thumb|right|250px|The Choir of the [[Cathedral of Puebla where Gutierrez de Padilla would work the last 42 years of his life.]]
Juan Gutiérrez de Padilla (ca. 15901664) was a Renaissance-style Spanish composer and cantor, most of whose career took place in Mexico.
Life and career
Juan Gutiérrez de Padilla was born in Málaga, Spain. He received his musical education from Francisco Vásquez, who was the maestro de capilla of Málaga Cathedral. Padilla took up the position of maestro at the collegiate church in Jerez de la Frontera in 1612. While at Jerez, he unsuccessfully contended for the office of maestro at Málaga Cathedral in 1613, losing out to Estêvão de Brito. Padilla remained at Jerez until 1616, when he was appointed Maestro at Cádiz Cathedral. After Fernandes' death, he was appointed maestro of the cathedral in 1629. By 1645, Padilla was overseeing 14 choir boys and 28 cantors. Some of the musicians under Padilla would themselves go on to become important figures in the music of New Spain, such as Francisco López Capillas.
Works
The majority of his vast output (over 700 pieces survive) include sacred motets, often for double choir, in the Renaissance style or stile antico as well as sacred villancicos. It often includes accompaniments for organ or various stringed instruments.
Bibliography
Padilla's music is rather difficult to get hold of:
Mapa Mundi, publish singing scores of some of this music including the double choir piece Deus in Adiutorium Meum Intende. Alfredston Music can provide instrumental parts for the smaller pieces in their collection.
There are at least 2 Ph.D. theses with Padilla's music in the appendices:
S. Barwick, Sacred Vocal Polyphony in Early Colonial Mexico, (diss., Harvard Univ., 1949), includes the 2nd St. Matthew Passion; and A. Ray / A. R. Catalyne, The Double-choir Music of Juan de Padilla, (diss., Univ. of Southern California, 1953).