German criminal code. However, Simmons and Stanley, both Jewish, have denied any intentional likeness to Nazi symbolism in the logo. Since 1980, most of the band's album covers and merchandise in Germany have used a different logo, in which the letters "SS" look like the letters "ZZ" backwards. This logo is also used in Austria, Switzerland, Lithuania, and Hungary to avoid controversy.

The band's name has repeatedly been the subject of rumors pertaining to alleged hidden meanings. Among these rumors are theories that the name is an acronym for "Knights in Satan's Service", "Kinder SS", or "Kids in Satan's Service". Simmons has denied all of these claims.

The first Kiss performance took place on January 30, 1973, for an audience of fewer than ten people at the Popcorn Club (renamed Coventry shortly afterward) in Queens. The band was paid $50 for performing two sets that evening, following a cold-call Simmons had made to the venue, convincing them to hire the new band for a three-night stand. For the first three gigs, January 30 to February 1, they wore makeup, but the iconic character designs associated with Kiss made their debuts during the March 9–10 shows at The Daisy in Amityville, New York.

On March 13 of that year, the band recorded a five-song demo tape with producer Eddie Kramer. Former TV director Bill Aucoin, who had seen the group at a handful of showcase concerts in the summer of 1973, offered to become the band's manager in mid-October. Kiss agreed, with the condition that Aucoin signed the band to a record label within two weeks. On November 1, 1973, Kiss became the first act signed to former teen pop singer and Buddah Records executive Neil Bogart's new label, Casablanca Records.

The band entered Bell Sound Studios in New York City on October 10, 1973, to begin recording its first album. On December 31, the band had its official industry premiere at the Academy of Music in New York City, opening for Blue Öyster Cult. It was at this concert that, for the first of many times, Simmons accidentally set his hair (which was coated in hairspray) ablaze while performing his fire-breathing routine. His trademark stalking stage-moves were inspired by the creature Ymir of the movie 20 Million Miles to Earth.

Kiss's first tour started on February 5, 1974, at a cafeteria at the Northern Alberta Institute of Technology in Edmonton, Alberta, as an opening act. The band's self-titled debut album was released on February 18. Casablanca and Kiss promoted the album heavily throughout the spring and summer of 1974.

On February 19, in its first television appearance, the band performed "Nothin' to Lose", "Firehouse" and "Black Diamond" on ABC's In Concert (aired March 29). On April 29, the band performed "Firehouse" on The Mike Douglas Show. This broadcast included Simmons's first televised interview, a conversation with Mike Douglas in which Simmons declared himself "evil incarnate", eliciting uncomfortable reactions from a confused studio audience. Fellow Jewish-American guest Totie Fields said it would be humorous if beneath all the makeup Simmons was "just a nice Jewish boy". Simmons responded, "You should only know", to which Fields replied, "I do. You can't hide the hook", a reference to the stereotypical "Jewish" nose.

Despite the publicity and constant touring, Kiss initially sold just 75,000 copies. Meanwhile, the group and Casablanca Records were losing money quickly. The band (while touring) stopped in Los Angeles in August 1974 to begin recording its second album, Hotter Than Hell, which was released on October 22, 1974. The only single, "Let Me Go, Rock 'n' Roll", failed to chart, and the album stalled at No. 100.

With Hotter Than Hell quickly dropping off the charts, Kiss was pulled from its tour to quickly record a new album. Casablanca head Bogart stepped in to produce the next album, trading in the murky, distorted sound of Hotter Than Hell for a cleaner and slightly poppier sound. Dressed to Kill, released on March 19, 1975, fared slightly better commercially than Hotter Than Hell. It also contained what later became the band's signature song, "Rock and Roll All Nite".

Although Kiss albums had not proved to be big sellers, the band was quickly gaining a reputation for its live performances. Kiss concerts featured such spectacles as Simmons spitting "blood" (an effect made primarily from eggs, yogurt, red food coloring, and maple syrup) and "breathing fire" (spitting flammable liquid at a torch), Frehley soloing as his guitar burst into flames (light and smoke bombs placed inside the guitar), Criss's elevating drum riser that emitted sparks, Stanley's Townshend-style guitar smashing, and pyrotechnics throughout the show.

By mid-1975, Casablanca was almost bankrupt, and Kiss was in danger of losing its record contract. Both parties desperately needed a commercial breakthrough if they were to survive. That breakthrough came in an unlikely form: a "double live" album.

1975–1978: rise to prominence

thumb|230px|Kiss backstage in 1975

Kiss wanted to express the excitement felt at its concerts (which its studio albums had so far failed to do) with its first live album. Compiled from concerts recorded between May and July in Wildwood, New Jersey, Detroit and Cleveland, and released on September 10, 1975, Alive! achieved Gold status and spawned Kiss's first top 40 single: a live version of "Rock and Roll All Nite". It was the first version of the song with a guitar solo, and this recording has become the best-known version. It is also the basis of most covers, such as the cover by Poison in 1987. In recent years, the band admitted that additional audience noise had been added to the album, as well as overdubs on select guitar and vocal spots, not to deceive fans, but to add more "excitement and realism" to the record.

thumb|left|170px|Kiss in 1977

The success of Alive! not only brought Kiss the breakthrough they had been seeking but arguably saved Casablanca, which was close to bankruptcy. Following this success, Kiss partnered with producer Bob Ezrin, who had previously worked with Alice Cooper. The result was Destroyer (released March 15, 1976), Kiss's most musically ambitious studio album to date. Destroyer, with its rather intricate production (using an orchestra, choir, and numerous tape effects), was a departure from the raw sound of the first three studio albums. Album art was designed by Ken Kelly, who had drawn Tarzan and Conan the Barbarian and also produced album covers for acts such as Rainbow and Manowar. While the album sold well initially and became the group's second Gold album, it quickly dropped down the charts. Only when the ballad "Beth", the B-side of the single "Detroit Rock City", began to gain more airplay on FM radio did the album's sales rebound. The single was subsequently reissued with the A- and B-sides reversed. "Beth" peaked at No. 7 on the Billboard Hot 100, becoming the band's first Top 10 single in the United States.

In October 1976, Kiss appeared on The Paul Lynde Halloween Special (aired on ABC the 29th), lip-synching "Detroit Rock City", "Beth" and "King of the Night Time World". The show, co-produced by Bill Aucoin, helped introduce Kiss to an even wider audience. In addition to the three songs, Kiss was the subject of a brief comedic "interview" conducted by Paul Lynde. This included Lynde noting, when hearing the members' first names, "Oh, I love a good religious group."

Two more highly successful studio albums were released in less than a year: Rock and Roll Over (November 11, 1976) and Love Gun (June 30, 1977). A second live album, Alive II, was released on October 14, 1977. All three albums were certified Platinum soon after their release. Between 1976 and 1978, Kiss earned $17.7 million from record royalties and music publishing. A 1977 Gallup poll named Kiss the most popular band in America. In Japan, Kiss performed five sold-out shows at Tokyo's Budokan Hall, equaling the record set by the Beatles in 1966 with their five concerts there.

thumb|170px|Simmons and Frehley share a microphone in 1978

In May 1977, Kiss made the first of its many comic book appearances, in Howard the Duck issue 12, published by Marvel Comics.

The first Kiss compilation album, Double Platinum, was issued on April 2, 1978. This double album included many remixed versions of the band's hits, as well as "Strutter '78", a re-recorded version of a song from the group's first album. At Bogart's request, this version of the song featured a disco influence.

During this period, Kiss merchandise became a substantial source of income for the group. Some of the products released included a pair of comic books issued by Marvel (the first contained ink mixed with actual blood donated by the group), a pinball machine, dolls, "Kiss Your Face Makeup" kits, Halloween masks, board games, lunch boxes, trading cards and many other pieces of memorabilia. Membership in the Kiss Army, the band's fan club, was in the six figures. Between 1977 and 1979, worldwide merchandise sales (in-store and on tour) reached an estimated $100 million.

1978: Solo and film projects

Alive II was the band's fourth Platinum album in just under two years, and the ensuing tour had the highest average attendance in the group's history. In addition, Kiss's gross income for 1977 was $10.2 million. The group, along with manager Aucoin, sought to push the brand harder. To that end, an ambitious, two-pronged strategy was devised for 1978.

The first part involved the simultaneous release of four solo albums from the members of Kiss. Although Kiss has claimed that the solo albums were intended to ease rising tensions within the band, its 1976 record contract did in fact call for four solo records, each of them counting as half an album toward the group's five-record commitment. Each album was a solo effort (none of the group appeared on another's album), however all were released and marketed as Kiss albums (with similar cover art and poster inserts). It was the first time that all current members of a rock band had released solo albums on the same day.

For the band members, it was a chance to showcase their individual musical styles and tastes outside of Kiss, and in some cases to collaborate with contemporary artists. Stanley's and Frehley's albums were most similar to Kiss's hard rock style, while Criss's album featured an R&B style including ballads. Simmons's was the most diverse of the four, featuring hard rock, ballads, Beatles-influenced pop and a cover version of "When You Wish Upon a Star" from the Disney film Pinocchio. Simmons's many collaborators included Aerosmith's Joe Perry, Cheap Trick's Rick Nielsen, the Doobie Brothers' Jeff "Skunk" Baxter, Donna Summer, Janis Ian, Helen Reddy, Bob Seger, Katey Sagal, and his then-girlfriend Cher.

The solo albums were released on September 18, 1978. Casablanca spent $2.5 million on the marketing campaign for the albums, and announced they were shipping five million copies, guaranteeing Platinum status. Despite the large shipments, none of the albums sold particularly well and were later sold as cut-outs. Of the four, Simmons's album charted the highest in the U.S., peaking at No. 22, while Frehley's spawned the only resulting Top Forty hit single, a cover of "New York Groove", written by Russ Ballard and originally performed by Hello. Frehley's album has gone on to be the biggest seller since the introduction of Soundscan in 1991.

The second part of Kiss's and Aucoin's plan called for the band to appear in a film that would cement its image of larger-than-life rock-and-roll superheroes. Filming commenced in the spring of 1978. Although the project was proposed to the band as a cross between A Hard Day's Night and Star Wars, the final result fell far short of those expectations. The final product, Kiss Meets the Phantom of the Park, debuted on NBC on October 28, 1978. It was released theatrically, after many changes, outside the U.S. in 1979 under the title Attack of the Phantoms. The band members were unhappy with the finished film and would speak about their filmmaking experience in later interviews with a mix of humorous embarrassment and regret. They felt that the film portrayed them more as clowns than superheroes. The artistic failure of the film led to a rift between the band and Aucoin.

1979–1983: final makeup years

Kiss's first album of new material in two years, Dynasty (1979), continued the band's Platinum streak. The disco-flavored "I Was Made for Lovin' You" became one of the band's biggest hit singles to date, peaking at No. 11. Session drummer Anton Fig performed almost all the percussion on the album while Criss recovered from an automobile accident. The only song to feature Criss's drumming was "Dirty Livin'", on which he also sang lead. The album is also notable due to Frehley singing three lead vocals versus Simmons's two, which he put down to increased confidence following the success of his solo album.

Billed as "The Return of Kiss", the Dynasty Tour was expected by Kiss and their management to build on the success of previous tours. Plans were drawn up for a Kiss-themed traveling amusement park called "Kiss World", but were abandoned because of the immense costs involved; however, "The Return of Kiss" saw a marked decline in attendance.

thumb|left|Simmons performing with Kiss in 1979

The crowds on this tour were much younger than previous audiences had been, with many preadolescent children in Kiss makeup with their mothers and fathers (who were sometimes wearing the makeup themselves) in tow at most concerts. Kiss themselves did little to dissuade this new fan base, donning colorful costumes that reinforced a cartoonish image for these younger fans.

The fans were unaware of the dissension within the band. One very public indication of the heightened friction within the group was an infamous October 31, 1979, interview on Tom Snyder's late-night The Tomorrow Show. During the episode, a visibly irritated Simmons and Stanley attempted, unsuccessfully, to contain the inebriated Frehley, whose frequent laughter and joking overshadowed the conversation between Snyder and the rest of the band. Criss made references to his large gun collection, to the chagrin of Simmons.

By the end of the Dynasty tour in December 1979, tensions between Criss and the rest of the band were at an all-time high. His drumming skills had noticeably eroded, and he even intentionally slowed down—or stopped playing altogether—during some concerts. The final show of the tour (December 16, 1979) was the last time Criss performed with the group for almost 17 years, although he remained an official member for nearly six more months.

While Criss appeared on the cover of the next album, Unmasked, Anton Fig was the actual drummer, although he was not credited. Showcasing a slick, contemporary pop sound, Unmasked (released May 20, 1980) had the dubious distinction of being the first non-Platinum Kiss album since Dressed to Kill. Soon after the album's release, Criss's departure was officially announced. Fig, considered a member of Kiss for one day following the departure of Criss, was then fired by Stanley and Simmons, who felt he was not a good fit for the band. He would ultimately join Paul Shaffer and the World's Most Dangerous Band, acting as the drummer for David Letterman's television programs until the host's retirement.

The band auditioned dozens of replacements for Criss in June 1980. One of the many who auditioned was Tico Torres (who would later join Bon Jovi). They finally settled on a little-known drummer-guitarist-pianist-keyboardist-singer from Brooklyn named Paul Charles Caravello, who adopted the stage name Eric Carr. His first makeup design was modeled on a hawk, but it was rejected when Stanley and Aucoin saw Carr in the bright yellow costume Kiss had designed for the new drummer. Carr created the "Fox" persona by the middle of July. In his Fox makeup, Carr debuted with the group on July 25, 1980, at the Palladium concert hall in New York City. This was Kiss's only U.S. show in support of Unmasked. On July 30, 1980, Kiss introduced Carr on ABC's Kids Are People Too!, which would air in September. The band's 1980 tour of Australia and New Zealand, on the other hand, was one of the biggest in its history, as they played to sold-out crowds and received overwhelmingly positive press coverage.

For its next album, the band worked again with producer Ezrin, with whom Kiss had found success on Destroyer. Early press reports indicated that the new album would be a return to the hard rock style that had originally brought the band success. However, 1981's Music from "The Elder" was a concept album featuring medieval horns, strings, harps, and synthesizers.

The album was presented as a soundtrack to a film that was never made, making it difficult to follow the storyline. To make matters worse, having received negative feedback following its record company's preview of the album, Kiss altered the record's track sequence in most countries to emphasize potential singles "The Oath" and "A World Without Heroes", which all but guaranteed the inability of listeners to understand the already-muddled storyline. Once released, fan reaction to The Elder was harsh; it failed to achieve Gold status and peaked at No. 75 on the Billboard album chart.

The band made only two appearances in support of the new album, both in January 1982. One was a performance on the ABC late-night variety program Fridays, while the second was a lip-synced performance that was broadcast via satellite during Italy's Sanremo Music Festival.

Absent from the satellite performance was Frehley, who had become increasingly frustrated with Kiss's new musical direction. Upset with the band's decision to record Music from "The Elder", he did not actively participate in the album's creation (despite recording solos on it), providing lead vocals for only one track, "Dark Light". He did not appear at a special concert at Studio 54 in New York City, leaving Kiss to perform as a trio. He recorded his guitar parts at his home studio in Wilton, Connecticut, and mailed them to Ezrin. Another source of frustration for Frehley was that with the departure of Criss, and with Carr not being an equal partner in the band, he was often outvoted 2-to-1 on group decisions. In June 1982, Frehley's departure from the band was negotiated, although he did not officially leave until December.

Simmons stated in his autobiography Kiss and Make-Up that Van Halen founder Eddie Van Halen was eager to replace Frehley as Kiss's lead guitarist. Simmons and Eddie's brother Alex convinced Eddie to remain with Van Halen. Eddie was willing to break up Van Halen due to tensions between himself and lead vocalist David Lee Roth, who ultimately left the band in 1985. Paul Stanley, however, has since denied the rumors of Eddie Van Halen wanting to join Kiss. Other notable guitarists who auditioned to replace Frehley included Punky Meadows of Angel, the then-teenaged Doug Aldrich (later of Whitesnake), Richie Sambora (shortly before he joined Bon Jovi), Slash (prior to the latter being recruited by Guns N' Roses), and a then-unknown Yngwie Malmsteen.

Soon afterward, Kiss made major changes to its business dealings – chief among them was severing ties with its manager of nine years, Bill Aucoin, and cutting back on its unwieldy organizational tree. Although Frehley had already decided to leave the band, he was pictured on the covers of 1982's Killers and Creatures of the Night, although he did not participate in the recording of either album.

thumb|Kiss in 1982. L–R: Ace Frehley, Gene Simmons, Eric Carr, Paul Stanley

Creatures of the Night was Kiss's heaviest album to date, and although it fared better than Music from "The Elder", it peaked at only No. 45 on the charts and was not certified Gold until 1994. In Frehley's absence, Kiss utilized a number of guitarists for the recording of the album, especially Vinnie Vincent, who played on six tracks.

Frehley's last appearance with the band (until the 1996 reunion) was in the music video for the single "I Love It Loud", which was co-written by Vincent. Frehley also appeared on the cover of the original Creatures of the Night album artwork. When the album was remixed and re-released in 1985 with a non-makeup cover and a slightly different song order, to reflect the band's roster change and abandonment of its makeup and costumes, Vincent was again absent from the album cover, as then-current lead guitarist, Bruce Kulick, appeared instead. The liner notes accompanying the remixed LP, however, credited both Frehley and Vincent with lead guitar performances on the Creatures of the Night album. Vincent officially replaced Frehley as lead guitarist in December 1982, as the band embarked on its 10th Anniversary Tour.

Vincent originally wanted to use his birth name (Cusano) in the band, but this was vetoed by Simmons on the grounds that it sounded "too ethnic". Specifically, according to Simmons, "it sounded like a fruit vendor". Simmons went on to note that "fairly or unfairly, rock and roll is about the image". Vincent then suggested the name "Mick Fury", but this was also disallowed. Simmons later suggested the name change to "Vinnie Vincent". Vincent started actively pushing to join Kiss as a full member. Despite the misgivings that both Simmons and Stanley harbored about his personality, Vincent was taken into the band. Stanley designed a character, "the Wiz" also known as "the Egyptian Warrior", and makeup centered around an Egyptian ankh, for Vincent. According to the Simmons autobiography Kiss and Make-Up, Vincent's Kiss persona was solely "the Wiz". A persona as "the Ankh Warrior" or similar is not mentioned in the book at all.

1983–1996: unmasking

thumb|left|Kiss on MTV in 1983, appearing in public unmasked for the first time. L–R: Eric Carr, [[J. J. Jackson (media personality)|J. J. Jackson, Gene Simmons, Vinnie Vincent, Paul Stanley]]

Sensing it was time for a change, Kiss made the decision to abandon their trademark makeup and costumes. The band officially appeared in public without makeup for the first time since their very early days on a September 18, 1983, appearance on MTV, which coincided with the release of Lick It Up. The tour to promote the new album and the unmasked band members began in Lisbon, Portugal, on October 11, 1983, at Pavilhão Dramático de Cascais, the band's first concert without makeup since early 1973. Lick It Up became Kiss's first Gold record in three years, but the tour was even more sparsely attended than the previous one. Vincent did not get along with Simmons and Stanley, and he left the band at the conclusion of the tour in March 1984. Vincent's replacement was Mark St. John, a session player and guitar tutor.

With St. John, Kiss released the album Animalize on September 13, 1984.Animalize followed the success of Lick It Up, and due in part to consistent MTV play for the "Heaven's on Fire" video, Animalize was the band's bestselling record in America during the decade, with over two million albums sold. With the success of the album and subsequent tour, Kiss had recaptured some of its earlier glory (though not to the level of its 1970s heyday). St. John, however, came down with reactive arthritis during tour rehearsals, and performed at a handful of shows before being dismissed from the band in December 1984, with one of these shows being at the Mid-Hudson Civic Center in Poughkeepsie, New York which was recorded on November 28, 1984. The band hired Bruce Kulick, the brother of Balance's Bob Kulick, in 1985 to replace St. John. Kulick had previously filled in for St. John during the first two months of the Animalize tour. Kulick was Kiss's fourth lead guitarist in less than three years, but he stayed with the band for 12 years. Kulick became one of the band's longest-serving members, with the longest continuous tenure of anyone other than Simmons and Stanley, until Tommy Thayer and Eric Singer broke his record in 2014 and 2016 respectively.

thumb|Kiss in 1988. L–R: Paul Stanley, Gene Simmons, Eric Carr, Bruce Kulick

One of the first concerts Kulick played as an official member of the band was at Detroit, Michigan's Cobo Hall. It was held the night after he signed the contract to be the band's guitarist and was filmed for the MTV special Animalize Live.

The lineup of Stanley, Simmons, Carr and Kulick turned out to be the most stable since the original, and for the rest of the 1980s, Kiss released a series of Platinum albums: 1985's Asylum, 1987's Crazy Nights and the 1988 greatest hits compilation Smashes, Thrashes & Hits. Crazy Nights, in particular, was one of Kiss's most successful albums overseas. The single "Crazy Crazy Nights" reached No. 4 on the singles chart in the United Kingdom, the band's highest-charting single in that country.

Kiss ended the decade with the October 1989 release Hot in the Shade. Although the album failed to achieve Platinum status, it spawned the hit ballad "Forever", co-written by Michael Bolton. Peaking at No. 8 in the US, it was the group's highest-charting single since "Beth" and was the band's second Top 10 single.

In February 1991, the band decided to once again enlist Ezrin to produce its next album. Before recording could begin in earnest, however, a tumor was discovered on Carr's heart in March 1991. It was successfully removed the following month, but more tumors were soon discovered in his lungs. Carr received chemotherapy and was pronounced cancer-free in July. In September, he suffered the first of two cerebral hemorrhages. He died on November 24, 1991, at the age of 41.

Kiss continued, introducing veteran drummer Eric Singer. Singer had played with Paul Stanley previously, as part of Stanley's backing band during a 1989 solo tour.

Kiss released Revenge on May 19, 1992. It featured a leaner, harder-edged sound, as indicated by the first single, "Unholy". In a surprise move, Kiss enlisted Vincent to help with songwriting duties. The album debuted in the Top 10 and went Gold. Kiss embarked on a brief club tour of the U.S. in the spring of 1992, before beginning an American tour in September 1992. The tour was documented on the album Alive III, released on May 14, 1993. Four days later, Kiss were inducted into Hollywood's RockWalk.

In 1995, the group released the book Kisstory, a 440-page, , detailed chronicle of the group's history to that point. That same year, the band embarked on a unique and well-received Worldwide Kiss Convention Tour. The conventions were all-day events, featuring displays of vintage Kiss stage outfits, instruments and memorabilia; performances by Kiss cover bands; and dealers selling Kiss merchandise from every stage of the band's career. Kiss appeared live at the conventions, conducted question and answer sessions, signed autographs, and performed a two-hour acoustic set composed mostly of spontaneous fan requests. On the first U.S. date (June 17, 1995), Criss appeared onstage with Kiss to sing "Hard Luck Woman" and "Nothin' to Lose". It was the first time Criss had performed publicly with the band in nearly 16 years.

1996–2001: original lineup reunion tour and remasking

thumb|left|Kiss original lineup performing in Utrecht in 1997

On August 9, 1995, Kiss joined the long line of musicians to perform on MTV Unplugged. The band contacted Criss and Frehley and invited them to participate in the event. Both joined Kiss on stage for several songs at the end of the set: "Beth", "2000 Man", "Nothin' to Lose" and "Rock and Roll All Nite". While Kiss continued to exist publicly as Simmons, Stanley, Kulick and Singer, arrangements for a reunion of the original lineup were in the works. These efforts culminated with a public event as dramatic as any the band had staged since its 1983 unmasking on MTV. With the following statements, Tupac Shakur introduced the original Kiss lineup, in full makeup and Love Gun-era stage outfits, to a rousing ovation at the 38th Annual Grammy Awards:

On April 16, 1996, the band members held a press conference aboard the in New York City, where they announced their plans for a full-fledged reunion tour, with the help of new manager Doc McGhee. The conference, MC'd by Conan O'Brien, was simulcast to 58 countries. On April 20, nearly 40,000 tickets for the tour's first show sold out in 47 minutes.

The first public concert featuring the newly reunited Kiss was an hour-long warm-up show on June 15 for the annual KROQ Weenie Roast in Irvine, California, during which the band nearly ignited the stage of the Irvine Meadows Amphitheatre. On June 28, the Kiss Alive/Worldwide Tour began at Tiger Stadium in Detroit in front of a sold-out crowd of 39,867 fans. The tour lasted for 192 shows over the course of one year and earned $43.6 million, making Kiss the top-drawing concert act of 1996. The average attendance of 13,737 is the highest in the group's history.

thumb|right|Kiss performing in Paris on March 21, 1999

In September 1998, the reunited group issued Psycho Circus. Although it was the first album with the original lineup since 1979's Dynasty, the contributions of Frehley and Criss were minimal. While the images of Frehley and Criss are featured prominently on the album, most of the lead guitar work was later revealed to have been performed by future band member Tommy Thayer. Former member Kulick made an appearance on the intro of the song "Within". Most drum duties were handled by session musician Kevin Valentine. Despite the controversy, the album achieved a No. 3 chart debut, the highest position for a Kiss album until Sonic Boom debuted at No. 2 in 2009. The title track received a Grammy nomination for Best Hard Rock Performance. The Psycho Circus Tour opened at Dodger Stadium in Los Angeles on Halloween in 1998, and was simulcast on FM radio across the U.S. It proved to be another success, and was historic for being the first to ever incorporate 3D visuals into a stage show.

On August 11, 1999, Kiss was inducted into the Hollywood Walk of Fame, in the "Recording Industry" category. The next month, the group worked in collaboration with World Championship Wrestling to produce a Kiss-themed wrestler known as the Demon, whose face was painted to resemble Simmons's makeup. The group performed "God of Thunder" live on WCW Monday Nitro to debut the character. The band received $500,000 for the one-night, one-song performance.

Kiss launched a U.S. Farewell Tour in March 2000. The group quickly added dates to the tour, which ran through April 2001.

2001–2008: post-reunion

On the eve of the Japanese and Australian leg of the Farewell Tour on January 31, 2001, Criss suddenly left the band once again, because he and the band could not come to agreement with his contract salary. Taking his place was previous Kiss drummer Singer who assumed Criss's Cat persona as the Farewell Tour continued.

With the band supposedly set to retire by early 2001, a career-encompassing collection entitled simply The Box Set, consisting of 94 tracks on five CDs, was released in November of that year, while the summer saw perhaps the most outrageous item of Kiss merchandise yet – the Kiss Kasket. In introducing the Kiss Kasket, Simmons quipped, "I love livin', but this makes the alternative look pretty damn good."

On December 4, 2001, Kiss was one of the honorees at the National Academy of Recording Arts and Sciences ("The Recording Academy") Heroes Award ceremony, at the NARAS New York Chapter. NARAS has 12 chapters throughout the United States, hence 12 ceremonies throughout the year, with the honorees each being honored by the chapter closest to their residence. By receiving this honor, which NARAS has renamed the "Recording Academy Honors", Kiss effectively received NARAS's second-highest career honor, right behind the Lifetime Achievement Grammy Award.

Kiss was relatively quiet through the rest of the year, but 2002 started with some controversy as Simmons took part in a controversial interview on National Public Radio with host Terry Gross. In February 2002, Kiss (with Singer on drums and Frehley on lead guitar) performed during the closing ceremony of the 2002 Winter Olympics in Salt Lake City, Utah which was Frehley's final performance as a member of Kiss.

On March 6, 2002, Kiss performed a private concert at a resort in Trelawny, Jamaica. Frehley, who was no longer under contract, did not perform with the group. He was replaced by Thayer, who donned Frehley's Spaceman makeup and costume for his first live appearance with Kiss. That month, the band (with Thayer) taped an appearance on the American sitcom That '70s Show. The episode, "That '70s Kiss Show", aired in August 2002. Thayer again performed with the group in April 2002, when Kiss performed "Detroit Rock City" (with pre-recorded music and live vocals) for an appearance on Dick Clark's American Bandstand 50th Anniversary show, which aired on May 3.

In February 2003, Kiss traveled to Australia and recorded Kiss Symphony: Alive IV with the Melbourne Symphony Orchestra at Marvel Stadium (then known as Telstra Dome) in Melbourne. Thayer once again replaced Frehley, while Criss returned to the group, as one of the conditions set forth by promoters required the band's lineup to include at least three original members.

Despite claims made prior to the Farewell Tour that it would be the group's last, Kiss toured with Aerosmith in 2003. Frehley announced that his departure from the band was permanent, stating that he believed the Farewell Tour would be Kiss's last, and declined Simmons's invitation to join the band on the Aerosmith tour. He was permanently replaced by Thayer, as Kiss moved into a post-reunion phase that saw the band easing into a new lineup, permanently featuring Thayer as "Spaceman" and Singer as "the Catman". On this tour, still featuring Criss, the group introduced the "Platinum" tickets package, with the most expensive packages costing $1,000. This package included a seat in the first five rows, a meet-and-greet with Kiss after their performance and a photograph with the band. The tour earned more than $64 million in 2003, which ranked seventh for the year.

Simmons and Stanley did not renew Criss's contract when it expired in March 2004. Criss, on his website, stated that "No one, again, no one has called me, or my attorney about an extension for future touring. As a founding member I find this to be disrespectful to me, and to the fans that have made us one of the biggest bands in the world." Eric Singer once again replaced Criss.

In mid-2004, Kiss headlined the Rock the Nation 2004 World Tour, with Poison as the opening act. The tour ended in August with a sold-out show in Mexico City. Selected dates on the tour were filmed for the Rock the Nation Live! concert DVD, released on December 13, 2005. Stanley, who had been experiencing increasing difficulty with his hip, had his mobility limited during the tour. He has already had two hip surgeries performed, with more likely in the future.

After the conclusion of the Rock the Nation Tour, Kiss performed only sporadically for a number of years. The group played two shows in 2005, and another six in 2006. Four of the 2006 shows were July concerts in Japan, including two dates (July 22 and 23) as a headlining act at the 2006 Udo Music Festival. Kiss performed four July 2007 concerts, three of which were dubbed the Hit 'N Run Tour. Prior to the final show on July 27, Stanley was hospitalized with an extremely rapid heartbeat. In his absence, Kiss performed in concert as a trio for the first time since 1982. This was the first Kiss concert that Stanley had missed during his then 34-year tenure with the group.

Kiss (along with Queen, Def Leppard and Judas Priest) were honored at the inaugural "VH1 Rock Honors" event, held May 25, 2006, in Las Vegas. In June 2006, Simmons and Stanley attended the opening of the Kiss Coffeehouse in Myrtle Beach, South Carolina. On October 15, 2006, Simmons, Stanley and Criss were inaugural inductees into the Long Island Music Hall of Fame, along with performers such as Neil Diamond, Billy Joel, Louis Armstrong, the Ramones and Tony Bennett.

Stanley released his second solo album, Live to Win, on October 24, 2006, and undertook a brief solo tour in support. On October 31 the same year, the group released Kissology Volume One: 1974–1977, the first of 10 possible DVD sets featuring complete concert footage, interviews and never-before-seen clips. By January 2007, the set had been certified 5× Platinum in the United States. A second volume was released on August 14, 2007. It was certified 6× Platinum by the RIAA on October 24. What seemed to be the final entry, Kissology Volume Three: 1992–2000, was released on December 18, 2007, and has been certified 8× Platinum by the R.I.A.A.

In April 2007, former guitarist St. John died from an apparent cerebral hemorrhage at age 51. After being forced to leave Kiss in 1984, St. John formed the short-lived glam metal group White Tiger.

Though Kiss had been eligible for enshrinement in the Rock and Roll Hall of Fame since 1999, they were not nominated until 2009 and were not inducted until 2014. While this snub displeased some fans, Stanley and Simmons maintained that it was meaningless to them. Nevertheless, a group of about 200 Kiss fans held a protest rally in front of the Hall of Fame in Cleveland on August 5, 2006. It was the first known organized demonstration seeking the induction of a band into the Hall.

thumb|270px|[[Alive 35 World Tour map]]

In 2007, a new comic book series featuring the band was released by the Kiss Comics Group in association with Platinum Studios, titled Kiss 4K: Legends Never Die.

The band picked up their pace in 2008, embarking on their first proper tour of Europe in nearly a decade. On January 30, 2008, Stanley confirmed that Kiss would launch the Kiss Alive/35 World Tour, playing arena and stadium shows in Europe, Australia and New Zealand. On March 16, 2008, Kiss closed the Australian Grand Prix at Melbourne Grand Prix Circuit as well as performing in Brisbane and Sydney as part of this tour. Kiss played at the Rock2Wgtn two-day festival held in Wellington, New Zealand, on March 22 and 23, 2008; the festival also featured Ozzy Osbourne, Whitesnake, Poison, Alice Cooper, Lordi, Sonic Altar and Symphony of Screams, with special effects provided by WETA Workshop (of The Lord of the Rings and King Kong fame).

Throughout the summer of 2008, Kiss headlined festivals as well as their own shows and played to a record audience of about 400,000 people. As part of this tour, Kiss headlined the Download Festival at England's Donington Park on June 13. Three days later, they headlined the Arrow Rock Festival in Nijmegen, Netherlands. On June 28, Kiss headlined the Graspop Metal Meeting in Dessel, Belgium. It was the last show of the European leg of the Kiss Alive/35 Tour. On August 4, Kiss played at Rockin' the Rally at the Sturgis Motorcycle Rally as part of the tour. South Dakota Governor Mike Rounds proclaimed August 4, 2008, to be "Kiss Rock and Roll Day" in South Dakota. In September 2008, both Simmons and Stanley confirmed rumors that the Kiss Alive/35 Tour would continue with extensive tours of North America in the beginning of 2009, as well as South America. The latter tour included shows on April 5 in Argentina, April 7 and 8 in Brazil, April 11 in Colombia, April 14 in Peru, and other concerts in Venezuela and Chile. That summer, Kiss came back to North America to continue the Alive/35 World Tour, starting on July 18 in Halifax, Nova Scotia.

2008–2012: Sonic Boom and Monster

More than 10 years after their last studio album, and following years of denials about ever wanting to do a new album, Stanley and Simmons changed their minds. In November 2008, Stanley stated to rock photographer Ross Halfin that a new Kiss album was in the works. Stanley himself would be the producer, and the album would have a "real 70s Kiss sound" to it. Later that month, Simmons and Stanley both publicly confirmed the information about a new Kiss album: