Kirk Douglas (born Issur Danielovitch; December 9, 1916 – February 5, 2020) was an American actor and filmmaker. After an impoverished childhood, he made his film debut in The Strange Love of Martha Ivers (1946) with Barbara Stanwyck. Douglas soon developed into a leading box-office star throughout the 1950s, known for serious dramas, including westerns and war films. During his career, he appeared in more than 90 films and was known for his explosive acting style. He was named by the American Film Institute the 17th-greatest male star of Classic Hollywood cinema.
Douglas played an unscrupulous boxing hero in Champion (1949), which brought him his first nomination for the Academy Award for Best Actor. His other early films include Out of the Past (1947); Young Man with a Horn (1950), playing opposite Lauren Bacall and Doris Day; Ace in the Hole (1951); and Detective Story (1951), for which he received a Golden Globe nomination. He received his second Oscar nomination for his dramatic role in The Bad and the Beautiful (1952), opposite Lana Turner, and earned his third for portraying Vincent van Gogh in Lust for Life (1956), a role for which he won the Golden Globe for the Best Actor in a Drama. He also starred with James Mason in the adventure 20,000 Leagues Under the Sea (1954), a large box-office hit.
In September 1949 at the age of 32, he established Bryna Productions, which began producing films as varied as Paths of Glory (1957) and Spartacus (1960). In those two films, he collaborated with the then relatively unknown director Stanley Kubrick, taking lead roles in both films. Douglas arguably helped to break the Hollywood blacklist by having Dalton Trumbo write Spartacus with an official on-screen credit. His parents were Russian-Jewish immigrants from Chavusy, Mogilev Governorate, in the Russian Empire (present-day Belarus). The family spoke Yiddish at home. His six sisters included Freida "Fritzi" Demsky Becker and Ida Sahr. Douglas reconnected to the Jewish religion after a near-fatal helicopter crash at the age of 74.
Douglas's uncle used the surname Demsky (), and Douglas's family adopted the same surname in the United States. Douglas grew up as Izzy Demsky and altered his name to Kirk Douglas before entering the United States Navy during World War II.
Douglas had an unhappy childhood, living with an alcoholic, physically abusive father. While his father drank up what little money they had, Douglas and his mother and sisters endured "crippling poverty".
Douglas first wanted to be an actor after he recited "The Red Robin of Spring", a poem by the English poet John Clare, while in kindergarten and received applause. Growing up, he sold snacks to mill workers to earn enough to buy milk and bread to help his family. He later delivered newspapers, and he had more than forty jobs during his youth before becoming an actor. He found living in a family with six sisters to be stifling: "I was dying to get out. In a sense, it lit a fire under me." After appearing in plays at Amsterdam High School, from which he graduated in 1934, he knew he wanted to become a professional actor. Unable to afford the tuition, Douglas talked his way into the dean's office at St. Lawrence University and showed him a list of his high school honors. He graduated with a bachelor's degree in 1939. He received a loan which he paid back by working part-time as a gardener and a janitor. He was a standout on the school's wrestling team and wrestled one summer in a carnival to make money.
Douglas's acting talents were noticed at the American Academy of Dramatic Arts in New York City, which gave him a special scholarship. One of his classmates, Betty Joan Perske, later known as Lauren Bacall, played an important role in launching his film career. Bacall wrote that she "had a wild crush on Kirk", and they dated casually. Another classmate, and a friend of Bacall's, was aspiring actress Diana Dill, who would later become Douglas's first wife.
During their time together, Bacall learned Douglas had no money and that he once spent the night in jail since he had no place to sleep. She once gave him her uncle's old coat to keep warm: "I thought he must be frozen in the winter ... He was thrilled and grateful." Sometimes, just to see him, she would drag a friend or her mother to the restaurant where he worked as a busboy and waiter. He told her his dream was to someday bring his family to New York to see him on stage. During that period she fantasized about someday sharing her personal and stage lives with Douglas, but would later be disappointed: "Kirk did not really pursue me. He was friendly and sweet—enjoyed my company—but I was clearly too young for him," the eight-years-younger Bacall later wrote. He was medically discharged in 1944 for injuries sustained from the premature explosion of a depth charge. He rose to the rank of Lieutenant (junior grade). Wallis's film The Strange Love of Martha Ivers (1946) with Barbara Stanwyck became Douglas' debut screen appearance. He played a young, insecure man stung by jealousy, whose life was dominated by his ruthless wife, and who hid his feelings with alcohol. It would be the last time that Douglas portrayed a weakling in a film role. Reviewers of the film noted that Douglas already projected qualities of a "natural film actor", with the similarity of this role with later ones explained by biographer Tony Thomas:
In 1947, Douglas appeared in Out of the Past (UK: Build My Gallows High), playing a large supporting role in this classic noir thriller starring Robert Mitchum and Jane Greer. Douglas made his Broadway debut in 1949 in Three Sisters, produced by Katharine Cornell. The month after Out of the Past was released, I Walk Alone, the first film teaming Douglas with Burt Lancaster, presented Douglas playing a supporting part quite similar to his role in Out of the Past in another classic fast-paced noir thriller.
Douglas' image as a tough guy was established in his eighth film, Champion (1949), after producer Stanley Kramer chose him to play a selfish boxer. However, in accepting the role, he took a gamble, since he had to turn down an offer to star in a big-budget MGM film, The Great Sinner, which would have earned him three times the income.
thumb|Douglas and [[Lauren Bacall in Young Man with a Horn (1950)]]
Douglas received his first Academy Award nomination, and the film earned six nominations in all. Variety called it "a stark, realistic study of the boxing rackets."
After Champion he decided that, to succeed as a star, he needed to ramp up his intensity, overcome his natural shyness, and choose stronger roles. He later stated, "I don't think I'd be much of an actor without vanity. And I'm not interested in being a 'modest actor'". Early in his Hollywood career, Douglas demonstrated his independent streak and broke his studio contracts to gain total control over his projects, forming his own movie company, Bryna Productions (named after his mother) in September 1949.
Peak years of success
thumb|Douglas and [[Silvana Mangano taking a break from shooting of Ulysses (1954)]]
Throughout the 1950s and 1960s, Douglas was a major box-office star, playing opposite some of the leading actresses of that era. He portrayed a frontier peace officer in his first western, Along the Great Divide (1951). He quickly became very comfortable with riding horses and playing gunslingers, and he appeared in many Westerns. He considered Lonely Are the Brave (1962), in which he plays a cowboy trying to live by his own code, his personal favorite. The film, written by Dalton Trumbo, was respected by critics but did not do well at the box office due to poor marketing and distribution.
In 1950, Douglas played Rick Martin in Young Man with a Horn, based on a novel of the same name by Dorothy Baker based on the life of jazz cornetist Bix Beiderbecke. Composer and pianist Hoagy Carmichael, a friend of the real Beiderbecke, played the sidekick, adding realism to the film and giving Douglas insight into the role. Doris Day starred as Jo, a young woman who was infatuated with the struggling jazz musician. This was strikingly opposite of the real-life account in Doris Day's autobiography, which described Douglas as "civil but self-centered" and the film as "utterly joyless". During filming, bit actress Jean Spangler disappeared, and her case remains unsolved. On October 9, 1949, Spangler's purse was found near the Fern Dell entrance to Griffith Park in Los Angeles. There was an unfinished note in the purse addressed to a "Kirk," which read:
"Can't wait any longer, Going to see Dr. Scott. It will work best this way while mother is away". Douglas, married at the time, called the police and told them he was not the Kirk mentioned in the note. When interviewed via telephone by the head of the investigating team, Douglas stated that he had "talked and kidded with her a bit" on set, but that he had never been out with her. Spangler's girlfriends told police that she was three months pregnant when she disappeared, and scholars such as Jon Lewis of Oregon State University have speculated that she may have been considering an illegal abortion.
In 1951, Douglas starred as a newspaper reporter anxiously looking for a big story in Ace in the Hole, director Billy Wilder's first effort as both writer and producer. The subject and story were controversial at the time, and U.S. audiences stayed away. Some reviews saw it as "ruthless and cynical ... a distorted study of corruption, mob psychology and the free press." Possibly it "hit too close to home", said Douglas. It won a Best Foreign Film award at the Venice Film Festival. The film's stature has increased in recent years, with some surveys placing it in their Top 500 Films list. Woody Allen considers it one of his favorite films. As the film's star and protagonist, Douglas is credited for the intensity of his acting. Film critic Roger Ebert wrote, "his focus and energy ... is almost scary. There is nothing dated about Douglas' performance. It's as right-now as a sharpened knife." Biographer Gene Philips noted that Wilder's story was "galvanized" by Douglas's "astounding performance" and no doubt was a factor when George Stevens, who presented Douglas with the AFI Life Achievement Award in 1991, said of him: "No other leading actor was ever more ready to tap the dark, desperate side of the soul and thus to reveal the complexity of human nature."
Also in 1951, Douglas starred in Detective Story, nominated for four Academy Awards, including one for Lee Grant in her debut film. Grant said Douglas was "dazzling, both personally and in the part. ... He was a big, big star. Gorgeous. Intense. Amazing." To prepare for the role, Douglas spent days with the New York Police Department and sat in on interrogations. Reviewers recognized Douglas's acting qualities, with Bosley Crowther describing Douglas as "forceful and aggressive as the detective".
thumb|left|With [[Eve Miller in The Big Trees (1952)]]
In The Bad and the Beautiful (1952), another of his three Oscar-nominated roles, Douglas played a hard-nosed film producer who manipulates and uses his actors, writers, and directors. In 1954 Douglas starred as the titular character in Ulysses, a film based on Homer's epic poem Odyssey, with Silvana Mangano as Penelope and Circe, and Anthony Quinn as Antinous.
In 20,000 Leagues Under the Sea (1954), Douglas showed that in addition to serious, driven characters, he was adept at roles requiring a lighter, comic touch. In this adaptation of the Jules Verne novel, he played a happy-go-lucky sailor who was the opposite in every way to the brooding Captain Nemo (James Mason). The film was one of Walt Disney's most successful live-action movies and a major box-office hit.
In 1955, Douglas was finally able to get his film production company, Bryna Productions, off the ground. Through Bryna, he produced and starred in the films Paths of Glory (1957), The Vikings (1958), Spartacus (1960), Lonely are the Brave (1962), and Seven Days in May (1964). In 1958, Douglas formed the music publishing company Peter Vincent Music Corporation, a Bryna Productions subsidiary. Peter Vincent Music was responsible for publishing the soundtracks of The Vikings and Spartacus.
While Paths of Glory did not do well at the box office, it has since become one of the great anti-war films, and it is one of director Stanley Kubrick's early films. Douglas, a fluent French speaker, portrayed a sympathetic French officer during World War I who tries to save three soldiers from facing a firing squad. Biographer Vincent LoBrutto describes Douglas's "seething but controlled portrayal exploding with the passion of his convictions at the injustice leveled at his men." The film was banned in France until 1976. Before production of the film began, however, Douglas and Kubrick had to work out some large problems, one of which was Kubrick's rewriting the screenplay without informing Douglas first. Kubrick and writer Jim Thompson had added a happy ending to the film to make the film more commercial to the general public, where the men's lives are saved from execution at the last minute by the general. However, these changes were reversed back more closely to the original novel at the demand of Kirk Douglas. It led to their first major argument: "I called Stanley to my room ... I hit the ceiling. I called him every four-letter word I could think of ... 'I got the money, based on that [original] script. Not this shit!' I threw the script across the room. 'We're going back to the original script, or we're not making the picture.' Stanley never blinked an eye. We shot the original script. I think the movie is a classic, one of the most important pictures—possibly the most important picture—Stanley Kubrick has ever made."
His role as Vincent van Gogh in Lust for Life (1956), directed by Vincente Minnelli and based on Irving Stone's bestseller, was filmed mostly on location in France. Douglas was noted not only for the veracity of van Gogh's appearance but for how he conveyed the painter's internal turmoil. Some reviewers consider it the most famous example of the "tortured artist" who seeks solace from life's pain through his work. Others see it as a portrayal not only of the "painter-as-hero", but a unique presentation of the "action painter", with Douglas expressing the physicality and emotion of painting, as he uses the canvas to capture a moment in time.
Douglas was nominated for an Academy Award for the role, with his co-star Anthony Quinn winning the Oscar for Best Supporting Actor as Paul Gauguin, van Gogh's friend. Douglas won a Golden Globe award, although Minnelli said Douglas should have won an Oscar: "He achieved a moving and memorable portrait of the artist—a man of massive creative power, triggered by severe emotional stress, the fear and horror of madness." Douglas himself called his acting role as Van Gogh a painful experience: "Not only did I look like Van Gogh, I was the same age he was when he committed suicide." His wife said he often remained in character in his personal life: "When he was doing Lust for Life, he came home in that red beard of Van Gogh's, wearing those big boots, stomping around the house—it was frightening."
In general, however, Douglas's acting style fit well with Minnelli's preference for "melodrama and neurotic-artist roles", writes film historian James Naremore. He adds that Minnelli had his "richest, most impressive collaborations" with Douglas, and for Minnelli, no other actor portrayed his level of "cool": "A robust, athletic, sometimes explosive player, Douglas loved stagy rhetoric, and he did everything passionately." Douglas had also starred in Minnelli's film The Bad and the Beautiful four years earlier, for which he received a Best Actor Oscar nomination.
Financial troubles
For approximately 15 years and 27 films, Douglas's agent had been Sam Norton, who was compensated with 10% of Douglas's gross earnings. In addition, Norton was partners with Jerome "Jerry" B. Rosenthal in the law firm of Rosenthal & Norton which received an additional 10%. On the day of his wedding in 1958 his bride Anne had been quietly pulled aside by Norton and been presented by Norton (without Kirk Douglas's knowledge) with a pre-nuptial agreement. She signed the document, but Douglas, because he held Norton as both his best friend and a father figure, was unwilling to get involved in his wife's subsequent attempts to obtain a copy. as the Thracian gladiator slave rebel Spartacus with an all-star cast in Spartacus (1960). He was the executive producer as well, which increased the $12 million production cost and made Spartacus one of the most expensive films up to that time. Douglas initially selected Anthony Mann to direct, but replaced him early on with Stanley Kubrick, with whom he had previously collaborated in Paths of Glory.
Howard Fast, was originally hired to adapt his own 1951 novel Spartacus as a screenplay, but had difficulty working in the format. He was replaced by Dalton Trumbo, who had been blacklisted as one of the Hollywood 10 and since survived by writing screenplays under assumed names. Douglas insisted on giving Trumbo an official on-screen credit and thereby arguably helped to break the Hollywood blacklist.
thumb|left|240px|With [[Joan Tetzel in the 1963 Broadway play One Flew Over the Cuckoo's Nest]]
Douglas bought the rights to stage a play of the novel One Flew Over the Cuckoo's Nest from its author, Ken Kesey. He mounted a play from the material in 1963 in which he starred and that ran on Broadway for five months. Reviews were mixed. Douglas retained the movie rights due to an innovative loophole of basing the rights on the play rather than the novel, despite Kesey's objections, but after a decade of being unable to find a producer he gave the rights to his son, Michael. In 1975, the film version was produced by Michael Douglas and Saul Zaentz, and starred Jack Nicholson, as Douglas was then considered too old to play the character as written. The film won all five major Academy Awards, only the second film to do so (after It Happened One Night in 1934).
Douglas made seven films over four decades with actor Burt Lancaster: I Walk Alone (1947), Gunfight at the O.K. Corral (1957), The Devil's Disciple (1959), The List of Adrian Messenger (1963), Seven Days in May (1964), Victory at Entebbe (1976), and Tough Guys (1986), which fixed the notion of the pair as something of a team in the public imagination. Douglas was always billed under Lancaster in these movies, but, with the exception of I Walk Alone and, even more so, The List of Adrian Messenger (where Lancaster's part is just a cameo appearance, while Douglas plays the film's villain), their roles were usually of a similar size. Both actors arrived in Hollywood at about the same time and first appeared together in the fourth film for each, albeit with Douglas in a supporting role. They both became actor-producers who sought out independent Hollywood careers.
In 1967 Douglas starred with John Wayne in the western film directed by Burt Kennedy titled The War Wagon.
In The Arrangement (1969), a drama directed by Elia Kazan and based upon his novel of the same title, Douglas starred as a tormented advertising executive, with Faye Dunaway as costar. The film did poorly at the box office, receiving mostly negative reviews. Dunaway believed many of the reviews were unfair, writing in her biography, "I can't understand it when people knock Kirk's performance, because I think he's terrific in the picture," adding that "he's as bright a person as I've met in the acting profession." She says that his "pragmatic approach to acting" would later be a "philosophy that ended up rubbing off on me."
Later work
thumb|Douglas in 1975
In the 1970s, he starred in films such as There Was a Crooked Man... (1970), A Gunfight (1971), The Light at the Edge of the World (1971). and The Fury (1978). He made his directorial debut in Scalawag. (1973), and subsequently also directed Posse (1975), in which he starred alongside Bruce Dern.
In 1980, he starred in The Final Countdown, playing the commanding officer of the aircraft carrier USS Nimitz, which travels through time to the day before the 1941 attack on Pearl Harbor. It was produced by his son Peter Douglas. He also played in a dual role in The Man from Snowy River (1982), an Australian film which received critical acclaim and numerous awards.
In 1986, he reunited with his longtime co-star, Burt Lancaster, in a crime comedy, Tough Guys, with a cast including Charles Durning and Eli Wallach. It marked the final collaboration between Douglas and Lancaster, completing a partnership of more than 40 years. That same year, he co-hosted (with Angela Lansbury) the New York Philharmonic's tribute to the 100th anniversary of the Statue of Liberty. The symphony was conducted by Zubin Mehta.
In 1988, Douglas starred in a television adaptation of Inherit the Wind, opposite Jason Robards and Jean Simmons. The film won two Emmy Awards. In the 1990s, Douglas continued starring in various features. Among them was The Secret in 1992, a television movie about a grandfather and his grandson who both struggle with dyslexia. That same year, he played the uncle of Michael J. Fox in a comedy, Greedy. He appeared as the Devil in the video for the Don Henley song "The Garden of Allah". In 1996, after suffering a severe stroke at age 79 which impaired his ability to speak, Douglas still wanted to make movies. He underwent years of voice therapy and made Diamonds in 1999, in which he played an old professional boxer who was recovering from a stroke. It co-starred his longtime friend from his early acting years, Lauren Bacall.
In 2003, Michael and Joel Douglas produced It Runs in the Family, which along with Kirk starred various family members, including Michael, Michael's son Cameron, and his wife from 50 years earlier, Diana Dill, playing his wife. His final feature-film appearance was in the 2004 Michael Goorjian film Illusion, in which he depicts a dying film director forced to watch episodes from the life of a son he had refused to acknowledge. His last screen role was the TV movie Empire State Building Murders, which was released in 2008.
On December 9, 2016, he celebrated his 100th birthday at the Beverly Hills Hotel, joined by several of his friends, including Don Rickles, Jeffrey Katzenberg, and Steven Spielberg, along with Douglas's wife Anne, his son Michael and his daughter-in-law Catherine Zeta-Jones. Douglas was described by his guests as still being in good shape, able to walk with confidence into the Sunset Room for the celebration.
Douglas appeared at the 2018 Golden Globes with his daughter-in-law Catherine Zeta-Jones, a rare public appearance in the final decade of his life. He received a standing ovation and helped Zeta-Jones present the award for "Best Screenplay – Motion Picture".
Style and philosophy of acting
right|thumb|Douglas with Lana Turner in [[The Bad and the Beautiful (1952)]]