"Can't Let Go" is a song recorded by American singer-songwriter Mariah Carey for her second studio album, Emotions (1991). Columbia Records released it as the album's second single in November 1991. Featuring synthesizers and drum programming, "Can't Let Go" is a breakup song in the form of an R&B and pop slow jam. The lyrics, written by Carey, are about post-breakup sadness. She composed the music and produced the song with Walter Afanasieff, who had previously worked on her 1990 single "Love Takes Time". Carey's vocal range spans more than three octaves; her delivery is predominately breathy and in a low register, with whistle notes in the song's introduction and ending.

Music critics considered "Can't Let Go" a vocal showcase for Carey but gave the composition mixed reviews. In the United States, "Can't Let Go" received significant airplay across adult contemporary, contemporary hit, and urban contemporary radio formats. It peaked at number two on the Billboard Hot 100 chart and ended her streak of five consecutive number one songs dating to her debut, "Vision of Love". "Can't Let Go" also became her lowest-charting single in Australia, New Zealand, and the Netherlands, at the time. Elsewhere, the song peaked within the top ten on sales and airplay charts in Canada and at number twenty in the United Kingdom. The Recording Industry Association of America certified it gold.

Jim Sonzero directed the black and white music video, which depicts Carey singing alone in an empty house. She performed "Can't Let Go" on several American and British television programs such as MTV Unplugged, Saturday Night Live, and Top of the Pops. Carey sang it during her 2006 concert tour The Adventures of Mimi and the Las Vegas residencies The Butterfly Returns and The Celebration of Mimi. "Can't Let Go" is featured on her compilation albums Greatest Hits (2001) and The Ballads (2008).

Background and release

After its release in June1990, American singer Mariah Carey's eponymous debut album sold over seven million copies and four of its singles reached number one on the US Billboard Hot 100 chart. She resumed work with Walter Afanasieff in late 1990 for her second album Emotions (1991); he had produced the Mariah Carey single "Love Takes Time" earlier that year. One of their first collaborations, "Can't Let Go", was recorded in 1991 after a demo received approval from Columbia Records executives.

Columbia issued Emotions on September 17,1991, with "Can't Let Go" as the third track. "Can't Let Go" was the second single from Emotions, following the title track "Emotions". Unlike the latter, "Can't Let Go" was only distributed as a cassette single and seven-inch vinyl single in the United States instead of additional maxi cassette, twelve-inch vinyl, and compact disc configurations. Sony Music Japan released a mini CD single on December 5,1991. The B-side for most formats was dance track "To Be Around You", an album cut from Emotions. "Can't Let Go" was later included on Carey's compilation albums Greatest Hits (2001) and The Ballads (2008).

Music and lyrics

Musically, "Can't Let Go" is an R&B and pop song in the form of a slow jam. Carey wrote the lyrics herself and composed the music with Afanasieff. are about sadness after the end of a relationship: "Do you know the way it feels when all you have just dies?" Referring to the line "Every night I see you in my dreams", author Andrew Chan said the song is about "how the one who's been left behind turns the void into something graspable" and French professor Beverly J. Evans stated it is indirectly influenced by the dream vision in the medieval poem Roman de la Rose. According to John Martinucci of the Gavin Report, Carey evokes "feelings of a unity that's been cast away without resolution".

"Can't Let Go" opens with a minute of synthesizer and guitar instrumentation interspersed with faint notes from Carey in the whistle register. Arranged in gospel-influenced harmonies,

According to official sheet music published by Hal Leonard, "Can't Let Go" has a moderate tempo of 80 beats per minute. The album version lasts four minutes and twenty-seven seconds and the edited single is three minutes and forty-nine seconds long. Billboard contributor Sal Cinquemani viewed it as a rewrite of "Make It Last Forever", a 1987 track by Keith Sweat. Nickson said the song "could easily have been written in any decade from the fifties onward". Songwriters Sharon Taber and Randy Gonzales filed a claim in the United States District Court for the Central District of California against Carey, Afanasieff, and several music businesses in March 1992. They alleged the composition of the chorus in "Can't Let Go" is the same as that in their 1990 song "Right Before My Eyes". The defendants rejected the accusation and the case was dropped in a 1996 confidential settlement ahead of an impending trial.

| rev2 = Entertainment Weekly

| rev2score = B+

Carey's vocal performance was a topic of critical commentary. Tampa Tribune writer Wayne Garcia thought her breathy delivery helped make "Can't Let Go" worthwhile. According to Chuck Campbell of The Knoxville News-Sentinel, Carey "glides on the sweeping beauty" of the song. Writing in The Times, David Sinclair said the whistle notes showcased her vocal abilities successfully. Randy Clark and Bryan DeVaney from Cash Box commented: "Her voice still has that crystal-clear sound that has hypnotized listeners of all sorts." Parry Gettelman of the Orlando Sentinel and Rashod D. Ollison of The Baltimore Sun deemed her singing histrionic. New York Times writer Jon Caramanica and Peter Piatkowski in PopMatters called the song beautiful. Billboard contributor Princess Gabbara cited it as an example of Carey and Afanasieff's musical chemistry. According to Entertainment Weeklys Whitney Pastorek, "something in the structure creates these places where it could jump off and go in a different direction, sprout another tune, but then it zigs where it seems like it should zag". Differing in The Washington Post, Mike Joyce called the track "tiresome and predictable". Chan considered the lyrics marred by clichés and Siân Pattenden of Smash Hits said it sounds suitable for an advertisement.

Commercial performance

Carey's first five singles from "Vision of Love" to "Emotions" topped the Billboard Hot 100 Singles chart in the United States. "Can't Let Go" ended the streak when it peaked at number two on January 25,1992. , it is Carey's sixteenth-best performing song on the Hot 100. On the comparative Top 100 Pop Singles chart published by Cash Box, "Can't Let Go" became Carey's sixth consecutive number one song.

"Can't Let Go" achieved less success outside the United States. In Canada, the single peaked at number three on the airplay chart produced by RPM and number seven on the sales chart published by The Record. Filmed in black and white and composed of fewer than one hundred shots, Music journalist Rip Rense considered Carey's scenes "self-consciously artsy". Following its release in late 1991, the video was included on Carey's 1992 album MTV Unplugged +3.

Carey performed "Can't Let Go" on several occasions. In 1991 and 1992, she sang it on American television shows such as MTV Unplugged, and Saturday Night Live. Carey promoted the song to a British audience on Top of the Pops. She included "Can't Let Go" in the setlist of her 2006 Adventures of Mimi tour as part of a ballad medley. Carey performed the track during her Las Vegas concert residencies The Butterfly Returns (2018–2020) and The Celebration of Mimi (2024). She appeared on rapper Rick Ross's song "Can't Say No" on his 2015 album Black Market, which samples "Can't Let Go".

Track listings

  • 7-inch vinyl, cassette, CD, mini CD singles
  1. "Can't Let Go" (edit)
  2. "To Be Around You"
  • 12-inch vinyl single, CD maxi single 1
  1. "Can't Let Go" (edit)
  2. "To Be Around You"
  3. "Can't Let Go"
  • CD maxi single 2
  1. "Can't Let Go" (edit)
  2. "To Be Around You"
  3. "The Wind"
  • CD maxi single 3
  1. "Can't Let Go" (edit)
  2. "I Don't Wanna Cry"
  3. "All in Your Mind"

Credits and personnel

Recording

  • Recorded at Skywalker Sound, Marin Country, California; The Plant Recording Studios, Sausalito, California; Right Track Recording, New York City.
  • Mixed at Right Track Recording, New York City.
  • Mastered at Masterdisk, New York City.

Charts and certifications

{|class="wikitable sortable plainrowheaders" style="text-align:center"

|+1991–1992 weekly chart performance

!scope="col"|Chart (Publisher)

!scope="col"|Peak <br>position

|-

!scope="row"|Australia (ARIA)

|63

|-

!scope="row"|Canada Retail Singles (The Record)

|7

|-

!scope="row"|Canada Contemporary Hit Radio (The Record)

|3

|-

!scope="row"|Canada Adult Contemporary (RPM)

|3

|-

!scope="row"|Europe (Eurochart Hot 100)

|69

|-

!scope="row"|Europe (European Dance Radio)

|19

|-

!scope="row"|Europe (European Hit Radio)

|16

|-

!scope="row"|Luxembourg (Radio Luxembourg)

|17

|-

!scope="row"|Netherlands Single Top 100 (Dutch Charts)

|77

|-

!scope="row"|New Zealand Singles (RIANZ)

|21

|-

! scope="row"| Norway Airplay (Radio Topp 20)

|14

|-

! scope="row"| Sweden Airplay (Airplay Sweden)

|20

|-

!scope="row"|UK Singles (MRIB)

|18

|-

!scope="row"|UK Airplay (ERA)

|19

|-

!scope="row"|US Hot 100 Singles (Billboard)

| 2

|-

!scope="row"|US Hot Adult Contemporary (Billboard)

|1

|-

!scope="row"|US Hot R&B Singles (Billboard)

|2

|-

!scope="row"|US Top 100 Pop Singles (Cash Box)

|1

|-

!scope="row"|US Top 100 R&B Singles (Cash Box)

|1

|-

!scope="row"|US Adult Contemporary (Gavin Report)

|1

|-

!scope="row"|US Crossover (Gavin Report)

|1

|-

!scope="row"|US Top 40 (Gavin Report)

|1

|-

!scope="row"|US Urban Contemporary (Gavin Report)

|2

|-

! scope="row"| US Adult Contemporary (Radio & Records)

|1

|-

!scope="row"| US Contemporary Hit Radio (Radio & Records)

|46

|-

!scope="row"|Canada Hit Tracks (RPM)

|47

|-

!scope="row"|Canada Adult Contemporary (RPM)

|11

|-

!scope="row"|US Hot 100 Singles (Billboard)

|23

|-

!scope="row"|US Hot Adult Contemporary (Billboard)

|11

|-

!scope="row"|US Hot R&B Singles (Billboard)

|24

|-

!scope="row"|US Top 100 Pop Singles (Cash Box)

|23

|-

!scope="row"|US Adult Contemporary (Gavin Report)

|82

|-

!scope="row"|US Top 40 (Gavin Report)

|39

|-

!scope="row"|US Urban Contemporary (Gavin Report)

|45

|-

!scope="row"|US Adult Contemporary (Radio & Records)

|25

|-

!scope="row"|US Contemporary Hit Radio (Radio & Records)

|34

|-

!scope="row"|US Urban (Radio & Records)

|42

|}

{| class="wikitable plainrowheaders" style="text-align:center;"

|+List of certifications

!scope="col"|Region (Organization)

!scope="col"|Units (Certification)

|-

!scope="row"|United States (RIAA)