Hip-hop dance - WikiHQ

Hip hop dance is a range of street dance styles primarily performed to hip hop music or that have evolved as part of hip hop culture. It is influenced by a wide range of styles that were created in the 1970s and made popular by dance crews in the United States. The television show Soul Train and the 1980s films Breakin, Beat Street, and Wild Style showcased these crews and dance styles in their early stages; therefore, giving hip-hop dance mainstream exposure.

The dance industry responded with a commercial, studio-based version of hip-hop—sometimes called "new style"—and a hip-hop influenced style of jazz dance called "jazz-funk". Classically trained dancers developed these studio styles in order to create choreography from the hip-hop dances that were performed on the street. Because of this development, hip-hop dance is practiced in both dance studios and outdoor spaces.

The commercialization of hip-hop dance continued into the 1990s and 2000s with the production of several television shows and movies such as The Grind, Planet B-Boy, Rize, StreetDance 3D, America's Best Dance Crew, Saigon Electric, the Step Up film series, and The LXD, a web series. Though the dance is established in entertainment, including mild representation in theater, it maintains a strong presence in urban neighborhoods, which has led to the creation of street dance derivatives like Memphis jookin, turfing, jerkin', and krump. What distinguishes hip-hop from other forms of dance is that it is often "freestyle" (improvisational) in nature and hip-hop dance crews often engage in freestyle dance competitions—colloquially referred to as "battles".

Films, television shows, and the Internet have contributed to introducing hip-hop dance outside the United States. Since being exposed, educational opportunities and corporate dance competitions such as World of Dance and Hip Hop International have helped maintain its presence worldwide. Hip-hop dance can be a form of entertainment or a hobby. It can also be a way to stay active in competitive dance and a way to make a living by dancing professionally.

History

Hip-hop dance is a fusion dance genre with influences from older street dance styles created in the 1970s. These include uprock, breaking, and the funk styles. Breaking was created in The Bronx, New York, in the early 1970s. In its earliest form, it began as elaborations on James Brown's "Good Foot" dance, which debuted in 1972. Breaking at this period was not primarily floor-oriented as seen today; it started out as toprock, which dancers perform while standing up. An influence on toprock was uprock, which was created in Brooklyn, New York. Uprock looks similar to toprock, but it is more aggressive and looks like a fight. Uprock is also performed with partners, but in toprock—and in breaking in general—each person takes turns dancing. In 1973, DJ Kool Herc popularized the break beat. A break beat is a rhythmic, musical interlude of a song that has been looped over and over again to extend that instrumental solo, because "breaks" were seen as the part of the song best to dance to, in the 1970's DJ's started using two copies of the same record to mix them, extending the break, this was known as Beat juggling. This interluding, which had previously been used in Funk and Soul songs, inspired this musical evolution. Kool Herc did this to provide a means for dancers who attended his parties to demonstrate their skills. and gymnastics, breaking went from being a purely upright dance style—toprock only—to becoming more floor-oriented.

At the same time that breaking was developing in New York, other styles were being created in California. The funk styles refer to several street dance styles created in California in the 1970s such as roboting, bopping, hitting, locking, bustin', popping, boogaloo, strutting, sac-ing, and dime-stopping. The television show Soul Train played a large role in giving these styles commercial exposure. Both The Lockers and The Electric Boogaloos—dance crews responsible for the spread of locking and popping—performed on this show.

It is historically inaccurate to say that the funk styles were always considered hip-hop. In an interview with Racked, Moncell Durden, assistant dance professor at the University of Southern California, is quoted as saying "Hip-hop dance involves two dances: breaking and social dances. That's it. Nothing else is hip-hop." The funk styles were adopted into hip-hop in large part due to the media. They were created on the west coast independent from breaking and were originally danced to funk music, rather than hip-hop music. The music of the day was the driving force in the development of these dances. For example, the 1980s rap group Gucci Crew II had a song called "The Cabbage Patch" that the dance of the same name was based on. 2000s era social dances include the Cha Cha Slide, the Cat Daddy, and the Dougie. The previously mentioned dances are a sample of the many that have appeared since hip-hop developed into a distinct dance style. Like hip-hop music, hip-hop social dancing continues to change as new songs are released and new dances are created to accompany them.

Primary influences

Breaking

Breaking or b-boying, commonly known by its exonym as breakdancing, was created in the South Bronx, New York City during the early 1970s. Though African Americans created breaking, Puerto Ricans maintained its growth and development when it was considered a fad in the late 1970s. In a 2001 interview Richard "Crazy Legs" Colón, the president of Rock Steady Crew, commented on how Puerto Ricans contributed to breaking: "I think the difference is when the brothas first started doing [it] and it was at its infancy they weren't doing acrobatic moves. That didn't come into play until more Puerto Ricans got involved in the mid 70s. We then took the dance, evolved it, and kept it alive. In '79 I was getting dissed. I would go into a dance and I would get dissed by a lot of brothas who would ask 'Why y'all still doing that dance? That's played out'. By 79, there were very few African American brothas that was doing this... We always maintained the flava. It was like a changing of the guard and all we did was add more flava to something that already existed." Breaking includes four foundational dances: toprock, footwork-oriented steps performed while standing up; downrock, footwork performed with both hands and feet on the floor; freezes, stylish poses done on your hands; and power moves, complex and impressive acrobatic moves. Transitions from toprock to downrock are called "drops."

Traditionally, breakers dance within a cypher or an Apache Line. A cypher is a circular shaped dance space formed by spectators that breakers use to perform or battle in.

Locking

Locking, originally called Campbellocking, was created in 1969 in Los Angeles, California by Don "Campbellock" Campbell and popularized by his crew The Lockers. In addition to Campbell, the original members of The Lockers were Fred "Mr. Penguin" Berry, Leo "Fluky Luke" Williamson, Adolfo "Shabba-Doo" Quiñones, Bill "Slim the Robot" Williams, Greg "Campbellock Jr" Pope, and Toni Basil, who also served as the group's manager. At the 2009 World Hip Hop Dance Championships, Basil became the first female recipient of the Living Legend Award in honor of her role in giving locking commercial exposure.

Locking looks similar to popping, and the two are frequently confused by the casual observer. In locking, dancers hold their positions longer. The lock is the primary move used in locking. It is "similar to a freeze or a sudden pause." A locker's dancing is characterized by frequently locking in place and after a brief freeze moving again. While both styles are from Los Angeles, locking and popping are two distinct funk styles with their own histories, their own set of dance moves, their own pioneers, and their own competition categories. Locking is more playful and character-driven, whereas popping is more illusory. such as strobing, liquid, animation, twisto-flex, and waving.

Popping, as an umbrella term, also includes gliding. Opposite from gliding is tutting, an upper body dance that uses the arms, hands, and wrists to form right angles and create geometric box-like shapes. Tutting can be done primarily with the fingers rather than the arms. This method is called finger tutting. In both variations the movements are intricate, linear, and form 90° or 45° angles. In practice, tutting looks like the characters on the art of ancient Egypt, According to Dance magazine, jookin is characterized by dancers "gliding footwork... popping and waving... [and] using the tips of their sneakers to balance on pointe." Gliding on tiptoes is fundamental to this dance. While watching a jookin' battle in Jackson, Tennessee, dance critic Alastair Macaulay observed that "the most evidently sensational feature of jookin is the extensive use of what a ballet observer is bound to call pointwork: the men, in sneakers, go onto tiptoe... many of the men not only rose onto point but also hopped, turned, ran and balanced on point." Jookers have traditionally practiced their moves at the Crystal Palace skating rink in Memphis, which is akin to how milongueros practice their moves in public spaces in Buenos Aires. Turfing is a fusion of miming and gliding that places heavy emphasis on storytelling (through movement) and illusion. Other than San Francisco Bay Area pride, turfing avoided becoming a fad due to local turf dance competitions and local youth programs that promote turfing as a form of physical activity. This song went viral via their MySpace page before they had a manager or were signed to a record label. Dancers who perform jerkin' typically wear bright colors, skinny jeans, Mohawks, and Vans sneakers. and the Reject dance moves. in the early 2000s in South Central, Los Angeles. It was only practiced in Los Angeles until it gained mainstream exposure after being featured in several music videos

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Stage performance can suppress improvisation, which defined hip-hop dance early in its development. Furthermore, meshing different dance styles together dissolves their structures and identities.

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thumb|right|275px|Hip-hop dancer Joseph Coine performing in 2011 in Wallace Theater at [[Fort Belvoir, Virginia.|alt=Male hip-hop dancer performing on stage inside a theater at Fort Belvoir army installation.]]

The term "new style" was created by dancers outside the United States. According to Moncell Durden, adjunct professor at Drexel University and director of the film History and Concept of Hip-Hop Dance, the 1992 dance documentary Wreckin' Shop From Brooklyn was very influential to hip-hop dancers in France and Japan. These dancers wanted to move like the New York hip-hop dancers who were profiled in the documentary. They called the social dancing (party dancing) they saw "new style", which was short for "New York Style".