Jack the Giant Killer

"Jack the Giant Killer" is a Cornish fairy tale and legend about a man who slays a number of bad giants during King Arthur's reign. The tale is characterised by violence, gore and blood-letting. Giants are prominent in Cornish folklore, Breton mythology and Welsh Bardic lore. Some parallels to elements and incidents in Norse mythology have been detected in the tale, and the trappings of Jack's last adventure with the giant Galigantus suggest parallels with French and Breton fairy tales such as Bluebeard. Jack's belt is similar to the belt in "The Valiant Little Tailor", and his magical sword, shoes, cap, and cloak are similar to those owned by Tom Thumb or those found in Welsh and Norse mythology.

Jack and his tale are rarely referenced in English literature prior to the eighteenth century (there is an allusion to Jack the Giant Killer in William Shakespeare's King Lear, where in Act 3, one character, Edgar, in his feigned madness, cries, "Fie, foh, and fum,/ I smell the blood of a British man"). Jack's story did not appear in print until 1711. One scholar speculates the public had grown weary of King Arthur and Jack was created to fill the role. Henry Fielding, John Newbery, Samuel Johnson, Boswell, and William Cowper were familiar with the tale.

In 1962, a feature-length film based on the tale was released starring Kerwin Mathews. The film made extensive use of stop motion animation.

Plot

thumb|left|[[Jack (hero)|Jack kills Cormoran with a pick-axe]]

This plot summary is based on a text published c. 1760 by John Cotton and Joshua Eddowes, which in its turn was based on a chapbook c. 1711, and reprinted in The Classic Fairy Tales by Iona and Peter Opie in 1974.

The tale is set during the reign of King Arthur and tells of a young Cornish farmer's son named Jack who is not only strong but so clever he easily confounds the learned with his penetrating wit. Jack encounters a livestock-eating giant called Cormoran (Cornish: 'The Giant of the Sea' SWF:Kowr-Mor-An) and lures him to his death in a pit trap. Jack is dubbed 'Jack the Giant-Killer' for this feat and receives not only the giant's wealth, but a sword and belt to commemorate the event.

A man-eating giant named Blunderbore vows vengeance for Cormoran's death and carries Jack off to an enchanted castle. Jack manages to slay Blunderbore and his brother Rebecks by hanging and stabbing them. He frees three ladies held captive in the giant's castle.

On a trip into Wales, Jack tricks an unnamed two-headed Welsh giant into slashing his own belly open. King Arthur's son now enters the story and Jack becomes his servant.

They spend the night with a three-headed giant and rob him in the morning. In gratitude for having spared his life and his castle, the three-headed giant gives Jack a magic sword, a cap of knowledge, a cloak of invisibility, and shoes of swiftness.

On the road, Jack and the Prince meet an enchanted Lady serving Lucifer. Jack breaks the spell with his magic accessories, beheads Lucifer, and the Lady marries the Prince. Jack is rewarded with membership in the Round Table.

thumb|right|[[St Michael's Mount – home of the Giant]]

Jack ventures forth alone with his magic shoes, sword, cloak, and cap to rid the realm of troublesome giants. He encounters a giant terrorizing a knight and his lady. He cuts off the giant's legs, then puts him to death. He discovers the giant's companion in a cave. Invisible in his cloak, Jack cuts off the giant's nose then slays him by plunging his sword into the monster's back. He frees the giant's captives and returns to the house of the knight and lady he earlier had rescued.

A banquet is prepared, but it is interrupted by the two-headed giant Thunderdel chanting "Fee, fau, fum". Jack defeats and beheads the giant with a trick involving the house's moat and drawbridge.

Growing weary of the festivities, Jack sallies forth for more adventures and meets an elderly man who directs him to an enchanted castle belonging to the giant Galligantus (Galligantua, in the Joseph Jacobs version). The giant holds captive many knights and ladies and a Duke's daughter who has been transformed into a white doe through the power of a sorcerer. Jack beheads the giant, the sorcerer flees, the Duke's daughter is restored to her true shape, and the captives are freed.

At the court of King Arthur, Jack marries the Duke's daughter and the two are given an estate where they live happily ever after.

Background

thumb|left|[[Thor and Skrymir]]

Tales of monsters and heroes are abundant around the world, making the source of "Jack the Giant Killer" difficult to pin down. However, the ascription of Jack's relation to Cornwall suggests a Brythonic (Celtic) origin. The early Welsh tale How Culhwch won Olwen (tentatively dated to c. 1100), set in Arthurian Britain places Arthur as chief among the kings of Britain. The young hero Culhwch ap Cilydd makes his way to his cousin Arthur's court at Celliwig in Cornwall where he demands Olwen as his bride; the beautiful daughter of the giant Ysbaddaden Ben Cawr ('Chief of Giants'). The Giant sets a series of impossible tasks which Arthur's champions Bedwyr and Cai are honour-bound to fulfill before Olwen is released to the lad; and the Giant King must die. Folklorists Iona and Peter Opie have observed in The Classic Fairy Tales (1974) that "the tenor of Jack's tale, and some of the details of more than one of his tricks with which he outwits the giants, have similarities with Norse mythology." An incident between Thor and the giant Skrymir in the Prose Edda of c. 1220, they note, resembles the incident between Jack and the stomach-slashing Welsh giant. The Opies further note that the Swedish tale of "The Herd-boy and the Giant" shows similarities to the same incident, and "shares an ancestor" with the Grimms's "The Valiant Little Tailor", a tale with wide distribution. According to the Opies, Jack's magical accessories – the cap of knowledge, the cloak of invisibility, the magic sword, and the shoes of swiftness – could have been borrowed from the tale of Tom Thumb or from Norse mythology, however older analogues in British Celtic lore such as Y Mabinogi and the tales of Gwyn ap Nudd, cognate with the Irish Fionn mac Cumhaill, suggest that these represent attributes of the earlier Celtic gods such as the shoes associated with Welsh Lleu Llaw Gyffes of the Fourth Branch, Arthur's invincible sword Caledfwlch and his Mantle of Invisibility Gwenn one of the Thirteen Treasures of the Island of Britain mentioned in two of the branches; or the similar cloak of Caswallawn in the Second Branch. The Opies conclude that analogues from around the world "offer no surety of Jack's antiquity."

The Opies note that tales of giants were long known in Britain. King Arthur's encounter with the giant of St Michael's Mount – or Mont Saint-Michel in Brittany – was related by Geoffrey of Monmouth in Historia Regum Britanniae in 1136, and published by Sir Thomas Malory in 1485 in the fifth chapter of the fifth book of Le Morte d'Arthur:

Bluebeard

The Opies observe that "no telling of the tale has been recorded in English oral tradition", and that no mention of the tale is made in sixteenth or seventeenth century literature, lending weight to the probability of the tale originating from the oral traditions of the Cornish (and/or Breton) 'droll teller'. The 17th century Franco-Breton tale of Bluebeard, however, contains parallels and cognates with the contemporary insular British tale of "Jack the Giant Killer", in particular the violently misogynistic character of Bluebeard (La Barbe bleue, published 1697) is now believed to ultimately derive in part from King Mark Conomor, the 6th century continental (and probable insular) British King of Domnonée / Dumnonia, associated in later folklore with both Cormoran of St Michael's Mount and Mont Saint Michel – the blue beard (a 'Celtic' marker of masculinity) is indicative of his otherworldly nature.

The History of Jack and the Giants

"The History of Jack and the Giants" (the earliest known edition) was published in two parts by J. White of Newcastle in 1711, the Opies indicate, but was not listed in catalogues or inventories of the period nor was Jack one of the folk heroes in the repertoire of Robert Powel (i.e., Martin Powell), a puppeteer established in Covent Garden. "Jack and the Giants" however is referenced in The Weekly Comedy of 22 January 1708, according to the Opies, and in the tenth number Terra-Filius in 1721.]]

John Matthews writes in Taliesin: Shamanism and the Bardic Mysteries in Britain and Ireland (1992) that giants are very common throughout British folklore, and often represent the "original" inhabitants, ancestors, or gods of the island before the coming of "civilised man", their gigantic stature reflecting their "otherworldly" nature. Giants figure prominently in Cornish, Breton and Welsh folklore, and in common with many animist belief systems, they represent the force of nature. The modern Standard Written Form in Cornish is Kowr singular (mutating to Gowr), Kewri plural, transcribed into Late Cornish as Gour, "Goë", "Cor" or similar. They are often responsible for the creation of the natural landscape, and are often petrified in death, a particularly recurrent theme in Celtic myth and folklore. An obscure Count of Brittany was named Gourmaëlon ruling from 908 to 913 and may be an alternative source of the Giant's name Cormoran, or Gourmaillon, translated by Joseph Loth as "he of the brown eyebrows".

The foundation myth of Cornwall originates with the early Brythonic chronicler Nennius in the Historia Brittonum and made its way, via Geoffrey of Monmouth into Early Modern English canon where it was absorbed by the Elizabethans as the tale of King Leir alongside that of Cymbeline and King Arthur, other mythical British kings. Carol Rose reports in Giants, Monsters, and Dragons that the tale of Jack the Giant Killer may be a development of the Corineus and Gogmagog legend. The motifs are echoed in the Hunting of Twrch Trwyth.

In 1136, Geoffrey of Monmouth reported in the first book of his imaginative The History of the Kings of Britain that the indigenous giants of Cornwall were slaughtered by Brutus, the (eponymous founder of Great Britain), Corineus (eponymous founder of Cornwall) and his brothers who had settled in Britain after the Trojan War. Following the defeat of the giants, their leader Gogmagog wrestled with the warrior Corineus, and was killed when Corineus threw him from a cliff into the sea:

The match is traditionally presumed to have occurred at Plymouth Hoe on the Cornish-Devon border, although Rame Head is a nearby alternative location. In the early seventeenth century, Richard Carew reported a carved chalk figure of a giant at the site in the first book of The Survey of Cornwall:

Cormoran (sometimes Cormilan, Cormelian, Gormillan, or Gourmaillon) is the first giant slain by Jack. Cormoran and his wife, the giantess Cormelian, are particularly associated with St Michael's Mount, apparently an ancient pre-Christian site of worship. According to Cornish legend, the couple were responsible for its construction by carrying granite from the West Penwith Moors to the current location of the Mount. When Cormoran fell asleep from exhaustion, his wife tried to sneak a greenschist slab from a shorter distance away. Cormoran awoke and kicked the stone out of her apron, where it fell to form the island of Chapel Rock. Trecobben, the giant of Trencrom Hill (near St Ives), accidentally killed Cormelian when he threw a hammer over to the Mount for Cormoran's use. The giantess was buried beneath Chapel Rock. There were no home console ports.

Notes

References

External links

The History of the Kings of Britain by Geoffrey of Monmouth
Jack the Giant Killer by Flora Annie Steel
Jack the Giant Killer by Joseph Jacobs
Jack the Giant Killer from the Hockliffe Collection
Le Morte D'Arthur by Thomas Malory
The Story of Jack and the Giants by Edward Dalziel
The Survey of Cornwall by Richard Carew
Tom the Tinkard
Days of Yore: Jack the Giant-Killer by Arin Lee Kambitsis
The History of Jack the Giant-Killer <small><span lang="en" dir="ltr">(en)</span></small>, adapted and edited by Datlow & Windling