John Augustin Daly (July 20, 1838 – June 7, 1899) was one of the most influential men in American theatre during his lifetime. Drama critic, theatre manager, playwright, and adapter, he became the first recognized stage director in America. He exercised fierce and tyrannical control over all aspects of his productions. His rules of conduct for actors and actresses imposed heavy fines for late appearances and forgotten lines and earned him the title "the autocrat of the stage." He formed a permanent company in New York and opened Daly's Theatre in New York in 1879, and a second one in London in 1893.
Biography
Augustin Daly was born in Plymouth, North Carolina to Captain Denis Daly, sea-captain and ship owner, and Elizabeth, daughter of Lieutenant John Duffy of the British Army. He was educated in Norfolk, Virginia, and in the public schools of New York City. His mother, early left a widow, brought her two boys to New York City, where they soon became frequent attendants at the theaters and were members of amateur groups under such names as the "Burton Association" or the "Murdoch Association" were the precursors of the Little Theatre Movement.
He was a dramatic critic for several New York papers from 1859, and he adapted or wrote a number of plays, Under the Gaslight (1867) being his first success. In 1869 he became the manager of the Fifth Avenue Theatre on 24th St. and in 1873 the Fifth Avenue Theatre on 28th. He had a major success at the latter theatre with his 1875 play The Big Bonanza. In 1879 he rebuilt and opened Daly's Theatre on Broadway and 30th Street in New York, and, in 1893, Daly's Theatre in London.
thumb|Reading The Play (1882)
At the first of these, he gathered a company of players, headed by Ada Rehan, which made for it a high reputation, and for them he adapted plays from foreign sources, and revived Shakespearean comedies in a manner before unknown in America. He took his entire company on tour, visiting England, Germany and France, and some of the best actors on the American stage have owed their training and first successes to him.
He was a founding member of The Players.
In 1894, he was awarded the Laetare Medal by the University of Notre Dame, considered the most prestigious award for American Catholics.
Daly was a great book-lover, and his valuable library was dispersed by auction after his death, which occurred in Paris. Besides plays, original and adapted, he wrote Woffington: a Tribute to the Actress and the Woman (1888).
Notable works
300px|thumb|Poster from the [[Royal Lyceum Theatre|Royal Lyceum, 1886]]
Under the Gaslight (1867) is an example of Daly's mixture of realism and melodrama, seen in the authenticity of his depiction of real locations and in his use of social commentary. In the book Vagrant Memories, the author, William Winter recalls how Daly came up with the device. He says: "He once told me under what circumstances he hit upon this device. He was walking home toward night, thinking intently about the play which he had begun to write, when suddenly the crowning expedient occurred to him and at the same instant he stumbled over a misplaced flagstone, striking his right foot against the edge of the stone and sustaining a severe hurt. "I was near my door," he said, "and I rushed into the house, threw myself into a chair, grasping my injured foot with both hands, for the pain was great, and exclaiming, over and over again, 'I've got it! I've got it! And it beats hot-irons all to pieces!" I wasn't even thinking of the hurt. I had the thought of having my hero tied on a railroad track and rescued by his sweetheart, just in the nick of time, before the swift passage of an express train across a dark stage.
A Flash of Lightning (1868), like Under the Gaslight, is pure melodrama, with water and fire spectacles providing action scenes and special effects for its eager audiences.
Divorce (1871) and Pique (1875), both adaptations of British novels, demonstrate Daly's attempts to create social comedy, although the plays remain somewhat melodramatic.