John Chester Brooks Morris (February 16, 1901 – September 11, 1970) was an American stage, film, television, and radio actor. He had some prestigious film roles early in his career, and received an Academy Award nomination for Alibi (1929). Morris is remembered for portraying Boston Blackie, a criminal-turned-detective, in the eponymous film series of the 1940s.
Early years
thumb|right|Morris and [[Mae Marsh in The Beloved Traitor (1918)]]
Chester Morris was born John Chester Brooks Morris in New York City, and was one of five children of Broadway stage actor William Morris and stage comedienne Etta Hawkins. His siblings who lived to adulthood were screenwriter-actor Gordon Morris, actor Adrian Morris, and actress Wilhelmina Morris. Another brother, Lloyd Morris, had died young. He made his film debut in the silent comedy-drama film An Amateur Orphan (1917).
After appearing in several more Broadway productions in the early 1920s, Morris joined his parents, sister, and two brothers, Gordon and Adrian, on the vaudeville circuit. From 1923, they performed William Morris' original sketch called All the Horrors of Home, which premiered at the Palace Theatre, New York, then on the Keith-Orpheum circuit for two years, including Proctor's Theatre, Mount Vernon, New York, and culminating in Los Angeles in 1925. Morris returned to Broadway with roles in The Home Towners (1926) and Yellow (1927). While appearing in the 1927 play Crime, he was spotted by a talent agent and was signed to a film contract. He followed with roles in Woman Trap (1929), The Case of Sergeant Grischa (1930) and The Divorcee, starring Norma Shearer in 1930. Later that year, Morris was cast as one of the leads (with Wallace Beery and Robert Montgomery) in the MGM prison drama The Big House. For the next two years, he worked steadily in films for United Artists and MGM and was cast opposite Jean Harlow in the 1932 comedy-drama Red-Headed Woman.
By the mid- to late 1930s, Morris' popularity had begun to wane and he was cast as the lead actor in such B-movies as Smashing the Rackets (1938) and Five Came Back (1939). During World War II, Morris performed magic tricks in over 350 USO shows. He had been practicing magic since the age of 12 and was considered a top amateur magician.
While appearing in the Boston Blackie series, Morris continued to appear in roles in other films mostly for Pine-Thomas films for Paramount Pictures.
Illness and death
In mid-1968, Morris starred opposite Barbara Britton in the touring production of Where Did We Go Wrong?. After the production wrapped, he returned to his home in Manhattan, where his health began to decline. Morris was later diagnosed with stomach cancer.
Despite his declining health, Morris began work on what was his last film role, as Pop Weaver in the biographical drama The Great White Hope (1970). The film was released after his death. After filming wrapped, Morris joined the stage production of The Caine Mutiny Court Martial at the Bucks County Playhouse in New Hope, Pennsylvania. His remains were cremated and scattered over a German river.
Personal life
thumb|upright|Morris and his wife Lillian in 1943
Morris was married twice. He first married Suzanne Kilbourne on November 8, 1926. They had two children, John Brooks and Cynthia.
On November 30, 1940, Morris married socialite Lillian Kenton Barker at the home of actor Frank Morgan. They had a son, Kenton, born in 1944. The couple remained married until Morris's death in 1970.
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| September 22 – October 1918
| Thunder
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| Criterion Theatre, New York City
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| February 27 – July 19, 1958
| Blue Denim
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| Playhouse Theatre, New York City
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| 1918
| The Beloved Traitor
| Dan
| Lost film
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| 1929
| Fast Life
| Paul Palmer
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| 1945|| Old Gold Comedy Theatre || "Boy Meets Girl"
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| 1946|| Suspense || "The Strange Death of Gordon Fitzroy"
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| 1952|| Philip Morris Playhouse || "Each Dawn I Die"
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