thumb|Chinese [[paper cuttings in a shop.]]The traditional art of paper cutting () in China may date back to the 2nd century CE, when paper was invented by Cai Lun, a court official of the Eastern Han dynasty. It was put on the UNESCO Representative List of the Intangible Cultural Heritage of Humanity in 2009.

Prior to the invention of paper, ancient Chinese used silver and gold leaf to create similar patterns of decorations. Paper cutting became popular as a way of decorating doors and windows as paper became more accessible. These elaborate cutting designs are created with scissors or artwork knives and can include a variety of shapes, such as symbols and animals. As paper became more affordable in Eastern Han dynasty, paper-cutting became one of the most important types of Chinese folk art. Later, this art form spread to other parts of the world, with different regions adopting their own cultural styles.

Since the cut-outs are often used to decorate doors and windows, most paper cuts are called "hua", which means "flower". "Flower" refers to the meaning of pattern instead of the botanic beauty. For different use of decorations, they are sometimes referred as different "hua". The paper cuts that used to decorate the window, it is called "window flowers" () or "window paper-cuts". For those used as stencils for embroidery called "hat flower" (帽花; mao hua), "pillow flower" (枕花; zhen hua), "shoe flower" (鞋花; xie hua). Usually, the artworks are made of red paper, as red is associated with festivities and luck in Chinese culture, but other colours are also used. Normally cut-paper artwork is used on festivals such as Chinese New Year, weddings and childbirth, as cut-paper artwork is considered to symbolize luck and happiness.

Origin

Chinese paper-cutting originated from the practice of worship of both ancestors and gods, a traditional part of Chinese culture dating back roughly two millennia. According to archaeological records, paper-cutting originates from the 6th century, although some believe that its history could be traced back as far as the Warring States period (around 3 BC), long before paper was invented. At that time, people used other thin materials, like leaves, silver foil, silk and even leather, to carve negative-space patterns.

Song dynasty

During the Song dynasty, Chinese papercutting developed into a more advanced technique, with trained artisans creating more complex artworks. The technique was used to decorate ceramics and make shadow puppets. By carving patterns onto oily cardboard and scraping patterns onto the fabric, blue-printed fabric came about.

Ming and Qing dynasties

In the Ming and Qing dynasty (1368-1912), paper-cutting reached a developmental peak and became a more popular Chinese art. Folk paper-cutting spread to a wider range of people and expressed an abundance of artistic expression. It developed a variety of uses, including lantern and fan ornaments, needlework patterns, and window flowers. Paper-cutting was used to decorate doors, windows, and walls, to show happiness and celebrate festivals. The imperial family also utilized papercutting, with the Forbidden City decorated with papercuts during the emperor's wedding ceremony. Its continual appeal reflects the Chinese people's creativity, with designs expressing cultural ideas and values.

This artistry witnessed its most prosperous period in Ming and Qing dynasties. For over a thousand years, people (mainly women) created cut-paper artworks as a leisure activity, creating different types of paper-cutting and passing this traditional craft onto their children,

Style Classification

Paper-cutting is one of the oldest and the most popular folk arts in China. It can be geographically divided into three main schools.

Jiangzhe School (江浙剪纸 jiāng zhè jiǎn zhǐ)

The Jiangzhe School is originated from the Jiangsu and Zhejiang provinces in Eastern China. Representative works are from Yangzhou in Jiangsu Province and Yueqing in Zhejiang Province. features ingenious and beautiful designs, exquisite carving and interesting shapes. It is the most famous internationally. It usually depicts nature theme of flowers, birds, fish and fruits.

Minority School

Miao paper-cutting originated in the southeast of Guizhou Province and is a common base in Miao traditional embroidery. The Miao are one of the 55 officially recognized ethnic minority groups in China. It is not used to decorate Windows, but to aid in embroidery, so that the pattern is more accurate and neat. The contents of the paper cuts are mostly from oral legends, such as figures, animals and flowers, but also some exaggerated or mythical images. Paper-cutting artists usually create based on stories, and the patterns pay attention to hierarchy and layout, which is an expression of Miao culture and memory.

Characteristics

thumb|right|200px|A symmetrical cut

Chinese paper cutting is an art form from the Chinese cultural legacy that displays a wide range of designs, from simple basic designs consisting of a single image to symmetrical, which are created by folding the paper into proportionate portions before cutting, so that when unfolded, it forms a symmetrical design, and are usually folded into an even number, such as twice or four times. Typically, the designs are freeform and depict scenes from there daily life.

Paper-cutting was and is mostly used as a decoration, or an aesthetic way to express people's hopes, gratitude and other emotions. The vivid designs depicting on paper-cuttings have different meanings. Some express wishes for a harvest or a wealthy life, shown through the imagery of a golden harvest, thriving domestic animals and plants, as well as good fortunes, a carp jumping over a dragon gate (a traditional Chinese story, indicating a leap towards a better life), polecats, lions, qilins (a mythical Chinese creature), jade rabbits (an animal taken from Chinese legend), pomegranates and peonies. Other designs feature legendary figures, or scenes from traditional myths or stories, such as designs of the Yellow Emperor, the meeting of Cowherd() and Weaver Girl(), and the 24 stories of filial piety. Designs may also show people's gratitude towards life, such as paper-cuttings of a doll with two twisted hairs on each side of the head, or fish swimming through lotus plants.

Symbolic use

The symbolic language of Chinese paper-cutting is deeply rooted in traditional culture. People use Chinese character as a symbol to express by paper-cutting. The most popular paper-cutting Chinese characters are the characters 福 (meaning 'lucky') and (meaning 'double happiness'), which respectively used in the scenario of Chinese New Year Celebrations and weddings.

Educational use

Chinese papercutting has educational uses that teach children about traditional Chinese art and culture and the beauty of papercutting while learning Chinese papercutting history. Practicing paper cuts also helps children enhance their fine motor skills, hand-eye coordination, cutting and creativity.

In many special education schools in China, paper cutting has become an important tool in the art education of deaf students. The tactile and visual nature of paper-cutting enables students to express emotions and convey meanings through non-verbal means, which not only inherits skills, but also plays a role in psychological healing.

Incorporating paper cutting art into international Chinese education in colleges and universities not only helps to enrich teaching content, enhance class interest, but also enhances the understanding and recognition of Chinese culture for international students. Through this intuitive and vivid intangible cultural heritage art form, teachers can break the barrier between language and culture, improve the effect of Chinese teaching, and realize the organic integration of language education and traditional culture inheritance.

Entertainment use

Chinese paper-cutting played a pivotal role in the development of shadow puppetry (皮影戏, píyǐngxì), a popular theatrical entertainment that flourished until the early 20th century. Artists crafted paper-cutting figures representing dramatic characters, which were then stuck to bamboo sticks for manipulation. However, since paper is hard to preserve over long time, soon these paper figures were replaced by leather. From 1990 to 2003, his works began to be frequently exhibited overseas in the form of paper cuttings. Chinese paper-cutting has spread throughout the globe during the 1990s period.

In 2009, Chinese paper cutting is officially added to the UNESCO Representative List of the Intangible Cultural Heritage of Humanity.

Contemporary social media allow audiences to participate in the creation and dissemination of artworks. Livestreaming, for example, offers paper cutters and audiences the ability to affect each other in real time. During a live stream of a paper artwork being constructed, the audience might suggest that the artist incorporate characters from popular culture, such as Bing Dwen-dwen (the mascot of 2022 winter Beijing Olympics), Nezha, or Pikachu.

Integrating the traditional Chinese paper cutting art into the modern fashion design can enhance its cultural connotation and artistic appeal. The designers incorporate some classic Chinese paper cutting motifs into the clothing patterns, embroidery, and accessories. This kind of design method creates some unique pieces that merge with both traditional aesthetics and contemporary style. This fusion can not only fill this ancient art with fresh invigoration, but also meets consumers' desire for diversity and novelty.

Social Functions

Several provincial governments and cultural institutions in China have initiated digital archiving projects for preserving regional paper-cutting styles. These initiatives involve scanning historical works, recording oral histories from folk artists, and developing online databases. Such digitization not only prevents the loss of intangible heritage but also enhances accessibility for researchers and educators worldwide.

In rural areas of Chinese provinces, traditional paper-cutting is becoming a means to empower women and promote rural economic development. Many cooperatives offer training courses in paper-cutting skills so that women can earn income by creating works while passing on culture. This model reflects the important role of intangible cultural heritage in sustainable rural development.

In recent years, China has launched a series of national intangible cultural heritage training programs to enhance the professional ability and social responsibility of paper-cutting inheritors. Taking the "paper cutting" workshop held in Inner Mongolia in 2022 as an example, the students received diversified courses such as theoretical teaching, practical operation, visit and exchange during the one-month training, which not only improved their technical level and aesthetic ability, but also enhanced their understanding of the non-hereditary mission. Such projects not only promote the creative transformation of paper cutting, but also strengthen public participation and cultural identity, reflecting the positive function of paper cutting art in contemporary society.

Paper cutting has increasingly become a highlight of intangible cultural heritage tourism in regions such as Shanxi. Scenic spots host live paper-cutting demonstrations and workshops, attracting both domestic and international tourists. These immersive experiences strengthen cultural identity while promoting cultural consumption.

As a traditional Chinese folk art, paper cutting not only carries emotional expression and cultural symbol, but also has a certain healing function. The creative process can help the creator to relieve pressure and promote self-cognition. Modern research suggests that paper cutting can stimulate the secretion of dopamine and endorphins, bringing a sense of calm and pleasure. The combination of paper-cutting and immersive installation art is more helpful to expand the application scene of psychological healing, and become a creative and acceptable way of physical and mental adjustment in modern society.

Chinese paper cutting has been exhibited many times in important international cultural activities such as the United Nations Chinese Language Day, showing traditional Chinese art to a global audience. These activities not only show the exquisite skills and rich cultural significance of paper cutting, but also let more foreign friends understand and love this traditional folk art. Through such cultural exchanges, Chinese paper cutting has won attention and recognition overseas, and has also enhanced the communication power and influence of Chinese culture in the world.

Chinese paper-cut animation is a combination of traditional paper-cut art animation form, the picture is unique, rich national characteristics. It was widely loved in the early days, but due to the complexity and inefficiency of production, it was gradually replaced by other forms of animation. Now, some researchers try to use digital technology to make paper-cut animation, hoping to improve the production efficiency on the basis of retaining the traditional style, so that this animation form with Chinese characteristics can be revitalized and better enter the vision of modern audiences.

Construction methods

There are two methods of manufacturing Chinese paper-cuttings: one method uses scissors, the other a sharp knife. The construction methods of papercutting involve several steps, including the selection of paper materials, specifically types and colors depending on the desired effect. The selected paper is then folded multiple times, and the pattern is drawn onto it. Next, cut the design out carefully, either with scissors or an art knife. Finally, the paper cutout is opened up to reveal the exquisite design, which can be further enhanced with additional details such as coloring and shading. The construction of papercutting requires patience, skill, and carefulness, as well as the creativity and artistry of artists.

Scissor construction method

The scissor construction approach involves taping multiple sheets of paper together and then cutting off the designated shapes using sharp scissors. Several pieces of paper – up to eight – are fastened together, before the motif is then cut with sharp, pointed scissors. Chinese paper-cutting involves cutting intricate, exquisite designs from a single or multiple layers of paper with scissors or artwork knives. It is passed down through generations because both procedures demand a great deal of talent and skills. This cutting of multiple paper layers at the same time enables a more consistent pattern.

See also

  • Chinese art
  • Chinese folk art
  • Chinese paper folding
  • Kirigami
  • Kurpie paper cutout
  • Leaf carving
  • Papercutting
  • Scherenschnitte
  • Wycinanki
  • Papel picado

References

Bibliography

  • Zhang Shuxian. Chinese Folk Paper-cutting[J]. China Today (Chinese version), 2005,(05)
  • Zhuang Zhiyun. Folk Paper-cutting[J]. Chuang Zuo Ping Tan, 2006,(02)
  • Wu, F. A glimpse of Chinese culture through papercuts [Press release], (2004, season-01)
  • Wu, Hung. Contemporary Chinese Art: A Critical History. Thames & Hudson, 2012, ISBN 978-0500239015.