thumb|Portrait of Jan Siberechts by [[Nicolas de Largillière]]
Jan Siberechts (1627–1703) was a Flemish landscape painter who, after a successful career in Antwerp, emigrated in the latter part of his life to England. In his early works, he developed a personal style of landscape painting, with an emphasis on the Flemish countryside and country life. His later landscapes painted in England retained their Flemish character by representing a universal theme. Siberechts also painted hunting scenes for his English patrons. The topographical views he created in England stand at the beginning of the English landscape tradition.
Life
thumb|left|[[Henley-on-Thames from the Wargrave Road, Oxfordshire (1698)]]
Jan Siberechts was born in Antwerp, the son of a sculptor with the same name. He trained in Antwerp with his father and became a master in the local Guild of Saint Luke by 1648. He developed a personal style of painting landscapes, which impressed George Villiers, 2nd Duke of Buckingham when he visited Antwerp in 1670. The Duke invited the artist to England.
thumb|220px|Pasture with sleeping shepherdesses
Siberechts arrived in England around 1672 and spent the first three years in England painting decorations in the Duke's newly built Cliveden House at Taplow, Buckinghamshire, England. From the second part of the 1670s and in the 1680s, he travelled widely in England, completing numerous commissions for aristocratic clients. Whilst in London he was commissioned to paint the Belsize Estate of goldsmith banker John Coggs in 1696, which now hangs in the Tate Gallery London.
He died in London.
John Wootton was one of his pupils.
Work
About 100 of his works have been preserved. His early works were indebted to Dutch Italianate landscape painters such as Nicolaes Berchem and Karel Dujardin. Siberechts must have become acquainted with their work in Antwerp as these artists were mainly active in Rome and Siberechts possibly did not visit Italy himself although such a visit in the late 1640s, early 1650s cannot be excluded.
thumb|upright|Wollaton Hall and Park, Nottinghamshire
His later landscapes, painted in England in the 1670s and 1680s, retained their Flemish character by representing a universal theme. This stands in contrast to Dutch landscape paintings of the period, which typically concentrated on a single aspect of a landscape.