Bard

thumb|The Bard (1778) by [[Benjamin West]]

In Celtic cultures, a bard is an oral repository and professional story teller, lyricist, music composer, oral historian, and genealogist, employed by a patron (such as a monarch or chieftain) to commemorate one or more of the patron's ancestors and to praise the patron's own activities.

With the decline of a living bardic tradition in the modern period, the term has loosened to mean a generic minstrel or author (especially a famous one). For example, William Shakespeare and Rabindranath Tagore are respectively known as "the Bard of Avon" (often simply "the Bard") and "the Bard of Bengal". In 16th-century Scotland, it turned into a derogatory term for an itinerant musician; nonetheless it was later romanticised by Sir Walter Scott (1771–1832). By the Early Modern Period, these names came to be used interchangeably.

Irish bards formed a professional hereditary caste of highly trained, learned poets. The bards were steeped in the history and traditions of clan and country, as well as in the technical requirements of a verse technique that was syllabic and used assonance, half rhyme, and alliteration, among other conventions. As officials of the court of king or chieftain, they performed a number of official roles. They were chroniclers and satirists whose job it was to praise their employers and damn those who crossed them. It was believed that a well-aimed bardic satire, , could raise boils on the face of its target.

thumb|left|230px|'Beardna', a loanword of Celtic origin The bardic system lasted until the mid-17th century in Ireland and the early 18th century in Scotland. In Ireland, their fortunes had always been linked to the Gaelic aristocracy, which declined along with them during the Tudor reconquest.

The early history of the bards can be known only indirectly through mythological stories. The first mention of the bardic profession in Ireland is found in the Book of Invasions, in a story about the Tuatha Dé Danann (Tribe of Goddess Danu), also called Danonians. They became the aos sí (folk of the mound), comparable to Norse alfr and British fairy. During the tenth year of the reign of the last monarch of the Fir Bolg, the Tuatha Dé Danann invaded and settled in Ireland. They were divided into three tribes — the tribe of Tuatha who were the nobility, the tribe of De who were the priests (those devoted to serving God or De) and the tribe of Danann, who were the bards. This account of the Tuatha Dé Danann must be considered legendary; however the story was an integral part of the oral history of Irish bards themselves. One of the most notable bards in Irish mythology was Amergin Glúingel, a bard, druid, and judge for the Milesians.

Scotland

The best-known group of bards in Scotland were the members of the MacMhuirich family, who flourished from the 15th to the 18th centuries. The family was centred in the Hebrides, and claimed descent from a 13th century Irish bard who, according to legend, was exiled to Scotland. The family was at first chiefly employed by the Lords of the Isles as poets, lawyers, and physicians. The last of the family to practise classical Gaelic poetry was Domhnall MacMhuirich, who lived on South Uist in the 18th century.

In Gaelic-speaking areas, a village bard or village poet () is a local poet who composes works in a traditional style relating to that community. Notable village bards include Dòmhnall Ruadh Chorùna and .

Wales

A number of bards in Welsh mythology have been preserved in medieval Welsh literature such as the Red Book of Hergest, the White Book of Rhydderch, the Book of Aneirin and the Book of Taliesin. The bards Aneirin and Taliesin may be legendary reflections of historical bards active in the 6th and 7th centuries. Very little historical information about Dark Age Welsh court tradition survives, but the Middle Welsh material came to be the nucleus of the Matter of Britain and Arthurian legend as they developed from the 13th century. The (Welsh) Laws of Hywel Dda, originally compiled around 900, identify a bard as a member of a king's household. His duties, when the bodyguard were sharing out booty, included the singing of the sovereignty of Britain—possibly why the genealogies of the British high kings survived into the written historical record.

A large number of Welsh bards were blind people.

The royal form of bardic tradition ceased in the 13th century, when the 1282 Edwardian conquest permanently ended the rule of the Welsh princes. The legendary suicide of The Last Bard (c. 1283), was commemorated in the poem The Bards of Wales by the Hungarian poet János Arany in 1857, as a way of encoded resistance to the suppressive politics of his own time. However, the poetic and musical traditions were continued throughout the Middle Ages, e.g., by noted 14th-century poets Dafydd ap Gwilym and Iolo Goch. Also the tradition of regularly assembling bards at an eisteddfod never lapsed and was strengthened by formation of the Gorsedd by Iolo Morganwg in 1792.

Wales in the twenty-first century is a leading Celtic upholder of the bardic tradition. The annual National Eisteddfod of Wales () (which was first held in 1880) is held in which bards are chaired (see :Category:Chaired bards) and crowned (see :Category:Crowned bards). The Urdd National Eisteddfod is also held annually. And many schools hold their own annual eisteddfodau which emulate bardic traditions.

Several published research studies into the Welsh bardic tradition have been published. They include Williams (1850), Parry-Williams (1947), Morgan (1983) and Jones (1986). Doubtless research studies have also been published in the current century.

Literature

thumb|upright|William Blake's hand painted engraving of his poem "[[The Voice of the Ancient Bard" in the Songs of Innocence and of Experience]]

From its frequent use in romanticism, 'The Bard' became attached as a title to various poets

'The Bard of Armagh' is Martin Hearty
'The Bard of Avon,' 'The Immortal Bard' or (in England) simply 'The Bard' is William Shakespeare
'The Bard of Ayrshire' (or in Scotland, simply 'The Bard') is Robert Burns
'The Bard of Bengal' is Rabindranath Tagore
'The Bard of Olney' is William Cowper
'The Bard of Rydal Mount' is William Wordsworth
'The Bard of Salford' is John Cooper Clarke
'The Bard of Twickenham' is Alexander Pope
'The Bard of the Yukon' is Robert W. Service
Australian bush poets such as Henry Lawson and Banjo Paterson are referred to as 'bush bards'
Bob Dylan, Jim MacCool and the band Blind Guardian have also been termed 'bards'

Popular culture

From its Romanticist use, the notion of the bard as a minstrel with qualities of a priest, magician, or seer also entered the fantasy genre in the 1960s to 1980s, for example as the bard class in Dungeons & Dragons and Pathfinder, Bard by Keith Taylor (1981), Bard: The Odyssey of the Irish by Morgan Llywelyn (1984), in video games in fantasy settings such as The Bard's Tale (1985), and in modern literature and TV like The Witcher books by Andrzej Sapkowski (1986–2013) and television adaptation by Lauren Schmidt Hissrich (2019).

As of 2020, an online trend to cover modern songs using medieval-style musical instruments and composition, including rewriting the lyrics in a medieval style, is known as bardcore.

Scotland

Wales

Literature

Popular culture

See also

References

Bibliography

Further reading

External links