"Being for the Benefit of Mr. Kite!" is a song recorded by the English rock band the Beatles for their eighth studio album Sgt. Pepper's Lonely Hearts Club Band (1967). It was written and composed primarily by John Lennon and credited to Lennon–McCartney. Lennon denied that the song had anything to do with heroin.

Background

thumb|The circus poster from 1843 that inspired the song|left

Lennon purchased the original "Mr. Kite" poster in a Sevenoaks antiques shop on 31 January 1967, while the Beatles were filming promotional material for "Strawberry Fields Forever". He claimed years later to still have the poster in his home. "Everything from the song is from that poster", he explained, "except the horse wasn't called Henry." (The poster identifies it as "Zanthus".) The song also changes the location of the performance from Rochdale to Bishopsgate.

The lyrics detail the evening's programme, consisting of a series of acrobatic tricks performed by Messrs. Kite and Henderson. Using a trampoline, Mr. Kite is to fly "over men and horses, hoops and garters" and lastly "through a hogshead of real fire". The Hendersons, meanwhile, will dance and sing, and Mr. Henderson will undertake "ten somersets". Finally, Henry the Horse will dance the waltz.

Mr. Kite is believed to be William Kite, who worked for Pablo Fanque from 1843 to 1845. Mr. Henderson was John Henderson, a wire-walker, equestrian, trampoline artist, and clown. While the poster made no mention of "Hendersons" plural, as Lennon sings, John Henderson did perform with his wife Agnes, the daughter of circus owner Henry Hengler. The Hendersons performed throughout Europe and Russia during the 1840s and 1850s.

"Being for the Benefit of Mr. Kite!" is credited to Lennon–McCartney, but Lennon said he had written it entirely himself. Pete Shotton, however, in his book John Lennon: In My Life, also remembers Lennon writing the song alone.

Recording

One of the most musically complex songs on Sgt. Pepper, "Mr. Kite!" was recorded by the Beatles on 17 February 1967 with overdubs on 20 February (organ sound effects), 28 March (harmonica, organ, guitar), 29 March (more organ effects) and 31 March. Lennon wanted the track to have a "carnival atmosphere", and told producer George Martin that he wanted "to smell the sawdust on the floor". In the middle eight bars, several recordings of fairground organs and calliope music were spliced together in order to satisfy this request. In a 1968 interview, Martin recalled that he achieved this "by playing the Hammond organ myself and speeding it up". An attempt was made to find a 19th-century steam organ for hire in London, to enhance the carnival atmosphere effect, but to no avail. After a great deal of unsuccessful experimentation, Martin instructed recording engineer Geoff Emerick to chop the tape into pieces with scissors, throw them up in the air, and re-assemble them at random.

Before the start of the first take, Lennon sings the words "For the benefit of Mr. Kite!" in a joke accent, then Emerick announces, "For the Benefit of Mr. Kite! This is take one." Lennon immediately responds, "Being for the Benefit of Mr. Kite!". The exchange is recorded in The Beatles Recording Sessions and is audible on track eight of disc two of Anthology 2. The original recording can also be heard during the loading screen for the song if it is downloaded in the 2009 video game The Beatles: Rock Band.

Although Lennon once said he was "just going through the motions" and "wasn't proud of" the song, in 1980 he described it as "pure, like a painting, a pure watercolour". AllMusic stated, "The Beatles and Martin pulled out all the stops to make a layer of sound that was only possible to create in the recording studio [...] resulting in a sound both redolent of the circuses of bygone days, and as avant-garde as anything in rock music." Hammond organ, and harmonica

  • Paul McCartney – harmony vocal, bass guitar, lead guitar
  • George Harrison – harmony vocal, harmonica, tambourine,