Howard Pyle - WikiHQ

Howard Pyle (March 5, 1853 – November 9, 1911) was an American illustrator, painter, and author, primarily of books for young people. He was a native of Wilmington, Delaware, and he spent the last year of his life in Florence, Italy.

In 1894, he began teaching illustration at the Drexel Institute of Art, Science, and Industry (now Drexel University). Among his students there were Violet Oakley, Maxfield Parrish, and Jessie Willcox Smith. He had a lasting influence on a number of artists who became notable in their own right; N. C. Wyeth, Frank Schoonover, Thornton Oakley, Allen Tupper True, Stanley Arthurs, and numerous others studied under him.

His 1883 classic publication The Merry Adventures of Robin Hood remains in print, and his other books frequently have medieval European settings, including a four-volume set on King Arthur. He is also well known for his illustrations of pirates, and is credited with creating what has become the modern stereotype of pirate dress.

He published his first novel Otto of the Silver Hand in 1888. He also illustrated historical and adventure stories for periodicals such as Harper's Magazine and St. Nicholas Magazine. His novel Men of Iron was adapted as the movie The Black Shield of Falworth (1954).

Pyle travelled to Florence, Italy in 1910 to study mural painting. He died there in 1911 of a sudden kidney infection (Bright's disease).

Life

thumb|left|[[The Battle of Bunker Hill (painting)|The Battle of Bunker Hill, Howard Pyle, 1897, showing the second British advance up Breed's Hill. This painting's whereabouts are unknown as it was probably stolen from the Delaware Art Museum in 2001.]]

Pyle was born in Wilmington, Delaware, the son of William Pyle and Margaret Churchman Painter. As a child, he attended private schools and was interested in drawing and writing from a very young age. He was an indifferent student, but his parents encouraged him to study art, particularly his mother. He studied for three years at the studio of F. A. Van der Wielen in Philadelphia, and this constituted the whole of his artistic training, aside from a few lessons at the Art Students League of New York.

From 1894 to 1900, he taught illustration at the Drexel Institute. In 1900, he created his own school in Wilmington where he taught a small number of students in depth. In 1903, Pyle painted his first murals for the Delaware Art Museum. He took up mural painting more seriously in 1906 and painted The Battle of Nashville in Saint Paul, as well as two other murals for courthouses in New Jersey

Major works

thumb|right|[[Sir Kay breaketh his sword at ye Tournament, one of Pyle's Arthurian illustrations]]

Pyle wrote and illustrated a number of books, in addition to numerous illustrations done for Harper's Weekly, other periodical publications, and various works of fiction for children and young adults.

The Merry Adventures of Robin Hood

Pyle synthesized many traditional Robin Hood legends and ballads in this work, while toning them down to make them suitable for children. For instance, he modified the late 17th century ballad "Robin Hood's Progress to Nottingham", changing it from Robin killing fourteen foresters for not honoring a bet to Robin defending himself against an attempt on his life by one of the foresters. Pyle has Robin kill only two men, one who shoots at him first when he was a youth, the other a hated assassin named Guy of Gisborne whom the Sheriff sent to slay him. Tales are changed in which Robin steals all that an ambushed traveler carried, such as "Robin Hood and the Bishop of Hereford", so that the victim keeps a third and another third is dedicated to the poor.

Pyle did not have much concern for historical accuracy, but he renamed the queen in the story "Robin Hood and Queen Katherine" as Eleanor (of Aquitaine). This made her compatible historically with King Richard the Lion-Hearted, with whom Robin eventually makes peace.

Many of the tales in the Robin Hood book dated to the late Middle Ages. His achievement was to integrate them into a unified story, which he also illustrated. For example, he included "Robin Hood and the Curtal Friar" in the narrative order to reintroduce Friar Tuck. He needed a cooperative priest for the wedding of outlaw Allan a Dale to his sweetheart Ellen. In the original "A Gest of Robyn Hode", the life is saved of an anonymous wrestler who had won a bout but was likely to be murdered because he was a stranger. Pyle adapted it and gave the wrestler the identity of David of Doncaster, one of Robin's band in the story "Robin Hood and the Golden Arrow". In his novelistic treatment of the tales, he thus developed several characters who had been mentioned in only one ballad, such as David of Doncaster or Arthur a Bland.

Men of Iron

Men of Iron is an 1891 novel about squire Myles Falworth who hopes to become a knight, thereby redeeming his family's honor. His father was falsely implicated in a plot to kill King Henry IV. The adventure tale follows Myles through his intensive training for knighthood and ends with him becoming a knight and challenging the wicked Lord Brookhurst Alban to trial by combat.

The novel was adapted into the 1954 film The Black Shield of Falworth starring Tony Curtis and Janet Leigh.

Other works

Otto of the Silver Hand, about the son of a robber baron during the medieval period.
Rejected of Men: A Story of To-day (1903), setting the story of Jesus as if it had occurred during early twentieth-century America.
Portfolio of Etchings: In 1903 the Bibliophile Society of Boston commissioned Pyle to create a series of paintings of scholars and bibliophiles for a limited, four-volume set of books titled The bibliomania, or book-madness. The paintings proved popular and the Bibliophile Society commissioned American engraver to create copper etched copies of Pyle's five oil paintings from The Bibliomania books. The etched prints in the Portfolio of Etchings from the Special Collections and Archives at Albertsons Library, BSU, portray the following literary figures:

File:Richard_de_Bury_and_the_Young_Edward_III.jpg|Richard de Bury and the Young Edward III

File:Caxton_at_his_Press.jpg|Caxton at his Press

File:Erasmus_reading_to_Colet_and_More.jpg|Erasmus reading to Colet and More

</gallery>The remaining etchings are titled: “Friar” Bacon in His Study, and "Izaak" Walton

The Wonder Clock (1887), a collection of twenty-four tales, one for each hour of the day. Each tale was prefaced by a whimsical verse telling of traditional household goings-on at that hour. His sister Katharine Pyle wrote the verses. Pyle created the tales based on traditional European folktales.
Pepper and Salt, or Seasoning for Young Folk, traditional tales for younger readers which he also illustrated.
After his death, a publisher collected a number of his pirate stories and illustrations and published them as Howard Pyle's Book of Pirates (1921).

File:Pyle pirate handsome.jpg|Buccaneer of the Caribbean, from Howard Pyle's Book of Pirates

File:Pyle pirates treasfight.jpg|Pirates fight in Who Shall Be Captain?, 1911, from Howard Pyle's Book of Pirates

</gallery>

Critical response

thumb|He lost his hold and fell, taking me with him from "The Grain Ship" by Morgan Robertson, in Harper's Monthly Magazine, March 1909

Pyle was widely respected during his life and continues to be well regarded by illustrators and fine artists. His contemporary Vincent van Gogh wrote in a letter to his brother Theo that Pyle's work "struck me dumb with admiration."

Pyle's reputation stems from his innovation in form and illustration, creating an American school of illustration and art, and for the revival of children's books. His illustrations are vivid and imaginative, yet not overly fantastic or contrived, lending them an air of colorful realism. Twentieth-Century Literary Criticism notes:

<blockquote>As time passed, Pyle's historical position as the founder of a distinctly American school of illustration and art, as the innovator who introduced the total-design approach, and as the great reinventor of children's books, would outshine any single work he did, so that he is remembered less for any one project than for his total stance.

Pyle is remembered primarily as an illustrator, but his books have also been analyzed for their literary qualities, particularly The Merry Adventures of Robin Hood. Taimi M. Ranta and Jill P. May have examined their influence on children's literature. May writes from a feminist sensibility.