Edwin Starr - WikiHQ

Charles Edwin Hatcher (January 21, 1942 – April 2, 2003), However, after just one single he was called up for military service in the United States Army for three years, where he was posted to Europe. Following the end of his service he decided to make music his career, and joined the musical group of Bill Doggett. Hatcher adopted the name Edwin Starr at the suggestion of Doggett's manager Don Briggs, and made his solo recording debut in 1965 for the Detroit record company Ric-Tic.

Career

The song that launched his career was "Agent Double-O-Soul" (1965), a reference to the James Bond films, already popular at the time. Other early hits included "Headline News", "Back Street", and "Stop Her on Sight (S.O.S.)". (These first four hits were all co-written by Starr as "C. Hatcher".) While at Ric-Tic, as Edwin Starr he wrote the song "Oh, How Happy", a number 12 Billboard Hot 100 hit in 1966 for The Shades of Blue (he would go on to release a version of the song with Blinky in 1969) and sang lead for the Holidays on their number 12 R&B hit, "I'll Love You Forever". At Motown he recorded a string of singles before enjoying international success with "Twenty-Five Miles", which he co-wrote with producers Johnny Bristol and Harvey Fuqua. It peaked at number 6 in both the Hot 100 and R&B Charts in 1969.

It was when Motown's Berry Gordy became frustrated with smaller labels like Ric-Tic stealing some of the success of his company that he bought out the label. Many of Starr's Ric-Tic songs (subsequently owned by Motown) like "Back Street" and "Headline News" became favored northern soul classics. His early Ric-Tic hit "Stop Her on Sight (S.O.S.)", was reissued in Britain (with "Headline News" as its B-side) in 1968, and it performed better than the original release on the UK chart, surpassing the original number 35 and peaking at number 11. "War" appeared on both Starr's War & Peace album and its follow-up, Involved, produced by Norman Whitfield. Involved also featured another song of similar construction titled "Stop the War Now", which was a minor hit in its own right. Music critic Robert Christgau called the latter album "Norman Whitfield's peak production".|width=21%|align=right|style=padding:8px;

Starr continued to record, most notably the song "Hell Up in Harlem" for the 1974 film Hell Up in Harlem, which was the sequel to Black Caesar, an earlier hit with a soundtrack by James Brown. In 1979, Starr reappeared on the charts with a pair of disco hits, "(Eye-to-Eye) Contact" and "H.A.P.P.Y. Radio". "Contact" was the more successful of the two, peaking at number 65 on the US pop chart, number 13 on the R&B chart, number 1 on the dance chart, and number 6 on the UK singles chart. "H.A.P.P.Y. Radio" was also a top ten hit in the UK, reaching number 9 on the chart in mid-1979.

In 1989, a number 17 UK hit by the Cookie Crew called "Got to Keep On" sampled a portion of "25 Miles". This track was then featured on a 1990 dance medley made for the BRIT Awards, which made number 2 in the UK Singles Chart. A club mix of various artists, it included the previous years remix of "25 Miles".

In 1989, Starr also joined Ian Levine's Motorcity Records, releasing six singles and the album Where Is the Sound, as well as co-writing several songs for other artists on the label. Starr resurfaced briefly in 2000 to team up with the UK band Utah Saints to record a new version of "Funky Music Sho' 'Nuff Turns Me On". He appeared again in 2002 to record a song with the British musician Jools Holland, singing "Snowflake Boogie" on Holland's compact disc More Friends; and to record another track with Utah Saints, a so-far-unreleased version of his number one hit "War"—his last recording.

In 1995, Starr featured in Blue Juice, a 1995 British drama film as a soul singer named Ossie Sands. The songs featured were recorded by Starr for the film. The film has the added attraction of being possibly the first film to include northern soul as a sub-plot.

In late 2002, Edwin Starr appeared with many R&B stars on the "Rhythm, Love, and Soul" edition of the PBS series American Soundtrack. His performance of "25 Miles" was included on the accompanying live album that was released in 2004.

Personal life and death

Starr remained a hero on England's northern soul circuit and moved to England in 1983, continuing to live there for the remainder of his life. He based himself in the Midlands, living for many years at Pooley Hall at Polesworth, Warwickshire, before moving to Bramcote in Nottinghamshire.

Starr died on April 2, 2003, from a heart attack at his Nottinghamshire home. He was 61.

Starr is one of the subjects of a mural in Beeston, Nottingham, which is close to where he lived later in life.

Discography

Albums

{| class="wikitable plainrowheaders" style="text-align:center;" border="1"

|+ List of albums, with selected chart positions

! scope="col" rowspan="2" style="width:15em;" | Title

! scope="col" rowspan="2" style="width:5em;" | Year

! scope="col" colspan="3" | Peak chart positions

! scope="col" style="text-align:center;" style="width:3em;font-size:90%";" | AUS

! scope="col" style="text-align:center;" style="width:3em;font-size:90%";" | US

! scope="col" style="text-align:center;" style="width:3em;font-size:90%";" | US R&B

! colspan="5"| Chart positions

! rowspan="2"|Certifications

|- style="font-size:smaller;"

! style="width:40px;"| US Pop

! style="width:40px;"| US R&B

! style="width:40px;"| US Dance

| rowspan="2"| 1965

| style="text-align:left;"| "Agent Double-O-Soul"

| 21

| 8

| –

| style="text-align:left;"| "Back Street"

| 95

| 33

| –

| rowspan="3"| 1966

| style="text-align:left;"| "Stop Her on Sight (S.O.S.)"

| 48

| 9

| –

| 35

| style="text-align:left;"| "I'll Love You Forever" (with the Holidays)

| 63

| 7

| –

| style="text-align:left;"| "Headline News"

| 84

| –

| 39

| rowspan="3"| 1967

| style="text-align:left;"| "Girls Are Getting Prettier"

| –

| style="text-align:left;"| "You're My Mellow"

| –

| style="text-align:left;"| "I Want My Baby Back"

| 120

| –

| rowspan="3"| 1968

| style="text-align:left;"| "I Am the Man for You Baby"

| 112

| 45

| –

| style="text-align:left;"| "Way Over There"

| –

| style="text-align:left;"| "Stop Her on Sight (S.O.S.)" / "Headline News" (reissue)

| –

| 11

| rowspan="3"| 1969

| style="text-align:left;"| "Twenty-Five Miles"

| 6

| –

| 36

| style="text-align:left;"| "I'm Still a Struggling Man"

| 80

| 27

| –

| style="text-align:left;"| "Oh How Happy" (as Blinky & Edwin Starr)

| 92

| –

| rowspan="3"| 1970

| style="text-align:left;"| "Time"

| 117

| 39

| –

| style="text-align:left;"| "War"

| 1

| 3

| –

| 37

| 3

BPI: Silver

| style="text-align:left;"| "Stop the War Now"

| 26

| 5

| –

| 33

|| 1971

| style="text-align:left;"| "Funky Music Sho' 'Nuff Turns Me On"

| 64

| 6

| –

|| 1972

| style="text-align:left;"| "Who Is the Leader of the People"

| –

| rowspan="2"| 1973

| style="text-align:left;"| "There You Go"

| 80

| 12

| –

| style="text-align:left;"| "You've Got My Soul on Fire"

| –

| 40

| –

| rowspan="3"| 1974

| style="text-align:left;"| "Ain't It Hell Up in Harlem"

| 110

| –

| style="text-align:left;"| "Big Papa"

| –

| style="text-align:left;"| "Who's Right or Wrong"

| –

| rowspan="3"| 1975

| style="text-align:left;"| "Pain"

| –

| 25

| –

| style="text-align:left;"| "Stay with Me"

| –

| 51

| –

| style="text-align:left;"| "Abyssinia Jones"

| 98

| 25

| –

|| 1976

| style="text-align:left;"| "Accident"

| –

|| 1977

| style="text-align:left;"| "I Just Wanna Do My Thing"

| –

| 94

| 28

| –

|| 1978

| style="text-align:left;"| "I'm So into You"

| –

| rowspan="4"| 1979

| style="text-align:left;"| "Contact"

| 65

| 13

| 1

| 37

| 6

BPI: Silver

| style="text-align:left;"| "H.A.P.P.Y. Radio"

| 79

| 28

| 7

| 54

| 9

| style="text-align:left;"| "It's Called the Rock"

| –

| style="text-align:left;"| "Tell a Star"

| –

| rowspan="3"| 1980

| style="text-align:left;"| "Stronger"

| –

| style="text-align:left;"| "Boop Boop"

| –

| style="text-align:left;"| "Get Up, Whirlpool"

| –

|| 1981

| style="text-align:left;"| "Sweet"

| –

| rowspan="2"| 1983

| style="text-align:left;"| "I Wanna Take You Home"

| –

| style="text-align:left;"| "Smooth"

| –

| 90

|| 1984

| style="text-align:left;"| "Marvin"

| –

| 89

| rowspan="2"| 1985

| style="text-align:left;"| "It Ain't Fair"

| –

| 56

| style="text-align:left;"| "Missiles"

| –

| rowspan="2"| 1986

| style="text-align:left;"| "Grapevine"

| –

| 83

| style="text-align:left;"| "Soul Singer"

| –

|| 1987

| style="text-align:left;"| "Whatever Makes Our Love Grow"

| –

| 98

|| 1988

| style="text-align:left;"| "Long Line of Lovers"

| –

|| 1989

| style="text-align:left;"| "25 Miles '89"

| –

| 82

| rowspan="2"| 1990

| style="text-align:left;"| "She's The One"

| –

| style="text-align:left;"| "Ain't No Stopping Us Now" (with David Saylor)

| –

|| 1992

| style="text-align:left;"| "Darling Darling Baby"

| –

|| 1993

| style="text-align:left;"| "War" (as Edwin Starr and Shadow)

| –

| 69

|| 1994

| style="text-align:left;"| "Can't Stop Thinking About You"

| –

| colspan="8" style="font-size:90%"| "–" denotes releases that did not chart.

References

External links

Official site
Edwin Starr interview by Pete Lewis, 'Blues & Soul' 10/92
[ Edwin Starr] at AllMusic