Chopsocky (or chop-socky The word is a play on chop suey, combining "chop" (as in karate chop referring to a strike with the edge of the hand) and "sock" (as in a punch).
Chopsocky movies are usually characterized by overblown storylines, over-the-top special effects (particularly exaggerated and sometimes bizarre sound effects during the actual fight scenes), and excessive violence. The genre is also known for its clumsy dubbing. Although the term "chopsocky" is commonly used as a name of martial arts cinema by the general media, the word can be disparaging as well. Another common meaning is a generalization for martial arts movies from Asia or Hong Kong in particular, without necessarily having the negative connotation. Variety magazine, the originator of the term, defined "chopsocky" simply as a martial arts film with no negative connotations.
Kung fu craze (1970s–1980s)
Hong Kong action cinema's international impact initially came in the form of martial arts films, especially 1970s kung fu films and most notably those of Bruce Lee. His earliest attempts at introducing his brand of Hong Kong martial arts cinema to the West came in the form of American television shows, such as The Green Hornet (1966 debut) and Kung Fu (1972 debut). The "kung fu craze" began in early 1973, with the unprecedented overseas box office success of Hong Kong martial arts films.
King Boxer (Five Fingers of Death) starring Indonesian-born actor Lo Lieh was the first Hong Kong film to top the US box office, paving the way for Bruce Lee's breakthrough with The Big Boss (Fists of Fury) topping the US box office. In May 1973, Hong Kong action cinema made US box office history, with three foreign films holding the top three spots for the first time: Fists of Fury, Lady Whirlwind (Deep Thrust), and Five Fingers of Death. Lee continued his success with Fist of Fury (The Chinese Connection), which also topped the US box office the following month. and then among white working-class Americans. Kung fu films also became a global success, across Asia, Europe and the third world. Kuan-Hsing Chen and Beng Huat Chua cited fight scenes in Hong Kong films such as Enter the Dragon as being influential for the way they pitched "an elemental story of good against evil in such a spectacle-saturated way".
In Japan, the manga and anime franchises Fist of the North Star (1983–1988) and Dragon Ball (1984–1995) were influenced by Hong Kong martial arts films, particularly 1970s kung fu films such as Bruce Lee's Enter the Dragon and Jackie Chan's Drunken Master (1978). In turn, Fist of the North Star and especially Dragon Ball are credited with setting the trends for popular shōnen manga and anime from the 1980s onwards.
Similarly in India, Hong Kong martial arts films had an influence on Hindi masala films. After the success of Bruce Lee films (such as Enter the Dragon) in India, Deewaar (1975) and later Hindi films incorporated fight scenes inspired by 1970s Hong Kong martial arts films up until the 1990s. Hindi cinema action scenes emulated Hong Kong rather than Hollywood, emphasising acrobatics and stunts and combining kung fu (as perceived by Indians) with Indian martial arts such as pehlwani.
Hong Kong martial arts films such as Enter the Dragon were the foundation for fighting games. The Street Fighter video game franchise (1987 debut) was inspired by Enter the Dragon, with the gameplay centered around an international fighting tournament, and each character having a unique combination of ethnicity, nationality and fighting style. Street Fighter went on to set the template for all fighting games that followed. The early beat 'em up game Kung-Fu Master (1984) was also based on Bruce Lee's Game of Death (1972) and Jackie Chan's Wheels on Meals (1984).
The success of Bruce Lee's films helped popularize the concept of mixed martial arts (MMA) in the West via his Jeet Kune Do system. In 2004, Ultimate Fighting Championship (UFC) founder Dana White called Lee the "father of mixed martial arts". Parkour was also influenced by the acrobatic antics of Jackie Chan in his Hong Kong action films, as well as the philosophy of Bruce Lee.
See also
- Bruceploitation