"Karma Police" is a song by the English rock band Radiohead, released on 25 August 1997 as the second single from their third studio album, OK Computer (1997). It features acoustic guitar and piano, and lyrical themes of insanity and dissatisfaction with capitalism.

The music video, directed by Jonathan Glazer, has the singer, Thom Yorke, in the back of a car pursuing a man. It won the MTV Video Music Award for Best Direction at the 1997 MTV Video Music Awards.

"Karma Police" reached number one in Iceland and number eight on the UK singles chart. In the US, it reached number 14 on the US Billboard Modern Rock Tracks chart. It was included on Radiohead: The Best Of (2008). Rolling Stone placed "Karma Police" at number 279 in its rankings of the 500 greatest songs of all time in 2021 and 2024.

Composition

"Karma Police" is in common time and played in standard tuning. The key is ambiguous and changes throughout. The verse section can be interpreted as either moving between A natural minor and A dorian, or between E natural minor and E phrygian. The chorus section is in G major and the coda section can be interpreted in either B minor or D major. Acoustic guitar and piano are the most prominent instruments. The piano riff resembles part of "Sexy Sadie" by the Beatles.

The song progresses from the intro into a mid-tempo section which alternates between a verse and a chorus. The verse begins with the line "Karma police", and the chorus begins with the line "This is what you'll get". After this section cycles through twice, the song switches into a second section which is based around the line "For a minute there, I lost myself". Thom Yorke's voice is put through a reverb effect and a sliding melodic figure serves as a counterpoint to his vocals. In the final minute, Ed O'Brien distorts his guitar by driving a delay effect to self-oscillation, then lowering the delay rate, creating a "melting" effect.

After Yorke told the producer, Nigel Godrich, that he was not happy with the ending, the pair reconstructed it with loops and samples, a technique they developed on later Radiohead albums. Godrich said: "It was the first time we did anything like that. Just us in the studio, and a forerunner of a lot of things to come, good and bad."

Lyrics

The title lyric originates from an inside joke; the members of Radiohead would threaten to call the "karma police" if someone did something bad. Yorke said the song was about stress and "having people looking at you in that certain [malicious] way". He said: "It's for someone who has to work for a large company. This is a song against bosses. Fuck the middle management!"

The phrase 'karma police' predates the song and appears in print in issue #399 of the Marvel Comics series The Incredible Hulk (written by Peter David), released in September 1992 (cover date November 1992), in which the character Rick Jones says, "It's the karma police. What goes around comes around."

Yorke and Jonny Greenwood emphasised that "Karma Police" was humorous and "not entirely serious". "Karma Police" also shares themes of insanity and dissatisfaction with capitalism.

Yorke cited the closing refrain, "Phew, for a minute there I lost myself", as an example of his practice of using everyday phrases in his lyrics; he said he probably heard it on television. According to the Financial Times, "When sung in his trembling high voice, this unexceptional phrase becomes charged with power." It was released on two CD singles and a 12-inch vinyl single and reached number eight on the UK Singles Chart. In the United States, the single was serviced to modern rock radio on 13 October 1997. Five months later, in March 1998, it peaked at number 14 on the Billboard Modern Rock Tracks chart. In 2023, American post-hardcore band Pierce the Veil covered "Karma Police" on Triple J while touring Australia.

Critical reception

Steve Huey from AllMusic described "Karma Police" as "haunting, mystifying, and exquisite", labelling it "one of the cornerstones of one of the greatest albums of the '90s". A reviewer from Music Week rated it four out of five, picking it as one of the "standout tracks" from OK Computer. Rolling Stone placed "Karma Police" at position 279 on its ranking of the 500 greatest songs of all time in 2021 and 2024. In 2020, the Guardian named it the fifth-best Radiohead song, writing: "'Karma Police' is an enduringly odd superhit: at once relatable, inscrutable and chilling ... Yorke learned, after much saccharine bumbling, to consolidate his bleak and mawkish impulses into one."

Music video

thumb|Yorke in the video|alt=

The "Karma Police" music video was directed by Jonathan Glazer, who previously directed the video for Radiohead's 1996 single "Street Spirit (Fade Out)". The video is shot from the perspective of the driver of a car pursuing a man along a dark road, with Yorke in the back seat. The man falls to his knees and the car reverses, revealing that it is leaking fuel. The man produces matches from his pocket and ignites the trail of fuel. Yorke vanishes and the car is engulfed in flames.

Glazer initially pitched the concept to the American musician Marilyn Manson for his 1997 single "Long Hard Road Out of Hell". Manson wanted a video similar to David Lynch's 1997 film Lost Highway, which opens with a shot of a road rushing beneath the camera.

Glazer said he wanted to "shoot something very simple ... Where the whole narrative could be contained within a single sentence." In 2001, Glazer said he regarded the video as a failure, "because I decided to do a very minimalist, subjective use of camera, and tried to do something hypnotic and dramatic from one perspective, and it was very hard to achieve and I feel that I didn't achieve it".

Track listings

All songs written by Thom Yorke, Jonny Greenwood, Ed O'Brien, Colin Greenwood and Philip Selway.

  • UK CD1
  • "Karma Police" – 4:23
  • "Meeting in the Aisle" – 3:08
  • "Lull" – 2:28
  • UK CD2
  • "Karma Police" – 4:23
  • "Climbing Up the Walls" (Zero 7 Mix) – 5:19
  • "Climbing Up the Walls" (Fila Brazillia Mix) – 6:24
  • UK 12-inch vinyl

Charts

Weekly charts

{|class="wikitable sortable plainrowheaders"

!Chart (1997–2013)

!Peak<br/>position

|-

!scope="row"|Australia (ARIA)

|align="center"|71

|-

|-

|-

!scope="row"|Canada (Nielsen SoundScan)

|align="center"|59

|-

|-

!scope="row"|Europe (Eurochart Hot 100)

|align="center"|14

|-

|-

|-

!scope="row"|Iceland (Íslenski Listinn Topp 40)

|align="center"|1

|-

|-

!scope="row"|Italy Airplay (Music & Media)

|align="center"|2

|-

|-

|-

|-

|-

|-

|-

|}

Year-end charts

{|class="wikitable plainrowheaders"

!Chart (1997)

!Position

|-

!scope="row"|Iceland (Íslenski Listinn Topp 40)

|align="center"|2

|}

{|class="wikitable plainrowheaders"

!Chart (1998)

!Position

|-

!scope="row"|US Modern Rock Tracks (Billboard)

|align="center"|41

|}

Certifications

References

Bibliography

  • Osborn, Brad (2013). "Subverting the Verse–Chorus Paradigm: Terminally Climactic Form in Recent Rock Music." Music Theory Spectrum 35, no. 1, pp.&nbsp;23–47.