Francesco Melzi, or Francesco de Melzi (1491 – 1570) was an Italian painter born into a family of the Milanese nobility in Lombardy. He became a pupil of Leonardo da Vinci and remained as his closest friend and professional assistant throughout his career. After Leonardo’s death, Melzi became the literary executor of all Leonardo's papers and compiled them into a manuscript known as the Codex Urbinas. This compilation later served as the basis for the Trattato della Pittura (Treatise on Painting), which was published posthumously by others based on Melzi’s organization of Leonardo’s notes.

Early life and training

Born 1481, Melzi's father, Girolamo Melzi, was an engineer for Francesco II Sforza's military, and a captain in the militia in Milan under Louis XII. Francesco lived with his family in the in Vaprio d'Adda (not to be confused with the Villa Melzi in Bellagio, Lombardy), which today is still under the ownership of the Dukes Melzi d'Eril.

As a member of a prominent family of the Milanese court, however, Francesco would have had political and social responsibilities as he got older that would have caused him to discontinue his studies in art had it not been for Leonardo da Vinci. Leonardo returned to Milan for some time around 1505 and stayed with the Melzi family. It was there that he met Francesco for the first time, enticed by his good nature and handsomeness. In a biography of Leonardo da Vinci, it is argued that he felt compelled to stay in Milan longer than he had intended after meeting with the young Francesco. Despite this, fairly little is written about the apprentice painter, and what is known about him is almost exclusively within the context of Leonardo.

Other than Melzi, none of Leonardo's pupils went on to become respected artists. And although he is not well-known, Melzi is referred to as being the first person responsible for collecting, organizing, and preserving da Vinci's notes on painting, and transforming it into a manuscript copy known as the Codex Urbinas. After Leonardo's death in 1519, Francesco returned to Italy and married Angiola di Landriani; with her he fathered eight children. where they stayed in the Chateau de Cloux in Amboise. During this time, Francis I of France was Leonardo's patron, and the French court account books logged Leonardo's annual payment was 1000 gold crowns (écus de soleil), while Francesco Melzi received 400. He was the executor and heir of Leonardo's will. Although Francesco was Leonardo's official heir and was bequeathed with his master's manuscripts, drawings, workshop materials and machinery, Salaì received Leonardo's paintings in 1524 in France and brought them back to Milan. The works would eventually be compiled, and published as the Codex Urbinas. In addition to caring for Leonardo's papers, Melzi actually executed and completed a number of plans for paintings, and completed paintings that were left unfinished at Leonardo's death. Francesco's son Orazio Melzi was a lawyer. Although Orazio inherited the manuscripts, he knew very little of Leonardo da Vinci, or the manuscripts his father kept, and therefore did not understand their value. So for years, the papers laid neglected and unpublished in Orazio's attic. Francesco quickly became aware of his master's loneliness, seeing past his legendary fame and genius, and felt impelled to care for him, essentially devoting his whole life to him. ["uncontrolled and passionate love"].

Selected works

thumb|Five Grotesque Heads, by Francesco Melzi ()

thumb|La Belle Ferronniére (1517), Louvre

Leonardo da Vinci chose only handsome boys—as was Melzi—to be his pupils and cared for them considerably as if they were family.

References

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  • contains material on Melzi (see index) (fully available online as PDF).