thumb|[[Akari (lamp)|Akari catalogue designed by Müller-Brockmann (1975)]]
thumb|Akari catalogue interior layout depicting [[Isamu Noguchi's Light Sculptures (1975)]]
Josef Müller-Brockmann (9 May 1914 – 30 August 1996) was a Swiss graphic designer, author, and educator, he was a Principal at Muller-Brockmann & Co. design firm. He was a pioneer of the International Typographic Style. One of the main masters of Swiss design. Müller-Brockmann is recognized for his simple designs and his clean use of typography, shapes and colors which inspire many graphic designers in the 21st century. He studied architecture, design and art history at both the University of Zurich at Gewerbeschule, In 1936, he opened his Zürich design studio specializing in graphic design, exhibition design, and photography. In 1937, he joined the Swiss Werkbund (Swiss Association of Artists and Designers). His favorite typeface to use was Akzidenz-Grotesk.
Career
During the 1950s, Müller-Brockmann explored nonrepresentational abstraction, visual metaphor, subjective graphical representation, and constructive graphic design. The Tonhalle Series grew increasingly abstract and focused on the feelings of the music. He used a visual form to translate the mathematical system that is found in music, playing with visual scale, rhythm, and repetition, while trying to stay true to each musicians composition who was featured on the poster. Cooper Hewitt, Smithsonian Design Museum, Museum of Design, Zürich (also known as Museum für Gestaltung Zürich), among others.
Personal life
In 1943, he married violinist Verena Brockmann, and together they had one son Andreas (born 1944). At that point he changed his last name to Müller-Brockmann.