Charles Weidman (July 22, 1901 – July 15, 1975) was a renowned choreographer, modern dancer and teacher. He is well known as one of the pioneers of modern dance in America. He sought to break free from the traditional movements of dance forms popular at the time to create a uniquely American style of movement. Born in 1901, he choreographed from the 1920s until his death in 1975. While he is most famous for his work with Doris Humphrey, Weidman did much work on his own. He created a bridge to a new range of movement that he only began to explore. His work inspired many and helped to create a whole genre of dance that is still evolving today.
Career
Charles Weidman began choreographing in a time of great change in American culture. He began his career as a dancer for the Denishawn Company, but soon decided to break free from their exotic style of movement and create a new style that was unique to America. He started the Humphrey-Weidman Company with Doris Humphrey in 1927, right in the midst of the Roaring Twenties. During this decade, society, art and culture were blossoming and thriving. Jazz music began to flourish, dancing became a popular activity, technology flourished, and the United States enjoyed a general sense of economic development. According to Weidman, "It was a positive time, one that said yes to human values, a time full of vitality, there was that urgent need to express oneself but also to express the time in which one lived. There was a belief in the future". In a time when change was coming rapidly and innovations were popular, Weidman brought this to the dance world and changed dance forever. While Weidman began his choreography during this immense time of change, he also choreographed for four decades after he began. He worked through the Great Depression, the New Deal, and World War II. Although his work is not very political, his themes and ideas were designed to embody American culture.
Ideas about dance
Charles Weidman wanted to create a uniquely American style of movement. He wanted to develop movement that was not based on animals or bugs or fairy tale stories like the common themes in popular ballets. He also wanted to break free from the current ideas of modern dance embodied by the Denishawn Company (of which he was a member). He wanted to "dance man and woman in America today". He was most famous for his work with Doris Humphrey, with whom he started the Humphrey-Weidman Company. The two met when they were dancing in the Denishawn Company (of Ted Shawn and Ruth St. Denis) and they soon after decided to create a dance company that built off a "dance style that sprang from American Soil".
Technique
Weidman's movement vocabulary was based on gravity. In concentrating on this element, the "fall was rediscovered." His choreography was expressive and usually very emotional. His work's emotions ranged from comedy to seriousness—yet the expression is always important and always present in his choreography.
Choreographic themes
Weidman was also well known for the range of choreographic styles in which he worked. He worked in several different elements including religious, comedic, tributary and serious work. Arguably his most famous work, Flickers, was a comedic sketch of silent films, filled with "jerky movements and corny situations". The piece is cut into four different reels that are four different stories or scenes. The pieces are very theatrical and comedic with many exaggerated facial expressions. Racial and sex stereotypes are exaggerated to a point of hilarity. In stark contrast Weidman choreographed a series called Atavisms which consisted of three pieces: Lynch Town, a choreographic depiction of a carnal and bloodthirsty mob acting like vultures about to devour their prey, Bargain Counter, and Stock Exchange. Weidman's work This Passion, a suite of dances depicting popular murder cases, also gained renown. Another of Weidman's major works was Brahms Waltzes, which was dedicated to Doris Humphrey "because it was the kind of movement she loved and could dance so beautifully". Contrasted against that again was a series of dances made as tributes to his mother's side of the family, called On My Mother's Side; this featured a succession of dances based on different members of his mother's side of the family. His later work includes his Oratorios, centered on religious themes, and of which Daniel Clay wrote: "It is a work magnificent in its scope and power and is arguably Mr. Weidman's master opus."