Computers and writing is a sub-field of college English studies about how computers and digital technologies affect literacy and the writing process. The range of inquiry in this field is broad including discussions on ethics when using computers in writing programs, how discourse can be produced through technologies, software development, and computer-aided literacy instruction. Some topics include hypertext theory, visual rhetoric, multimedia authoring, distance learning, digital rhetoric, usability studies, the patterns of online communities, how various media change reading and writing practices, textual conventions, and genres. Other topics examine social or critical issues in computer technology and literacy, such as the issues of the "digital divide", equitable access to computer-writing resources, and critical technological literacies. Many studies by scientists have shown that writing on computer is better than writing in a book
"Computers and Writing" is also the name of an academic conference (see below).
The Field
This interdisciplinary field has grown out of rhetoric and composition studies. Members do scholarly work and teach in allied and diverse areas as technical and professional communication, linguistics, sociology, and law. Important journals supporting this field are Computers & Composition, Computers & Composition Online, and Kairos: A Journal of Rhetoric, Technology, and Pedagogy. The professional organization Conference on College Composition and Communication has a committee, known as the 7Cs committee (CCCC Committee on Computers in Composition and Communication), that selects onsite and online hosts for the Computers & Writing conference presented at that annual conference.
Conference and Conference History
The conference "Computers and Writing" was established in 1982 in Minneapolis, Minnesota by Donald Ross and Lillian Bridwell. The conference was informal at first, but has grown from a grassroots organized conference to an established, mainstream conference that examines the ways in which computers change writing practice and pedagogy. In earlier conferences, the scholarship presented often explored how computers influenced individual writers, but during the late 1980s and 1990s, scholarship shifted to hypertext and hypermedia, and the social nature of computer mediated writing. The conference's feminist roots are evident in its support of minority scholars and scholarship. Awards such as the Hawisher and Selfe Caring for the Future Scholarship provide opportunities for new presenters in Computers and Writing related fields to attend the conference. This scholarship is preferably awarded to minority scholars who are involved in the field.
While the conference was originally more focused on software and hardware decisions and use, the conference has become more concerned with the theoretical application of computers in writing pedagogy and practice. founded by Cynthia Selfe and Kate Kiefer in 1983, The majority of computers and writing scholars agree that engaging students in the production of such multimodal/digital texts is crucial to the learning process in our digitally infused moment. Technological advancements have facilitated the development of writing and digital literacy amongst students across all education levels. Consequently, theoretical frameworks designed for online writing instruction play a pivotal role in the advancement of pedagogy, encouraging the development of flexible learning environments.
During the 1960s and 1970s, which was also known as the "Birth of Composition," computer-assisted instruction was used to observe students and provided instant positive, negative, or constructive feedback. How computers and digital technologies would impact writers' efficiency and quality of work was being determined. Initial debate came from how best to balance creativity and technical construction in writing. Many teachers thought that the technology programs offered needed improvement because they did not allow for the creative expression of the students, acting only as an evaluator, reader, and feedback agent. The problems the students face in these programs now require much more comprehensive thinking and creativity to the point that it is difficult to still call the subject "writing" because the students are required to know much more.
Computers and digital media offer innovative ways to engage rhetorically with one another. Studying how students develop their digital literacy through their connecting their previous interactions with technologies to new forms by means of metaphors and mental models. Teaching theoretical composing concepts through scaffolding can build students' digital literacy both with current and future technologies and programs. These skills advance critical media awareness when working with digital media. Technology, specifically blogs, can be a way to build learning communities and help students learn to write authentically for and respond to various audiences by making their writing public. On the virtual playing field, knowledge and talent matter more than degrees and professional memberships, so these spaces offer students a new learning environment and space to collaborate on the production and distribution of knowledge. Also, digital tools improve educational quality by promoting a collaborative environment that stimulates critical thinking, preparing students for the pedagogical shifts in writing education.
Aligning with the notion of "affinity space", composition scholars have coined the term "cultural ecology" to examine the complex social and cultural contexts that shape the development of technological literacy. Drawing from the literacy narratives of two participants, Hawisher, Selfe, Moraski, and Pearson theorized five themes emergent from the cultural ecology of literacy, namely the "cultural, material, educational, and familial contexts" that shape and are shaped by literacy development. The five themes of cultural ecology emphasize that technological literacy goes through life spans, that literacy provides the medium for people to exert their agency, that literacy occurs and develops both within and outside of school contexts, that the conditions of access influence people's literacy development, and that literacy practices and values transmit via family units. Kristine Blair pointed to the positive impacts of cultural conflicts in constructing online discourses and political discussions, while at the same time warning that students may not transform exposure to the conflicts. Also looming behind the issue of culture in computer and writing is the digital divide. Cynthia Selfe showed that unequal access to technological literacy is situated in unequal social, cultural, economic, and political situations. As Selfe wrote, "computers continue to be distributed along the related axes of race and socioeconomic status and this distribution continues to ongoing patterns of racism and to the continuation of poverty." To address the digital divide, Selfe called upon educators and compositionists to rethink computer literacy as a political act that requires paying critical attention to inequality issues and acting politically in specific disciplinary contexts.