Joseph Shepherd Munden (1758 – 6 February 1832) was an English actor.
He had a long provincial experience as actor and manager. His first London appearance was in 1790 at Covent Garden, where he mostly remained until 1811, becoming a leading comedian. In 1813 he was at Drury Lane. He retired in 1824.
Early life
Munden was the son of a poulterer in Brook's Market, Leather Lane, Holborn. He ran away from home to join a strolling company.
After some experience of repertory companies, Munden was engaged to play old men at Leatherhead. He began to make his mark at Canterbury under the manager Hurst, where in 1780 he was the original Faddle in Mrs. Burgess's comedy, The Oaks, or the Beauties of Canterbury. In the company of Joseph Austin and Charles Edward Whitlock in Chester he held a recognised position, and he toured the country. Munden was then able to borrow money purchase the share of Austin in the management of northern theatres. Here he played the leading comic business, rising in reputation and fortune. On 4 February 1791 he was the original Sir Samuel Sheepy in Thomas Holcroft's School for Arrogance, an adaptation of Le glorieux of Philippe Néricault Destouches. On 14 March he was the first Frank in O'Keeffe's Modern Antiques, and 16 April the earliest Ephraim Smooth in O'Keeffe's Wild Oats. In pieces of George Colman, Thomas Morton, Frederick Reynolds, and other dramatists of the day he took principal parts. His Old Dornton in Holcroft's Road to Ruin, 18 February 1792, was an immediate success, and remained a favourite to the end of his career At the Haymarket, 15 July 1797, he was the first Zekiel Homespun in George Colman the younger's The Heir at Law. At Covent Garden he was, 12 January 1799, Oakworth in Joseph George Holman's The Votary of Wealth; 8 February 1800 Sir Abel Handy in Morton's Speed the Plough, and 1 May 1800 Dominique in James Cobb's Paul and Virginia. This season saw the dispute between the principal actors of Covent Garden and Thomas Harris the manager. Munden was one of the signatories of the appeal which Lord Salisbury the lord chamberlain, as arbitrator, rejected in every point. Munden at the close of the season visited Dublin, Birmingham, Chester, and elsewhere. In 1802, Munden leased a house on Highgate Road, Dartmouth Park, close to the present day Croftdown Road, and lived there until he sold the lease in 1819.
At the close of the 1811 season Munden quarrelled with the management on financial questions, and did not set his foot in the theatre again, except for a benefit. At the Haymarket he played, 26 July 1811, Casimere in the Quadrupeds of Quedlinburgh, taken by Colman the younger from The Rovers (a piece in the Anti-Jacobin, by George Canning, John Hookham Frere, and George Ellis). He was again at the Haymarket in 1812. During the two years, 1811-3, however, he was mainly in the country, playing in Edinburgh (where he was introduced to Walter Scott), Newcastle, Rochdale, Chester, Manchester, and elsewhere. He earned large sums of money, but began for the first time to be called tight-fisted.