Giovanni Paolo, also known as Gian Paolo Panini or Pannini (17 June 1691 – 21 October 1765), was an Italian Baroque painter and architect who worked in Rome and is primarily known as one of the vedutisti ("view painters"). As a painter, Panini is best known for his vistas of Rome, in which he took a particular interest in the city's antiquities. Among his most famous works are his view of the interior of the Pantheon (on behalf of Francesco Algarotti), and his vedute—paintings of picture galleries containing views of Rome. Most of his works, especially those of ruins, have a fanciful and unreal embellishment characteristic of capriccio themes. In this they resemble the capricci of Marco Ricci. Panini also painted portraits, including one of Pope Benedict XIV. the architect, and Francesco Panini (Rome, 1745 - 1812), the painter, who followed in his father's footsteps and manners.
In Rome, Panini earned a name for himself as a decorator of palaces. Some of his works included the Villa Patrizi (1719–1725), the Palazzo de Carolis (1720), and the Seminario Romano (1721–1722). In 1719, Panini was admitted to the Congregazione dei Virtuosi al Pantheon. He taught in Rome at the Accademia di San Luca and the Académie de France, where he is said to have influenced Jean-Honoré Fragonard. In 1754, he served as the prince (director) of the Accademia di San Luca.
The Spanish monarchs appreciated his work in such a way that, commissioned by Filippo Juvarra, he sent paintings to decorate the Lacquer Room of the Royal Palace of La Granja de San Ildefonso. In addition, King Carlos IV, when he was Prince, bought several of his works that are still preserved in the Prado Museum and in the royal palaces.
Panini died in Rome on 21 October 1765.
Legacy
thumb|German soldiers in 1944 posing with a Pannini picture – Carlo III di Borbone che visita il papa Benedetto XIV nella coffee-house del Quirinale a Roma – at the time looted from the Naples Museum
Panini's studio included Hubert Robert and his son Francesco Panini. His style influenced other vedutisti, such as his pupils Antonio Joli and Charles-Louis Clérisseau, as well as Canaletto and Bernardo Bellotto, who sought to meet the need of visitors for painted "postcards" depicting the Italian environs. Some British landscape painters, such as Marlow, Skelton and Wright of Derby, also imitated his capricci.
In addition to being a painter and architect, Panini was a professor of perspective and optics at the French Academy of Rome. His masterful use of perspective was later the inspiration for the creation of the "Panini Projection", which is instrumental in rendering panoramic views.
[http://wiki.panotools.org/The_General_Panini_Projection][https://www.facebook.com/paniniprojection]
Panini's works are held in the permanent collections of many museums worldwide, including the Prado Museum, the Museo Nazionale di Capodimonte, the Museo Thyssen-Bornemisza, the University of Michigan Museum of Art, the Brooklyn Museum, the Saint Louis Art Museum, the Detroit Institute of Arts, the Museum of Fine Arts Boston, the Getty Center, the Metropolitan Museum of Art, the Nelson-Atkins Museum of Art, the Virginia Museum of Fine Arts, the Walters Art Museum, the Harvard Art Museums, the Philadelphia Museum of Art, and the Indianapolis Museum of Art.
Gallery
History paintings
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File:Giovanni Paolo Pannini - Expulsion of the Moneychangers from the Temple - WGA16968.jpg|Expulsion of the Moneychangers from the Temple (), oil on canvas, 74 x 99 cm., Thyssen-Bornemisza Museum
File:Giovanni Paolo Panini The Wedding at Cana, about 1725.jpg|The Wedding at Cana (), oil on canvas, 99.2 × 137.2 cm., Speed Art Museum
File:Giovanni Paolo Panini (1691-1765) - Marcus Curtius Leaping into the Gulf - 207 - Fitzwilliam Museum.jpg|Marcus Curtius Leaping into the Gulf (no date), oil on canvas, 73.7 x 98.1 cm., Fitzwilliam Museum
File:Museo diocesano (Milan) Giovanni Paolo Pannini, Apollo e Marsia (cropped).jpg|Apollo and Mars (no date), oil on canvas, Diocesan Museum of Milan
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Capriccios
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File:Giovanni Paolo Pannini - Capriccio of Classical Ruins - WGA16965.jpg|Capriccio of Classical Ruins (-30), oil on canvas, 123 x 132 cm., private collection
File:Giovanni Paolo Pannini - Landscape with the Arch of Titus - M.Ob.41 - National Museum in Warsaw.jpg|Landscape with the Arch of Titus (1725-50), oil on canvas, 51 x 76 cm., National Museum, Warsaw
File:Giovanni Paolo Panini - Roman Capriccio, The Colosseum and Other Monuments - 50.6 - Indianapolis Museum of Art.jpg|Roman Capriccio: The Colosseum and Other Monuments (1735), oil on canvas, 98.4 x 133 cm., Indianapolis Museum of Art
File:Giovanni Paolo Panini (1691-1765) - Capriccio of Roman Ruins with the Colosseum - PD.107-1992 - Fitzwilliam Museum.jpg|A Capriccio of Roman Ruins (1737), oil on canvas, 36.8 x 69.2 cm., Fitzwilliam Museum
File:Giovanni Paolo Panini - Fantasy View with the Pantheon and other Monuments of Ancient Rome - 61.62 - Museum of Fine Arts.jpg|Fantasy View with the Pantheon and other Monuments of Ancient Rome (1737), oil on canvas, 99 x 137.5 cm., Museum of Fine Arts, Houston
File:Giovanni Paolo Pannini - St Sibyl's Sermon in Roman Ruins with the Statue of Apollo, 1740s.jpg|St Sibyl's Sermon in Roman Ruins with the Statue of Apollo (1740s), oil on canvas, 81 x 125 cm., Hermitage Museum
File:Giovanni Paolo Panini - A Capriccio of the Roman Forum - 1964.41 - Yale University Art Gallery.jpg|A Capriccio of the Roman Forum (1741), oil on canvas, 170.8 x 217.8 cm., Yale University Art Gallery
File:Giovanni Paolo Panini - An Architectural Capriccio of the Roman Forum with Philosophers and Soldiers among Ancient Ruins, in... - Google Art Project.jpg|Architectural Capriccio of the Roman Forum with Philosophers and Soldiers (1745-50), oil on canvas, 98.4 x 135 cm., National Museum of Western Art
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Veduta (contemporary Rome)
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File:Giovanni Paolo Pannini - Piazza Navona in Rome - WGA16976.jpg|Piazza Navona in Rome (1729), oil on canvas, 107 x 248 cm., Louvre
File:St-peters-basilica-interior-pannini-1735.jpg|The Nave of St. Peter's Basilica in the Vatican (1735), oil on canvas, 153 x 219.7 cm., Norton Simon Museum
File:Pannini, Giovanni Paolo - Interior of the San Giovanni in Laterano in Rome - 18th c.jpg|Interior of the San Giovanni in Laterano in Rome (no date), oil on canvas, 74 x 100 cm., Pushkin State Museum of Fine Arts
File:Lotteria in piazza di Montecitorio.jpg|Lotteria in Piazza di Montecitorio (1743), oil on canvas, National Gallery
File:Pannini - La Remise de l'ordre du Saint-Esprit au prince Vaini par le duc de Saint-Aignan en l'église Saint-Louis-des-Français, le 15 septembre 1737.jpg|The delivery of the Order of the Holy Spirit to Prince Vaini by the Duke of Saint-Aignan in the Saint-Louis-des-Français church, September 15, 1737 (), oil on canvas, 72 x 98 cm., Musée des Beaux-Arts de Caen
File:Pannini, Giovanni Paolo - Musical Fête - 1747.png|Musical feast given by the cardinal de La Rochefoucauld in the Teatro Argentina in Rome in 1747 on the occasion of the marriage of Dauphin, son of Louis XV (1747), oil on canvas, 207 x 247 cm., Louvre
File:Giovanni Paolo Pannini - View of Rome from Mt. Mario, in the Southeast - WGA16983.jpg|View of Rome from Mt. Mario, in the Southeast (1749), oil on canvas, 102 x 168 cm., Gemäldegalerie, Berlin
File:Pannini GP Piazza Navona (cropped).JPG|Piazza Navona, Rome (1756), oil on canvas, Landesmuseum Hannover
File:Giovanni Paolo Pannini - Picture Gallery with Views of Modern Rome - WGA16969.jpg|Picture Gallery with Views of Modern Rome (1757), oil on canvas, 170 x 245 cm., Museum of Fine Arts Boston
File:Giovanni Paolo Pannini - Gallery of Views of Ancient Rome - WGA16979.jpg|Gallery of Views of Ancient Rome (1758), oil on canvas, 203 x 300 cm., Louvre
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Drawings
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File:Man Shading His Face with a Tricorne MET 1975.131.42.jpg|Man Shading His Face with a Tricorne (no date), brown wash, over graphite, 21.6 x 10.6cm., Metropolitan Museum of Art
File:Giovanni Paolo Panini, Saint Paul Preaching in Athens, 1734, NGA 131305.jpg|Saint Paul Preaching in Athens, 1734, National Gallery of Art
File:The Lottery in Piazza di Montecitorio MET DT209219.jpg|The Lottery in Piazza di Montecitorio (1743-44), Pen, ink, watercolor, graphite, 34 x 54.5cm., Metropolitan Museum of Art
File:Scalinata della Trinità dei Monti MET dp1971.63.1.R.jpg|Staircase of the Trinity of Mont (ca. 1756-58), Pen, ink, wash, watercolor, and graphite, 34.8 x 29.3 cm., Metropolitan Museum of Art
File:Circle of Giovanni Paolo Panini, Arch of Titus, NGA 130863.jpg|Arch of Titus (no date), pen, ink and wash, 18.7 x 12.2 cm., National Gallery of Art
File:Ruins of a Basilica or Mausoleum MET 87.12.50.jpg|Ruins of a Basilica or Mausoleum (no date),Pen, ink, and wash, 31 x 20.6cm., Metropolitan Museum of Art
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References
Further reading
- Arisi, Ferdinando,Giovanni Paolo Panini 1691-1765, Milano, 1993.
- Horak, Marco, Ritornato a Piacenza il dipinto di Panini passato all'asta lo scorso anno a Londra: si tratta dell' "opera prima", pendant di quello esposto alla Glauco Lombardi di Parma, in "Strenna Piacentina 2013", Piacenza, 2013.
- Horak, Marco, Quell'opera prima di Panini gemella del dipinto esposto al Lombardi di Parma, in "L'Urtiga - Quaderni di cultura Piacentina", Piacenza, n. 4, 2013.
- Horak, Marco, L'opera prima del Panini in una collezione privata, in "Panorama Musei", anno XVIII, n.3, dicembre 2013
- Horak, Marco, G.P. Panini al Fine Art Museum di San Francisco, in "Panorama Musei", anno XXI, n. 2, settembre 2016
- Horak, Marco, Giovanni Ghisolfi tra Salvator Rosa e Giovanni Paolo Panini, Piacenza, 2020
External links
- Art and the empire city: New York, 1825-1861, an exhibition catalog from The Metropolitan Museum of Art (fully available online as PDF), which contains material on Panini (see index)
- Europe in the age of enlightenment and revolution, a catalog from The Metropolitan Museum of Art Libraries (fully available online as PDF), which contains material on Panini (see index)
- Capriccio of Roman Ruins with Figures, from the Permanent Collection of the Utah Museum of Fine Arts
- Panini at Waddesdon Manor
