Ecstasy (; ; ) is a 1933 Czech erotic romantic drama film directed by Gustav Machatý and starring Hedy Lamarr (then Hedy Kiesler), Aribert Mog, and Zvonimir Rogoz. Machatý won the award for Best Director for this film at the 1934 Venice Film Festival.
The film is about a young woman who marries a wealthy but much older man. After abandoning her brief passionless marriage, she meets a young virile engineer who becomes her lover. Ecstasy was filmed in three language versions – German, Czech, and French. It is perhaps the first non-pornographic movie to portray sexual intercourse and the female orgasm, although never showing more than the actors' faces.
Plot
Emil, a fastidious and orderly older man, carries his happy new bride, Eva, over the threshold of their home. He has great difficulty opening the lock on the front door, trying key after key. She is greatly disappointed on their wedding night because he does not even come to bed. He has pinched his finger in the clasp of Eva's pearls when he attempts to remove them. He is unable to consummate their marriage due to the minor injury on his finger. Emil continues to ignore Eva for many days often retreating behind his newspaper. Eva refuses to live in a loveless marriage. She can no longer bear to be Emil's wife in name only and returns to the estate of her father, a wealthy horse breeder. Eva seeks and is granted a divorce from Emil.
One day, Eva goes horseback riding in the countryside surrounding her father's estate. She has a swim in the nude, leaving her clothes on her horse, which wanders off to find a stallion locked in a nearby corral. Eva, still completely naked, chases after her horse. Adam, a virile, young engineer working in road construction in that area, happens to look up and see Eva trying to catch her horse. Finally, Adam is able to catch the runaway horse. Eva is so embarrassed that she hides in the bushes when Adam approaches her. At first, Eva is ashamed of her nudity, but then she glares up at him in defiance. He hands Eva her clothes. When she tries to leave, she hurts her ankle. At first, she resists Adam's efforts to help, then acquiesces.
That night, Eva is restless and cannot stop thinking about Adam. Finally, she goes to his isolated residence, which is located near the field where they met. After some hesitation, they embrace and spend the night together. In the throes of passion, Eva's pearl necklace is broken and falls to the floor. She forgets to take it with her the next morning but the young lovers promise to meet in town at the local hotel the following evening.
When Eva returns home the next morning, she finds an unwelcome visitor. Her ex-husband, Emil, has been waiting for her all night. He wants to reconcile with her, but she tells him that it is too late. Brokenhearted, he leaves.
By chance, while driving away, Emil encounters Adam on the road and Adam asks for a ride into town. Emil agrees. They stop at Adam's residence in order to pack his suitcase. While packing, Adam notices Eva's pearls on the floor. He takes them along intending to return them to her. While traveling to town, Emil notices Adam admiring the pearl necklace and instantly recognizes it as that belonging to his ex-wife. Emil becomes jealous and enraged. Adam has no idea that Emil had been married to Eva. In his anger, Emil considers driving into an approaching train at a crossing, but at the last moment thinks better of it.
That night, Emil sits alone in a hotel room while a fly tries futilely to get out through a closed window and several others are shown trapped in flypaper. Meanwhile, downstairs, Adam is arranging flowers as he waits in the hotel restaurant for his lover, Eva, to arrive. The young lovers are very happy to be reunited. While they are drinking champagne and dancing, they suddenly hear a gunshot. Emil has shot himself. Everyone in the hotel runs to the door of Emil's room. Adam still does not know of the connection between Emil and Eva. She is deeply saddened by the suicide of Emil. However, she does not divulge her relationship with Emil to anyone, including Adam.
The young couple were to take the train to Berlin later that evening and begin their new life together. While waiting at the train station, Adam falls asleep. A distraught Eva slips quietly away while Adam sleeps and leaves on a different train. Later, he returns to his work in construction and daydreams of Eva, imagining her happily holding his baby.
Cast
Production
thumb|right|Barrandov Terraces, where the dancing scenes were shot
Ecstasy was filmed in the summer of 1932, with a German language script that contained only five pages. The original prepared script (two previous versions were cancelled) was in Czech, so Lamarr was useful in translating from German to French. However, other people involved in the movie disputed this. Lupita Tovar was offered the role of Eva, but after her husband Paul Kohner saw the script, which made it clear that nudity was expected, he insisted she not take the role. A similar story was told by Adina Mandlová, who was forbidden to accept the role by her then-boyfriend Hugo Haas. Cinematographer Jan Stallich said of Lamarr: "As the star of the picture she knew she would have to appear naked in some scenes. She never made any fuss about it during the production."
thumb|right|Hedy Lamarr in 1934
After a Vatican journalist attended screening at Venice Film Festival, Pope Pius XI denounced the film in the Vatican newspaper. As a result, none of the Italian distributors bought the rights for distribution. In Germany, the film was banned and only released in 1935 with edited scenes. In the United States, the Catholic Legion of Decency found the film morally objectionable. It condemned the film in 1933, making Ecstasy one of the first foreign films condemned by the Legion.
Beginning in 1936, the US distributor of Ecstasy lobbied the Hays office for ten months to get the film the Hays Code seal of approval which would allow it a wide American release. Joseph Breen called the picture "highlyeven dangerouslyindecent" in an inter-office memo to Will H. Hays, and told the producers: