thumb|Edward Young by Joseph Highmore
Edward Young ( – 5 April 1765) was an English poet, best remembered for Night-Thoughts, a series of philosophical writings in blank verse, reflecting his state of mind following several bereavements. It was one of the most popular poems of the century, influencing Goethe and Edmund Burke, among many others, and at the end of the century was illustrated by William Blake.
Young took holy orders, and wrote many fawning letters in search of preferment, attracting accusations of insincerity.
Early life
thumb|Edward Young
Young was a son of Edward Young, later Dean of Salisbury, and was born at his father's rectory at Upham, near Winchester, where he was baptised on 3 July 1683. He was educated at Winchester College, and matriculated at New College, Oxford, in 1702. He later migrated to Corpus Christi, and in 1708 was nominated by Archbishop Tenison to a law fellowship at All Souls. He took his degree of Doctor of Canon Law in 1719.
Literary career
thumb|Edward Young
Young's first publication was an Epistle to ... Lord Lansdoune (1713). This was followed by a Poem on the Last Day (1713), dedicated to Queen Anne; The Force of Religion: or Vanquished Love (1714), a poem on the execution of Lady Jane Grey and her husband, dedicated to the Countess of Salisbury; and an epistle to Joseph Addison, On the late Queen's Death and His Majesty's Accession to the Throne (1714), in which he rushed to praise the new king. The fulsome style of the dedications jars with the pious tone of the poems, and they are omitted from his own edition of his works. Polish and Magyar. In France it became a classic of the romantic school. Questions as to the "sincerity" of the poet did arise in the 100 years after his death. The publication of fawning letters from Young seeking preferment led many readers to question the poet's sincerity. In a famous essay, Worldliness and Other-Worldliness, George Eliot discussed his "radical insincerity as a poetic artist." If Young did not invent "melancholy and moonlight" in literature, he did much to spread the fashionable taste for them. Madame Klopstock thought the king ought to make him Archbishop of Canterbury, and some German critics preferred him to John Milton. Young's essay, Conjectures on Original Composition, was popular and influential on the continent, especially among Germans, as a testament advocating originality over neoclassical imitation. Young wrote good blank verse, and Samuel Johnson pronounced Night-Thoughts to be one of "the few poems" in which blank verse could not be changed for rhyme but with disadvantage. The poem was a poetic treatment of sublimity and had a profound influence on the young Edmund Burke, whose philosophic investigations and writings on the Sublime and the Beautiful were a pivotal turn in 18th-century aesthetic theory.
William Hutchinson included a gloss on Night-Thoughts in his series of lectures The Spirit of Masonry (1775), underlining the masonic symbolism of the text. It was reported that the author of Night-Thoughts was not, in his earlier days, "the ornament to religion and morality which he afterwards became", and his friendships with the Duke of Wharton and with Dodington did not improve his reputation. A statement attributed to Alexander Pope is that: "He had much of a sublime genius, though without common sense; so that his genius, having no guide, was perpetually liable to degenerate into bombast. This made him pass a foolish youth, the sport of peers and poets; but his having a very good heart enabled him to support the clerical character when he assumed it, first with decency and afterwards with honour" (O Ruffhead, Life of A. Pope, p. 291).