thumb|right|Helena Faucit
Helena Saville Faucit, Lady Martin (11 October 1817 – 31 October 1898) was an English actress.
Early life
Born in London in 1817, she was the daughter of actors John Saville Faucit and Harriet Elizabeth Savill. Her parents separated when she was a girl, and her mother went to live with William Farren in 1825. With her elder sister Harriet, she was trained for the stage by her step-uncle, Percy Farren. She debuted as Juliet at a small theatre in Richmond in 1833. Her performance was praised by critics of The Athenaeum, but Farren delayed her professional debut to give her further training.
Early career
Faucit's first professional appearance was made on 5 January 1836 at Covent Garden as Julia in James Sheridan Knowles's The Hunchback. Her debut, a spectacular success, placed her at once among the leading actresses in London, helping to fill the void left by the retirement of Fanny Kemble in 1834. Her success in The Hunchback was followed by turns as Belvidera in Thomas Otway's Venice Preserv'd, and as Margaret in Joanna Baillie's The Separation. Though her interpretation of Belvidera was received coldly by critics, she remained a favourite of playgoers; already in that first season, she was signed to a three-year contract at Covent Garden.
Career with Macready
thumb|Memorial to Helena Faucit in [[St Tysilio's Church, Llantysilio, Denbighshire]]
William Charles Macready joined the Covent Garden company in the middle of 1836. In the following year, Faucit played numerous Shakespearean roles, among them Juliet, Imogen (Cymbeline), Hermione (The Winter's Tale), Beatrice (Much Ado About Nothing), and Cordelia (King Lear), alongside both Macready and the soon-to-retire Charles Kemble. Her non-Shakespearean roles during the three years at Covent Garden included the female leads in Lytton's Duchess de la Vallière, Lady of Lyons, Richelieu, The Sea Captain, and Money, in Robert Browning's Strafford, In 1850, she acted in the title role of Iolanthe in Theodore Martin's adaptation of King René's Daughter. The last time she assayed the role was in 1876 at the Lyceum Theatre, London, with Henry Irving's company opposite Irving as Count Tristan.
Career after marriage
In 1851 she married Theodore Martin, who was later knighted, making her Lady Martin. She continued to act occasionally for charity. One of her last appearances was as Beatrice, on the opening of the Shakespeare Memorial at Stratford-on-Avon on 23 April 1879. In 1881 there appeared in Blackwood's Magazine the first of her Letters on some of Shakespeares Heroines, which were published in book form as On Some of Shakespeare's Female Characters (1885).