Charles Sheeler

Charles Sheeler (July 16, 1883 – May 7, 1965) was an American artist known for his Precisionist paintings, commercial photography, and the 1921 avant-garde film, Manhatta, which he made in collaboration with Paul Strand. Sheeler is recognized as one of the early adopters of modernism in American art.

Early life and career

Charles Rettew Sheeler Jr. was born in Philadelphia, Pennsylvania. He attended the Pennsylvania Museum School of Industrial Art from 1900 to 1903, and then the Pennsylvania Academy of the Fine Arts, where he studied under William Merritt Chase. He found early success as a painter and exhibited at the Macbeth Gallery in 1908. Most of his education was in drawing and other applied arts. He went to Italy with other students, where he was intrigued by the Italian painters of the Middle Ages, such as Giotto and Piero della Francesca. After a trip to Paris in 1909, Sheeler was inspired by works of Cubist artists like Pablo Picasso and Georges Braque. Returning to the United States, Sheeler felt that he would not be able to make a living as a modernist painter, so he took up commercial photography, focusing on architectural subjects. Sheeler was a self-taught photographer, learning his trade on a five dollar Brownie.

Early in his career, he was greatly impacted by the death of his close friend Morton Livingston Schamberg during the influenza epidemic of 1918. Schamberg's painting had focused heavily on machinery and technology, a theme that featured prominently in Sheeler's own work.

Sheeler owned a farmhouse in Doylestown, Pennsylvania, about 39 miles outside Philadelphia, which he shared with Schamberg until the latter's death. He was so fond of the home's 19th century stove that he called it his "companion" and made it a subject of his photographs. The farmhouse itself serves a prominent role in many of his photographs, which include shots of the bedroom, kitchen, and stairway. At one point he was quoted as calling it his "cloister." His work was also part of the painting event in the art competition at the 1932 Summer Olympics.

On April 2, 1939, Sheeler married Musya Metas Sokolova, his second wife, six years after the death in 1933 of first wife Katharine Baird Shaffer (married April 7, 1921). In 1942, Sheeler joined the Metropolitan Museum of Art as a senior research fellow in photography, worked on a project in Connecticut with the photographer Edward Weston, and moved with Musya to Irvington-on-Hudson, some twenty miles north of New York. Sheeler worked for the Metropolitan Museum's Department of Publications from 1942 to 1945, photographing artworks and historical objects.

Sheeler painted in a Precisionist style that complemented his photography and has been described as "quasi-photographic".

Manhatta

In 1920, Sheeler invited photographer Paul Strand to collaborate on a "portrait" of Manhattan in film. The resulting 35mm nine-minute series of vignettes, called Manhatta after Walt Whitman's poem, Mannahatta, was the first avant-garde film created in America.

In 1995 the film was selected for preservation in the National Film Registry by the Library of Congress, being deemed "culturally, historically, or aesthetically significant".

Work with General Motors and Ford Motor Company

His work is featured at the General Motors Technical Center in Warren Michigan. He was hired by the Ford Motor Company to photograph and make paintings of their factories.

Photography and film work

thumb|Manhatta, a portrait of New York City by Charles Sheeler and Paul Strand.

Films created by Charles Sheeler

1921 Manhatta (with Paul Strand)]

Photographic works

1917 Doylestown House: Stairs from Below (Metropolitan Museum of Art)
1927 Criss-Crossed Conveyors, River Rouge Plant, Ford Motor Company (Metropolitan Museum of Art)
1928 Images from Vogue and Vanity Fair

Selected paintings

Early works

thumb|Still Life (1925), one of Sheeler's earlier works, and one of several of his still life paintings

thumb|Connecticut Barns (1934), created by Sheeler for the [[Public Works of Art Project]]

Church Street El (1920) – The Cleveland Museum of Art, Cleveland
Still Life (1925) – M. H. de Young Memorial Museum, San Francisco
Lady of the Sixties (1925) – Boston Museum of Fine Arts, Boston
Upper Deck (1928–1929) – Harvard Art Museum, Cambridge, MA
American Landscape (1930) – Museum of Modern Art, New York City
Americana (1931) – Metropolitan Museum of Art, New York City
Classic Landscape (1931) – Barney A. Ebsworth collection
View of New York (1931) – Boston Museum of Fine Arts, Boston

Interior with Stove (1932) – National Gallery of Art, Washington, D.C.
River Rouge Plant (1933) – Whitney Museum of American Art, New York City
American Interior (1934) – Yale University Gallery, New Haven
Ephrata (1934) – D'Amour Museum of Fine Arts, Springfield, MA
City Interior (1936) – Worcester Art Museum, Worcester

Power series

In 1940, Fortune Magazine published a series of six paintings commissioned of Sheeler. To prepare for the series, Sheeler spent a year traveling and taking photographs. Fortune editors aimed to “reflect life through forms … [that] trace the firm pattern of the human mind,” and Sheeler chose six subjects to fulfill this theme: a water wheel (Primitive Power), a steam turbine (Steam Turbine), the railroad (Rolling Power), a hydroelectric turbine (Suspended Power), an airplane (Yankee Clipper) and a dam (Conversation: Sky and Earth) .

Conversation: Sky and Earth (1939) – Amon Carter Museum of American Art, Fort Worth
Primitive Power (1939) – The Regis Collection, Minneapolis
Rolling Power (1939) – Smith College, Northampton
Steam Turbine (1939) – Butler Institute of American Art, Youngstown
Suspended Power (1939) – Dallas Museum of Art, Dallas
Yankee Clipper (1939) – Rhode Island School of Design, Providence

Later works

thumb|The monument of Charles Sheeler (and [[Musya S. Sheeler|Musya) in Sleepy Hollow Cemetery]]

Interior (1940) – National Gallery of Art, Washington, D.C.
Fugue (1940) – Boston Museum of Fine Arts, Boston
Bucks County Barn (1940) – Terra Foundation for American Art, Chicago
The Artist Looks at Nature (1943) – Art Institute of Chicago, Chicago
Water (1945) – Metropolitan Museum of Art, New York
Incantation (1946) – Brooklyn Museum, Brooklyn
Amoskeag Canal (1948) – Currier Museum of Art, Manchester
Windows (1952) – Hirschl & Adler Galleries, New York City
Conversation Piece (1952) – Reynolda House Museum of American Art, Winston-Salem
Aerial Gyrations (1953) – San Francisco Museum of Modern Art, San Francisco
New England Irrelevancies (1953) – Boston Museum of Fine Arts, Boston
Ore Into Iron (1953) – Boston Museum of Fine Arts, Boston
Stacks in Celebration (1954) – Dayton Art Institute, Dayton
Architectural Cadences Number 4 (1954) – Amon Carter Museum of American Art, Fort Worth
Lunenburg (1954) – Boston Museum of Fine Arts, Boston
Midwest (1954) – Walker Art Center, Minneapolis
Golden Gate (1955) – Metropolitan Museum of Art, New York City
Western Industrial (1955) – Art Institute of Chicago, Chicago
The Web (1955) – Neuberger Museum of Art, Purchase, NY
On a Shaker Theme (1956) – Boston Museum of Fine Arts, Boston
Red Against White (1957) – Boston Museum of Fine Arts, Boston

Composition Around White (1959) – Collection of Deborah and Ed Shein

Exhibitions

"Charles Sheeler: Paintings, Drawings, Photographs" – Museum of Modern Art, New York, October 4 – November 1, 1939.
"Paintings by Charles Sheeler" – Dayton Art Institute, Dayton, Ohio, November 2 – December 2, 1944.
"The Photography of Charles Sheeler" – Museum of Fine Arts, Boston. Toured at the Metropolitan Museum of Art, New York, June 3 – August 17, 2003; the Detroit Institute of Arts; and the Georgia O'Keeffe Museum. Nearly 100 works, including 90 photographs.
"Charles Sheeler: Fashion, Photography, and Sculptural Form", Curated by Kirsten M. Jensen, Ph.D., Gerry & Marguerite Lenfest, Chief Curator, James A. Michener Art Museum, March 18-July 9, 2017.
“Charles Sheeler from Doylestown to Detroit” – Museum of Fine Arts, Boston, July 22–November 4, 2017.

Gallery

Paintings

File:Dahlias and asters, 1912.jpg|Dahlias and asters, 1912

File:Chrysanthemums 1912 sheeler.jpg|Chrysanthemums, 1912

File:Landscape, 1913.jpg|1913

File:Lhasa,1916.jpg|Lhasa,1916

File:Barn by Charles Sheeler.jpg|Barn, 1917. Conté crayon on paper

File:Skyscrapers Sheeler 1922.jpg|Skyscrapers, 1922

File:Pertaining to Yachts and Yachting.jpg|Pertaining to Yachts and Yachting, 1922

File:Gladioli in White Pitcher - Charles Sheeler.jpg|Gladioli in White Pitcher, 1926

File:Charles Sheeler - Home, Sweet Home - 45.455 - Detroit Institute of Arts.jpg|Home, Sweet Home, 1931

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Photographs

File:Side of White Barn, Bucks County, Pennsylvania, by Charles Sheeler, 1915.jpg | Side of White Barn, Bucks County, Pennsylvania, 1915

File:Bucks County Barn, by Charles Sheeler.jpg | Bucks County Barn, 1914-1917

File:Portrait of Marcel Duchamp by Baroness Freytag-Lohringhoven Charles Sheeler.jpg | Portrait of Marcel Duchamp by Baroness Freytag-Lohringhoven, 1922

File:Criss-Crossed Conveyors, River Rouge Plant, Ford Motor Company.jpg | Criss-Crossed Conveyors, River Rouge Plant, Ford Motor Company, 1927

File:Bleeder Stacks, Ford Plant, Detroit, by Charles Sheeler, 1927.jpg | Bleeder Stacks, Ford Plant, Detroit, 1927

File:Ford Plant, River Rouge, Blast Furnace and Dust Catcher, by Charles Sheeler.jpg | Ford Plant, River Rouge, Blast Furnace and Dust Catcher, 1927