Fernanda Pinheiro Monteiro Torres (; born 15 September 1965) is a Brazilian stage and screen actress and writer renowned for her versatility across both comedic and dramatic roles. She has earned numerous accolades, including a Golden Globe, the Cannes Film Festival Award for Best Actress, a Brazilian Academy Film Award, as well as a nomination for an Academy Award.
Torres received international acclaim for her performance as Eunice Paiva in the drama I'm Still Here (2024). She became the first Brazilian, first South American and first Portuguese-speaking actor to win the Golden Globe Award for Best Actress in a Motion Picture – Drama. She was also nominated for the Academy Award for Best Actress, becoming only the second Brazilian actress to be nominated in that category, the first being her mother, Fernanda Montenegro.
Her debut novel, The End, sold over 200,000 copies in Brazil. It was translated into seven other languages and adapted into a miniseries.
Career
Debuting as an actress at thirteen, Torres established a career that spans more than four decades in theater, television, literature and cinema.
Cinema
Her film debut was at the age of 17, in 1983, with the film Innocência, based on the work of Viscount of Taunay and directed by Walter Lima Jr. Her next movie A Marvada Carne (1985), by André Klotzel, won her the award for Best Actress at the Gramado Festival. For Love Me Forever or Never (1986) by Arnaldo Jabor, Torres won the Best Actress at the Cannes Film Festival and at the Cuba Film Festival.
Among her 24 film credits, the most notable are: Excuse Me, I'm Going to Fight (1986), Best Actress at the Nantes Film Festival and a special nomination at the Locarno Festival; One Man's War (1991) by Sergio Toledo, alongside Anthony Hopkins and Norma Aleandro; Foreign Land (1996) by Walter Salles and Daniela Thomas; Four Days in September (1997) by Bruno Barreto, nominated as Best Foreign Language Film at the 70th Academy Awards;
In June 2025, Torres was invited to join the Academy of Motion Picture Arts and Sciences.
thumb|Torres during the [[82nd Venice International Film Festival in 2025|273x273px]]
Theater
At thirteen, Torres attended Teatro O Tablado. Torres acted in more than a dozen plays, having received praise for works such as Orlando (1989), by Bia Lessa; Da Gaivota (1998), by Daniela Thomas; Two Women and a Corpse (2000), by Aderbal Freire Filho. She was the first actress of the Companhia de Ópera Seca, founded by Gerald Thomas, having starred in three plays, including The Flash and Crash Days (1991)—sharing the stage with her mother—which was presented on tour in the United States and European. The monologue A Casa dos Budas Ditosos, based on the novel of the same name by João Ubaldo Ribeiro, debuted in 2003 reaching more than one million spectators.
Television
left|thumb|256x256px|Torres in 2012
On television, she acted in numerous popular comedy series and soap operas in Brazil. From 2001 to 2003, Torres starred with Luiz Fernando Guimarães in the series Os Normais, which showed with humor and innovative language the everyday situations experienced by the couple Rui and Vani. Os Normais became a cult favorite and led many fans to not leave the house on Friday nights before the program ended. Not only the characters' scenes and dialogues, but also the panties and bras worn by Torres won over the public. The success of the series also led to two feature films, Os Normais – O Filme (2003), a prequel telling how Rui and Vani met, and Os Normais 2: A Noite Mais Maluca de Todas (2009), a sequel to the show where Rui and Vani try to reignite their relationship.
From 2011 to 2015, Torres starred, alongside Andréa Beltrão, in the comedy series Tapas & Beijos, for which she received several awards nominations and wins, such as the Best of the Year Award for Best Actress.
In 2016, she wrote the script for the feature film O Juízo, with her mother in the cast. In 2018, Torres was confirmed in the second season of the series Sob Pressão, as Renata, the new hospital administrator.
As a presenter, she developed the project Minha Estupidez and Bicho Homem for television, and the podcast The Playlist of My Life, as an interviewer on Deezer.
Writing
In 2007, she began writing for newspapers and magazines as a columnist, publishing a weekly column in the newspaper Folha de S.Paulo since 2010.
In 2014, Torres released her first novel, The End (Fim), which sold more than 200,000 copies in Brazil and was translated into seven languages. In 2023, Torres created, wrote and adapted the novel into a 10-episode miniseries for the Brazilian streaming service Globoplay.
In 2017, Torres published her second novel, Glory and Its Litany of Horrors (A Glória e Seu Cortejo de Horrores). She is married to movie producer and director Andrucha Waddington. The couple has two sons, Joaquim (b. 2000) and Antônio (b. 2008). She is also stepmother of João (b. 1993) and Pedro (b. 1995), from Andrucha's first marriage.
Filmography and bibliography
Film
{| class="wikitable plainrowheaders"
|-
! scope="col" | Year
! scope="col" | Title
! scope="col" | Role
! scope="col" class="unsortable" | Notes
! scope="col" class="unsortable" |
|-
! 1983
| scope="row" | '
| Inocência
|
| style="text-align:center;" |
|-
! 1984
| scope="row" | Amenic – Entre o Discurso e a Prática
|
| Extra
| style="text-align:center;" |
|-
| scope="row" | '
| Eliane Maciel
|
| style="text-align:center;" |
|-
! rowspan="2" | 2019
| scope="row" | Babenco: Tell Me When I Die
| Herself
| Documentary
| style="text-align:center;" |
|-
! 2024
| scope="row"| I'm Still Here
| Eunice Paiva
|
| style="text-align:center;" |
|Episode: "A Invejosa de Ipanema"
|-
|Amoral da História
|
|
|-
!2011–15
|Tapas & Beijos
|Fátima de Souza
|
|-
!2016
|Mister Brau
|Bárbara
|Episode: "19 de julho"
|-
!2016–17
|Minha Estupidez
|
|
|-
!2017–19
|Filhos da Pátria
|Maria Teresa Bulhosa
|
|-
!2018
|Sob Pressão
|Dr. Renata Gomes
|Season 2
|-
!2019
|Mulheres Fantásticas
|Narrator
|Voice<br>Episode: "Hedy Lamarr"
|-
! rowspan="4" |2020
|Todas as Mulheres do Mundo
|Estela
|
|-
|Diário de Um Confinado
|Leonor
|
|-
|Amor e Sorte
|rowspan="2" |Lúcia Bóis
|
|-
|Gilda, Lúcia e o Bode
|Television special
|-
!2023
|Fim
|Celeste
|Also creator and writer
|}
Books
- 2013 – Fim (The End)
- 2017 – A Glória e seu Cortejo de Horrores (Glory and Its Litany of Horrors)
Awards and nominations
{| class="wikitable"
|-
! Year
! Association
! Category
! Nominated work
! Result
!Ref
|-
! 1985
| Festival de Gramado
| rowspan="2"|Best Actress
| A Marvada Carne
|
|
|-
! rowspan="2" | 1986
| Three Continents Festival
| Com Licença, Eu Vou à Luta
|
|
|-
| Cannes Film Festival
| Best Actress
| rowspan="2"| Love Me Forever or Never
|
|
|-
! 1987
| International Film Festival of India
| IFFI Best Actor Award (Female)
|
|
|-
! 1999
| Festival de Brasília
| Best Actress
| Gêmeas
|
|
|-
! rowspan="2" | 2000
| Grande Prêmio do Cinema Brasileiro
| rowspan=5"| Best Actress
| Traição
|
|
|-
| São Paulo Art Critics Association
| O Primeiro Dia
|
|
|-
! 2001
| Grande Prêmio do Cinema Brasileiro
| Gêmeas
|
|
|-
! 2004
| Prêmio ACIE de Cinema
| So Normal
|
|
|-
! 2006
| Guadalajara International Film Festival
| The House of Sand
|
|
|-
! rowspan="2" | 2024
| Celebration of Cinema and Television
| Best Actress – International Film
| rowspan="11" | I'm Still Here
|
|
|-
|Los Angeles Film Critics Association
|Best Lead Performance
|
|
|-
! rowspan="9" |2025
|Golden Globe Awards
|Best Actress in a Motion Picture – Drama
|
|
|-
|São Paulo Art Critics Association
|Best Actress
|
|
|-
|Satellite Awards
|Best Actress in a Motion Picture – Drama
|
|
|-
|International Cinephile Society
|Best Actress
|
|
|-
|Santa Barbara International Film Festival
|Virtuoso Award
|
|
|-
|Latino Entertainment Journalists’ Film Awards
|rowspan=2"| Best Actress
|
|
|-
|Gold Derby Film Awards
|
|
|-
|Academy Awards
|Best Actress
|
|
|-
| Platino Awards
|Best Actress
|
|
|}
See also
- List of Brazilian Academy Award winners and nominees
- List of actors with Academy Award nominations
- List of actors nominated for Academy Awards for non-English performances
