Elias Khoury (; 12 July 1948 – 15 September 2024) was a Lebanese novelist and advocate of the Palestinian cause. His novels and literary criticism have been translated into several languages. In 2000, he won the Prize of Palestine for his book Gate of the Sun, and he won the Al Owais Award for fiction writing in 2007. Khoury also wrote three plays and two screenplays.
From 1993 to 2009, Khoury served as an editor of Al-Mulhaq, the weekly cultural supplement of the Lebanese daily newspaper Al-Nahar. He also taught at universities in Middle Eastern and European countries, and the United States.
The ongoing struggles of Palestinians under occupation was a theme in much of his work.
Biography
Early life
Elias Khoury was born in 1948 into a middle-class Greek Orthodox family in the predominantly Christian Ashrafiyye district of Beirut, Lebanon.
He began reading Lebanese novelist Jurji Zaydan's works at the age of eight, which he later said taught him more about Islam and his Arabic background. In 1966, he earned his high school diploma from al-Ra'i al-Saleh High School in Beirut. At the time he graduated, Lebanese intellectual life was becoming more polarized, with opposition groups adopting pro-Palestinian, radical Arab nationalist stances. The following year, in 1967, a 19-year-old Khoury traveled to Jordan, where he visited a Palestinian refugee camp and enlisted in Fatah, the largest resistance organization in the Palestinian Liberation Organisation. He left Jordan after thousands of Palestinians were killed or expelled in the wake of an attempted coup against King Hussein, in Black September.
Khoury studied history at the Lebanese University and graduated in 1970. In 1973, he received his PhD in social history at the University of Paris.
Involvement in the Lebanese civil war
At the start of the Lebanese civil war, Khoury became a member of the Lebanese National Movement, an alliance of leftist, pan-Arab parties with mostly Muslim supporters. He was injured during the war, and temporarily blinded.
Personal life and death
Khoury and his wife, Najla, had two children. After a period of declining health, he died at a hospital in Beirut on 15 September 2024, at the age of 76.</blockquote>
Khoury's novel Yalo (2002, translated into English in 2008 by the American translator Peter Theroux) depicted a former militiaman accused of crimes during Lebanon's civil war.
Khoury's novels are notable for their complex approach to political themes and fundamental questions of human behavior. His narrative technique often involves an interior monologue, at times approaching a stream of consciousness. In recent works he tended to use a considerable element of colloquial Arabic, although the language of his novels remains primarily Modern Standard Arabic. While use of dialect in dialogue is relatively common in modern Arabic literature (for example, in the work of Yusuf Idris), Khoury also used it in the main narrative, which is unusual in contemporary literature. Khoury explained this choice by saying, "As long as the official, written language is not opened to the spoken language it is a total repression because it means that the spoken, social experience is marginalised."
thumb|Europe Meets the Arab World with Khoury and [[Jocelyne Cesari, at Boston University Photonics Center]]
In addition to his novels, Khoury also served in several editorial positions, starting in 1972 when he joined the editorial board of the journal Mawaqif. He served as the editor of the Palestine Liberation Organization's magazine Shu'un Filastiniyya (Palestinian Affairs Magazine) from 1975 to 1979 in collaboration with Mahmoud Darwish. Between 1980 and 1985, Khoury worked as an editor of the series Thakirat Al-Shu'ub, published by the Arab Research Foundation in Beirut. In the 1980s, he was the editorial director first of Al Karmel magazine, and then of the cultural section of Al-Safir. Khoury also worked as the technical director of Beirut Theater from 1992 to 1998, and was a co-director of the Ayloul Festival of Modern Arts.
From 1992 to 2009, Khoury edited Al-Mulhaq, the cultural supplement of the Lebanese daily newspaper Al-Nahar.
Khoury's works have been translated and published in Catalan, Dutch, English, French, German, Hebrew, Italian, Portuguese, Romanian, Norwegian, Spanish, and Swedish.
Academic career
Khoury taught at many universities, including New York University, University of Houston, Berkeley College, The University of Chicago, Columbia University, Georgetown University, the University of Minnesota, and Princeton University in the United States. He also taught at the University of Poitiers in France, the University of London in the UK, the University of Berlin in Germany, and the University of Zurich in Switzerland. In his home country Lebanon, he taught at the American University of Beirut, the Lebanese American University, and his alma mater, Lebanese University.
Published works
Novels
- 1975: 'an 'ilaqat al-da'irah (عن علاقات الدائرة)
- 1977: al-Jabal al-saghir (الجبل الصغير); English translation: Little Mountain (1989, Maia Tabet)
- 1981: Abwab al-madinah (أبواب المدينة); English translation: The Gates of the City (1993, Paula Haydar)
- 1981: Wujuh al-bayda (الوجوه البيضاء); English translation: White Masks (2010, Maia Tabet)
- 1989: Rihlat Ghandi al-saghir (رحلة غاندي الصغير); English translation: The Journey of Little Gandhi (1994, Paula Haydar)
- 1990: Akaa wl Rahil (عكا و الرحيل); which was issued in Beirut.
- 1993: Mamlakat al-ghuraba (مملكة الغرباء); English translation: The Kingdom of Strangers (1996, Paula Haydar)
- 1994: Majma' al-Asrar (مجمع الأسرار)
- 1998: Bab al-Shams (باب الشمس); English translation: Gate of the Sun (2006, Humphrey Davies)
- 2000: Ra'ihat al-Sabun (رائحة الصابون)
- 2002: Yalu (يالو); English translations: Yalo (2008, Peter Theroux), (2009, Humphrey Davies: short-listed for Best Translated Book Award)
- 2007: Ka-annaha na'imah (كأنها نائمة); English translations: As Though She Were Sleeping (2011, Humphrey Davies), (2012, Marilyn Booth)
- 2012: al-Maryia al-maksoura (المرايا المكسورة: سينالكول). English translation: Broken Mirrors: Sinocal (2012, Humphrey Davis)
- 2016: Awlad Al-Ghetto- Esme Adam (أولاد الغيتو- اسمي آدم); English translation: Children of the Ghetto: My Name is Adam (2018, Humphrey Davies)
- 2018: "Awlad Al-Ghetto 2: Najmat Elbaher" (أولاد الغيتو ٢: نجمة البحر); English translation: Children of the Ghetto: Star of the Sea (2024, Humphrey Davies)
- 2023: "Awlad Al-Ghetto 3: Rajulon yushbihuni" (أولاد الغيتو 3: رجلٌ يشبهني)
Story collections
- 1984: "Al-mubtada' wa'l-khabar", issued in Beirut.
- 1990: Al-lo'aba al-hakikiya(اللعبة الحقيقية); issued in Beirut.
Criticism
- 1979: Dirasat fi naqd al-shi'r
- 1982: Al-dhakira al-mafquda
- 1984: Tajribat al-ba'th 'an ufq
- 1985: Zaman al-ihtilal
- 2023: النكبة المستمرة (The Continuous Nakba), compilation of 12 essays and articles.
Plays
- 1993: Muthakarat Ayoub
- 1995: Habs al-Ramel (in collaboration with Rabih Mrouè)
- 2000: Thalathat Mulsakat (in collaboration with Rabih Mroué)
Screenplays
- 1992: Kharej al-Hayat (in collaboration with Maroun Baghdadi)
- 2002: Bab al-Shams (in collaboration with Yousry Nasrallah and Mohamed Soueid)
Awards and honors
- 2000: Prize of Palestine for Bab al-Shams [Gate of the Sun]
- 2007: Al Owais Award for "Stories, Novels & Drama"
- 2008: Prix du roman arabe for Comme si elle dormait [As Though She Were Sleeping]
- 2016: Mahmoud Darwish Award for Creativity
References
External links
- At Levantine Cultural Center .
- Interview with Elias Khoury, from Lebanese Centre for Policy Studies website.
- Review of Gate of the Sun, The New York Times.
- Jeremy Harding goes to Beirut to meet the novelist Elias Khoury, London Review of Books.
- Maya Jaggi, "A circle of madness", The Guardian, 28 July 2007.
- on war, literature and hope, BBC Newshour, 25 July 2015
- Nakba’s Second Generation Illuminates Dark Corners for Holocaust’s Second Generation, Sara Carmeli Warzager review of the Hebrew version of "Children of the Ghetto- My name is Adam", Maktoob- The Translators forum from Arabic to Hebrew, 19 July 2018.
- "Elias Khoury, The Art of Fiction No. 233", Paris Review, Spring 2017
