thumb|upright=1.1|Portrait of Daniel Auber, 1827, by [[Hortense Haudebourt-Lescot|alt=middle-aged white man, clean-shaven except for sideboards, in mid-19th-century dress]]
Daniel-François-Esprit Auber (; 29 January 178212 May 1871) was a French Romantic composer and director of the Paris Conservatoire.
Born into an artistic family, Auber was at first an amateur composer before he took up writing operas professionally when the family's fortunes failed in 1820. He soon established a professional partnership with the librettist Eugène Scribe that lasted for 41 years and produced 39 operas, most of them commercial and critical successes. He is mostly associated with opéra-comique and composed 35 works in that genre. With Scribe he wrote the first French grand opera, La Muette de Portici (The Dumb Woman of Portici) in 1828, which paved the way for the large-scale works of Giacomo Meyerbeer.
Auber held two important official musical posts. From 1842 to 1871 he was director of France's premier music academy, the Paris Conservatoire, which he expanded and modernised. From 1852 until the fall of the Second Empire in 1870 he was director of the imperial chapel in the Louvre, for which he wrote a substantial number of liturgical works and other religious music.
A devotee of Paris, Auber refused to leave the city when the Franco Prussian War led to the siege of Paris and the subsequent rise of the Paris Commune. He died in his house in Paris, aged 89, shortly before the French government regained control of the capital.
Life and career
Early years
thumb|upright|Auber's father, c. 1806|alt=left profile portrait engraving of young white man clean shaven, with neat curly dark hair in early 19th-century costume
Auber was born on 29 January 1782 in Caen in Normandy, where his mother was visiting. The family was of Norman extraction but was based in Paris. Auber's grandfather had been "peintre du Roi" – the king's painter – responsible for sculpting and gilding the royal coaches, and Auber's father, Jean-Baptiste Daniel, was an officer of the royal hunt, based at the "petites écuries du Roi" – the king's small stables – in the Faubourg Saint-Denis in Paris. He and his wife, Françoise Adelaïde Esprit, née Vincent, had three sons and a daughter. When Auber was seven the French Revolution began, and his father had to find another occupation to allow him to go on providing for his family. He set up as a publisher, and opened a print shop in the rue Saint-Lazare, where he survived the Reign of Terror and prospered under the Directory and the Consulate. He had a salon, attended by artists of all kinds, where the young Auber sometimes performed: he was, by his teens, an accomplished violinist, pianist and singer. His shyness became well known. He never appeared before the public as a conductor, and throughout his career he was too nervous to attend his own first nights. He never married. There, he was admitted to the Société académique des Enfants d'Apollon, a prestigious association of musicians and music-loving painters, of which his father had been a member since 1784. Among Auber's compositions from this period were five cello concertos premiered by the soloist Lamare, in whose name at least three of them were originally published, although their real authorship soon emerged. The orchestra consisted of two violins, two violas, cello, and double-bass, but Auber made effective use of the small forces, and the piece was well received. Luigi Cherubini, the dominant figure in Parisian operatic circles, was in the audience, and recognising the powerful though untrained talent of the young composer, he took him as a private pupil. and was "a failure". Schneider (2001) writes that it had "a satisfactory 16 performances, and was revived in 1826 and staged in the provinces". Auber's biographer Robert Letellier writes that the names of Scribe and Auber became as linked in French minds as those of Gilbert and Sullivan later were in British ones. The partners' first collaboration was Leicester, ou Le château de Kenilworth, a three-act opéra comique, with a plot derived by Scribe, in collaboration with Mélesville, from Walter Scott's historical romance Kenilworth. It was given by the Opéra-Comique company at the Salle Feydeau in January 1823 with Antoine Ponchard and Antoinette Lemonnier in the leading roles, and received 60 performances over the next five seasons. Schneider writes of the collaboration:
thumb|left|upright=.6|[[Eugène Scribe, Auber's principal librettist from 1822 to 1860|alt=dark-haired, clean-shaven young white man in early 19th-century costume]]