"Frozen" is a song by American singer and songwriter Madonna from her seventh studio album, Ray of Light (1998). Maverick and Warner Bros. Records released it as the album's lead single on January 23, 1998. "Frozen" was written by Madonna and Patrick Leonard, who both produced it in collaboration with William Orbit. The downtempo electronica and pop ballad, which has a layered sound enhanced by synthesizers and strings, lyrically addresses a cold and emotionless man.
"Frozen" received acclaim from music critics, some of whom deemed it as a highlight from Ray of Light. The song was described as being a masterpiece, and its melodic beat and sound were defined as "cinematic". "Frozen" was also a global commercial success. In the United States, it became Madonna's sixth single to peak at number two on the Billboard Hot 100. In the United Kingdom, "Frozen" became Madonna's first single to debut at number one on the UK Singles Chart, while also reaching number one in Finland, Greece, Hungary, Italy, Scotland and Spain, and the top-five elsewhere.
The accompanying music video for "Frozen", directed by Chris Cunningham, was filmed at Cuddeback Lake in California, and features Madonna as an ethereal, witch-like, melancholy persona, who shapeshifts into a flock of birds and a black dog. The music video won a Moonman for Best Special Effects in a Video at the 1998 MTV Video Music Awards. To promote Ray of Light, Madonna performed the song live in several occasions, including its first world premiere on Sanremo Music Festival in Italy and on Wetten, dass..? in Germany. Additionally, it was performed in several of her concert tours. "Frozen" has been covered by many artists, such as Swedish hard rock band Talisman, and Polish industrial metal band Thy Disease.
In 2021, a trap remix of "Frozen", made by Canadian DJ Sickick, became viral on TikTok. On December 3, 2021, it was officially released as the first single from Madonna's entire-catalog reissue project. Madonna and Sickick released three further renditions of the remix—the version featuring Nigerian singer Fireboy DML, the version featuring American rapper 070 Shake, and the version featuring vocals from Sickick himself titled "Frozen on Fire"—all of which were supported by music videos. The Sickick remix charted within the top ten of the Billboard Dance/Electronic Songs chart, and was certified Gold in France and Poland.
Background and release
thumb|left|upright|[[Bernardo Bertolucci's film The Sheltering Sky inspired Madonna to write "Frozen".]]
By the mid to late 1990s, Madonna was in a more mature and introspective mood, after giving birth to her daughter Lourdes, gaining interest in Eastern mysticism and Kabbalah, and earning the title role of Eva Perón in the film adaptation of the musical Evita (1996). In 1997, Madonna began working on Ray of Light, her seventh studio album and wrote songs with William Orbit, Patrick Leonard, Rick Nowels and Babyface. The album would reflect the singer's changed perspectives about life. Author Carol Benson noted that it was a "deeply spiritual dance record", with the crux of it based on Madonna's career, her journey and the many identities she had assumed over the years. Motherhood had softened the singer emotionally, which was reflected in the songs. She started talking about ideas and used words which implied deep and personal thoughts, rather than the regular dance-floor anthemic tunes she had composed. The singer began introspecting herself with motherhood being a "big catalyst for me. It took me on a search for answers to questions I'd never asked myself before", she said to Q magazine. He sent a 13-track digital audio tape (DAT) to Madonna, and "Frozen" was among these tracks. She wanted to have the "whole Moroccan/orchestral/super-romantic/man-carrying-the-woman-he-loves-across-the-desert vibe" for the track. Still continuing work with Leonard on some of the tracks, Madonna asked him to give her a composition with "tribal feel, something really lush and romantic". They composed the melody on the DAT and recorded the demo, which stretched to over 10 minutes due to Madonna continuing to write the track. They said they knew what they were doing was wrong, but that they hoped it would simply generate interest from Madonna. In the United Kingdom, "Frozen" was issued as a CD single, a 12-inch vinyl single, and a cassette single on February 23, 1998. The track was officially serviced to radio in the United States on February 19, 1998, and was released commercially on March 3, 1998.
Composition and recording
"Frozen" is a downtempo electronica and pop ballad which has a layered sound enhanced by synthesizers and strings, It was composed using common time in the key of F minor, with a moderate tempo of 102 beats per minute. "Frozen" has a basic sequence of Fm–E–D–E as its chord progression. The chorus, however, has the chord progression of Fm–Bm–G–A. Madonna's vocals range from the lower octave of F<sub>3</sub> to the higher note of A<sub>4</sub>.
The song begins with austere, classical strings while the chord progression emphasizes tonic, submediant and flattened leading-tone chords. For the second phrase, which includes a dramatic crescendo, rhythm and ambient electronic effects are added gradually.
Lyrically, the song is about a cold and emotionless man.
"Frozen" was recorded along with the rest of the album at Larrabee North Studio in North Hollywood, California. It was mastered by Ted Jensen at Sterling Studios in New York. The DAT contained the main portion of the song recordings, as well as preliminary demo sessions in Madonna's house in New York, as well as Hit Factory Studios where Madonna first sang the song. Like most of the album, "Frozen" was recorded on a Roland Juno-106. Madonna and Orbit had conducted a drummer session in Los Angeles, but it did not work out. So he contacted Fergus Gerrand who played drum samples for him in London. Orbit fed them in his workstation and cut them manually, instead of using auto-editing software like ReCycle.
Critical reception
thumb|left|Madonna performing "Frozen" on her [[Re-Invention World Tour of 2004]]
"Frozen" received critical acclaim from music critics. Sal Cinquemani of Slant Magazine complimented the track's production and deemed it "one of the great pop masterpieces of the late 1990s", adding "Its lyrics are uncomplicated but its statement is grand." Billboards Paul Verna described the song as "smashing". In a separate review, Larry Flick called it a "stunning foray into the realm of electronica [which] [...] underground purists and unwavering popstars will equally applaud". The Baltimore Suns J.D. Considine called it a word-focused, emotionally nuanced ballad.
Music Week named it Single of the Week, giving it five out of five and praising the song as "inspirational", "classic Madonna" and "surely guaranteed the top spot." Jon Pareles from The New York Times was impressed how Madonna, dulcet and careful, performed the song. Joan Anderman from The Boston Globe said that on Ray of Light, only "Frozen" achieves a "state of divine balladry", recalls the "emotional pitch" and simmers the "beauty of 1986's 'Live to Tell' with a dark, lush string section, the smash and patter of a lone drum, and an ominous, pulsing buzz". In his review of Ray of Light, Neil Spencer of The Observer commented, "it's sensuous songs such as [...] 'Frozen' that stand out; music for the chill-out room." The New Rolling Stone Album Guide agreed that the song was appropriate for chilling out.
Elysa Gardner, writing in the Los Angeles Times, said "Madonna's enduring knack for incorporating hip and exotic textures into accessible pop tunes is evident on the plaintive single 'Frozen'".
Sputnikmusic viewed the track as the singer "at her soothing best", highlighting its "interesting percussion backing" and "beautiful use of strings with techno effects".
David Browne of Entertainment Weekly described the song as a "wuthering-beats melodrama that's often breathtaking." Also from Entertainment Weekly, Chuck Arnold wrote: "sounding unlike anything Madonna had ever done before, and creating a mystical forest of sonic wonder — sweeping strings and all — 'Frozen' possesses an almost operatic grandeur that never fails to give you chills". Stephen Thompson from The A.V. Club wrote, "the atmospheric 'Frozen' is a great first single despite lyrics like, 'Love is a bird / She needs to fly.'"
Conversely, NME called the song "another pile of her usual weepy old bollocks". Jim Farber of the Daily News wrote that "Frozen" compromises its electronic style with "too much tepid pop". The Guardians Caroline Sullivan regarded it as a tremulous song Ray of Light could have done without.
Jose F. Thomas from AllMusic rated the song two stars out of five, describing it as "chilly".
Accolades
In 2003, Madonna fans were asked to vote for their "Top 20 Madonna singles of all-time", by Q magazine. "Frozen" was allocated the number ten spot on the list. Billboard also ranked "Frozen" at number 25 on a list containing Madonna's 40 hits, stating that the song marked a sonic change in Madonna's career. Rolling Stone also ranked the song as Madonna's sixth best song of all time according to a readers' poll, saying that the song strikes "the perfect balance of pop accessibility, sophisticated balladry and cutting-edge electronic textures". VH1's Mark Graham included "Frozen" on his list of his favorite songs from Madonna at number 36 during a list compiled in honor of the singer's 53rd birthday.
In May 2018, Billboard ranked the top songs of 1998, ranking "Frozen" at number 31. Frank Digiacomo from the publication asserted that the composition showed "a wiser, more mature Madonna, one still at the top of her game". While ranking Madonna's singles, in honor of her 60th birthday, The Guardians Jude Rogers placed "Frozen" at number 7. She wrote: "Dark, orchestral ambient is a mood at which Madonna excels. 'Frozen' marries the different temperatures of 90s pop stunningly – the faltering chill of William Orbit's electronica with the dusty, cinematic heat of North African melodies and strings". Finally, in August 2018, Entertainment Weekly listed it as the singer's 18th best single. and reached the number two position on the chart in the issue dated April 4, 1998. "Frozen" topped the Hot Dance Music/Club Play chart, In Belgium's region of Flanders, the song debuted at number 23 on February 22, 1998, and reached a peak of number three. On the Swiss Singles Chart, "Frozen" debuted at number four in the issue dated March 1, 1998. After one week, the song reached number two, remaining there for eight weeks. It was shot by cinematographer Darius Khondji. In an interview with Kurt Loder on the set of the video, Madonna described herself as a "mystical creature in the desert". It was inspired by the 1996 film The English Patient and Martha Graham's work. The music video premiered on February 16, 1998, on MTV at 4 p.m. The black dress Madonna wears on the video was designed by Jean Paul Gaultier. In an interview with MTV News, Cunningham stated about his work with Madonna that she became interested in working with him after seeing his Aphex Twin-directed music video, "Come to Daddy" (1997).
The video introduces a sober, contemplative Madonna, revealing a mature mysticism. He concluded that the viewers find themselves in control of their view, of the situation in general, and are conveyed the impression to follow a realistic depiction of a mere melancholic woman in the desert, according to him. Billboard considered it Madonna's third-best video noting that it "conveys the song's bleak heartbreak perfectly" with Madonna's persona in the video. Steve Murgatroyd, Dan Williams, Steve Hiam, and Anthony Walsham received the MTV Video Music Award for Best Special Effects for "Frozen" at the 1998 MTV Video Music Awards. The video can be found on the Madonna compilations, The Video Collection 93:99 (1999) and Celebration: The Video Collection (2009).
Sickick remixes
On March 30, 2021, Canadian producer Sickick posted a video of him in a mask remixing "Frozen" on a video sharing app TikTok. This rendition has been used in over 1.5 million TikTok clips as of December 2022, based around cooking and hair-pulling challenges; and has been watched over 26 million times. On December 3, 2021, the remix was officially released on digital retailers and music streaming platforms, as the first release of Madonna's plan of re-releasing of her entire catalogue. The Sickick remix impacted Italian radio airplay on January 24, 2022. Meaww, People, and Rolling Stone.
but it also has been described as EDM, minimal, The remix begins with a line "How can life be what you want it to be? You're frozen, when your heart's not open." Billboards Gil Kaufman called the rendition "slowed-down" and "gauzy". Shaad D'Souza of The Fader and Sebas Alonso of Jenesaispop criticized Madonna for releasing too many renditions of the remix, the former's problem was over-promotion, while the latter's point was that they were short.
Commercially, "Frozen (Remix)" debuted at number 20 on Billboards Hot Dance/Electronic Songs chart, gathering 496,000 U.S. streams and 1,800 units. On April 16, 2022, the rendition ascended to number ten on the chart, becoming Madonna's third top ten song on the survey, while being first for Sickick. In the week, it gained 2.3 million streams―which is a 45% gain―and 1,000 paid downloads―gain of 15%. Additionally, the remix peaked at number 5 on Dance/Electronic Digital Song Sales chart. Until May 2022, the song received over 125 million global streams across all streaming platforms, with 8.4 million of them coming from the United States, as of March 2022. Two days later, aforementioned remix has been released for digital download and streaming through Artist Partner Group and Warner Records. On the same day, both artists teased a music video on Instagram calling each other "fire", whilst Fireboy DML wrote: "Love to the queen for having me on this classic." which talk about heartbreak: "Don't make me waste my time / I've been waiting all my life".
Writing for Variety, Mike Wass commented that Fireboy DML "laments over Sickick's sweeping trap beats" and takes the song to "soulful direction, plunging deeper into heartbreak territory". Hannah Dailey from Billboard described Firboy DML's vocals as "smooth".
The music video for the rendition premiered on Madonna's YouTube channel on March 10, 2022. The first 25 seconds of the clip focus on Madonna's eye and road imagery. Madonna is seen wearing long straight hair, black leather corset with black long sleeves, black short shorts, and black gloves, At the end of the clip, Madonna blows her hair in the wind and reaches her arms out. For days, the singer teased the remix, showing off snaps of its music video. This rendition was released six days later, on March 31. In Variety magazine, she wanted to ensure that this remix incorporated LGBTQ representation.
070 Shake's remix of "Frozen" has been described as an "emotional ballad", Stereogums Tom Breithan opined that the featured artist "sounds cool as hell", while the remix itself "sounds like a complete song".
An accompanying music video was released on the same day as the remix and was directed by Ryan Drake and Ricardo Gomes. The video starts with the singer driving to 070 Shake in the night,
The fourth rendition of Sickick's remix, titled "Frozen on Fire", features vocals by the DJ himself. Madonna re-recorded some of her lines with intention to "remind people that [she] wrote this song." "Frozen on Fire" is reminiscent of the version that Sickick uploaded to his YouTube channel in December 2021, with him having his own verse."
Live performances
Before the release of Ray of Light, Madonna appeared on several television shows and events to promote the album, and would sometimes perform the song. Madonna first performed "Frozen" on February 21, on BBC 1's The National Lottery Show. Additionally, that same month, she appeared and performed the song at the Sanremo Music Festival 1998 on February 24 and on the German TV show Wetten, dass..?. On April 29, 1998, Madonna made an unannounced appearance at the 9th annual Rainforest Foundation Benefit Concert at New York City's Carnegie Hall, where she performed "Frozen" with the East Harlem Violin Project, while wearing a Versace dress. Jon Pareles from The New York Times felt that during this performance Madonna had "turned herself into America's answer to Björk". MusicOMH praised the performance for "having a recognisable beat unlike the studio recording". The performance of the song on August 26, 2001, at the Palace of Auburn Hills was recorded and released in the live video album, Drowned World Tour 2001.
On the Re-Invention World Tour in 2004, "Frozen" was performed as the last song of the tour's French Baroque–Marie Antoinette Revival opening segment. After an energetic performance of "Nobody Knows Me", Madonna performed the song standing alone on the middle of the stage, wearing a gold jewel-encrusted corset created by designer Christian Lacroix, as the backdrop screens displayed the video of a naked male and a naked female wrestling, caressing and intertwining in water, with their faces and genitals darkened by shadows so as to preserve their androgyny. Sal Sinquemani from Slant Magazine gave the performance a negative review, commenting that Madonna should never do a performance like this.
For the second European leg of Madonna's Sticky & Sweet Tour in 2009, the performance of "Hung Up" was removed from the setlist and was replaced by an up-beat version of "Frozen". This performance was included on the show's fourth and final Rave segment, where it was set between the performances of "Like a Prayer" and "Ray of Light". The video backdrops used for this performance featured outtakes from the song's original music video directed by Chris Cunningham. Madonna sampled DJ Calvin Harris' 2009 single "I'm Not Alone" into the performance. Harris praised the version saying, "I never imagined when I made it in my little purple room in Glasgow in my flat that it would reach far and wide as it has – it's always a privilege." Six years later, on October 1, 2015, Madonna performed an acoustic version of "Frozen" on the Detroit stop of her Rebel Heart Tour. She repeated the performance for the San Jose and San Antonio shows of the tour. On the 2019–20 Madame X Tour, Madonna performed "Frozen" as her daughter Lourdes Leon appeared on screen projections. Chuck Arnold from the New York Post called it the show's highlight. The performance was included on the 2021 live album Madame X: Music from the Theater Xperience.
On January 11, 2024, Madonna added the Sickick remix of the track to the setlist of The Celebration Tour (2023-2024), in replacement of "Rain" (1992); Tom Beedham of Exclaim! opined that the remix "gave Madonna's track more gravitational pull as she sang under the spotlight from the centre of the arena".
Covers and usage in media
thumb|Polish band [[Thy Disease (pictured) covered the song.]]
A rock cover was recorded by Jeff Scott Soto with the Talisman band for their 1998 album Truth. A reviewer from Melodic Rock was positive about the version and called it a "moody version with the backing vocals and accompanying keyboards intact." Polish industrial metal band Thy Disease used parts of the original strings and vocals in a cover on their 2001 album, Devilsh Act of Creation. Doom Kounty Electric Chair gave the song a "dark rock" feel with their cover, released in 2004.
Italian rock band Absinth Effect recorded a cover version of "Frozen" for their debut album in 2009. In May 2013, contestant Olympe sang the song on the second season of the French version of The Voice: la plus belle voix, allowing him to reach the show's semi-final. His coach, Jenifer, welcomed the performance warmly. Jérôme Vermelin from Metronews.fr said "Without piano, but in a spectacular setting, the young singer from Amiens shows his pitched voice with disconcerting facility. And his look? The mixture of great and pure sincerity? Although the formula may seem repetitive, it is not difficult to be captivated".
English singer Jade Thirlwall recorded a cover of "Frozen" as an exclusive for Apple Music in March 2025. The cover charted at number fours on the UK Official Singles Downloads and five on the Official Singles Sales charts. It was later included on the deluxe edition of Jade's debut album That's Showbiz Baby in December 2025.
Plagiarism accusation
In November 2005, a Belgian judge in Mons ruled that the opening four-bar theme to "Frozen" was plagiarized from the song "Ma vie fout le camp" ("My Life's Getting Nowhere"), composed by Salvatore Acquaviva. Victor Vicent Dehin, Acquaviva's lawyer, said: "We tried to reach a friendly agreement... but they didn't want to negotiate so I sued for plagiarism. They have stolen a song, so they have to pay the value of the song." No award damages for the song were granted. Acquaviva had explained to the court that the singer heard "Ma vie fout l'camp" during a trip to Mouscron in the late 1970s. She had been recruited to be a dancer on a tour with French singer Patrick Hernandez, whose discs were produced in Mouscron. Dehin also stated that the lawsuit was just the first step, and the next discussion would be about the copyright gains Madonna obtained with "Frozen". Acquaviva responded to the performance: "The court's decision is subject to various interpretations. The song can't be played on the radio or be sold, but have we arguments enough for the concert to be over? We won't bring additional spectacle to the show."
In February 2014, a Belgian court repealed the verdict on the case and proclaimed that Madonna did not plagiarize Acquaviva's work. The court spoke of a "new capital offense" in the file: composer Edouard Scotto Di Suoccio and societies Tabata Atoll Music and Music in Paris had also filed a complaint for plagiarism. According to them, both "Ma vie fout le camp" and "Frozen" originated in the song "Blood Night" which they composed in 1983. After all three tracks in the case were compared, the final ruling was that the songs were "not sufficiently 'original' to claim" that any plagiarism had taken place. This ruling ended the eight-year ban of the song in place in Belgium since 2005.
- "Frozen" – 6:11
- "Shanti / Ashtangi" – 4:29
- US 12-inch vinyl; Canadian and US CD maxi-single
- "Frozen" – 6:11
- "Frozen" (Stereo MC's Remix) – 5:46
- "Frozen" (Extended Club Mix) – 11:17
- "Frozen" (Meltdown Mix) – 8:10
- Australian, European, Japanese, Mexican, South African and UK CD maxi-single
- "Frozen" – 6:11
- "Frozen" (Stereo MC's Remix) – 5:46
- "Frozen" (Meltdown Mix) – 8:10
- "Frozen" (Extended Club Mix) – 11:17
- "Frozen" (Widescreen Mix) – 6:33
- European and UK 12-inch vinyl
- "Frozen" (Extended Club Mix) – 11:17
- "Frozen" (Stereo MC's Remix) – 5:46
- "Frozen" (Meltdown Mix) – 8:10
- Digital bundle (2021)
- Madonna – songwriter, producer
- Patrick Leonard – songwriter, producer, remixer, arranger
- William Orbit – producer
- Marius de Vries – keyboard, programming
- Craig Armstrong – string arrangement
Charts
Weekly charts
{|class="wikitable sortable plainrowheaders" style="text-align:center"
|+1998 weekly chart performance for "Frozen"
!scope="col"|Chart (1998)
!scope="col"|Peak<br />position
|-
|-
|-
|-
|-
!scope="row"|Brazil (Nopem/ABPD)
|3
|-
!scope="row"|Canada (Nielsen SoundScan)
|2
|-
|-
|-
!scope="row"|Canada Contemporary Hit Radio (BDS)
|1
|-
!scope="row"|Denmark (IFPI)
|4
|-
!scope="row"|Europe (European Hot 100 Singles)
|2
|-
|-
|-
!scope="row"|France Airplay (SNEP)
|1
|-
|-
!scope="row"|Greece (IFPI)
|1
|-
!scope="row"|Honduras (UPI)
|1
|-
!scope="row"|Hungary (MAHASZ)
|1
|-
!scope="row"|Hungary (Rádiós Top 40)
|1
|-
!scope="row"|Iceland (Íslenski Listinn Topp 40)
|11
|-
|-
!scope="row"|Italy (FIMI)
|1
|-
!scope="row"|Italy Airplay (Music & Media)
| 1
|-
|-
|-
|-
|-
!scope="row"|Poland (Music & Media)
|2
|-
!scope="row"|Scandinavia Airplay (Music & Media)
|1
|-
|-
!scope="row"|Spain (AFYVE)
|1
|-
|-
|-
!scope="row"|Taiwan (IFPI)
|2
|-
|-
|-
|-
|-
|-
|-
|-
|-
|}
{|class="wikitable plainrowheaders" style="text-align:center"
|+2020 weekly chart performance for "Frozen"
!scope="col"|Chart (2020)
!scope="col"|Peak<br />position
|-
|}
{|class="wikitable sortable plainrowheaders" style="text-align:center"
|+2022 weekly chart performance for "Frozen"
!scope="col"|Chart (2022)
!scope="col"|Peak<br />position
|-
! scope="row"| UK Singles Downloads
| 41
|-
|}
{|class="wikitable sortable plainrowheaders" style="text-align:center"
|+2021–2022 weekly chart performance for <br />"Frozen (Sickick Remix)"
!scope="col"|Chart (2021–2022)
!scope="col"|Peak<br />position
|-
|-
! scope="row"| France (SNEP)
| 64
|-
! scope="row"| Sweden Heatseeker (Sverigetopplistan)
| 8
|-
|-
! scope="row"| UK Singles Sales Chart (OCC)
| 42
|-
|}
Year-end charts
{|class="wikitable sortable plainrowheaders" style="text-align:center"
|+Year-end chart performance for "Frozen"
!scope="col"| Chart (1998)
!scope="col"| Position
|-
!scope="row"|Australia (ARIA)
|44
|-
!scope="row"|Austria (Ö3 Austria Top 40)
|15
|-
!scope="row"|Belgium (Ultratop 50 Flanders)
|18
|-
!scope="row"|Belgium (Ultratop 50 Wallonia)
|15
|-
!scope="row"|Brazil (Crowley)
|83
|-
!scope="row"|Canada Top Singles (RPM)
|15
|-
!scope="row"|Canada Adult Contemporary (RPM)
|12
|-
!scope="row"|Europe (European Hot 100 Singles)
|5
|-
!scope="row"|France (SNEP)
|15
|-
!scope="row"|Germany (Media Control)
|12
|-
!scope="row"|Iceland (Íslenski Listinn Topp 40)
|54
|-
!scope="row"|Netherlands (Dutch Top 40)
|16
|-
!scope="row"|Netherlands (Single Top 100)
|14
|-
!scope="row"|Norway Spring Period (VG-lista)
|8
|-
!scope="row"|Norway Winter Period (VG-lista)
|6
|-
!scope="row"|Spain (AFYVE)
|6
|-
!scope="row"|Sweden (Hitlistan)
|26
|-
!scope="row"|Switzerland (Schweizer Hitparade)
|6
|-
!scope="row"|Taiwan (Hito Radio)
|25
|-
!scope="row"|UK Singles (OCC)
|22
|-
!scope="row"|US Billboard Hot 100
|32
|-
!scope="row"|US Adult Contemporary (Billboard)
|26
|-
!scope="row"|US Adult Top 40 (Billboard)
|43
|-
!scope="row"|US Dance Club Play (Billboard)
|37
|-
!scope="row"|US Maxi-Singles Sales (Billboard)
|76
|}
{|class="wikitable plainrowheaders" style="text-align:center"
|+Year-end chart performance for "Frozen (Sickick Remix)"
!scope="col"| Chart (2022)
!scope="col"| Position
|-
!scope="row"|US Hot Dance/Electronic Songs (Billboard)
|33
|}