James Robert Jarmusch ( ; born January 22, 1953) is an American filmmaker and musician.

He has been a major proponent of independent cinema since the 1980s, directing films such as Permanent Vacation (1980), Stranger Than Paradise (1984), Down by Law (1986), Mystery Train (1989), Night on Earth (1991), Dead Man (1995), Ghost Dog: The Way of the Samurai (1999), Coffee and Cigarettes (2003), Broken Flowers (2005), Only Lovers Left Alive (2013), Paterson (2016) and Father Mother Sister Brother (2025). Stranger Than Paradise was added to the National Film Registry in December 2002. For Father Mother Sister Brother, Jarmusch won the Golden Lion at the 82nd Venice Film Festival.

As a musician, he has been part of the no wave band The Del-Byzanteens and in addition composed music for some of his films. He has released four musical albums with Jozef van Wissem.

Early life and education

James Robert Jarmusch was born on January 22, 1953 involved five cab drivers and their passengers on rides in five different world cities, beginning at sundown in Los Angeles and ending at sunrise in Helsinki. The film was unique among other things for the number of books important to and discussed by its characters, most of them listed bibliographically as part of the end credits. The film is also considered to be a homage to Le Samourai, a 1967 French New Wave film by auteur Jean-Pierre Melville, which starred renowned French actor Alain Delon in a strikingly similar role and narrative.

2000s

A five-year gap followed the release of Ghost Dog, which the director has attributed to a creative crisis he experienced in the aftermath of the September 11 attacks in New York City. and cover some of the overhead costs of his production company, Exoskeleton.

In 2009, Jarmusch released The Limits of Control, a sparse, meditative crime film set in Spain, it starred Isaach de Bankolé as a lone assassin with a secretive mission. The film screened at the 2013 Cannes Film Festival and the 2013 Toronto International Film Festival (TIFF), with Jarmusch explaining the seven-year completion time frame at the former: "The reason it took so long is that no one wanted to give us the money. It took years to put it together. Its (sic) getting more and more difficult for films that are a little unusual, or not predictable, or don't satisfy people's expectations of something." The film's budget was US$7 million and its UK release date was February 21, 2014.

thumb|right|[[Adam Driver, Golshifteh Farahani, and Jarmusch at the premiere of Paterson (2016) at the Cannes Film Festival]]

Jarmusch wrote and directed Paterson in 2016. The film follows the daily experiences of an inner-city bus driver and poet (Adam Driver) in Paterson, New Jersey, who shares the same name as the city. Paterson was inspired by objectivist American poet William Carlos Williams and his epic poem "Paterson". The film features the wry, minimalist style found in Jarmusch's other works and earned 22 award nominations for Jarmusch, Driver and Nellie, the dog featured in the film. The story focuses on Paterson's poetry writing efforts, interspersed with his observations and experiences of the residents he encounters on his bus route and in his daily life. Todd McCarthy of The Hollywood Reporter gave the film a positive review, writing: "A mild-mannered, almost startlingly undramatic work that offers discreet pleasures to longtime fans of the New York indie-scene veteran, who can always be counted on to go his own way." Eric Kohn, film critic of IndieWire wrote that the film was "an apt statement from Jarmusch, a filmmaker who continues to surprise and innovate while remaining true to his singular voice, and who here seems to have delivered its purest manifestation."

Jarmusch wrote and directed his first horror film, the zombie comedy The Dead Don't Die featuring an ensemble cast which included performances from Bill Murray, Adam Driver, Chloë Sevigny, Steve Buscemi, Tilda Swinton, Carol Kane, and Selena Gomez. The film premiered at the 72nd Cannes Film Festival and received mixed reviews. It was distributed by Focus Features. Todd McCarthy of The Hollywood Reporter wrote, "At times, the deadpan of Murray and Driver becomes, well, a bit deadening, and true wit is in short supply, even though the film remains amusing most of the way."

2020s

Jarmusch directed and wrote a short film titled French Water for the Yves Saint Laurent House of Fashion to celebrate their spring/summer 2021 collection. It starred Charlotte Gainsbourg and Julianne Moore, among others.

thumb|Jim Jarmusch inside the [[2025 Venice Film Festival Award Ceremony with his Golden Lion award ]]

In September 2021, Jarmusch published with Anthology Editions a hardcover book of his small-scale collage art called Some Collages with texts by Lucy Sante and Randy Kennedy.

thumb|Jarmusch at the 2025 Venice Film Festival

Jarmusch wrote and directed Father Mother Sister Brother. Jarmusch first spoke about the film at the Outlook Festival in April 2023, where he said he was working on a new film that was a "very subtle film; it's very quiet… Funny and sad". He hinted that the film may not have any music. Filming taking place in New Jersey, Dublin, and Paris. It premiered at the 82nd Venice International Film Festival in 2025, winning the Golden Lion.

Music

In the early 1980s, Jarmusch was part of a revolving lineup of musicians in Robin Crutchfield's Dark Day project,

Jarmusch is also featured on the album Wu-Tang Meets the Indie Culture (2005) in two interludes described by Sean Fennessy in a Pitchfork review of the album as both "bizarrely pretentious" and "reason alone to give it a listen". Jarmusch and van Wissem also collaborated on the soundtrack of Only Lovers Left Alive.

Jarmusch first met van Wissem on a street in New York City's SoHo neighborhood in 2007, at which time the lute player handed the director a CD. Several months later, Jarmusch asked van Wissem to send his catalog of recordings and the two started playing together as part of their developing friendship. Van Wissem explained in early April 2014: "I know the way [Jarmusch] makes his films is kind of like a musician. He has music in his head when he's writing a script so it's more informed by a tonal thing than it is by anything else." The band formed to create additional soundtracks for Jarmusch's film The Limits of Control, which they released together with two other songs on an EP called "Film Music from The Limits of Control" under the name Bad Rabbit. Sqürl's version of Wanda Jackson's 1961 song "Funnel of Love", featuring Madeline Follin of Cults on vocals, opens Jarmusch's 2014 film Only Lovers Left Alive. On March 8, 2023, Sqürl announced its debut album Silver Haze and released lead single "Berlin '87". The album was released on May 5 by Sacred Bones Records.

Legacy as a filmmaker

In 2014, Jarmusch shunned the "auteur theory" and likened the filmmaking process to human sexual reproduction:

<blockquote>I put 'A film by' as a protection of my rights, but I don't really believe it. It's important for me to have a final cut, and I do for every film. So I'm in the editing room every day, I'm the navigator of the ship, but I'm not the captain, I can't do it without everyone's equally valuable input. For me it's phases where I'm very solitary, writing, and then I'm preparing, getting the money, and then I'm with the crew and on a ship and it's amazing and exhausting and exhilarating, and then I'm alone with the editor again... I've said it before, it's like seduction, wild sex, and then pregnancy in the editing room. That's how it feels for me.

His early work is marked by a brooding, contemplative tone, featuring extended silent scenes and prolonged still shots. In 1984, he won the Caméra d'Or at Cannes Film Festival for Stranger Than Paradise. In 2004, Jarmusch was honored with the "Filmmaker on the Edge Award" at the Provincetown International Film Festival. In 2005, he won the Grand Prix of the 2005 Cannes Film Festival for his film Broken Flowers. He won the Golden Lion at the 82nd Venice International Film Festival for Father Mother Sister Brother in 2025.

Jarmusch is credited with having instigated the American independent film movement with Stranger Than Paradise.</blockquote>

Jarmusch's staunch independence has been represented by his success in retaining the negatives for all of his films, an achievement that was described by the Guardians Jonathan Romney as "extremely rare." British producer Jeremy Thomas, who was one of the eventual financiers of Only Lovers Left Alive called Jarmusch "one of the great American independent film-makers" who is "the last of the line." Thomas believes that filmmakers like Jarmusch "are not coming through... any more."

In 2008, Jarmusch received Carrosse d'Or at the 2008 Cannes Film Festival.

Personal life

thumb|right|Jarmusch at punk club [[CBGB in New York City in November 2003]]

Jarmusch rarely discusses his personal life in public.

Jarmusch has been a supporter of Pro-Palestine causes and was one of 55 celebrities to sign the Artists4Ceasefire letter calling for an immediate ceasefire in Gaza.

The author of a series of essays on influential bands, Jarmusch has also had at least two poems published. He is a founding member of The Sons of Lee Marvin, a humorous "semi-secret society" of artists resembling the iconic actor, which issues communiqués and meets on occasion for the ostensible purpose of watching Marvin's films.

  • The Day the Angels cried (Incunabulum, 2025) (with Jozef van Wissem)

;EPs

  • EP #1 (ATP Recordings, 2013) (as Sqürl)
  • EP #2 (ATP Recordings, 2013) (as Sqürl)
  • EP #3 (ATP Recordings, 2014) (as Sqürl)
  • EP #260 (Sacred Bones Records, 2017) (as Sqürl)

Live albums

  • Sqürl Live at Third Man Records (12" vinyl, A Third Man Records, 2016) (as Sqürl)

;Guest appearances

  • Jozef van Wissem—"Concerning the Beautiful Human Form After Death" from The Joy That Never Ends (2011)
  • Fucked Up—"Year of the Tiger" (2012)

;Remixes

  • The White Stripes—"Blue Orchid" (First Nations Remix) (2005)

See also

  • No Wave Cinema

References

Other sources

  • Gonzalez, Éric, "Jim Jarmusch's Aesthetics of Sampling in Ghost Dog–The Way of the Samurai", Volume!, vol. 3, n° 2, Nantes: Éditions Mélanie Seteun, 2004, pp.&nbsp;109–21.<!-- ISSN/ISBN needed -->
  • Ródenas, Gabri (2009), Guía para ver y analizar Noche en la Tierra de Jim Jarmusch, Barcelona/Valencia: Octaedro/Nau Llibres. /978-84-7642-776-7
  • Ródenas, Gabri (2009), "Jarmusch y Carver: Se ha roto el frigorífico" in Fernández, P. (Ed.), Rompiendo moldes: Discursos, género e hibridación en el siglo XXI. Zamora/Sevilla: Editorial Comunicación Social; . Available at Google Books.
  • Ródenas, Gabri (2009), "Jarmusch Vs Reagan" in Revista Odisea. Almería: University of Almería. December 2009. .
  • Ródenas, Gabri (2010), "Jim Jarmusch: Del insomnio americano al insomnio universal", in Comunicación y sociedad, Navarra: University of Navarra, June 2010; .
  • Ródenas, Gabri (2011), Jim Jarmusch: Lecturas sobre el insomnio americano (1980–1991), Spain/Germany: – Editorial Académica Española – LAP Lambert Academic Publishing GmbH & Co. KG; .
  • Mentana, Umberto (2016), Il cinema di Jim Jarmusch. Una filmografia per un'analisi della cultura e del cinema postmoderno, Aracne Editrice;

Further reading

  • Rice, Julian. (2012). The Jarmusch Way: Spirituality and Imagination in Dead Man, Ghost Dog, and The Limits of Control. Lanham, Maryland: Scarecrow Press. (hardcover); (ebook).
  • Jarmusch, Jim (2021). Some Collages. Brooklyn, NY: Anthology Editions. 264 pp. ISBN 978-1-944860-42-4
  • Jim Jarmusch at the Senses of Cinema Great Directors critical database
  • The Jim Jarmusch Resource Page, curated by Jarmusch scholar Ludvig Hertzberg
  • Limited Control , Hertzberg's companion blog
  • It's a sad and beautiful world
  • The films of Jim Jarmusch, Hell Is For Hyphenates, May 31, 2014