Sir Giles Gilbert Scott (9 November 1880 – 8 February 1960) was a British architect known for his work on the New Bodleian Library, Cambridge University Library, Lady Margaret Hall, Oxford, Battersea Power Station, Liverpool Cathedral, and designing the iconic red telephone box.
Scott came from a family of architects. His father George Gilbert Scott Jr. was a co-founder of Watts & Co., which Scott became the second chairman of. He was noted for his blending of Gothic tradition with modernism, making what might otherwise have been functionally designed buildings into popular landmarks.
Life and career
Early years
Born in Hampstead, London, Scott was one of six children and the third son of George Gilbert Scott Jr. and his wife, Ellen King Samson. His father was an architect who had co-founded the architecture and interior design company Watts & Co. in 1874.
When Scott was three, his father was declared to be of unsound mind and was temporarily confined to the Bethlem Royal Hospital. Consequently, his sons saw little of him. Giles later said that he remembered seeing his father only twice. A bequest from an uncle in 1889 gave the young Scott ownership of Hollis Street Farm, near Ninfield, Sussex, with a life tenancy to his mother. During the week Ellen Scott and her three sons lived in a flat in Battersea, spending weekends and holidays at the farm. She regularly took them on cycling trips to sketch buildings in the area, and encouraged them to take an interest in architecture. Among the buildings the young Scott drew were Battle Abbey, Brede Place and Etchingham Church; Scott's son, Richard Gilbert Scott, suggests that the last, with its solid central tower, "was perhaps the germ of Liverpool Cathedral". In January 1899 Scott became an articled pupil in the office of Temple Moore, who had studied with Scott's father. From Moore, or Ellen Scott, or from his father's former assistant P. B. Freeman, Scott got to know the work of his father. In 1960 The Guardian called the eldest Scott "the archaeological 'renovator' to whose devastating energy so many of our cathedrals bear unhappy witness, while [George Gilbert Scott Jr.] was an architect of some discrimination and taste".|group= n Scott's father and his grandfather had been exponents of High Victorian Gothic; Scott, when still a young man, saw the possibility of designing in Gothic without the profusion of detail that marked their work. G. F. Bodley was a leading exponent of the Gothic revival style, and a former pupil and relative by marriage of Scott's grandfather. R. Norman Shaw was an eclectic architect, having begun in the Gothic style, and later favouring what his biographer Andrew Saint calls "full-blooded classical or imperial architecture". Architects were invited by public advertisement to submit portfolios of their work for consideration by Bodley and Shaw. From these, the two assessors selected a first shortlist of architects to be invited to prepare drawings for the new building.
For architects, the competition was an important event; not only was it for one of the largest building projects of its time, but it was only the third opportunity to build an Anglican cathedral in England since the Reformation in the 16th century (St Paul's Cathedral being the first, rebuilt from scratch after the Great Fire of London in 1666, and Truro Cathedral being the second, begun in the 19th century). The competition attracted 103 entries, and Charles Reilly. With Moore's approval, Scott submitted his own entry, on which he worked in his spare time.|group= n The choice of winner was even more contentious when it emerged that Scott was a Roman Catholic, In a poll organised by The Architectural Review in 1939 to find what lay people thought were Britain's best modern buildings, Battersea Power Station was in second place, behind the Peter Jones building.
thumb|[[Cambridge University Library, opened in 1934]]
In Cambridge, next to Clare College's Memorial Court, Scott designed the enormous library for the entire University of Cambridge. He placed two six-storey courtyards in parallel with a twelve-storey tower in the centre, and linked the windows vertically to the bookstacks. The main reading room measured nearly by and high, lit by 25 round-headed clerestory windows on each side. At the time of its opening in 1934, The Times commented that the building displayed "the same enjoyment of modelling in mass which is Sir Giles Scott's chief personal contribution to contemporary architecture." In his presidential address he urged colleagues to adopt what he called "a middle line": to combine the best of tradition with a fresh modern approach, to eschew dogma, and recognise "the influence of surroundings on the choice of materials and the technique of their use. … My plea is for a frank and common-sense acceptance of those features and materials which are practical and beautiful, regardless as to whether they conform with the formula of either the modern or the traditional school."
From 1937 to 1940, Scott worked on the New Bodleian Library, in Broad Street in Oxford. It is not generally considered his finest work. Needing to provide storage for millions of books without building higher than the surrounding structures, he devised a construction going deep into the earth, behind two elevations no higher than those around them.
1940s
Scott's search for the "middle line" caused him difficulties when he was appointed as architect for the new Coventry Cathedral in 1942. Pressured by the new Bishop of Coventry for a modern design and by the Royal Fine Arts Commission for a recreation of the old cathedral, he was criticised for trying to compromise between the two and designing a building that was neither fish nor fowl. Unable to reconcile these differences Scott resigned in 1947; a competition was held and won by Basil Spence with an uncompromisingly modern design.
After the Commons chamber of the Palace of Westminster was destroyed by bombs in 1941, Scott was appointed in 1944 to rebuild it. Here he was hemmed in entirely by the surviving building, but was entirely of the view that the new chamber should be congruent with the old as anything else would clash with the Gothic style of Charles Barry and Augustus Pugin. This view found favour with Winston Churchill who observed "We shape our buildings and afterwards our buildings shape us". In a debate on 25 January 1945, the House of Commons approved his choice by 121 to 21.
Last years
After the immediate rush for building work caused by war damage had died down, Scott put a new roof on the Guildhall in the City of London and designed modernistic brick offices for the Corporation just to the north. Despite having opposed placing heavily industrial buildings in the centre of cities, he accepted a commission to build Bankside Power Station on the bank of the River Thames in Southwark, where he built on what he had learnt at Battersea and gathered all the flues into a single tower. This building was converted in the late 1990s into Tate Modern art gallery.
Scott continued to receive commissions for religious buildings. At Preston, Lancashire he built a Roman Catholic church, St Anthony of Padua on Cadley Causeway (1959), which is notable for an unusually long and repetitive nave. His Carmelite Church in Kensington, up the road from St Mary Abbots built by his grandfather, used transverse concrete arches to fill a difficult site (the church replaced another lost in the war). Scott created the design of the Trinity College Chapel in Toronto, completed in 1955, a lovely example of perpendicular Gothic, executed by the local firm of George and Moorhouse and featuring windows by E. Liddall Armstrong of Whitefriars.
Scott remained working into his late 70s. He was working on designs for the Roman Catholic Church of Christ the King, Plymouth, when he developed lung cancer. He took the designs into University College Hospital, where he continued to revise them until his death aged 79.
Burial and grave
thumb|left|Memorial to Scott, inside Liverpool Cathedral, set into the floor beneath the central tower
thumb|right|Scott's grave at Liverpool Cathedral
Scott was buried by the monks of Ampleforth Abbey outside the west entrance of Liverpool Cathedral, alongside his wife (Scott specifically requested that no body should be interred inside the building as he did not want it to become a mausoleum). Although originally planned in the 1942 design for the west end of the cathedral to be within a porch, the site of the grave was eventually covered by a car park access road. The road layout was changed, the grave was restored and the grave marker replaced in 2012.
A requiem mass for Scott was celebrated by Father Patrick Casey at the Roman Catholic St James's, Spanish Place, London, on 17 February 1960.
Family
In addition to his father and grandfather, other members of Scott's family who were architects included an uncle, John Oldrid Scott, a brother, Adrian Gilbert Scott and son Richard Gilbert Scott.
Honours
Following the consecration of Liverpool Cathedral, Scott was knighted by King George V at Knowsley Hall, where the King and Queen were staying as guests of the 17th Earl of Derby.
In the 1944 Birthday Honours, he was appointed a Member of the Order of Merit (OM) by King George VI.
On 9 November 2020, the 140th anniversary of Scott's birth, he was honoured with a Google Doodle depicting his red telephone boxes.
Works
thumb|22 Weymouth Street
right|thumb|North Block at Guildhall
thumb|Whitelands Teacher Training College, pictured in 2005 while undergoing conversion to residential accommodation.
thumb|[[Clare College, Cambridge Memorial Court]]
thumb|Chester House
thumb|upright|Tower at the Cambridge University Library
thumb|William Booth Memorial Training College
thumb|Guinness Brewery Park Royal, during demolition
thumb|Saint Joseph's Church, [[Sheringham, built between 1910 and 1936]]
thumb|[[Bankside Power Station (now Tate Modern), London, completed in 1963]]
thumb|upright|A [[Red telephone box|K6 telephone box in the Liverpool Anglican cathedral, both designed by Giles Gilbert Scott.]]
right|thumb|Our Lady of Mount Carmel Church, [[Kensington ]]
{| class="wikitable sortable"
!Work!!Place!!Date!!Notes
|-
| St Botolph's Church
| Carlton-in-Cleveland, Yorkshire
| 1896–97
| Designed by Temple Moore with Scott as clerk of works
|-
| Liverpool Cathedral
| Liverpool
| 1903–60
| Completed posthumously in 1978
|-
| Nanfans (private house)
| Prestwood, Buckinghamshire
| 1903
|
|-
| Chapel in London Road
| Harrow, London
| 1905–06
|
|-
| Church of the Annunciation (RC)
| Bournemouth, Dorset
| 1906
| With George Frederick Bodley, Grade II* listed
|-
| Church of the Holy Ghost
| Midsomer Norton, Somerset
| 1907–13
| Conversion of a tithe barn for use as a church
|-
| Nave seating, All Saints' Church
| Bubwith, Yorkshire
| 1909
|
|-
| East window, St Giles's Church
| Burnby, Yorkshire
| 1909
|
|-
| Our Lady Star of the Sea and St Maughold Church (RC)
| Ramsey, Isle of Man
| 1909–12
|
|-
| Nave, St Mary's Church
| Bury, Lancashire
|
|
|-
| St Joseph's Church (RC)
| Sheringham, Norfolk
| 1910–36
|
|-
| Chester Cathedral, restoration
| Chester, Cheshire
| 1911–13
| Cloisters, east window of refectory, rood in the crossing
|-
| Grey Wings
| Ashtead, Surrey
| 1913
| With his brother Adrian, Grade II listed
|-
| Chancel of All Hallows' Church
| Gospel Oak, London
| 1913–15
|
|-
| Church of Our Lady of the Assumption (RC)
| Northfleet, Kent
| 1913–16
|
|-
| Lady Chapel reredos, St Michael's Church (RC)
| Elswick, Newcastle upon Tyne
| 1914
|
|-
| Rood Beam, St Deiniol's Church
| Hawarden, Flintshire
| 1915–16
|
|-
| St Paul's Church, Stoneycroft
| Liverpool
| 1916
|
|-
| 129 Grosvenor Road
| London
|
| Loggia, private house for Arthur Stanley
|-
| Chancel, St Catherine's Church
| Pontypridd, Glamorgan
| 1919
|
|-
| War memorial
| Hanmer, Flintshire
| 1919
|
|-
| War memorial
| Hawarden, Flintshire
| 1919–20
|
|-
| War memorial, St Saviour's Church
| Oxton, Birkenhead, Cheshire
| 1920
|
|-
| War memorial cross, Our Lady of Victories Church (RC)
| Clapham, London
| 1920
|
|-
| Alterations to south chancel chapel, Church of St Mary Abbot
| Kensington, London
| 1920–21
|
|-
| War Memorial Chapel at the Church of St Michael, Chester Square
| Belgravia, London
| 1920–21
|
|-
| Rectory War memorial tablet and northern aisle screen, Holy Trinity Church
| Trefnant, Denbighshire
| 1921
|
|-
| War Memorial, Beaumont College
| Beaumont House, Old Windsor
| 1921
| With his brother Adrian
|-
| New church, Ampleforth Abbey
| Gilling East, Yorkshire
| 1922–1924
| Second phase, completed 1958–1961
|-
| Extensions to Junior House, Ampleforth College
| Gilling East, Yorkshire
| 1920s−30s
| Building now known as "Alban Roe House"
|-
| Memorial Court, Clare College
| Cambridge
| 1923–34
|
|-
| Nave (a memorial to Downside boys killed in the First World War)
| Downside Abbey, Somerset
|
|
|-
| K2 red telephone box
|
| 1924
|
|-
| Reconstruction of St George's Church
| Kidderminster, Worcestershire
| After 1924
|
|-
| Wigan War Memorial, All Saints' Church
| Wigan, Lancashire
| 1925
|
|-
| Church of St Alban and St Michael
| Golders Green, London
| 1925
| Built 1932–33
|-
| Chester House, Clarendon Place
| Paddington, London
| 1925–26
| His own home
|-
| Charterhouse School chapel
| Godalming, Surrey
| 1922; completed and consecrated 1927
| The largest war memorial in England
|-
| War memorial (Market Square), and municipal roll of honour in the Harris Museum
| Preston, Lancashire
| 1923–27; completed and unveiled 1927
|
|-
| All Saints' Church
| Wallasey, Cheshire
| 1927–39
| Uncompleted
|-
| Church of St Michael
| Ashford, Surrey
| 1928
| Uncompleted
|-
| Memorial Chapel Bromsgrove School
| Bromsgrove, Worcestershire
| 1928–39
|
|-
| Continuation of the north range, St Swithun's Buildings, Magdalen College
| Oxford
| 1928–30
|
|-
| William Booth Memorial Training College
| Camberwell, London
| 1929
|
|-
| St Ninian's Church (RC)
| Restalrig, Edinburgh
| 1929
| Uncompleted
|-
| Church of Our Lady and St Alphege
| Oldfield Park, Bath
| 1929
|
|-
| St Francis of Assisi Church
| High Wycombe, Buckinghamshire
| 1929–30
|
|-
| Whitelands College
| Wandsworth
| 1929–31
|
|-
| Plinth for statue of Sir Joshua Reynolds Burlington House
| Piccadilly, London
| 1929–31
|
|-
| Battersea Power Station
| London
| 1929–35
| Consultant on exteriors
|-
| North East Tower, Our Lady of Grace and St Edward Church (RC)
| Chiswick, London
| 1930
|
|-
| K3 red telephone box
|
| 1930
|
|-
| Phoenix Theatre Charing Cross Road
| London
| 1930
| With Bertie Crewe
|-
| Altar, St Augustine's
| Kilburn, London
| 1930
|
|-
| St Columba's Cathedral
| Oban, Argyll
| 1930–53
|
|-
| Cropthorne Court private residences)
| Maida Vale, London
| 1930–37
|
|-
| Apse and north tower, Church of Our Lady Star of the Sea (RC)
| Broadstairs, Kent
| 1930–31
|
|-
| Classroom range, Gilling Castle
| Gilling East, Yorkshire
| After 1930
|
|-
| St Andrew's Church
| Luton
| 1931–32
|
|-
| Deneke Building and Chapel, Lady Margaret Hall
| Oxford
| 1931–33
|
|-
| New University Library
| Cambridge
| 1931–34
|
|-
| Whitelands College, West Hill
| Putney, London
| 1931
|
|-
| Vincent House, Pembridge Square, Notting Hill
| Kensington
| 1932–35
| Consultant
|-
| Clergy House for St Francis of Assisi Church
| High Wycombe, Buckinghamshire
| 1933
|
|-
| Guinness Brewery
| Park Royal, London
| 1933–35
| Demolished 2006
|-
| Buildings in north court, Trinity Hall
| Cambridge
| 1934
|
|-
| Font Church of St Michael, Chester Square
| Belgravia, London
| 1934
|
|-
| Additions to St Joseph's Church (RC)
| Sheringham, Norfolk
| 1934
|
|-
| Restoration of St Etheldreda's Church (RC), Ely Place
| Holborn, London
| 1935
|
|-
| Fountains House, Park Lane
| London
| 1935–38
| Consultant
|-
| K6 red telephone box
|
| 1935
|
|-
| Main Building, University of Southampton
| Southampton, Hampshire
| 1935
| In association with Gutteridge and Gutteridge
|-
| Private house, 22 Weymouth Street
| Marylebone, London
| 1936
|
|-
| New Bodleian Library
| Oxford
| 1937–40
| Reconstructed as Weston Library by WilkinsonEyre 2011–15
|-
| Alterations to barn at Denham Golf Club
| Denham, Buckinghamshire
| 1938
|
|-
| Hartland House, St Anne's College
| Oxford
| 1938
| Extended in 1973
|-
| High pedestal for King George V monument, Old Palace Yard
| Westminster
| 1939
|
|-
| North and South Blocks, County Hall
| London
| 1939 and 1950–58
|
|-
| Waterloo Bridge
| London
| 1937–40
|
|-
| Kepier power station
| Durham
| 1940s
| Never built
|-
| Chamber of the House of Commons
| Westminster
| 1945–50
|
|-
| War memorial, St John the Baptist Church
| Penshurst, Kent
| 1947
|
|-
| Forth Road Bridge
| Edinburgh
| 1947, constructed 1958–60
| Consultant
|-
| Bankside Power Station
| London
| 1947, constructed 1947–63
| Converted to Tate Modern art gallery by Herzog & de Meuron 1995–2000
|-
| Extension to St Anne's College
| Oxford
| 1949–51
|
|-
| Rye House Power Station
| Hoddesdon, Hertfordshire
|
| Demolished early 1990s
|-
| St Leonard's Church
| St Leonards-on-Sea, Sussex
| 1953–61
| With his brother Adrian
|-
| Roof for the bomb-damaged Guildhall
| City of London
| 1953–54
|
|-
| Extension at Clare Memorial Court, Clare College
| Cambridge
| 1953–55
|
|-
| Our Lady of Mount Carmel Church (RC)
| Kensington, London
| 1954–59
|
|-
| St Anthony's Church (RC)
| Preston, Lancashire
| 1954–59
|
|-
| Offices for the City of London Corporation Guildhall
| City of London
| 1955–58
| Alterations and refurbishment proposed
|-
| Chapel of Trinity College
| Toronto, Canada
| 1955
|
|-
| North Tees Power Station
| Billingham, County Durham
| 1950s
| Demolished
|-
| St Mark's Church
| Biggin Hill, London Borough of Bromley
| 1957–59
|
|-
| Church of Christ the King (RC)
| Plymouth, Devon
| 1961–62
| Built posthumously
|}
Notes
References
Sources
External links
- Profile on Royal Academy of Arts Collections
- Giles Gilbert Scott & the Parliament Rebuild - UK Parliament Living Heritage
- Design Museum biography