Edwin Brock (19 October 1927 – 7 September 1997) was a British poet. He published 10 volumes of poetry from 1959 through his death in 1997.
Two of Brock's poems in particular, Five Ways to Kill a Man (1972) and Song of the Battery Hen (1977), have been heavily anthologised.
Early life
Brock was born in Dulwich, London on 19 October 1927. He grew up in a working-class family with no literary aspirations. He won a scholarship to a local grammar school but his formal education ended after he gained his School Certificate. Brock's interest in poetry was inspired by a paperback anthology of modern verse which he picked up idly as a bored 18-year-old, waiting to be de-mobbed from the Royal Navy at the end of the Second World War. This chance encounter in Hong Kong was to prove revelatory and from then on Brock, completely self-taught, began to write his own poems.
Professional life
Gradually Brock started to be published, firstly in the smaller magazines and eventually in the Times Literary Supplement. During this period, Brock served as a police officer in the Metropolitan force, the unusual combination of policeman and poet giving rise to a brief period of fame when a tabloid journalist published an interview with Brock under the banner headline: "THE THINGS HE THINKS UP AS HE POUNDS THE PECKHAM BEAT". Brock was embarrassed by the sudden attention, but he continued to pursue his writing with serious intent. His efforts bore fruit when his first collection was accepted by the small but prestigious Scorpion Press in 1959. Its title, An Attempt at Exorcism, touches on the essentially personal nature of Brock's work, the frankness of which connects him to confessional poetry which at that time was in the ascendancy in the United States. Indeed, Brock is one of the few British poets of this period to be known in America, with New Directions publishing several of his collections.
Brock's poems amply demonstrate the virtues of his "intensely felt, supple, direct and memorable work." Five Ways to Kill a Man is chilling in its deliberately emotionless tone as it uses the language of a practical manual to explore humanity's cruelty. Progress is reduced to the way in which mankind has "improved" its methods of killing. Inspired by a performance of Benjamin Britten's War Requiem and written quickly, the poem has an air of authority which Brock's reading emphasises. Song of the Battery Hen is similarly suited to being spoken aloud. Though written as a dramatic monologue, in his introduction Brock makes it clear the poem has autobiographical resonance. As such it is a good example of his belief that "most activity is an attempt to define oneself in one way or another: for me poetry, and only poetry, has provided this self-defining act.".