thumb|Two standard servants opposite a well-dressed, unmasked woman, La Dona Lucretia, who represents
(; ) were stock characters within the theatre style known as commedia dell'arte, who appeared in 16th-century Italy. In the plays, everything revolved around the lovers in some regard. These dramatic and posh characters were present within plays for the sole purpose of being in love with one another, and moreover, with themselves. These characters move elegantly and smoothly, and their young faces are unmasked unlike other commedia dell'arte characters. Despite facing many obstacles, the lovers were always united by the end.
Origins
[[File:Captain Cermonia and Larinia.jpg|alt=Jacques, Callot. Balli di Sfessania: Captain Cermonia and Larinia. c. 1620. Etching. [dimensions unknown]. Courtesy Artstor.|thumb|Character named "Captain Cerimonia" bows to unmasked woman named "Lavinia" who may be an example of or a female character.]]
The name is the Italian word for 'lovers'.
The lovers tend to be overly dramatic in whatever emotion they express. Separation from their lover leads them to strongly lament and moan their state, although, once they finally meet, they are at a loss of words. In order to express what they truly want to say, they always need the help of a servant to act as a go-between. The lovers often act in a childlike and immature way. When not getting their way, they become completely devastated, they pout, and even cry and whine if things do not go according to their wishes. Very selfish and self-centered, the lovers are in their own worlds where they are each the most important subjects. Along with loving themselves, they are in love with the very idea of love and what it pertains to.
The women's dresses were of the finest silks and they wear showy jewelry characteristic of Renaissance style. The males wear soldier-like attire, while both genders wear extravagant wigs and also change clothes numerous times throughout the length of the production.