Camino Real is a 1953 play by Tennessee Williams.

Pronunciation of the title

In the introduction to the Penguin edition of the play, Williams directs the reader to use the Anglicized pronunciation "Cá-mino Réal." The title suggests some sort of road, but the setting is a dead-end place, a Spanish-speaking town surrounded by desert with only sporadic transportation to the outside world. It is described by Williams as "nothing more nor less than my conception of the time and the world I live in." It is a place of refuge for the quirky misfits that turn up there, and find their illusions crumble. Characters include Lord Byron, Gypsy and her sex-driven daughter, Esmerelda, La Madrecita, a blind singer, and Casanova at an advanced age.

The division of the play includes a prologue followed by 16 scenes or “blocks” and monologues.

Sancho Panza has left Don Quixote, who then falls asleep, and Quixote's dream, which ensues, becomes the play. Quixote needs someone to replace Panza, so he selects Kilroy, a dispirited American soldier, who had appeared on the plaza. Kilroy has been courageous in his boxing career, but now he feels lost, and needs to sell his golden gloves.

The cruel Gutman, builds The Seven Seas Hotel above the town's water source. Other characters appear in dreams, including Camille, Lord Byron, Esmeralda, La Madrecita (a blind singer), and Baron de Charlus, the sexual seeker who is murdered. Some characters find partners and some do not.

Resurrections occur: Esmeralda regains her virginity, the singer’s eyesight is restored, Kilroy and Lord Byron are transformed.

Marguerite tells Casanova that she has outlived the tenderness of her heart, and that "tenderness, the violets in the mountains—can't break the rocks!" Casanova falls in love and has the last line of the play: "The violets in the mountains have broken the rocks."

Production history

Inspiration

In 1946 Williams wrote an account of the origins of the play, in which he describes how he was visiting Mexico in 1945 and in a romantic, dreamy mood, when:

Premiere

Camino Real originated with Williams's one-act play, Ten Blocks on the Camino Real, written in 1946 and published by Dramatists Play Service in 1948. This series of 10 scenes, or "blocks", was first staged in a workshop by Elia Kazan at the Actors Studio in 1949.

Revivals

Camino Real was presented on television in 1966 by NET, a PBS predecessor, as Ten Blocks on the Camino Real. A black-and-white production, it was directed by Jack Landau and starred Martin Sheen, Lotte Lenya, Tom Aldredge, Michael Baseleon, Albert Dekker, and Hurd Hatfield.

In 1968, the Los Angeles Mark Taper Forum revived the play with Earl Holliman as Kilroy.

In January 1970, the play enjoyed its first Broadway revival at the Vivian Beaumont Theater at Lincoln Center, directed by Jules Irving and starring Al Pacino (Kilroy), Victor Buono (Gutman), Patrick McVey (Don Quixote), Jean-Pierre Aumont (Casanova), Jessica Tandy (Camille), Sylvia Syms (the Gypsy), David J. Stewart (the Baron), Susan Tyrrell (Esmeralda), and Clifford David (Lord Byron). In his review for The New York Times, critic Clive Barnes wrote "there are people who think that Camino Real was Tennessee Williams's best play, and I believe that they are right. It is a play that seems to have been torn out of a human soul, a tale told by an idiot signifying a great deal of suffering and a great deal of gallantry."

During the summer of 2025, the Williamstown Theatre Festival debuted a new production directed by Dustin Wills, starring Pamela Anderson (Marguerite), Nicholas Alexander Chavez (Kilroy), and Whitney Peak (Esmerelda).

References

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