thumb|upright=1.35|Herne with his steed, hounds and owl, observed by the [[Henry FitzRoy, Duke of Richmond and Somerset|Duke of Richmond and the Earl of Surrey, in Harrison Ainsworth's Windsor Castle, illustrated by George Cruikshank, c. 1843]]

In English folklore, Herne the Hunter is a ghost associated with Windsor Forest and Great Park in the English county of Berkshire. He is said to have antlers growing from his head, ride a horse, torment cattle, and rattle chains. The earliest mention of Herne comes from William Shakespeare's 1597 play The Merry Wives of Windsor, and it is impossible to know how accurately or to what degree Shakespeare may have incorporated a real local legend into his work, though there have been several later attempts to connect Herne to historical figures, pagan deities, or ancient archetypes.

Legend

The earliest written account of Herne comes from Shakespeare's play The Merry Wives of Windsor (believed to have been written around 1597). Officially published versions of the play refer only to the tale of Herne as the ghost of a former Windsor Forest keeper who haunts a particular oak tree at midnight in the winter time. He is said to have horns, 'blasts' his oak, shake chains and cause cattle to produce blood instead of milk:

An early, pirated version of the play from 1602 includes a different version of this text, which states that the ghost (spelled "Horne" in this version) was invented to scare children into obedience, and that mothers tell their children the tale of a ghost who walks the forest in the form of a great stag. Because it is a common surname, it is not possible to further identify Shakespeare's Herne, and no earlier references to his legend exist.

Nearly two hundred years later, in 1792, Samuel Ireland slightly expanded on Shakespeare as follows:

There is little written evidence for Herne the Hunter before the 1840s, and the details of his original folk tale have been filtered through the various versions of Shakespeare's The Merry Wives of Windsor.

It has been noted that the reference to Herne's death as a suicide fits a traditional belief that this sort of death is more likely to produce a haunting. Shakespeare's reference to rattling chains also fits a very common ghostly motif. However, other elements of the tale are unusual for other ghost stories of Shakespeare's era. Ghostly cattle or dogs were common, but there are few contemporary examples of a ghostly stag. It is possible that Shakespeare invented this detail to better fit the forest setting, or to lead into the humorous image of a character wearing antlers, which would have resembled cuckold's horns to an Elizabethan audience. William Harrison Ainsworth's 1843 novel Windsor Castle featured Herne and popularised his legend. Ainsworth's version of the tale added a number of new details, including having Herne being gored by a stag, only to have the Devil save him on the condition that he wear the stag's antlers. Jacob Grimm was the first to suggest, very influentially, that Herne had once been thought of as the leader of the Wild Hunt, based on his title. Margaret Murray also identified Cernunnos with Herne in her 1933 book The God of the Witches. Some modern Neopagans such as Wiccans accept Lowe Thompson's equation of Herne with Cernunnos (which they further connect to the Greco-Roman god Pan). Herne however is a localised figure, not found outside Berkshire and the regions of the surrounding counties into which Windsor Forest once spread, and clear evidence for the worship of Cernunnos has been recovered only on the European mainland, and not in Britain. "Herne" could be derived ultimately from the same Indo-European root *ker-n-, meaning bone or horn, from which "Cernunnos" derives. However, a more direct source may be the Old English hyrne, meaning "horn" or "corner", which is inconsistent with the Cernunnos theory.

Possible Historical individual

Samuel Ireland claimed that Herne was based on a real historical individual, saying that this person died an unholy death of the type that might have given rise to tales of hauntings by his unquiet spirit, but he had no proof of this. The earliest edition of The Merry Wives of Windsor spells the name "Horne".

Post-Shakespearean adaptations

Music

  • François-André Danican Philidor's lost opera, Herne le chasseur (1773), is an adaptation of The Merry Wives of Windsor giving Herne the title role.
  • Carl Otto Nicolai's opera Die lustigen Weiber von Windsor (1845/46) includes Falstaff, disguised as Herne, on the musical stage.
  • Arrigo Boito, composing a libretto for Verdi's opera Falstaff by improvising upon materials in Merry Wives and Henry IV, built the moonlit last act set in Windsor Great Park around a prank revenge played upon the amorous Falstaff by masqueraders disguised as spirits and the spectral "Black Huntsman", in whom Herne the Hunter is recognisable. Carlo Prospero Defranceschi wrote a similar libretto for composer Antonio Salieri that specifically mentions Herne.
  • Ralph Vaughan Williams' opera Sir John in Love, an adaptation of Shakespeare's Merry Wives, feature an impersonation of Herne the Hunter to misguide Falstaff.
  • "The Legend of Herne the Hunter" was part of Sir Arthur Sullivan's ballet Victoria and Merrie England of 1897, which portrayed various scenes from British folklore and history.
  • In the light opera Merrie England by Sir Edward German (1902), the librettist Basil Hood introduces another impersonation of Herne as a device to induce a change of heart in Queen Elizabeth I.
  • One of the earliest recordings by British progressive rock band Marillion is an instrumental song titled "Herne the Hunter" based on the legend.
  • Herne is a track on the 1984 LP Legend by Clannad, the soundtrack album to the ITV television series Robin of Sherwood (q.v.).
  • Herne the Hunter features in the lyrics of the song "English Fire" by Cradle of Filth on their album Nymphetamine.
  • On the 2008 album Blessings by S.J. Tucker, a song is titled "Hymn to Herne".
  • On the 2014 EP Just Let Go by Hadley Fraser, a song is titled "Herne and the Red Kite".

Literature

  • Two characters in Lloyd Alexander's high fantasy series The Chronicles of Prydain seem to have been inspired by Herne the Hunter. The villainous Horned King wears an antlered skull mask, and Gwyn the Hunter is a supernatural herald whose horn and baying hounds are heard when a few characters meet their deaths.
  • Herne appears in Harrison Ainsworth's Windsor Castle.
  • Herne the Hunter, leading the Wild Hunt, appears in Susan Cooper's The Dark Is Rising Sequence, where he plays a key part in the end of the book by the same name and in the series' ending Silver on the Tree.
  • Eric Mottram's A Book of Herne (1975, 1981) Poetry exploring the myth.
  • The villainous Master Forester in Sarban's novel The Sound of His Horn (1952) is an incarnation of Herne the Hunter.
  • In Tad Williams' Memory, Sorrow and Thorn series, Hern the Hunter founded the proud woodland kingdom of Hernysadharc, its people, the Hernystiri, ruled by the House of Hern whose emblem was a White Stag. The Hernystiri shared a special bond with the Sithi – an elvish-like people otherwise referred to as the Fair Folk.
  • Herne the Hunted is a parody of Herne the Hunter in Terry Pratchett's Discworld series. He is a small god and the patron of those animals destined to end up as a "brief, crunchy squeak."
  • Herne the Hunter is a key figure in Ruth Nichols' children's novel The Marrow of the World. His character has no supernatural attributes.
  • English Poet Laureate John Masefield included Herne the Hunter as a benevolent 'spirit of the woodlands' in his children's book The Box of Delights.
  • Herne made an appearance in the Bitterbynde trilogy by Cecilia Dart-Thornton. In these books Herne is portrayed as a powerful "unseelie wight" by the name of Huon who leads his hellhounds in search of the protagonist.
  • Herne the Hunter appears as a supporting character in Simon Green's Nightside series. He actually appears on the cover of Hex and the City (Book 4), although his role in the actual novel is rather inconsequential.
  • Herne the Hunter is one of the antagonists in C. E. Murphy's Urban Shaman.
  • Herne is the god of red deer in the book Fire Bringer, by David Clement-Davies
  • Herne the Hunter, also named as Cernunnos, is a character in Michael Scott's series of The Alchemist, the Immortal Secrets of Nicholas Flammel.
  • In Jim Butcher's Dresden Files series, in the book Cold Days, the Erlking is referred to as "Lord Herne."
  • Herne the Hunter is a character in the book Hunted which is part of the series "The Iron Druid Chronicles" (Book 6) by, oddly enough, Kevin Hearne.
  • Herne the Hunter is the Monster in the book A Monster Calls written by Patrick Ness.
  • Herne the Hunter of the Mers and consort of the queen, also known by the title "Starbuck", in the 1980 novel The Snow Queen by Joan D. Vinge. Won the Hugo award for best novel in 1981 and also nominated for the Nebula award that same year.
  • Lord Herne is the true name of the Horned King (also referred to as the Horned Man, the Hunter of Dark, and the Master of Winter) in Jane Yolen's 1995 book The Wild Hunt. He represents "...the dark, the night, the cold. He is chaos and anger and war."