A cant is the jargon or language of a group, often employed to exclude or mislead people outside the group. It may also be called a cryptolect, argot, pseudo-language, anti-language or secret language. Each term differs slightly in meaning; their uses are inconsistent.
Etymology
There are two main schools of thought on the origin of the word cant:
- In linguistics, the derivation is normally seen to be from the Irish word (older spelling ), "speech, talk", Within this derivation, the history of the word is seen to have referred to the chanting of friars initially, used disparagingly some time between the 12th) is a language used by various groups to prevent outsiders from understanding their conversations. The term argot is also used to refer to the informal specialized vocabulary from a particular field of study, occupation, or hobby, in which sense it overlaps with jargon.
In his 1862 novel Les Misérables, Victor Hugo refers to that argot as both "the language of the dark" and "the language of misery".
The earliest known record of the term argot in this context was in a 1628 document. The word was probably derived from the contemporary name , given to a group of thieves at that time.
Under the strictest definition, an argot is a proper language with its own grammatical system. Such complete secret languages are rare because the speakers usually have some public language in common, on which the argot is largely based. Such argots are lexically divergent forms of a particular language, with a part of its vocabulary replaced by words unknown to the larger public; argot used in this sense is synonymous with cant. For example, argot in this sense is used for systems such as and , which retain French syntax and apply transformations only to individual words (and often only to a certain subset of words, such as nouns, or semantic content words). Such systems are examples of argots , or "coded argots". While many of these colloquialisms may prove impenetrable to most lay people, few seem to be specifically designed to conceal meaning from patients (perhaps because standard medical terminology would usually suffice anyway). An anti-society is a small, separate community intentionally created within a larger society as an alternative to or resistance of it. Anti-languages differ from slang and jargon in that they are used solely among ostracized social groups, including prisoners, criminals, homosexuals, Anti-languages use the same basic vocabulary and grammar as their native language in an unorthodox fashion. For example, anti-languages borrow words from other languages, create unconventional compounds, or utilize new suffixes for existing words. Anti-languages may also change words using metathesis, reversal of sounds or letters (e.g., apple to elppa), or substituting their consonants. Polari, and Bangime.
In popular culture
Anti-languages are sometimes created by authors and used by characters in novels. These anti-languages do not have complete lexicons, cannot be observed in use for linguistic description, and therefore cannot be studied in the same way a language spoken by an existing anti-society would. However, they are still used in the study of anti-languages. Roger Fowler's "Anti-Languages in Fiction" analyzes Anthony Burgess's A Clockwork Orange and William S. Burroughs' Naked Lunch to redefine the nature of the anti-language and to describe its ideological purpose.
A Clockwork Orange is a popular example of a novel where the main character is a teenage boy who speaks an anti-language called Nadsat. This language is often referred to as an argot, but it has been argued that it is an anti-language because of the social structure it maintains through the social class of the droogs. The cants are mutually unintelligible.
In June 2009, it was reported that inmates in one English prison were using "Elizabethan cant" as a means of communication that guards would not understand, although the words used are not part of the canon of recognised cant.
The word has also been used as a suffix to coin names for modern-day jargons such as "medicant", a term used to refer to the type of language employed by members of the medical profession that is largely unintelligible to lay people.
- Banjački, from Serbia
- Barallete, from Galicia, Spain
- Bargoens, from the Netherlands
- Bron from León and Asturias, Spain
- Beurla Reagaird, a Gaelic-based cant used by Highland Traveller community in Scotland
- Boontling from California
- Caló (Chicano), from the US/Mexican border
- Cockney Rhyming Slang, from London, United Kingdom
- Engsh, from Kenya
- Fala dos arxinas, from Galicia, Spain
- Fenya from Russia
- Gacería, from Spain
- Gayle language, from South African gay culture
- Gender transposition
- Germanía, from Spain
- Grypsera, from Poland
- Guene, a secret language employed by enslaved people and their descendants in Curaçao and Bonaire.
- Gumuțeasca, from Romania
- Gyaru-moji, from Japan
- Hijra Farsi, from South Asia, used by the hijra and kothi subcultures (traditional indigenous approximate analogues to LGBT subcultures)
- IsiNgqumo, from South Africa and Zimbabwe
- Iyaric, from Jamaica, used by adherents of Rastafari
- Javanais, from France
- Jejemon, from the Philippines
- Joual, from Quebec French
- Kaliarda, from Greek, used by LGBT community.
- Klezmer-loshn, from Eastern Europe
- Korean ginseng-harvesters' cant, from Korea
- Leet (or 1337 speak), from internet culture
- Louchébem, from France
- Lóxoro, from Peru
- Lubunca, from Turkey, used by LGBT community.
- Lunfardo, from Argentina and Uruguay
- Martian language, to replace Chinese characters
- Meshterski, from Bulgaria
- Miguxês, from the emo, hipster subcultures of young netizens in Brazil
- Minderico, a sociolect or a secret language traditionally spoken by tailors and traders in Minde, Portugal.
- Nadsat, a fictional argot
- Nihali, from India
- Nyōbō kotoba, from Japan
- Padonkaffsky jargon (or Olbanian) from Runet, Russia
- Pig Latin
- Pitkernese
- Podaná, from Greece
- Pajubá, from Brazil a dialect of the gay subculture that uses African or African-sounding words as slang, heavily borrowed from the Afro-Brazilian religions
- Polari, a general term for a diverse but unrelated group of dialects used by actors, circus and fairground showmen, gay subculture, criminal underworld (criminals, prostitutes).
- Rotvælsk, from Denmark
- Rotwelsch, from Germany
- Šatrovački, from the former Yugoslavia
- Scottish Cant, a variant of Scots and Romani used by the Lowland Romani people in Scotland, United Kingdom
- Shelta, from the Irish Travellers community in Ireland
- Sheng from Kenya
- Spasell, from Italy
- Swardspeak (or Bekimon, or Bekinese), from the Philippines
- Thieves' cant (or peddler's French, or St Giles' Greek), from the United Kingdom
- Tōgo, from Japan (a back slang)
- Totoiana, from Romania
- Tsotsitaal, from South Africa
- Tutnese, from the United States
- Verlan, from France
- Xíriga, from Asturias, Spain
- Zargari, from Iran
Thieves' cant
The thieves' cant was a feature of popular pamphlets and plays, particularly between 1590 and 1615, but continued to feature in literature through the 18th century. There are questions about how genuinely the literature reflected vernacular use in the criminal underworld. A thief in 1839 claimed that the cant he had seen in print was nothing like the cant then used by "gypsies, thieves, and beggars." He also said that each of these used distinct vocabularies, which overlapped, the gypsies having a cant word for everything, and the beggars using a lower style than the thieves.
See also
- Code word (figure of speech)
- Code talker
- Costermonger
- Doublespeak
- Gibberish (language game)
- Jargon
- Lazăr Șăineanu, a Romanian who studied such languages
- Microculture
- Obfuscation
- Patois
- Rhyming slang
- Shibboleth
References
Secondary sources
Further reading
- Halliday, M. A. K. (1976) "Anti-Languages". American Anthropologist 78 (3) pp. 570–584
