Caress of Steel is the third studio album by Canadian rock band Rush, released on September 24, 1975, by Mercury Records. It was recorded immediately after the band concluded touring in support of their previous album, Fly By Night, and marked a development in the group's sound, moving from the blues-based hard rock style of their debut towards progressive rock. Caress of Steel is considered Rush's first progressive rock album.
Background and recording
By mid-1975, Rush had stabilised with a line-up of guitarist Alex Lifeson, bassist and vocalist Geddy Lee, and drummer and primary lyricist Neil Peart, who had joined the group in 1974. They released Fly by Night (1975), which marked Rush's first foray into multi-part conceptual songs with "By-Tor and the Snow Dog". The group were on a rise in popularity, and received a Juno Award for Most Promising Group. In June 1975, they finished touring Fly by Night, which culminated in a Canadian leg that had them as headliners for the first time. Lee said that the band were "pretty high" while making the album.
The album was recorded in July 1975 at Toronto Sound Studios in Toronto, Ontario. Mixing took place in the same studio. The cover artwork for Caress of Steel was designed by Hugh Syme, the first Rush album to feature his work. Syme has designed the cover artwork for every Rush album since.
On the inside gatefold of the album, just below the lyrics to "The Necromancer", the Latin phrase "Terminat hora diem; terminat auctor opus" appears, which translates (loosely) to:
:"[as] The hour ends the day; the author ends his work."
The source of this phrase is Christopher Marlowe's play Doctor Faustus (1592).
Release
Caress of Steel was released on September 24, 1975. By March 1976, it had sold around 40,000 copies in Canada. Although the band initially had high hopes for the album, it sold fewer copies than Fly by Night and was considered a disappointment by the record company. The album eventually became known as one of Rush's most obscure and overlooked recordings, consequently being considered under-rated by fans.
The complete album, along with the self-titled debut and Fly by Night, was included as part of the 1978 Anthem release Archives.
Reception
Caress of Steel received mixed reviews from professional critics. AllMusic's Greg Prato described the album as "one of Rush's more unfocused albums", while Daily Vault's Christopher Thelen called it "a tentative step for Rush, one which would lead to their masterpiece in conceptual work", in reference to the group's next album, 2112. Stereogum, in 2014, ranked it the second-worst studio album by Rush, just above Test for Echo (1996).
Remasters
A remaster was issued on CD in 1997.
- The tray has a picture of the star with man painting (mirroring the cover art of Retrospective I) with "The Rush Remasters" printed in all capital letters just to the left. All remasters from Rush through Permanent Waves (1980) are like this.
- The remaster adds the album's back cover and gatefold (which included band pictures and lyrics) to the packaging which was not included on the original CD.
Caress of Steel was remastered again in 2011 by Andy VanDette for the "Sector" box sets, which re-released all of Rush's Mercury-era albums. Caress Of Steel is included in the Sector 1 set.
Caress of Steel was remastered for vinyl in 2015 as a part of the official "12 Months of Rush" promotion. The high definition master prepared for this release was also made available for purchase in 24-bit/96 kHz and 24-bit/192 kHz formats, at several high-resolution audio online music stores. These masters have significantly less dynamic range compression than the 1997 remasters and the "Sector" remasters by Andy VanDette.
Track listing
Note: Cassette pressings swap the positions of "I Think I'm Going Bald" and "Didacts and Narpets".
Personnel
Rush
- Geddy Lee – vocals, bass
- Alex Lifeson – 6 and 12-string electric and acoustic guitars, classical guitar, steel guitar
- Neil Peart – drums, percussion, lyrics, spoken word on "The Necromancer"
Technical
- Rush – co-producers, arrangements
- Terry Brown – co-producer, engineer, arrangements
- AGI – art direction
- Hugh Syme – graphics
- Terrance Bert – photography
- Gerard Gentil – photography
- Barry McVicker – photography
Charts
{| class="wikitable sortable plainrowheaders" style="text-align:center"
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! scope="col"| Chart (1975)
! scope="col"| Peak<br /> position
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