James O'Neill (November 15, 1847 – August 10, 1920) was an Irish-American theatre actor. He was the father of American playwright Eugene O'Neill and the inspiration for one of the primary characters in his son's play Long Day's Journey into Night.
Early life
James O'Neill was born on November 15, 1847, in County Kilkenny, Ireland. His parents were distant cousins, Edward and Mary O'Neill. His father was a farmer. The family emigrated to America in 1851 and settled in Buffalo, New York. In 1857 they moved to Cincinnati, Ohio, where James was apprenticed to a machinist.
Career
thumb|right|240px|Plaque in New Ross, County Wexford recalling his emigration to America in 1851
At the age of 21, he made his stage debut in a Cincinnati, Ohio, production of Boucicault's The Colleen Bawn (1867). Also in 1867, Edwin Forrest embarked on a "farewell tour". O'Neill had a minor part in Forrest's Cincinnati production of Virginius, and then joined a travelling repertory company. He played a young sailor in Joseph Jefferson's Rip Van Winkle and for the first time found his brogue a handicap. Casting O'Neill, who was called Black Irish because of his black hair, has been marked as one possible origin of disputes about whether the character Othello was meant to merely to have black hair and dark features, rather than to be of sub-Saharan African origin.
While in San Francisco, O'Neill became friends with fellow actor, John Elitch. When Elitch opened the Elitch Zoological Gardens in Denver, Colorado, on May 1, 1890, O'Neill attended the opening and promised "I'll come back and play on that stage whenever you say." On May 30, 1897, O'Neill kept his promise and appeared in the opening play, Helene, by Martha Morton.
He was considered a promising actor, quickly working his way up the ranks to become a matinee idol.
Scandal
In 1874 O'Neill joined Richard M. Hooley's company, and the following year toured San Francisco, Virginia City and Sacramento. He then headed back east to join the Union Square Company. By 1887, The San Francisco Morning Call estimated O'Neill's fortune at a quarter of a million dollars. In March 1894, O'Neill took on the role of Shane O'Neill in the play The Prince of Ulster.
