Dune is a 1965 epic science fiction novel by American author Frank Herbert, originally published as two separate serials (1963–64 novel Dune World and 1965 novel Prophet of Dune) in Analog magazine. It tied with Roger Zelazny's This Immortal for the Hugo Award for Best Novel and won the inaugural Nebula Award for Best Novel in 1966. It is the first installment of the Dune Chronicles. It is one of the world's best-selling science fiction novels. Herbert's article on the dunes, "They Stopped the Moving Sands", was never completed (and only published decades later in The Road to Dune), but its research sparked Herbert's interest in ecology and deserts.
Herbert further drew inspiration from Native American mentors like "Indian Henry" (the name Herbert's son recalls him using for a man otherwise likely called Henry Martin, of the Hoh tribe) and Howard Hansen. Both Martin and Hansen grew up on the Quileute reservation near Herbert's hometown. According to historian Daniel Immerwahr, Hansen regularly shared his writing with Herbert. "White men are eating the earth," Hansen told Herbert in 1958, after sharing a piece on the effect of logging on the Quileute reservation. "They're gonna turn this whole planet into a wasteland, just like North Africa." The world could become a "big dune," Herbert responded in agreement.
Herbert was also interested in the idea of the superhero mystique and messiahs. He believed that feudalism was a natural condition humans fell into, where some led and others gave up the responsibility of making decisions and just followed orders. He found that desert environments have historically given birth to several major religions with messianic impulses. He decided to join his interests together so he could play religious and ecological ideas against each other. In addition, he was influenced by the story of T. E. Lawrence and the "messianic overtones" in Lawrence's involvement in the Arab Revolt during World War I. In an early version of Dune, the hero was actually very similar to Lawrence of Arabia, but Herbert decided the plot was too straightforward and added more layers to his story.
Herbert drew heavy inspiration also from Lesley Blanch's The Sabres of Paradise (1960), a narrative history recounting a mid-19th-century conflict in the Caucasus between rugged caucasian Muslim tribes and the expanding Russian Empire.<blockquote>Frank went on to tell me that much of the premise of Dune—the magic spice (spores) that allowed the bending of space (tripping), the giant sand worms (maggots digesting mushrooms), the eyes of the Freman (the cerulean blue of Psilocybe mushrooms), the mysticism of the female spiritual warriors, the Bene Gesserits (influenced by the tales of Maria Sabina and the sacred mushroom cults of Mexico)—came from his perception of the fungal life cycle, and his imagination was stimulated through his experiences with the use of magic mushrooms.</blockquote>Herbert spent the next five years researching, writing, and revising. He published a three-part serial Dune World in the monthly Analog, from December 1963 to February 1964. The serial was accompanied by several illustrations that were not published again. After an interval of a year, he published the much slower-paced five-part The Prophet of Dune in the January–May 1965 issues. The first serial became "Book One: Dune" in the final published Dune novel, and the second serial was divided into "Book Two: Muad'dib" and "Book Three: The Prophet". The serialized version was expanded, reworked, and submitted to more than twenty publishers, each of whom rejected it. The novel, Dune, was finally accepted and published in August 1965 by Chilton Books, a printing house better known for publishing auto repair manuals. Sterling Lanier, an editor at Chilton, had seen Herbert's manuscript and had urged his company to take a risk in publishing the book. However, the first printing, priced at , did not sell well and was poorly received by critics as being atypical of science fiction at the time. Chilton considered the publication of Dune a write-off and Lanier was fired. Over the course of time, the book gained critical acclaim, and its popularity spread by word-of-mouth to allow Herbert to start working full time on developing the sequels to Dune, elements of which were already written alongside Dune.
Herbert dedicated his work "to the people whose labors go beyond ideas into the realm of 'real materials'—to the dry-land ecologists, wherever they may be, in whatever time they work, this effort at prediction is dedicated in humility and admiration."
Plot
Duke Leto Atreides of House Atreides, ruler of the ocean world Caladan, is assigned by the Padishah Emperor Shaddam IV to serve as fief ruler of the planet Arrakis. Although Arrakis is a harsh and inhospitable desert planet, it is of enormous importance because it is the only planetary source of melange, or the "spice", a unique and incredibly valuable substance that extends human youth, vitality and lifespan. It is also through the consumption of spice that Spacing Guild Navigators are able to effect safe interstellar travel through a limited ability to see into the future. The Emperor is jealous of the Duke's rising popularity in the Landsraad, the council of Great Houses, and sees House Atreides as a potential rival and threat. He conspires with House Harkonnen, the former stewards of Arrakis and the longstanding enemies of the Atreides, to destroy Leto and his family after their arrival. Leto is aware his assignment is a trap of some kind, but is compelled to obey the Emperor's orders anyway.
Leto's concubine Lady Jessica is an acolyte of the Bene Gesserit, an exclusively female group that pursues mysterious political aims and wields seemingly superhuman physical and mental abilities, such as the ability to control their bodies down to the cellular level, and also decide the sex of their children. Though Jessica was instructed by the Bene Gesserit to bear a daughter as part of their breeding program, out of love for Leto she bore him a son, Paul. From a young age, Paul is trained in warfare by Leto's aides, the elite soldiers Duncan Idaho and Gurney Halleck. Thufir Hawat, the Duke's Mentat (human computers, able to store vast amounts of data and perform advanced calculations on demand), has instructed Paul in the ways of political intrigue. Jessica has also trained her son in Bene Gesserit disciplines.
Paul's prophetic dreams interest Jessica's superior, the Reverend Mother Gaius Helen Mohiam. She subjects Paul to a deadly test. She holds a poisoned needle, the gom jabbar, to his neck, ready to strike should he withdraw his hand from a box which creates extreme pain by nerve induction but causes no physical damage. This is to test Paul's ability to endure the pain and override his animal instincts, proving that he is, in Bene Gesserit eyes, human. Paul passes, enduring greater pain than any woman has ever been subjected to in the test.
Paul and his parents travel with their household to occupy Arrakeen, the capital on Arrakis. Leto learns of the dangers involved in harvesting the spice, which is protected by giant sandworms, and seeks to negotiate with the planet's indigenous Fremen people, seeing them as a valuable ally rather than foes. Soon after the Atreides' arrival, Harkonnen forces attack, joined by the Emperor's ferocious Sardaukar troops in disguise. Leto is betrayed by his personal physician, the Suk doctor Wellington Yueh, who delivers a drugged Leto to the Baron Vladimir Harkonnen and his twisted Mentat, Piter De Vries.
Yueh, who delivered Leto under duress, arranges for Jessica and Paul to escape into the desert. Duncan is killed helping them flee, and they are subsequently presumed dead in a sandstorm by the Harkonnens. Yueh replaces one of Leto's teeth with a poison gas capsule, hoping Leto can kill Baron Harkonnen during their encounter. Piter kills Yueh, and the Baron narrowly avoids the gas (due to his defensive shield), which kills Leto, Piter, and the others in the room. The Baron seduces Thufir Hawat to become his replacement mentat by promising him "the most efficient spices" and denigrating Leto as "one whose reason was clouded by emotion," while secretly dosing him with an unremovable fatal poison, providing a daily antidote via his food, as security.
Having fled into the desert, Paul is exposed to high concentrations of spice and has visions through which he realizes he has significant powers (as a result of the Bene Gesserit breeding scheme). He foresees potential futures in which he lives among the Fremen before leading them on a holy war across the known universe. Paul reveals that Jessica's father is Baron Harkonnen, a secret kept from her by the Bene Gesserit.
Paul and Jessica traverse the desert in search of Fremen people. After being captured by a Fremen band, Paul and Jessica agree to teach the Fremen the Bene Gesserit fighting technique known to the Fremen as the "weirding way" and are accepted into the community of Sietch Tabr. Paul proves his manhood by killing a Fremen man named Jamis in a ritualistic crysknife fight and chooses the Fremen name Muad'Dib, while Jessica opts to undergo a ritual to become a Reverend Mother by drinking and neutralizing the poisonous Water of Life. Pregnant with Leto's daughter, she inadvertently causes her unborn daughter Alia to become infused with the same powers in the womb. Paul takes a Fremen lover, Chani, who gives birth to his son Leto.
Two years pass, and Paul's powerful prescience manifests, which confirms to the Fremen that he is their prophesied "Lisan al-Gaib" messiah, a legend planted by the Bene Gesserit's Missionaria Protectiva. Paul embraces his father's belief that the Fremen could be a powerful fighting force to take back Arrakis, but also sees that if he does not control them, their jihad could consume the entire universe. Word of the new Fremen leader reaches both the Baron and the Emperor as spice production falls due to their increasingly destructive raids. The Baron encourages his brutish nephew Glossu "Beast" Rabban to rule with an iron fist, hoping the contrast with his shrewder nephew Feyd-Rautha will make the latter popular among the people of Arrakis when he eventually replaces Rabban. The Emperor, suspecting the Baron of trying to create troops more powerful than the Sardaukar to seize power, sends spies to Arrakis. Thufir uses the opportunity to sow seeds of doubt in the Baron about the Emperor's true plans, putting further strain on their alliance.
Gurney, who survived the Harkonnen coup and became a smuggler, reunites with Paul and Jessica after a Fremen raid on his harvester. Believing Jessica to be a traitor, Gurney threatens to kill her but is stopped by Paul. Paul did not foresee Gurney's attack and concludes he must increase his prescience by drinking the Water of Life, which is fatal to males. Paul falls into unconsciousness for three weeks after drinking the poison, but when he wakes, he has clairvoyance across time and space: he is the Kwisatz Haderach, the ultimate goal of the Bene Gesserit breeding program.
Paul senses the Emperor and the Baron are amassing fleets around Arrakis to quell the Fremen rebellion, and prepares the Fremen for a major offensive. The Emperor arrives with the Baron on Arrakis. The Sardaukar seize a Fremen outpost, killing many, including young Leto, while Alia is captured and taken to the Emperor. Under cover of an electric storm, which shorts out the Sardaukar's defensive shields, Paul and the Fremen, riding giant sandworms, destroy the capital's natural rock fortifications with atomics and attack, while Alia assassinates the Baron and escapes. The Fremen quickly defeat both the Harkonnen and Sardaukar troops, killing Rabban in the process. Thufir is ordered to assassinate Paul, who gives him the opportunity to take anything that Thufir wishes of him. Thufir chooses to stab himself with the poisoned needle intended for Paul.
Paul faces the Emperor, threatening to destroy spice production forever unless Shaddam abdicates the throne. Feyd-Rautha challenges Paul to a knife fight, during which he cheats and tries to kill Paul with a poison spur in his belt. Paul gains the upper hand and kills him. The Emperor reluctantly cedes the throne to Paul and promises his daughter Princess Irulan's hand in marriage. Paul takes control of the Empire, but realizes that he cannot stop the Fremen jihad, as their belief in him is too powerful to restrain.
Characters
;House Atreides
- Duke Leto Atreides, head of House Atreides
- Lady Jessica, Bene Gesserit and concubine of the Duke, mother of Paul and Alia
- Paul Atreides, son of Leto and Jessica
- Alia Atreides, Paul's younger sister
- Thufir Hawat, Mentat and Master of Assassins to House Atreides
- Gurney Halleck, staunchly loyal troubadour warrior of the Atreides
- Duncan Idaho, Swordmaster for House Atreides, graduate of the Ginaz School
- Wellington Yueh, Suk doctor for the Atreides who is secretly working for House Harkonnen
;House Harkonnen
- Baron Vladimir Harkonnen, head of House Harkonnen
- Piter De Vries, twisted Mentat
- Feyd-Rautha, nephew and heir-presumptive of the Baron
- Glossu "Beast" Rabban, also called Rabban Harkonnen, older nephew of the Baron
- Iakin Nefud, Captain of the Guard
;House Corrino
- Shaddam IV, Padishah Emperor of the Known Universe (the Imperium)
- Princess Irulan, Shaddam's eldest daughter and heir, also a historian
- Count Fenring, the Emperor's closest friend, advisor, and "errand boy"
;Bene Gesserit
- Reverend Mother Gaius Helen Mohiam, Proctor Superior of the Bene Gesserit school and the Emperor's Truthsayer
- Lady Margot Fenring, Bene Gesserit wife of Count Fenring
;Fremen
- The Fremen, native inhabitants of Arrakis
- Stilgar, Fremen leader of Sietch Tabr
- Chani, Paul's Fremen concubine and a Sayyadina (female acolyte) of Sietch Tabr
- Dr. Liet-Kynes, the Imperial Planetologist on Arrakis and father of Chani, as well as a revered figure among the Fremen
- The Shadout Mapes, head housekeeper of imperial residence on Arrakis
- Jamis, Fremen killed by Paul in ritual duel
- Harah, wife of Jamis and later servant to Paul who helps raise Alia among the Fremen
- Reverend Mother Ramallo, religious leader of Sietch Tabr
;Smugglers
- Esmar Tuek, a powerful smuggler and the father of Staban Tuek
- Staban Tuek, the son of Esmar Tuek and a powerful smuggler who befriends and takes in Gurney Halleck and his surviving men after the attack on the Atreides
Themes and influences
The Dune series is a landmark of science fiction. Herbert deliberately suppressed technology in his Dune universe so he could address the politics of humanity, rather than the future of humanity's technology. For example, a key pre-history event to the novel's present is the "Butlerian Jihad", in which all robots and computers were destroyed, eliminating these common elements to science fiction from the novel as to allow focus on humanity. Director John Harrison, who adapted Dune for Syfy's 2000 miniseries, called the novel a universal and timeless reflection of "the human condition and its moral dilemmas", and said:
But Dune has also been called a mix of soft and hard science fiction since "the attention to ecology is hard, the anthropology and the psychic abilities are soft." Hard elements include the ecology of Arrakis, suspensor technology, weapon systems, and ornithopters, while soft elements include issues relating to religion, physical and mental training, cultures, politics, and psychology.
Herbert said Paul's messiah figure was inspired by the Arthurian legend, and that the scarcity of water on Arrakis was a metaphor for oil, as well as air and water itself, and for the shortages of resources caused by overpopulation. Novelist Brian Herbert, his son and biographer, wrote:
Each chapter of Dune begins with an epigraph excerpted from the fictional writings of the character Princess Irulan. In forms such as diary entries, historical commentary, biography, quotations and philosophy, these writings set tone and provide exposition, context and other details intended to enhance understanding of Herbert's complex fictional universe and themes. They act as foreshadowing and invite the reader to keep reading to close the gap between what the epigraph says and what is happening in the main narrative. The epigraphs also give the reader the feeling that the world they are reading about is epically distanced, since Irulan writes about an idealized image of Paul as if he had already passed into memory. Brian Herbert wrote: "Dad told me that you could follow any of the novel's layers as you read it, and then start the book all over again, focusing on an entirely different layer. At the end of the book, he intentionally left loose ends and said he did this to send the readers spinning out of the story with bits and pieces of it still clinging to them, so that they would want to go back and read it again."
Middle-Eastern and Islamic references
Due to the similarities between some of Herbert's terms and ideas and actual words and concepts in the Arabic language, as well as the series' "Islamic undertones" and themes, a Middle-Eastern influence on Herbert's works has been noted repeatedly. In his descriptions of the Fremen culture and language, Herbert uses both authentic Arabic words and Arabic-sounding words. For example, one of the names for the sandworm, Shai-hulud, is derived from or . The title of the Fremen housekeeper, the Shadout Mapes, is borrowed from the , the Egyptian term for a device used to raise water. His 1962 biopic Lawrence of Arabia has also been identified as a potential influence. The Sabres of Paradise (1960) has also been identified as a potential influence upon Dune, with its depiction of Imam Shamil and the Islamic culture of the Caucasus inspiring some of the themes, characters, events and terminology of Dune.
The environment of the desert planet Arrakis was primarily inspired by the environments of the Middle East. Similarly Arrakis as a bioregion is presented as a particular kind of political site. Herbert has made it resemble a desertified petrostate area. The Fremen people of Arrakis were influenced by the Bedouin tribes of Arabia, and the Mahdi prophecy originates from Islamic eschatology. Inspiration is also adopted from medieval historian Ibn Khaldun's cyclical history and his dynastic concept in North Africa, hinted at by Herbert's reference to Khaldun's book Kitāb al-ʿibar ("The Book of Lessons"). The fictionalized version of the "Kitab al-ibar" in Dune is a combination of a Fremen religious manual and a desert survival book.
Additional language and historic influences
In addition to Arabic, Dune derives words and names from a variety of other languages, including Navajo, Latin, Old Scandinavian (""), Romani, Hebrew ("Kefitzat haderech", ), Serbo-Croatian, Nahuatl, Greek, Persian, Sanskrit ("prana bindu", "prajna"), Russian, Turkish, Finnish, and Old English. Bene Gesserit is part of the Latin legal phrase "as long as he shall behave himself well" seen in grants of certain offices (such as judgeships) meaning that the appointee shall remain in office so long as he shall not be guilty of abusing it. Some critics miss the connotation of the phrase, misled by the Latin future perfect , taking it over-literally (and adding an unwarranted passive) to mean "it will have been well borne", an interpretation which is not well supported by the Bene Gesserit doctrine in the story.<!-- The source gives the translation cited in the text. The claim it is a mistranslation and the claimed phrase reference are not in the source and appear to be original research. -->
Through the inspiration from The Sabres of Paradise, there are also allusions to the tsarist-era Russian nobility and Cossacks. Frank Herbert stated that bureaucracy that lasted long enough would become a hereditary nobility, and a significant theme behind the aristocratic families in Dune was "aristocratic bureaucracy" which he saw as analogous to the Soviet Union.
Environmentalism and ecology
Dune has been called the "first planetary ecology novel on a grand scale". Herbert hoped it would be seen as an "environmental awareness handbook" and said the title was meant to "echo the sound of 'doom'". It was reviewed in the best-selling countercultural Whole Earth Catalog in 1968 as a "rich re-readable fantasy with clear portrayal of the fierce environment it takes to cohere a community".
After the publication of Silent Spring by Rachel Carson in 1962, science fiction writers began treating the subject of ecological change and its consequences. Dune responded in 1965 with its complex descriptions of Arrakis life, from giant sandworms (for whom water is deadly) to smaller, mouse-like life-forms adapted to live with limited water. Dune was followed in its creation of complex and unique ecologies by other science fiction books such as A Door into Ocean (1986) and Red Mars (1992).
While the genre of climate fiction was popularized in the 2010s in response to real global climate change, Dune as well as other early science fiction works from authors like J. G. Ballard (The Drowned World) and Kim Stanley Robinson (the Mars trilogy) have retroactively been considered pioneering examples of the genre.
Declining empires
The Imperium in Dune contains features of various empires in Europe and the Near East, including the Roman Empire, Holy Roman Empire, and Ottoman Empire. Lorenzo DiTommaso compared Dune portrayal of the downfall of a galactic empire to Edward Gibbon's Decline and Fall of the Roman Empire, which argues that Christianity allied with the profligacy of the Roman elite led to the fall of Ancient Rome. In "The Articulation of Imperial Decadence and Decline in Epic Science Fiction" (2007), DiTommaso outlines similarities between the two works by highlighting the excesses of the Emperor on his home planet of Kaitain and of the Baron Harkonnen in his palace. The Emperor loses his effectiveness as a ruler through an excess of ceremony and pomp. The hairdressers and attendants he brings with him to Arrakis are even referred to as "parasites". The Baron Harkonnen is similarly corrupt and materially indulgent. Gibbon's Decline and Fall partly blames the fall of Rome on the rise of Christianity. Gibbon claimed that this exotic import from a conquered province weakened the soldiers of Rome and left it open to attack. The Emperor's Sardaukar fighters are little match for the Fremen of Dune not only because of the Sardaukar's overconfidence and the fact that Jessica and Paul have trained the Fremen in their battle tactics, but because of the Fremen's capacity for self-sacrifice. The Fremen put the community before themselves in every instance, while the world outside wallows in luxury at the expense of others.
The decline and long peace of the Empire sets the stage for revolution and renewal by genetic mixing of successful and unsuccessful groups through war, a process culminating in the Jihad led by Paul Atreides, described by Frank Herbert as depicting "war as a collective orgasm" (drawing on Norman Walter's 1950 The Sexual Cycle of Human Warfare), themes that would reappear in God Emperor of Dune Scattering and Leto II's all-female Fish Speaker army.
Gender dynamics
Gender dynamics are complex in Dune. Herbert offers a multi-layered portrayal of gender roles within the context of a feudal, hierarchical society, particularly through the Bene Gesserit Sisterhood. Although the Bene Gesserit tend to hold roles that are traditionally associated with women, such as wives, concubines, and mothers, their characters transcend stereotypes as they play politics and pursue long-term strategic goals. Full gender equality is not depicted in Dune, but the Bene Gesserit use specialized training and access to high-ranking men to gain agency and power within the constraints of their environment. Their training in prana-bindu allows them to exert control over their minds and bodies, including over pregnancy, and they are skilled in hand-to-hand combat and use of the Voice to command others. Jessica's disobedience in bearing a son instead of daughter and training him in the Bene Gesserit Way is a major plot point that sets in motion the events of the novel. Even within the male-dominated Imperium, then, the Bene Gesserit wield reproductive power and choose which genetic markers to continue into the future.
Reverend Mother Mohiam uses skills in Truthsaying to act as the Emperor's official Truthsayer and advisor. Her role can be considered similar to that of abbesses in the medieval Church. Before Princess Irulan appears as a character who agrees to a political marriage with Paul, she acts as a historian who shapes the reader's interpretation of the story and Paul's legacy due to the excerpts from her writing that frame each chapter.
The gom jabbar test of humanity is administered by the female Bene Gesserit order but rarely to males. The Bene Gesserit have seemingly mastered the unconscious and can play on the unconscious weaknesses of others using the Voice, yet their breeding program seeks after a male Kwisatz Haderach. A central theme of the book is the connection, in Jessica's son, of this female aspect with his male aspect. This aligns with concepts in Jungian psychology, which features conscious/unconscious and taking/giving roles associated with males and females, as well as the idea of the collective unconscious. Paul's approach to power consistently requires his upbringing under the matriarchal Bene Gesserit, who operate as a long-dominating shadow government behind all of the great houses and their marriages or divisions. Paul also receives Mentat training, thus helping prepare him to be a type of androgynous Kwisatz Haderach, a male Reverend Mother.
Heroism
Throughout Paul's rise to superhuman status, he follows a plotline common to many stories describing the birth of a hero. He has unfortunate circumstances forced onto him. After a long period of hardship and exile, he confronts and defeats the source of evil in his tale. As such, Dune is representative of a general trend beginning in 1960s American science fiction in that it features a character who attains godlike status through scientific means. Eventually, Paul Atreides gains a level of omniscience which allows him to take over the planet and the galaxy, and causes the Fremen of Arrakis to worship him like a god. Author Frank Herbert said in 1979, "The bottom line of the Dune trilogy is: beware of heroes. Much better to rely on your own judgment, and your own mistakes." He wrote in 1985, "Dune was aimed at this whole idea of the infallible leader because my view of history says that mistakes made by a leader (or made in a leader's name) are amplified by the numbers who follow without question."
Juan A. Prieto-Pablos says Herbert achieves a new typology with Paul's superpowers, differentiating the heroes of Dune from earlier heroes such as Superman, van Vogt's Gilbert Gosseyn and Henry Kuttner's telepaths. Unlike previous superheroes who acquire their powers suddenly and accidentally, Paul's are the result of "painful and slow personal progress." And unlike other superheroes of the 1960s—who are the exception among ordinary people in their respective worlds—Herbert's characters grow their powers through "the application of mystical philosophies and techniques." For Herbert, the ordinary person can develop incredible fighting skills (Fremen, Ginaz swordsmen and Sardaukar) or mental abilities (Bene Gesserit, Mentats, Spacing Guild Navigators).
Zen and religion
Early in his newspaper career, Herbert was introduced to Zen by two Jungian psychologists, Ralph and Irene Slattery, who "gave a crucial boost to his thinking". Zen teachings ultimately had "a profound and continuing influence on [Herbert's] work". The Fremen are referred to as Zensunni adherents, and many of Herbert's epigraphs are Zen-spirited. In "Dune Genesis", Frank Herbert wrote:
